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New Essays on John Cowper Powys, including a postmodern reading of Powys via G. Wilson Knight, Mikhail Bakhtin, Jean Baudrillard and Gianni Vattimo; Wolf Solent, parody and postmodern fiction; Jacques Derrida and deauthorization in Powys's Autobiography; and Owen Glendower and Walter Scott.
Anarchist Seeds beneath the Snow by David Goodway Pdf
From William Morris to Oscar Wilde to George Orwell, left-libertarian thought has long been an important but neglected part of British cultural and political history. In Anarchist Seeds beneath the Snow, David Goodway seeks to recover and revitalize that indigenous anarchist tradition. This book succeeds as simultaneously a cultural history of left-libertarian thought in Britain and a demonstration of the applicability of that history to current politics. Goodway argues that a recovered anarchist tradition could—and should—be a touchstone for contemporary political radicals. Moving seamlessly from Aldous Huxley and Colin Ward to the war in Iraq, this challenging volume will energize leftist movements throughout the world.
New Perspectives in Celtic Studies by Aleksander Bednarski,Paweł Tomasz Czerniak,Maciej Czerniakowski Pdf
This volume provides accounts of well-established themes of general Celtic inquiry from new theoretical perspectives, in addition to addressing new areas of research that have remained largely unexplored. The collection includes contributions by both established and young scholars on diverse aspects of culture, literature and linguistics, reflecting the multidisciplinary character of current trends in Celtology. The linguistic section of the book includes chapters dealing with Welsh phonology and possible areas of influence of the Brittonic language on English, as well as with the issues of translating culture-specific aspects of medieval Welsh texts and the problems of standardising Irish orthography and font. The second part of the volume is devoted to literature and considers neglected, and heretofore unexplored, aspects of Welsh-language poetry, fiction and children’s literature, the work of John Cowper Powys, and Scottish film in the theoretical context of post-humanism. Approaching these issues from different angles and using different methodologies, the collection highlights the connections between long-established academic areas of interest and popular culture, broadening the horizon of Celtic scholarship.
The Cambridge Companion to the Modern German Novel by Graham Bartram Pdf
The Cambridge Companion to the Modern German Novel, first published in 2004, provides a broad ranging introduction to the major trends in the development of the German novel from the 1890s to the present. Written by an international team of experts, it encompasses both modernist and realist traditions, and also includes a look back to the roots of the modern novel in the Bildungsroman of the late eighteenth and nineteenth centuries. The structure is broadly chronological, but thematically-focused chapters examine topics such as gender anxiety, images of the city, war, and women's writing; within each chapter, key works are selected for close attention. Unique in its combination of breadth of coverage and detailed analysis of individual works, and featuring a chronology and guides to further reading, this Companion will be indispensable to students and teachers.
Advice to Young Artists in a Postmodern Era by William V. Dunning Pdf
Is art a matter of inspiration or of learning? Advice to Young Artists in a Postmodern Era, offers practical advice to the young artist about making the successful Dunning writes that in his years of teaching, he has heard students ask why no classes are ever offered to teach them what ingredients are helpful to the success of an artist: how to approach and deal with galleries and dealers; what to do about setting up their own studio and how to light it; and even how they should support themselves while they are attempting to do all this. Drawing on thirty-five years of experience as an artist and an art teacher, and those of several successful colleagues, the author follows the model of Rilke's Letters to a Young Poet and Hiram William's Notes for a Young Painter to compose this practical guide book. Advice to Young Artists is the only book of its kind geared to aspiring artists.
LIFE, LIFE: SELECTED POEMS by ARSENY TARKOVSKY Pdf
LIFE, LIFE BY ARSENY TARKOVSKY A book of poetry by Russian poet Arseny Tarkovsky, translated by Virginia Rounding. Includes many poems used in Arseny's son's films (Andrei Tarkovsky). With a bibliography of both Arseny and Andrei Tarkovsky, and illustrations from Tarkovsky's movies. FROM THE INTRODUCTION: Arseny Aleksandrovich Tarkovsky was was born in June 1907 in Elizavetgrad, later named Kirovograd. He studied at the Academy of Literature in Moscow from 1925 to 1929, and also worked in the editorial office of the journal Gudok. He was well respected as a translator, especially of the Oriental classics, but was little known as a poet for most of his life, being unable to get any of his own work published during the Stalinist era. His poems did not begin to appear in book form until he was over fifty. Illustrated. With bibliography and notes. ISBN 9781861714169. www.crmoon.co
A new study of the provocative British artist. Gill fused eroticism and mysticism in clear, direct and fluid graphic lines, which upset parts of the establishment (a couple are shown in one print making love while being blessed by the hand of God; in another, a nude Mary Magdalene embraces Christ on the Cross). Hoyland explores the relationship between the spiritual and the sensual in Gill's many prints and drawings, including the Song of Songs woodcuts.
AMOROUS LIFE One of the most fascinating explorations of the work of British novelist John Cowper Powys by H.W. Fawkner, one of the foremost commentators of this neglected, completely extraordinary author. EXTRACT Weymouth Sands is a wonderful novel. In a sense it is the foremost work to come from the pen of John Cowper Powys. There is a sense of aesthetic consummation saving the novel from the sprawling excessivenesses of some of its chief creative rivals. A Glastonbury Romance has the same indomitable energy, and even the same type of internal happiness; but it does not have an equal sense of measure, poise, and economy. At the same time, Weymouth Sands is not a curtailing of Powys's genius - in the way that Great Expectations sacrifices Dickens's marvellous capacity for nonsensical digression demonstrated as early as Pickwick Papers. The lack of bulk and the loss of enormity do not prevent Weymouth Sands from asserting itself as mass. Weymouth is not less solid than Glastonbury. The advancing and retreating sea-tides are not conceived on a scale that is more limited than the one utilized as canvas for the grand brushstrokes of history in Owen Glendower. In becoming John Cowper's most aesthetically perfect work, Weymouth Sands has made no sacrifices whatsoever. Here that which is most aesthetic is by the same token that which is most Powysian, most eccentric. For some strange reason, the eccentricity of Weymouth Sands is compatible with the principles of traditional aesthetic form - something which we can say of few other works from the hand of this artist. John Cowper's best fiction and best philosophy is built on the idea - indeed reality - of deliciousness. Deliciousness as such vanishes from the writer's horizon as he progressively slips from the height of his powers into old age. In this sliding, Powys drifts away not only from the astonishing precision of his material hold on the richness of his own life-receptivity but also from the idea of the work of art as a quintessentially Powysian construct. In John Cowper Powys's best works, the idea of the presence of deliciousness is indistinguishable from the idea of the presence of amorous life. By amorous life I basically mean what the narrator means in Weymouth Sands when describes the ideal-erotic affectivity of women like Gipsy May, Marret, and Peg Frampton as "a latent passion to offer up their amorous life as mystics offer up their souls". In this assertion, 'amorous life' and 'soul' are understood as being on a par, as somehow being each other's possible substitutes. In other words, the 'soul' passes imperceptibly into 'amorous life' for a mystic who no longer lives in the ancient world of dogma but in the world as we know it today. In a sense, in fact, 'amorous life' is a refinement of 'soul.'
The British and Irish Short Story Handbook by David Malcolm Pdf
The British and Irish Short Story Handbook guides readers through the development of the short story and the unique critical issues involved in discussions of short fiction. It includes a wide-ranging analysis of non-canonical and non-realist writers as well as the major authors and their works, providing a comprehensive and much-needed appraisal of this area. Guides readers through the development of the short story and critical issues involved in discussions of short fiction Offers a detailed discussion of the range of genres in the British and Irish short story Includes extensive analysis of non-canonical writers, such as Hubert Crackanthorpe, Ella D’Arcy, T.F. Powys, A.E. Coppard, Julian Maclaren-Ross, Mollie Panter-Downes, Denton Welch, and Sylvia Townsend Warner Provide a wide-ranging discussion of non-realist and experimental short stories Includes a large section on the British short story in the Second World War
JOHN COWPER POWYS A new collection of essays on John Cowper Powys (1872-1963). H.W. Fawkner's essay "Venus" explores issues of reading, movement, love and sex, the 'amorous self', and affectivity in A Glastonbury Romance. Ian Hughes looks at the genre of Powys's novels, and how the philosophical romances were influenced by Walter Pater's Marius the Epicurean. Janina Nordius discusses the crucial Powys theme of (transcendental) solitude in the key novel of the Powys-self alone, Wolf Solent. Joe Boulter's essay concentrates on the affinities between modernism and postmodernism, pragmatism and deconstruction, in one of Powys's late novels, The Inmates, via thinkers such as William James, Michel Foucault, Gilles Deleuze and Félix Guattari. ? By the time he started writing his most admired works around 1929 - the four Wessex novels (Wolf Solent, A Glastonbury Romance, Weymouth Sands and Maiden Castle), the two Welsh epics (Owen Glendower and Porius), and the unsurpassed Autobiography - John Cowper Powys was in his late fifties. By then, he had already been a philosopher, a successful lecturer (with packed-out lectures in the U.S.A.), a storyteller, a would-be magician and a poet. Powys loved writing, whether it was letters, essays, novels or philosophical commentaries. He lived mainly from his writing after 1930, after nearly 30 years of lecturing (mainly in the United States). He produced many books, which included novels, philosophical essays, poetry, correspondence and literary criticism. Some of the writers that Powys knew personally included Theodore Dreiser, Thomas Hardy, William Barnes, W.B. Yeats, Dorothy Richardson, Aleister Crowley and Bertrand Russell. In America, Powys was friends with Dreiser, Edna Vincent Millay, Edgar Lee Masters, and Arthur Davison Ficke. He also met E.E. Cummings, Amy Lowell, Edmund Wilson, F. Scott Fitzgerald, Marianne Moore, Ford Maddox Ford and Will Durant, and performers such as Charlie Chaplin and Isadora Duncan.
Theology and Literature after Postmodernity by Zoë Lehmann Imfeld,Peter Hampson,Alison Milbank Pdf
This volume deploys theology in a reconstructive approach to contemporary literary criticism, to validate and exemplify theological readings of literary texts as a creative exercise. It engages in a dialogue with interdisciplinary approaches to literature in which theology is alert and responsive to the challenges following postmodernism and postmodern literary criticism. It demonstrates the scope and explanatory power of theological readings across various texts and literary genres. Theology and Literature after Postmodernity explores a reconstructive approach to reading and literary study in the university setting, with contributions from interdisciplinary scholars worldwide.
Reader's Guide to Literature in English by Mark Hawkins-Dady Pdf
Reader's Guide Literature in English provides expert guidance to, and critical analysis of, the vast number of books available within the subject of English literature, from Anglo-Saxon times to the current American, British and Commonwealth scene. It is designed to help students, teachers and librarians choose the most appropriate books for research and study.