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Portrait of War tells the gripping true story of eight graphic artists recruited by the government and sent into combat to create a visual historical record of World War I. Featuring both their stunning illustrations and deep personal reflections, Portrait of War is a moving testament to the bravery of these artist-soldiers and the remarkable record of war they left behind.
The Proud Tower, the Pulitzer Prize-winning The Guns of August, and The Zimmerman Telegram comprise Barbara W. Tuchman’s classic histories of the First World War era During the fateful quarter century leading up to World War I, the climax of a century of rapid, unprecedented change, a privileged few enjoyed Olympian luxury as the underclass was “heaving in its pain, its power, and its hate.” In The Proud Tower, Barbara W. Tuchman brings the era to vivid life: the decline of the Edwardian aristocracy; the Anarchists of Europe and America; Germany and its self-depicted hero, Richard Strauss; Diaghilev’s Russian ballet and Stravinsky’s music; the Dreyfus Affair; the Peace Conferences in The Hague; and the enthusiasm and tragedy of Socialism, epitomized by the assassination of Jean Jaurès on the night the Great War began and an epoch came to a close. Praise for The Proud Tower “[Barbara W. Tuchman’s] Pulitzer Prize–winning The Guns of August was an expert evocation of the first spasm of the 1914–1918 war. She brings the same narrative gifts and panoramic camera eye to her portrait of the antebellum world.”—Newsweek “A rare combination of impeccable scholarship and literary polish . . . It would be impossible to read The Proud Tower without pleasure and admiration.”—The New York Times “An exquisitely written and thoroughly engrossing work . . . The author’s knowledge and skill are so impressive that they whet the appetite for more.”—Chicago Tribune “[Tuchman] tells her story with cool wit and warm understanding.”—Time
USA Today Bestseller "This is a truly original novel that has earned its place among my favorite works of historical fiction."--Jennifer Robson, USA Today bestselling author of The Gown An exciting, dual-timeline historical novel about the creation of one of Leonardo da Vinci's most famous paintings, Portrait of a Lady with an Ermine, and the woman who fought to save it from Nazi destruction during World War II. Milan, 1492: When a 16-year old beauty becomes the mistress of the Duke of Milan, she must fight for her place in the palace—and against those who want her out. Soon, she finds herself sitting before Leonardo da Vinci, who wants to ensure his own place in the ducal palace by painting his most ambitious portrait to date. Munich, World War II: After a modest conservator unwittingly places a priceless Italian Renaissance portrait into the hands of a high-ranking Nazi leader, she risks her life to recover it, working with an American soldier, part of the famed Monuments Men team, to get it back. Two women, separated by 500 years, are swept up in the tide of history as one painting stands at the center of their quests for their own destinies.
The Great War in Portraits by Paul Moorhouse,Sebastian Faulks Pdf
In viewing the Great War through the portraits of those involved, Paul Moorhouse looks at the bitter-sweet nature of a conflict in which valour and selfless endeavour were qualified by disaster and suffering, and examines the notion of identity - how various individuals associated with the war were represented and perceived. The narrative is structured chronologically, with thematic sections devoted to conflicting pairs - 'Royalty and the Assassin', 'Leaders and Followers', 'The Valiant and the Damned' - which reveal the radical differences between those caught up in the conflict in terms of their respective roles, aspirations, experiences, and, ultimately, their destinies. 'Leaders and Followers', for example, examines the dichotomy between the representation of senior military leaders such as Blumer, Foch, Haig and Hindenburg, who were responsible for directing the war, and that of the ordinary soldiers charged with executing it. While portraits of the generals emphasise their personal profile, gallantry and the trappings of military power, paintings of the rank and file are characterised by a tendency to anonymity, in which individual identity was subsumed with the impression of 'types'. Claude Rogers's imposing painting Gassed, for instance, presented the individual soldier as a kind of cipher, a depersonalised embodiment of common, degraded experience. Illustrated throughout with images both well known and less familiar, the book concludes with a section entitled 'Tradition and the Avant-Garde', which focuses on the struggle artists faced in finding an appropriate language in which to depict those who had experienced the unimaginable horror at the front: either by resorting to the steadying hand of tradition or a radical visual language of expressive distortion.
Studies on the First World War are plentiful but most tend to focus on the combatants. This volume offers a new and highly original perspective that shows the reader the civilian side of this protracted and destructive war through a succession of "snapshots": 130 excerpts from leading American and Canadian newspapers provide a collective portrait of life behind the battle lines, what is often called the "second" front. Written principally by Paris-based journalists, and intended for popular reading audiences, these articles depict ordinary people in a way that still touches the reader of today. They record eye-witness testimony of Paris under aerial bombardment, the gutted cathedrals at Reims and Arras, the cemeteries around Compiègne, the subterranean living quarters at Cambrai, and the heart-breaking orphanages at Chambly. Introduced and concluded by the editor, the volume also offers biographical notes on some of the leadingjournalist contributors, maps to familiarize readers with the geography of northern France, and detailed subject and geographical indices. The volume ends with a select bibliography of works on the subject of French civilian life during the Great War.
Author : Center of Military History,Gordon R. Sullivan Publisher : Defense Department Page : 200 pages File Size : 44,8 Mb Release : 1991 Category : Art ISBN : MSU:31293012131946
Portrait of an Army by Center of Military History,Gordon R. Sullivan Pdf
The Army Art Collection has over 10,000 pieces of art which, taken together, provide a wide-ranging visual record of the activities of the U.S. Army, with a clear emphasis on the human dimension of a soldier's life, both in peacetime and in war. Portrait of an Army is a representative selection of work from that collection. The focus of the volume, like that of the artists themselves, is on the composite reality captured in each image, and on the interplay between related images, regardless of chronology. The result is a portrait in its truest sense: a distilling of experience, as remembered in selected, telling details. But it is also a collective portrait, a commemoration of those successive generations of men and women who have served the Army and their country so well. --from publisher's description.
Portraits of Remembrance by Margaret Hutchison,Steven Trout Pdf
Interdisciplinary collection of essays on fine art painting as it relates to the First World War and commemoration of the conflict Although photography and moving pictures achieved ubiquity during the First World War as technological means of recording history, the far more traditional medium of painting played a vital role in the visual culture of combatant nations. The public's appetite for the kind of up-close frontline action that snapshots and film footage could not yet provide resulted in a robust market for drawn or painted battle scenes. Painting also figured significantly in the formation of collective war memory after the armistice. Paintings became sites of memory in two ways: first, many governments and communities invested in freestanding panoramas or cycloramas that depicted the war or featured murals as components of even larger commemorative projects, and second, certain paintings, whether created by official artists or simply by those moved to do so, emerged over time as visual touchstones in the public's understanding of the war. Portraits of Remembrance: Painting, Memory, and the First World War examines the relationship between war painting and collective memory in Australia, Austria, Belgium, Canada, Croatia, France, Germany, Great Britain, New Zealand, Russia, Serbia, Turkey, and the United States. The paintings discussed vary tremendously, ranging from public murals and panoramas to works on a far more intimate scale, including modernist masterpieces and crowd-pleasing expressions of sentimentality or spiritualism. Contributors raise a host of topics in connection with the volume's overarching focus on memory, including national identity, constructions of gender, historical accuracy, issues of aesthetic taste, and connections between painting and literature, as well as other cultural forms.
This volume honors those who experienced the Vietnam War through striking portraits and personal accounts of the conflict and its repercussions. This book offers a uniquely human perspective on the Vietnam War through portraits and stories of American veterans, southern Vietnamese veterans, and civilians. The surreal imagery of Thomas Sanders’ photography encourages the viewer to take a closer look at those who experienced the war. These images are paired with the individuals’ haunting, inspirational, and sometimes comical stories of the war. Set in a surreal jungle environment, the portraits evoke the sense of darkness and uncertainty felt by those who experienced the war. Some portrait subjects hold objects that evoke their time of service: the common cigarette pack smoked by the vets while in the jungle; a homemade grenade made by the northern Vietnamese; and the “order to report” document that changed many a life.
Author : James A. Warren Publisher : Lothrop, Lee and Shepard Books Page : 216 pages File Size : 54,8 Mb Release : 1990 Category : History ISBN : WISC:89058356346
Portraits of Battle by Peter Farrugia,Evan J. Habkirk Pdf
From the Battle of Ypres to the Battle of Vimy Ridge, the Canadian Expeditionary Force played a key role in Allied victory during World War I. Blending biography and military history, Portraits of Battle highlights the experiences of Canadians who participated in the Great War. The diversity revealed by these touching portraits of soldiers, civilians, deserters, nurses, and Indigenous people offers a fresh, nuanced perspective on the legacy of World War I in Canadian memory.
Living Through the Forgotten War by Patrick Dowdey,Bruce Cumings,John Kie-chiang Oh Pdf
The year 2003 marked the fiftieth anniversary of the armistice that ended the hot war on the Korean peninsula. The Korean War started as a civil conflict and then grew into an all-out superpower war. Whole cities were levelled, factories destroyed, homes torched, farmers uprooted from their fields. This book presents an expanded view of the war in Korea that Americans know little about. In addition to dramatic photographs are two insightful essays that provide an introduction to events during and after the war. The photographs here have been selected from among the tens of thousands that were taken by American military photographers and are now held by the National Archives and Record Administration. Most of those document combat, war materiel, and the life of GIs. The group in this book show something deeper. Here are the faces of people who lived through the effects of the headlines. They are POWs, Koreans, GIs, people mostly without nice clothes, with simple, generic titles like son, comrade, ajumoni (auntie), or private; people mostly afoot, a few armed, many just waiting. These people caught in war share a silent unity that bridges the categories of North, South, civilian, soldier, and prisoner. They become a part of history and memory.
Faces of Discord by National Portrait Gallery (Smithsonian Institution) Pdf
Daniel Webster, Frederick Douglass, Harriet Beecher Stowe, Jefferson Davis, John Brown. We know their names and recall the place of each in our nation's history. But do we recognize their faces and those of the dozens of their contemporaries who forged a new and forward-looking America during the Civil War era? Faces of Discord is a look into the real faces of the leading historical figures of this turbulent and transformative time. Compiled from the collections of the Smithsonian's National Portrait Gallery, these depictions include those of Abraham Lincoln, Robert E. Lee, Ulysses S. Grant, John S. Mosby, George Armstrong Custer, and many others who were painted, sculpted, and photographed by the foremost artists of the day. More than just arresting pictures in a book, these “faces of discord” represent historical portraits of the period, some of which were once owned by the famous sitters themselves and passed down to the Smithsonian by their descendants. The National Portrait Gallery is a fitting repository for these images, in part because the gallery occupies the building that was used as a barracks and hospital for Federal troops during the war and was the site of Lincoln's second inaugural ball. Faces of Discord also tells the stories of the extraordinary lives behind the faces that changed the course of American history. Selected exclusively from Smithsonian collections and illustrated within Faces of Discord are rarely seen personal possessions and memorabilia associated with many of these historical figures who still command our attention and so vividly animate these pages.