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At the end of the First World War, Germany appeared to have lost everything: the lives of millions of soldiers and civilians, control over borderland territories, and, above all, a sense of national self-worth in the international political arena. But it also lost almost three million square kilometres of land overseas in the form of colonies and concessions in Africa, China, and the Pacific. Allied powers declared Germany unfit to rule over overseas populations, and it was forcibly decolonized. It thus became the first 'postcolonial' European nation that had participated in the 'new imperialism' of the modern era. The end of colonialism was the beginning of a memory culture that has been remarkably long-lived and dynamic. Postcolonial Germany traces the evolution of the collective memory of German colonialism, stretching from the loss of the colonies across the eras of National Socialism, national division, and the Cold War to the present day. It shows to what extent this memory was intimately bound to objects of material culture in the former colonial metropole, such as tropical fruit sold at colonial balls, state gifts handed to the former colonies at independence, and ethnological items kept as family heirlooms. The study draws on a wide range of sources, including popular literature, oral history, and previously unexplored archival holdings. It marks an important shift in historical methodology, considering the significance of both material culture and private memories in constructing accounts of the past. Above all, it raises important questions about the public responsibilities of postcolonial nations and governments in Europe and their relationship to the private legacies of colonialism.
When Germany lost its colonial empire after the Great War, many Germans were unsure how to understand this transition. They were the first Europeans to experience complete colonial loss, an event which came as Germany also wrestled with wartime collapse and foreign occupation. In this book the author considers how Germans experienced this change from imperial power to postcolonial nation. This work examines what the loss of the colonies meant to Germans, and it analyzes how colonialist categories took on new meanings in Germany's «post-colonial» period. Poley explores a varied collection of materials that ranges from the stories of popular writer Hanns Heinz Ewers to the novels, essays, speeches, pamphlets, posters, and archival materials of nationalist groups in the occupied Rhineland to show how decolonization affected Germans. When the relationships between metropole and colony were suddenly severed, Germans were required to reassess many things: nation and empire, race and power, sexuality and gender, economics and culture.
Germany's Colonial Pasts by Eric Ames,Marcia Klotz,Lora Wildenthal Pdf
Germany’s Colonial Pasts is a wide-ranging study of German colonialism and its legacies. Inspired by Susanne Zantop’s landmark book Colonial Fantasies, and extending her analyses there, this volume offers new research by scholars from Europe, Africa, and the United States. It also commemorates Zantop’s distinguished life and career (1945–2001). Some essays in this volume focus on Germany’s formal colonial empire in Africa and the Pacific between 1884 and 1914, while others present material from earlier or later periods such as German emigration before 1884 and colonial discourse in German-ruled Polish lands. Several essays examine Germany’s postcolonial era, a complex period that includes the Weimar Republic, Nazi Germany with its renewed colonial obsessions, and the post-1945 era. Particular areas of emphasis include the relationship of anti-Semitism to colonial racism; respectability, sexuality, and cultural hierarchies in the formal empire; Nazi representations of colonialism; and contemporary perceptions of race. The volume’s disciplinary reach extends to musicology, religious studies, film, and tourism studies as well as literary analysis and history. These essays demonstrate why modern Germany must confront its colonial and postcolonial pasts, and how those pasts continue to shape the German cultural imagination.
German Colonialism, Visual Culture, and Modern Memory by Volker Langbehn Pdf
There is no overarching master narrative in understanding the history of German colonialism, and over the past decade, the study of Germany’s colonial past has experienced a dramatic transformation in its scope of inquiry. Influenced by new theoretical and methodological approaches to the study of race, nationalism, and globalization, these new studies initiate a process of reevaluating and redefining the parameters within which German Colonialism is understood. The role of visual materials, in particular, is ideal for exploring the porousness of disciplinary boundaries, though visual culture studies pertaining to German history – and especially German colonialism – have previously been almost completely neglected. Investigating visual communication and mass culture, print culture and suggestive racial politics, racial aesthetics, racial politics and early German film, racial continuity and German film, and photography, German Colonialism, Visual Culture, and Modern Memory offers compelling evidence of a German society between 1884 and 1919 that produced vibrant and heterogeneous – and at times contradictory – cultures of colonialism. This collection of new essays illustrates the dramatic changes and vast array of perspectives that have recently emerged in the study of German colonialism. In documenting the latest cutting-edge research of German colonial history, the contributors to this volume prove wrong the persistent assumptions that the creation of Germany’s colonial empire did not have any lasting impact on German political and cultural life. Their essays document how colonialism in its various forms was entwined with the inner workings of modern German life and society, especially through the cultural and technical innovations of its time. In contrast to existing research, these studies show that colonial Germany played a significant role in shaping German perceptions of racial difference, influenced German support for World War I, and facilitated the construction of German nationalism. German Colonialism, Visual Culture, and Modern Memory uniquely demonstrates that the visual culture of colonialism is closely linked to the fascination with new modes of seeing and the enigma of visual experience that have become trademarks of modernity.
"This is the first comprehensive study of contemporary German literature's intense engagement with German colonialism and with Germany's wider involvement in European colonialism. Building on the author's decade of research and publication in the field, the book discusses some fifty novels by German, Swiss, and Austrian writers, among them Hans Christoph Buch, Alex Capus, Christof Hamann, Lukas Hartmann, Ilona Maria Hilliges, Giselher W. Hoffmann, Dieter Kühn, Hermann Schulz, Gerhard Seyfried, Thomas von Steinaecker, Uwe Timm, Ilija Trojanow, and Stephan Wackwitz. Drawing on international postcolonial theory, the German tradition of cross-cultural literary studies, and on memory studies, the book brings the hitherto neglected German case to the international debate in postcolonial literary studies"--Publisher website, July 5, 2013.
Author : Klaus Mühlhahn Publisher : Walter de Gruyter GmbH & Co KG Page : 204 pages File Size : 41,9 Mb Release : 2017-06-12 Category : Political Science ISBN : 9783110525625
The Cultural Legacy of German Colonial Rule by Klaus Mühlhahn Pdf
This edited volume explores social, economic, political, and cultural practices generated by African, Asian, and Oceanic individuals and groups within the context and aftermath of German colonialism. The volume contributes to current debates on transnational and intercultural processes while highlighting the ways in which the colonial period is embedded in larger processes of globalization.
After the Imperialist Imagination by Sara Pugach,David Pizzo,Adam Blackler Pdf
This collection analyzes scholarship on global Germany since 1998, assessing its impact on German historiography and diaspora studies. It reveals that Germany's colonial presence overseas forged links to landscapes, traditions, and communities beyond Europe that continue to modify the cultural boundaries of Germanness into the present day.
The Oxford Handbook of the Ends of Empire by Martin Thomas,Andrew Thompson Pdf
This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online.
Representing East Germany Since Unification by Paul Cooke Pdf
Cooke maps out the problematic path of German national identity as it struggles to deal with the legacy of division. Drawing on postcolonial theory, he argues that the East has been defined as the West's exotic other and shows how this stereotype has been vigorously challenged.
Since Germany became a colonial power relatively late, postcolonial theorists and histories of colonialism have thus far paid little attention to it. Uncovering Germany’s colonial legacy and imagination, Susanne Zantop reveals the significance of colonial fantasies—a kind of colonialism without colonies—in the formation of German national identity. Through readings of historical, anthropological, literary, and popular texts, Zantop explores imaginary colonial encounters of "Germans" with "natives" in late-eighteenth- and early-nineteenth-century literature, and shows how these colonial fantasies acted as a rehearsal for actual colonial ventures in Africa, South America, and the Pacific. From as early as the sixteenth century, Germans preoccupied themselves with an imaginary drive for colonial conquest and possession that eventually grew into a collective obsession. Zantop illustrates the gendered character of Germany’s colonial imagination through critical readings of popular novels, plays, and travel literature that imagine sexual conquest and surrender in colonial territory—or love and blissful domestic relations between colonizer and colonized. She looks at scientific articles, philosophical essays, and political pamphlets that helped create a racist colonial discourse and demonstrates that from its earliest manifestations, the German colonial imagination contained ideas about a specifically German national identity, different from, if not superior to, most others.
Colonialism and Modern Architecture in Germany by Itohan Osayimwese Pdf
Over the course of the nineteenth century, drastic social and political changes, technological innovations, and exposure to non-Western cultures affected Germany’s built environment in profound ways. The economic challenges of Germany’s colonial project forced architects designing for the colonies to abandon a centuries-long, highly ornamental architectural style in favor of structural technologies and building materials that catered to the local contexts of its remote colonies, such as prefabricated systems. As German architects gathered information about the regions under their influence in Africa, Asia, and the Pacific—during expeditions, at international exhibitions, and from colonial entrepreneurs and officials—they published their findings in books and articles and organized lectures and exhibits that stimulated progressive architectural thinking and shaped the emerging modern language of architecture within Germany itself. Offering in-depth interpretations across the fields of architectural history and postcolonial studies, Itohan Osayimwese considers the effects of colonialism, travel, and globalization on the development of modern architecture in Germany from the 1850s until the 1930s. Since architectural developments in nineteenth-century Germany are typically understood as crucial to the evolution of architecture worldwide in the twentieth century, this book globalizes the history of modern architecture at its founding moment.
The Controversy About the Humboldt Forum. How to Remember Postcolonial Commemorative Culture by Annika Zöpf Pdf
Seminar paper from the year 2019 in the subject Politics - International Politics - Topic: History of Inernational Relations, grade: 1,0, University of Stuttgart, language: English, abstract: Is there a right or wrong way to remember such times and if so, how should postcolonial commemorative culture be realized? As the focus of this paper lies mainly on Germany it will therefore first give an overview of German postcolonialism as this is the current hot topic with the Humboldt Forum being in construction, then it takes a closer look at what the Humboldt forum exactly is and why it is so controversial. After that it gives an insight into how other countries deal with the issue of publicly remembering sensible subjects and it concludes with examples of how countries could possibly remember in a more sensible way and an outlook on the future of such institutions, the Humboldt Forum in particular. “To be in touch with as much of the world as possible" is what Wilhelm von Humboldt once said. This quotation is cited on the cover of the Humboldt Forum brochure advertising the new museum which is currently being built in Germany. Amongst other things it will later showcase art which was acquired during the postcolonial period. This is the reason, why with the museum and this quotation there comes a whole lot of controversy that reaches far over the borders of Germany. The core of the discussion is whether proudly displaying items which were obtained under difficult, sometimes even violent and nonconsensual conditions, can ever be a sign for “positive coexistence" and “encouraging curiosity and enthusiasm about unfamiliar realms". So, what the founders of such institutions intended visitors to remember while they are in the museum is the historical past of the countries from which the items were taken. But what should also be remembered, and not celebrated at all here, are the lootings and exploitations of the Europeans during postcolonial times which is more or less quietly being swept under the rug.