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Author : Axel Bruck
Publisher : Butterworth-Heinemann
Page : 192 pages
File Size : 50,8 Mb
Release : 1981-01-01
Category : Photography
ISBN : 0240510607
Discusses the rules of composition, shows how to use the characteristics of different types of lenses, and provides advice on using color and special effects
Author : Johann Bernhard LOGIER
Publisher : Unknown
Page : 368 pages
File Size : 47,5 Mb
Release : 1827
Category : Electronic
ISBN : BL:A0027024725
Author : Marx
Publisher : Unknown
Page : 580 pages
File Size : 53,6 Mb
Release : 1852
Category : Electronic
ISBN : UBBE:UBBE-00142324
Author : Stephen C. Stone
Publisher : Rowman & Littlefield
Page : 547 pages
File Size : 53,6 Mb
Release : 2018-01-26
Category : Music
ISBN : 9781538101247
Music Theory and Composition: A Practical Approachpresents a pragmatic, accessible approach to music theory through an emphasis on melody and counterpoint. This focus explains the “why” of musical construction more clearly than the traditional approach of beginning with chords. By starting with a single melodic line and gradually adding voices in counterpoint, the book drills part-writing while simultaneously explaining functionality, first with scale degrees and then with harmony. The text has students learn musical techniques and progressively build on their functions and importance to create their own compositions. With short, digestible chapters, Music Theory and Composition clearly presents otherwise complicated ideas not as strict rules, but as artistic ideals, encouraging the interactive creation of new compositions as a tool for learning. The textbook is versatile and easily customizable, suiting Different skill levels with species counterpoint providing a framework for the beginner while providing an interesting challenge for more experienced students Different curricular schedules with complete exercises in two, three, and four voices, allowing for an optional skip from two voices to four Different pedagogical approaches with species exercises encouraging students to consider harmonic choices and figured bass ensuring functional progressions Instructor Resources: Instructor’s Manual: The Instructor’s Manual includes sample syllabi and student handouts Test Bank: The test bank includes sample tests and answer keys in MS Word format. Student Resources: Companion Website with Downloadable Workbook Sections: http://textbooks.rowman.com/stone Additional Features: complete curriculum for first-year theory courses over 500 musical examples drawn from Common Practice Era compositions as well as more contemporary and popular pieces focus on active composition throughout the text and workbook sections large pop music section to expand student’s application of theory conversational tone to encourage student engagement Designed for first-year college music theory courses, but accessible enough for the interested lay reader or high school student, the text offers a true balance of counterpoint and harmony.
Author : John Burnet
Publisher : Unknown
Page : 54 pages
File Size : 52,6 Mb
Release : 1822
Category : Composition (Art)
ISBN : OXFORD:590185210
Author : Richard Hiley
Publisher : Unknown
Page : 344 pages
File Size : 40,5 Mb
Release : 1852
Category : Electronic
ISBN : OXFORD:590486893
Author : Thomas Wood
Publisher : Full Moon Publications
Page : 144 pages
File Size : 43,7 Mb
Release : 2014-08-23
Category : Language Arts & Disciplines
ISBN : 8210379456XXX
illustrated with 10 images. The book is divided into three parts viz., Practical Grammar, Essential Word Power and Composition. 'Practical Grammar' comprises the basic rules of grammar along with illustrations and examples, denoting the applicability of the rules. In this Section, each chapter consists plenty of exercises which cover all types of questions. 'Essential Word Power' contains thousands of words, used in daily routine and asked about in various examinations. 'Composition' consists valuable tips to attempt the comprehensions, writing precis and letter including essays, expansions, etc.
Author : Richard HILEY
Publisher : Unknown
Page : 344 pages
File Size : 55,7 Mb
Release : 1853
Category : Electronic
ISBN : BL:A0020144827
Author : James Robert Boyd
Publisher : Unknown
Page : 424 pages
File Size : 43,6 Mb
Release : 1888
Category : English language
ISBN : UIUC:30112114853531
Author : George Payn QUACKENBOS (the Elder.)
Publisher : Unknown
Page : 474 pages
File Size : 44,8 Mb
Release : 1857
Category : Electronic
ISBN : BL:A0018195707
Author : Richard Hiley
Publisher : BoD – Books on Demand
Page : 214 pages
File Size : 43,6 Mb
Release : 2022-10-25
Category : Fiction
ISBN : 9783375122881
Reprint of the original, first published in 1859.
Author : Richard Hiley
Publisher : Unknown
Page : 344 pages
File Size : 44,8 Mb
Release : 1853
Category : Electronic
ISBN : NLS:V000619965
Author : Thomas Kerchever Arnold
Publisher : Unknown
Page : 400 pages
File Size : 52,7 Mb
Release : 1849
Category : Latin language
ISBN : HARVARD:32044097061808
Author : Samuel Higgs Gael
Publisher : Unknown
Page : 360 pages
File Size : 52,5 Mb
Release : 1840
Category : Law
ISBN : NYPL:33433008601423
Author : Jorge Variego
Publisher : Oxford University Press
Page : 145 pages
File Size : 48,8 Mb
Release : 2021-07-13
Category : Music
ISBN : 9780190057268
Composing with Constraints: 100 Practical Exercises in Music Composition provides an innovative approach to the instruction of the craft of music composition based on tailored exercises to help students develop their creativity. When composition is condensed to a series of logical steps, it can then be taught and learned more efficiently. With this approach in mind, Jorge Variego offers a variety of practical exercises to help student composers and instructors to create tangible work plans with high expectations and successful outcomes. Each chapter starts with a brief note on terminology and general recommendations for the instructor. The first five chapters offer a variety of exercises that range from analysis and style imitation to the use of probabilities. The chapter about pre-compositional approaches offers original techniques that a student composer can implement in order to start a new work. Based on lateral thinking, the last section of the book fosters creative connections with other disciplines such as math, visual arts, and architectural acoustics. The one hundred exercises contain a unique set of guidelines and constraints that place students in a specific compositional framework. These compositional boundaries encourage students to produce creative work within a given structure. Using the methodologies in this book, students will be able to create their own outlines for their compositions, making intelligent and educated compositional choices that balance reasoning with intuition.