Portraiture Gender And Power In Sixteenth Century Art

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Portraiture, Gender, and Power in Sixteenth-Century Art

Author : Noelia García Pérez
Publisher : Taylor & Francis
Page : 271 pages
File Size : 50,6 Mb
Release : 2024-03-05
Category : Art
ISBN : 9781003856511

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Portraiture, Gender, and Power in Sixteenth-Century Art by Noelia García Pérez Pdf

This exciting and wide-ranging volume examines the construction and dissemination of the image of female power during the Renaissance. Chapters examine the creation, promotion, and display of the image of women in power, and how the artistic and cultural patronage they developed helped them craft a self-image that greatly contributed to strengthening their power, consolidating their political legitimacy, and promoting their authority. Contributors cover diverse models of sixteenth-century female power: from ruling queens, regents, and governors, to consorts of sovereigns and noblewomen outside the court. The women selected were key political figures and patrons of art in England, France, Castile, the Low Countries, the Holy Roman Empire, and Italian city states. The volume engages with crucial and controversial debates regarding the nature and use of portraiture as well as the changing patterns of how portraits were displayed, building a picture of the principal iconographic solutions and representational strategies that artists used. The book will be of interest to scholars working in art history, gender studies, women’s studies, and Renaissance studies.

Women in Italian Renaissance Art

Author : Paola Tinagli
Publisher : Manchester University Press
Page : 226 pages
File Size : 42,8 Mb
Release : 1997-06-15
Category : Art
ISBN : 071904054X

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Women in Italian Renaissance Art by Paola Tinagli Pdf

This is the first book which gives a general overview of women as subject-matter in Italian Renaissance painting. It presents a view of the interaction between artist and patron, and also of the function of these paintings in Italian society of the fifteenth and sixteenth centuries. Using letters, poems, and treatises, it examines through the eyes of the contemporary viewer the way women were represented in paintings.

Women and Portraits in Early Modern Europe

Author : Andrea Pearson
Publisher : Routledge
Page : 259 pages
File Size : 49,9 Mb
Release : 2016-12-05
Category : Art
ISBN : 9781351872263

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Women and Portraits in Early Modern Europe by Andrea Pearson Pdf

As one of the first books to treat portraits of early modern women as a discrete subject, this volume considers the possibilities and limits of agency and identity for women in history and, with particular attention to gender, as categories of analysis for women's images. Its nine original essays on Italy, the Low Countries, Germany, France, and England deepen the usefulness of these analytical tools for portraiture. Among the book's broad contributions: it dispels false assumptions about agency's possibilities and limits, showing how agency can be located outside of conventional understanding, and, conversely, how it can be stretched too far. It demonstrates that agency is compatible with relational gender analysis, especially when alternative agencies such as spectatorship are taken into account. It also makes evident the importance of aesthetics for the study of identity and agency. The individual essays reveal, among other things, how portraits broadened the traditional parameters of portraiture, explored transvestism and same-sex eroticism, appropriated aspects of male portraiture to claim those values for their sitters, and, as sites for gender negotiation, resistance, and debate, invoked considerable relational anxiety. Richly layered in method, the book offers an array of provocative insights into its subject.

"The Feminine Dynamic in English Art, 1485?603 "

Author : SusanE. James
Publisher : Routledge
Page : 377 pages
File Size : 45,7 Mb
Release : 2017-07-05
Category : Art
ISBN : 9781351544603

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"The Feminine Dynamic in English Art, 1485?603 " by SusanE. James Pdf

A significant contribution to the understanding of sixteenth-century English art in an historical context, this study by Susan James represents an intensive rethinking and restructuring of the Tudor art world based on a broad, detailed survey of women's diverse creative roles within that world. Through an extensive analysis of original documents, James examines and clarifies many of the misperceptions upon which modern discussions of Tudor art are based. The new evidence she lays out allows for a fresh investigation of the economics of art production, particularly in the images of Elizabeth I; of strategies for influencing political situations by carefully planned programs of portraiture; of the seminal importance of extended clans of immigrant Flemish artists and of careers of artists Susanna Horenboult and Lievine Teerlinc and their impact on the development of the portrait miniature. Drawn principally from primary sources, this book presents important new research which examines the contributions of Tudor women in the formation, distribution and popularization of the visual arts, particularly portraiture and the portrait miniature. James highlights the involvement of women as patrons, consumers and creators of art in sixteenth-century England and their use of the painted image as a statement of cultural worth. She explores and analyzes the amount of time, money, effort and ingenuity which women across all social classes invested in the development of art, in the uses they found for it, and the surprising and unexpected ways in which they exploited it.

Re-membering Masculinity in Early Modern Florence

Author : Allison Levy
Publisher : Routledge
Page : 346 pages
File Size : 41,8 Mb
Release : 2017-03-02
Category : Art
ISBN : 9781351904483

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Re-membering Masculinity in Early Modern Florence by Allison Levy Pdf

From Pliny to Petrarch to Pope-Hennessy and beyond, many have understood the obvious connection between portraiture and commemorative practice. This book expands and nuances our understanding of Renaissance portraiture; the author shows it to be complexly generated within a discourse of male anxiety and pre-mortuary mourning. She argues that portraiture could defer memory loss or, at the very least, pictorially console the subject against his own potentially unmourned death. This book recognizes a socio-cultural anxiety - the fear not merely of death but also of being forgotten - and identifies a set of pictorial, literary and theoretical strategies consequently formulated to ensure memory. To explore this phenomenon, this interdisciplinary but fundamentally art historical project merges early modern visual culture and critical theories of the body. The author examines an extensive selection of fifteenth- and sixteenth-century male and female portraits, primarily associated with the Medici family, circle and court, in and against both historical writings and contemporary discourses, including literary and cultural theory, psychoanalysis, feminism and gender studies, and critical theories of race and disability. Re-membering Masculinity generates new ideas about both male and female portraiture in early modern Florence, raises even more questions about the experiences and representations of widowhood and mourning, and re-configures our understanding of masculinity - from the early modern male body to 'Renaissance Man' to postmodern manhood.

Medici Women

Author : Gabrielle Langdon
Publisher : University of Toronto Press
Page : 457 pages
File Size : 52,7 Mb
Release : 2006-01-01
Category : Art
ISBN : 9780802038258

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Medici Women by Gabrielle Langdon Pdf

The ducal court of Cosimo I de' Medici in sixteenth-century Florence was one of absolutist, rule-bound order. Portraiture especially served the dynastic pretensions of the absolutist ruler, Duke Cosimo and his consort, Eleonora di Toledo, and was part of a Herculean programme of propaganda to establish legitimacy and prestige for the new sixteenth-century Florentine court. In this engaging and original study, Gabrielle Langdon analyses selected portraits of women by Jacopo Pontormo, Agnolo Bronzino, Alessandro Allori, and other masters. She defines their function as works of art, as dynastic declarations, and as encoded documents of court culture and propaganda, illuminating Cosimo's conscious fashioning of his court portraiture in imitation of the great courts of Europe. Langdon explores the use of portraiture as a vehicle to express Medici political policy, such as with Cosimo's Hapsburg and Papal alliances in his bid to be made Grand Duke with hegemony over rival Italian princes. Stories from archives, letters, diaries, chronicles, and secret ambassadorial briefs, open up a world of fascinating, personalities, personal triumphs, human frailty, rumour, intrigue, and appalling tragedies. Lavishly illustrated, Medici Women: Portraits of Power, Love and Betrayal in the Court of Duke Cosimo I is an indispensable work for anyone with a passion for Italian renaissance history, art, and court culture.

Femininity and Masculinity in Eighteenth-century Art and Culture

Author : Gillian Perry
Publisher : Manchester University Press
Page : 276 pages
File Size : 54,7 Mb
Release : 1994
Category : Arts, Modern
ISBN : 0719042283

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Femininity and Masculinity in Eighteenth-century Art and Culture by Gillian Perry Pdf

Focusing on the visual arts and written texts, this book explores the nature of femininity and masculinity in 18th-century Britain and France. The activities and collective conditions of women as producers of art and culture are investigated, together with analysis of representation and the ways in which it might be gendered. This illustrated book should make an important contribution to debates on representation, constructions of sexuality and women as producers.

Polychrome Art in the Early Modern World

Author : Ilenia Colón Mendoza,Lisandra Estevez
Publisher : Taylor & Francis
Page : 271 pages
File Size : 54,8 Mb
Release : 2024-07-04
Category : Art
ISBN : 9781040043349

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Polychrome Art in the Early Modern World by Ilenia Colón Mendoza,Lisandra Estevez Pdf

This book focuses on the techniques and materials of polychromy used in early modern Europe and the Americas from 1200 to 1800. Taking a trans-cultural approach, the book studies the production of polychrome sculptures, panels, and altarpieces, as well as colored terracotta. The book includes chapters on treatises and contracts that reveal specific use of pigments, distribution of workshops, collaborations between specialized artists, and artistic programs centered on the use of color as an agent. The book will be of interest to scholars working in art history, art conservation, early modern history, sculpture, colonialism, material culture, and European studies.

Santi Gucci Fiorentino, Artist and Entrepreneur in Early Modern Poland

Author : Olga Maria Hajduk
Publisher : Taylor & Francis
Page : 374 pages
File Size : 40,7 Mb
Release : 2024-04-23
Category : Art
ISBN : 9781040023167

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Santi Gucci Fiorentino, Artist and Entrepreneur in Early Modern Poland by Olga Maria Hajduk Pdf

The original research in this book analyzes the artistic activity of Santi Gucci (1533– c.1600), a Florentine sculptor active in Poland in the second half of the sixteenth century, and his workshop. Chapters examine the organization of the artistic workshop (sculpting and masonry) and the model of the artist’s functioning as an entrepreneur in Renaissance Poland, using Santi Gucci’s activity as an example. Gucci shaped the image of Polish sculpture in the sixteenth century for more than 50 years, even though his work has not yet been fully examined. The author sets Gucci’s emigration within the context of the cultural exchanges between Italy and Poland that contributed to the development of the Polish Renaissance. The book will be of interest to scholars working in art history, Renaissance studies, architectural history and economic history.

Representing Duchess Anna Amalia's Bildung

Author : Christina K. Lindeman
Publisher : Routledge
Page : 210 pages
File Size : 48,8 Mb
Release : 2017-04-21
Category : Art
ISBN : 9781351768054

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Representing Duchess Anna Amalia's Bildung by Christina K. Lindeman Pdf

The cultural milieu in the “Age of Goethe” of eighteenth-century Germany is given fresh context in this art historical study of the noted writers’ patroness: Anna Amalia, Duchess of Weimar-Sachsen-Eisenach. An important noblewoman and patron of the arts, Anna Amalia transformed her court into one of the most intellectually and culturally brilliant in Europe; this book reveals the full scope of her impact on the history of art of this time and place. More than just biography or a patronage study, this book closely examines the art produced by German-speaking artists and the figure of Anna Amalia herself. Her portraits demonstrate the importance of social networks that enabled her to construct scholarly, intellectual identities not only for herself, but for the region she represented. By investigating ways in which the duchess navigated within male-dominated institutions as a means of advancing her own self-cultivation – or Bildung – this book demonstrates the role accorded to women in the public sphere, cultural politics, and historical memory. Cumulatively, Christina K. Lindeman traces how Anna Amalia, a woman from a small German principality, was represented as an active participant in enlightened discourses. The author presents a novel and original argument concerned with how a powerful woman used art to shape her identity, how that identity changed over time, and how people around her shaped it – an approach that elucidates the power of portraiture in eighteenth- and early nineteenth-century Europe.

How to Read Portraits

Author : Kathryn Calley Galitz
Publisher : Metropolitan Museum of Art
Page : 123 pages
File Size : 48,8 Mb
Release : 2024-04-29
Category : Art
ISBN : 9781588397645

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How to Read Portraits by Kathryn Calley Galitz Pdf

Portraiture goes far beyond capturing a likeness. This intimate genre sheds light on the subjects’ and makers’ politics, relationships, aspirations, and insecurities. Featuring more than fifty works across time and cultures, from the lifelike Faiyum funerary masks of ancient Roman Egypt to Pablo Picasso’s and Marsden Hartley’s abstractions to likenesses imagined by contemporary artists, this publication probes the notion of what constitutes a portrait, beyond mere verisimilitude. Bestselling author Kathryn Calley Galitz illuminates how artists through the ages have exploited the genre to reveal character and convey power and status; how artists as varied as Rembrandt and Cindy Sherman embraced artifice and roleplaying to explore identity; and how the term “portraiture” encompasses a wider variety of works than typically thought. This reexamination of a deceptively familiar genre provides fascinating ideas about what these images can tell us about the sitter, the artist, the culture in which they lived, and ourselves.

Netherlandish and Italian Female Portraiture in the Fifteenth Century

Author : Elisabetta Toreno
Publisher : Visual and Material Culture
Page : 0 pages
File Size : 46,5 Mb
Release : 2022-11
Category : Electronic
ISBN : 9463728619

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Netherlandish and Italian Female Portraiture in the Fifteenth Century by Elisabetta Toreno Pdf

This book investigates the aesthetic and conceptual characteristics of fifteenth-century female portraiture on panel. Portraits of women increased substantially during this century. They formed part of a material and a visual culture borne out of the rapid rise of an oligarchy from entrepreneurial activities that was especially advanced in the urbanised territories of Italy and Flanders. For this reason, the portraits in this book are by Netherlandish and Italian painters. They are simultaneously illustrative of the emancipation of the genre from its medieval idiom, and of the responses to the matrix of patriarchy, under which society was organised. Patriarchy is an androcentric structure that places women in a paradoxical situation of legal and social disenfranchisement on the account of purported psychophysical inadequacy, whilst making them the catalysts, through arranged marriages, for the success of the spheres of power, which are controlled by men. Thus, these portraits are also a window into women's lives in this structure. This book is the first systematic study of their sign-system and of the feminine experience of seeing and being seen, at the intersection of disciplines that include art history, anthropology, legal history, philosophy. The surprising results suggest new interpretations of form and function in female portraiture, women's active role in the imaging process and the early instances of a pro-women ideology.

Painting Women

Author : Patricia Phillippy,Professor Patricia Phillippy
Publisher : JHU Press
Page : 273 pages
File Size : 50,5 Mb
Release : 2006
Category : Art
ISBN : 9780801882258

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Painting Women by Patricia Phillippy,Professor Patricia Phillippy Pdf

Patricia Phillippy's analysis of the representation of women in literature and visual arts revolves around multiple early modern senses of 'painting'. She focuses on women who paint themselves with cosmetics, women who paint on canvas and women and men who paint women, either with pigment or with words.

A Tale of Two Women Painters

Author : Leticia Ruiz
Publisher : Unknown
Page : 248 pages
File Size : 40,6 Mb
Release : 2020-01-09
Category : Painters
ISBN : 8484805379

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A Tale of Two Women Painters by Leticia Ruiz Pdf

Drawing on some sixty works and for the first time, the Museo del Prado will jointly present the most important paintings by Sofonisba Anguissola (ca. 1535-1625) and Lavinia Fontana (1552-1614). The two artists achieved recognition and fame among their contemporaries for and despite their status as female painters. Both were able to break away from the prevailing stereotypes assigned to women in relation to artistic practice and the deep-rooted scepticism regarding women's creative and artistic abilities.The exhibition and accompanying catalogue will present the work of these two women, whose artistic personalities were to some extent obscured over the course of time but who in the last thirty years have once again aroused the interest of specialists and the general public.

The Da Vinci Women

Author : Kia Vahland
Publisher : Black Dog & Leventhal
Page : 304 pages
File Size : 50,5 Mb
Release : 2020-02-25
Category : Art
ISBN : 9780762496426

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The Da Vinci Women by Kia Vahland Pdf

This new biographical look at Leonardo da Vinci explores the Renaissance master's groundbreaking portrayal of women which forever changed the way the female form is depicted. Leonardo da Vinci was a revolutionary thinker, artist, and inventor who has been written about and celebrated for centuries. Lesser known, however, is his revolutionary and empowering portrayal of the modern female centuries before the first women's liberation movements. Before da Vinci, portraits of women in Italy were still, impersonal, and mostly shown in profile. Leonardo pushed the boundaries of female depiction having several of his female subjects, including his Mona Lisa, gaze at the viewer, giving them an authority which was withheld from women at the time. Art historian and journalist Kia Vahland recounts Leonardo's entire life from April 15, 1452, as a child born out of wedlock in Vinci up through his death on May 2, 1519, in the French castle of von Cloux. Included throughout are 80 sketches and paintings showcasing Leonardo's approach to the female form (including anatomical sketches of birth) and other artwork as well as examples from other artists from the 15th and 16th centuries. Vahland explains how artists like Raphael, Giorgione, and the young Titan were influenced by da Vinci's women while Michelangelo, da Vinci's main rival, created masculine images of woman that counters Leonardo's depictions.