Postcolonial Cinema Studies

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Postcolonial Cinema Studies

Author : Sandra Ponzanesi,Marguerite Waller
Publisher : Routledge
Page : 365 pages
File Size : 53,7 Mb
Release : 2012-03-12
Category : Language Arts & Disciplines
ISBN : 9781136592041

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Postcolonial Cinema Studies by Sandra Ponzanesi,Marguerite Waller Pdf

This collection of essays foregrounds the work of filmmakers in theorizing and comparing postcolonial conditions, recasting debates in both cinema and postcolonial studies. Postcolonial cinema is presented, not as a rigid category, but as an optic through which to address questions of postcolonial historiography, geography, subjectivity, and epistemology. Current circumstances of migration and immigration, militarization, economic exploitation, racial and religious conflict, enactments of citizenship, and cultural self-representation have deep roots in colonial/postcolonial/neocolonial histories. Contributors deeply engage the tense asymmetries bequeathed to the contemporary world by the multiple,diverse, and overlapping histories of European, Soviet, U.S., and multi-national imperial ventures. With interdisciplinary expertise, they discover and explore the conceptual temporalities and spatialities of postcoloniality, with an emphasis on the politics of form, the ‘postcolonial aesthetics’ through which filmmakers challenge themselves and their viewers to move beyond national and imperial imaginaries. Contributors include: Jude G. Akudinobi, Kanika Batra, Ruth Ben-Ghiat, Shohini Chaudhuri, Julie F. Codell, Sabine Doran, Hamish Ford, Claudia Hoffmann, Anikó Imre, Priya Jaikumar, Mariam B. Lam, Paulo de Medeiros, Sandra Ponzanesi, Richard Rice, Mireille Rosello and Marguerite Waller.

Unsettling Sights

Author : Corinn Columpar
Publisher : SIU Press
Page : 249 pages
File Size : 46,8 Mb
Release : 2010-03-11
Category : Performing Arts
ISBN : 9780809385737

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Unsettling Sights by Corinn Columpar Pdf

Unsettling Sights: The Fourth World on Film examines the politics of representing Aboriginality, in the process bringing frequently marginalized voices and visions, issues and debates into the limelight. Corinn Columpar uses film theory, postcolonial theory, and Indigenous theory to frame her discussion of the cinematic construction and transnational circulation of Aboriginality. The result is a broad interdisciplinary analysis of how Indigeneity is represented in cinema, supported by more than twenty rigorous and theoretically informed case studies of contemporary feature films by both First- and Fourth-World filmmakers in the United States, Canada, New Zealand, and Australia. Columpar relies heavily on textual analysis of the films but also explores contextual issues in filmmaking such as funding, personnel, modes of production, and means of distribution. Part one of Unsettling Sights focuses on contact narratives in which the Aboriginal subject is constructed in reactive response to a colonizing or invading presence. Films such as The Piano and The Proposition, wherein a white man “goes native,” and The New World and Map of the Human Heart, which approach contact from the perspective of an Aboriginal character, serve as occasions to examine the ways in which Aboriginal identities are negotiated within dominant cinema. Part two shifts the focus from contact narratives to films that seek to define Aboriginality on its own terms, with reference to a (lost) homeland and/or Indigenous practices of (hi)story-telling: while texts such as Once Were Warriors and Smoke Signals foster an engagement with issues of deterritorialization, relocation, and urbanization, discussion of beDevil, Atanarjuat, and The Business of Fancydancing, among others,bring questions of voice, translation, and the relationship between cinema and oral tradition to the forefront. Unsettling Sights is the first significant, scholarly examination of Aboriginality and cinema in an international context and will be invaluable to scholars and students in many fields including cinema studies, anthropology, critical race studies, cultural studies, and postcolonial studies.

Postcolonial Film

Author : Rebecca Weaver-Hightower,Peter Hulme
Publisher : Routledge
Page : 345 pages
File Size : 42,5 Mb
Release : 2014-02-24
Category : Art
ISBN : 9781134747344

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Postcolonial Film by Rebecca Weaver-Hightower,Peter Hulme Pdf

Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization lead to the creation of dozens of new states, forming a backdrop to films of that period. Towards the century’s end and at the dawn of the new millennium, film continues to form a site for interrogating colonization and decolonization, though against a backdrop that is now more neo-colonial than colonial and more culturally imperial than imperial. This volume explores how individual films emerged from and commented on postcolonial spaces and the building and breaking down of the European empire. Each chapter is a case study examining how a particular film from a postcolonial nation emerges from and reflects that nation’s unique postcolonial situation. This analysis of one nation’s struggle with its coloniality allows each essay to investigate just what it means to be postcolonial.

Film, Media and Representation in Postcolonial South Asia

Author : Nukhbah Taj Langah,Roshni Sengupta
Publisher : Taylor & Francis
Page : 318 pages
File Size : 41,6 Mb
Release : 2021-07-28
Category : Social Science
ISBN : 9781000422573

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Film, Media and Representation in Postcolonial South Asia by Nukhbah Taj Langah,Roshni Sengupta Pdf

This volume brings together new studies and interdisciplinary research on the changing mediascapes in South Asia. Focusing on India, Pakistan, and Bangladesh, it explores the transformations in the sphere of cinema, television, performing arts, visual cultures, cyber space and digital media, beyond the traumas of the partitions of 1947 and 1971. Through wide-ranging essays on soft power, performance, film, and television; art and visual culture; and cyber space, social media, and digital texts, the book bridges the gap in the study of the postcolonial and post-Partition developments to reimagine South Asia through a critical understanding of popular culture and media. The volume includes scholars and practitioners from the subcontinent to foster dialogue across the borders, and presents diverse and in-depth studies on film, media and representation in the region. This book will be useful to scholars and researchers of media and film studies, postcolonial studies, visual cultures, political studies, partition history, cultural studies, mass media, popular culture, history, sociology and South Asian studies, as well as to media practitioners, journalists, writers, and activists.

Visual Difference

Author : Elizabeth Heffelfinger,Laura Wright
Publisher : Peter Lang
Page : 222 pages
File Size : 55,8 Mb
Release : 2011
Category : Culture in motion pictures
ISBN : 1433105950

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Visual Difference by Elizabeth Heffelfinger,Laura Wright Pdf

To date, no text exists that focuses exclusively on the concept of postcolonial film as a framework for identifying films produced within and outside of various formerly colonized nations, nor is there a scholarly text that addresses pedagogical issues about and frameworks for teaching such films. This book borrows from and respects various forms of categorization - intercultural, global, third, and accented - while simultaneously seeking to make manifest an alternate space of signification. What feels like a mainstream approach is pedagogically necessary in terms of access, both financial and physical, to the films discussed herein, given that this text proposes models for teaching these works at the university and secondary levels. The focus of this work is therefore twofold: to provide the methodology to read and teach postcolonial film, and also to provide analyses in which scholars and teachers can explore the ways that the films examined herein work to further and complicate our understanding of «postcolonial» as a fraught and evolving theoretical stance.

From Internationalism to Postcolonialism

Author : Rossen Djagalov
Publisher : McGill-Queen's Press - MQUP
Page : 293 pages
File Size : 47,5 Mb
Release : 2020-03-19
Category : Literary Criticism
ISBN : 9780228002024

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From Internationalism to Postcolonialism by Rossen Djagalov Pdf

Would there have been a Third World without the Second? Perhaps, but it would have looked very different. From Internationalism to Postcolonialism recounts the story of two Cold War-era cultural formations that claimed to represent the Third World project in literature and cinema, and offers a compelling genealogy of contemporary postcolonial studies.

Postcolonial Images

Author : Roy Armes
Publisher : Indiana University Press
Page : 314 pages
File Size : 52,8 Mb
Release : 2005-02-23
Category : Performing Arts
ISBN : 025321744X

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Postcolonial Images by Roy Armes Pdf

A comprehensive introduction to North African film.

Postcolonial Film

Author : Rebecca Weaver-Hightower,Peter Hulme
Publisher : Routledge
Page : 327 pages
File Size : 41,7 Mb
Release : 2014-02-24
Category : Art
ISBN : 9781134747276

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Postcolonial Film by Rebecca Weaver-Hightower,Peter Hulme Pdf

Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization lead to the creation of dozens of new states, forming a backdrop to films of that period. Towards the century’s end and at the dawn of the new millennium, film continues to form a site for interrogating colonization and decolonization, though against a backdrop that is now more neo-colonial than colonial and more culturally imperial than imperial. This volume explores how individual films emerged from and commented on postcolonial spaces and the building and breaking down of the European empire. Each chapter is a case study examining how a particular film from a postcolonial nation emerges from and reflects that nation’s unique postcolonial situation. This analysis of one nation’s struggle with its coloniality allows each essay to investigate just what it means to be postcolonial.

African Cinema

Author : Kenneth W. Harrow
Publisher : Africa World Press
Page : 384 pages
File Size : 54,8 Mb
Release : 1999
Category : Literary Criticism
ISBN : 0865436975

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African Cinema by Kenneth W. Harrow Pdf

This collection of essays deals directly and compellingly with contemporary issues in African cinema. In particular, they address key aspects of post-colonialism and feminism - the two major topics of interest in current criticism of African films - but coverage is also given to spectatorship, national identity, ethnography, patriarchy, and the creation of key film industries in developing countries.

Postcolonial African Cinema

Author : Kenneth W. Harrow
Publisher : Unknown
Page : 304 pages
File Size : 42,7 Mb
Release : 2007
Category : Performing Arts
ISBN : UOM:39015064949012

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Postcolonial African Cinema by Kenneth W. Harrow Pdf

A new critical approach to African cinema

Author : Anonim
Publisher : Unknown
Page : 128 pages
File Size : 51,7 Mb
Release : 2024-06-15
Category : Electronic
ISBN : 9780520295308

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by Anonim Pdf

Spectacles of Blood

Author : Swaralipi Nandi ,Esha Chatterjee
Publisher : Zubaan
Page : 128 pages
File Size : 42,5 Mb
Release : 2014-03-11
Category : Social Science
ISBN : 9789383074136

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Spectacles of Blood by Swaralipi Nandi ,Esha Chatterjee Pdf

This book places itself at the nexus of current issues of violence, masculinity and power in the postcolonial context and its representation in its films in challenging, normalising, or contesting these major concerns of our times. The essays address the interplay of critical and theoretical insights both from literature and social studies in analysing the films based on societal violence in postcolonial cultures: be it in the context of sophisticated terrorism, suicide bombings, the underworld, any organised crime, mob violence etc. The writers look at the the dynamics of the representation of these issues as cinematic plots and techniques. They draw attention to the affective value of the films in generating and foregrounding the questions of feelings invoked by the onscreen violence, and the impact of this emotive state on the issues of national and cosmopolitan identity formation. Together, the essays enrich both literary studies and social studies with a nuanced borrowing and intermixing of their primary texts and modes of interpretation. This new collection of essays, thus, brings together, in one volume, the interplay of critical and theoretical insights from Literature, Sociology and Media Studies. Published by Zubaan.

Postcolonial Theory and Avatar

Author : Gautam Basu Thakur
Publisher : Bloomsbury Publishing USA
Page : 209 pages
File Size : 48,7 Mb
Release : 2015-11-19
Category : Performing Arts
ISBN : 9781628925692

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Postcolonial Theory and Avatar by Gautam Basu Thakur Pdf

The Film Theory in Practice series fills a gaping hole in the world of film theory. By marrying the explanation of a film theory with the interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. The second book in the series, Postcolonial Theory and Avatar offers a concise introduction to postcolonial theory in jargon-free language and shows how this theory can be deployed to interpret James Cameron's high-grossing, immensely popular, and critically acclaimed 2009 film. Avatar is widely celebrated for its politically and culturally sensitive critique of the “West's” neocolonial wars and exploitation of the “global south” – an allegory for (neo)colonialism – and for highlighting the plight of tribal communities throughout the world (for instance, the case of the Dongriah Kondh tribe of India). At the same time, it has been also criticized for repeating the colonialist fantasy of saving natives doomed by imperialist aggression. Intervening in this debate over how to read the film, Basu Thakur focuses on issues of representations, discourse, subalternity, and subjectivity, all of which have been central to postcolonial theory and postcolonial analyses of culture. This history will help students and scholars who are eager to learn more about this important area of theory and bring the concepts of postcolonial theory into practice through a detailed interpretation of the film.

Theorizing Colonial Cinema

Author : Nadine Chan,Aaron Gerow,Jane Marie Gaines,Zhen Zhang,Thomas A. C. Barker,Nikki J. Y. Lee,José B. Capino
Publisher : Indiana University Press
Page : 304 pages
File Size : 48,9 Mb
Release : 2022-02
Category : History
ISBN : 9780253059765

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Theorizing Colonial Cinema by Nadine Chan,Aaron Gerow,Jane Marie Gaines,Zhen Zhang,Thomas A. C. Barker,Nikki J. Y. Lee,José B. Capino Pdf

Theorizing Colonial Cinema is a millennial retrospective on the entangled intimacy between film and colonialism from film's global inception to contemporary legacies in and of Asia. The volume engages new perspectives by asking how prior discussions on film form, theory, history, and ideology may be challenged by centering the colonial question rather than relegating it to the periphery. To that end, contributors begin by excavating little-known archives and perspectives from the colonies as a departure from a prevailing focus on Europe's imperial histories and archives about the colonies. The collection pinpoints various forms of devaluation and misrecognition both in and beyond the region that continue to relegate local voices to the margins. This pathbreaking study on global film history advances prior scholarship by bringing together an array of established and new interdisciplinary voices from film studies, Asian studies, and postcolonial studies to consider how the present is continually haunted by the colonial past.