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Author : Adolf Bernhard Marx
Publisher : Unknown
Page : 545 pages
File Size : 48,5 Mb
Release : 2014
Category : Composition (Music)
ISBN : 1139644637
Author : Adolf Bernhard Marx
Publisher : Unknown
Page : 572 pages
File Size : 51,6 Mb
Release : 1852
Category : Composition (Music)
ISBN : BL:A0027024708
Author : Marx
Publisher : Unknown
Page : 580 pages
File Size : 53,7 Mb
Release : 1852
Category : Electronic
ISBN : UBBE:UBBE-00142324
Author : Stephen C. Stone
Publisher : Rowman & Littlefield
Page : 547 pages
File Size : 53,8 Mb
Release : 2018-01-26
Category : Music
ISBN : 9781538101247
Music Theory and Composition: A Practical Approachpresents a pragmatic, accessible approach to music theory through an emphasis on melody and counterpoint. This focus explains the “why” of musical construction more clearly than the traditional approach of beginning with chords. By starting with a single melodic line and gradually adding voices in counterpoint, the book drills part-writing while simultaneously explaining functionality, first with scale degrees and then with harmony. The text has students learn musical techniques and progressively build on their functions and importance to create their own compositions. With short, digestible chapters, Music Theory and Composition clearly presents otherwise complicated ideas not as strict rules, but as artistic ideals, encouraging the interactive creation of new compositions as a tool for learning. The textbook is versatile and easily customizable, suiting Different skill levels with species counterpoint providing a framework for the beginner while providing an interesting challenge for more experienced students Different curricular schedules with complete exercises in two, three, and four voices, allowing for an optional skip from two voices to four Different pedagogical approaches with species exercises encouraging students to consider harmonic choices and figured bass ensuring functional progressions Instructor Resources: Instructor’s Manual: The Instructor’s Manual includes sample syllabi and student handouts Test Bank: The test bank includes sample tests and answer keys in MS Word format. Student Resources: Companion Website with Downloadable Workbook Sections: http://textbooks.rowman.com/stone Additional Features: complete curriculum for first-year theory courses over 500 musical examples drawn from Common Practice Era compositions as well as more contemporary and popular pieces focus on active composition throughout the text and workbook sections large pop music section to expand student’s application of theory conversational tone to encourage student engagement Designed for first-year college music theory courses, but accessible enough for the interested lay reader or high school student, the text offers a true balance of counterpoint and harmony.
Author : Paul Hindemith
Publisher : Schott Music
Page : 234 pages
File Size : 49,5 Mb
Release : 2020-10-29
Category : Music
ISBN : 9783795786724
Originally published in the 1940s, Paul Hindemith's remarkable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians, these were produced by a man who could play every instrument of the orchestra, could compose a satisfying piece for almost every kind of ensemble, and who was one of the most stimulating teachers of his day. It is therefore not surprising that many years later these books should remain essential reading for the student and the professional musician.
Author : Norton Dudeque
Publisher : Routledge
Page : 291 pages
File Size : 42,6 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351557177
Arnold Schoenberg's theory of music has been much discussed but his approach to music theory needs a new historical and theoretical assessment in order to provide a clearer understanding of his contributions to music theory and analysis. Norton Dudeque's achievement in this book involves the synthesis of Schoenberg's theoretical ideas from the whole of the composer's working life, including material only published well after his death. The book discusses Schoenberg's rejection of his German music theory heritage and past approaches to music-theory pedagogy, the need for looking at musical structures differently and to avoid aesthetic and stylistic issues. Dudeque provides a unique understanding of the systematization of Schoenberg's tonal-harmonic theory, thematic/motivic-development theory and the links with contemporary and past music theories. The book is complemented by a special section that explores the practical application of the theoretical material already discussed. The focus of this section is on Schoenberg's analytical practice, and the author's response to it. Norton Dudeque therefore provides a comprehensive understanding of Schoenberg's thinking on tonal harmony, motive and form that has hitherto not been attempted.
Author : Paul Hindemith
Publisher : Unknown
Page : 223 pages
File Size : 50,7 Mb
Release : 1968
Category : Composition (Music)
ISBN : OCLC:755679345
Author : Gottfried Weber
Publisher : Unknown
Page : 128 pages
File Size : 42,9 Mb
Release : 2001-01-01
Category : Music
ISBN : 0722256760
Author : Anonim
Publisher : Pendragon Press
Page : 572 pages
File Size : 53,8 Mb
Release : 1978
Category : Music
ISBN : 0918728991
Originally published in 1966, the Reeseschrift remains one of the most significant collections of musicological writings ever assembled. Its fifty-six essays, written by some of the greatest scholars of our time, range chronologically from antiquity to the 17thcentury and geographically from Byzantium to the British Isles. They deal with questions of history, style, form, texture, notation, and performance practice.
Author : Mine Doğantan-Dack
Publisher : Routledge
Page : 282 pages
File Size : 40,6 Mb
Release : 2016-03-03
Category : Music
ISBN : 9781317178217
Artistic Practice as Research in Music: Theory, Criticism, Practice brings together internationally renowned scholars and practitioners to explore the cultural, institutional, theoretical, methodological, epistemological, ethical and practical aspects and implications of the rapidly evolving area of artistic research in music. Through various theoretical positions and case studies, and by establishing robust connections between theoretical debates and concrete examples of artistic research projects, the authors discuss the conditions under which artistic practice becomes a research activity; how practice-led research is understood in conservatoire settings; issues of assessment in relation to musical performance as research; methodological possibilities open to music practitioners entering academic environments as researchers; the role of technology in processes of musical composition as research; the role and value of performerly knowledge in music-analytical enquiry; issues in relation to live performance as a research method; artistic collaboration and improvisation as research tools; interdisciplinary concerns of the artist-researcher; and the relationship between the affordances of a musical instrument and artistic research in musical performance. Readers will come away from the book with fresh insights about the theoretical, critical and practical work being done by experts in this exciting new field of enquiry.
Author : James Alexander Hamilton
Publisher : Unknown
Page : 296 pages
File Size : 42,5 Mb
Release : 1848
Category : Electronic
ISBN : BSB:BSB10598656
Author : Paul Hindemith
Publisher : Unknown
Page : 223 pages
File Size : 55,5 Mb
Release : 1942
Category : Composition (Music)
ISBN : OCLC:1115111514
Author : Gottfried Weber
Publisher : Unknown
Page : 442 pages
File Size : 44,8 Mb
Release : 1846
Category : Composition (Music)
ISBN : NYPL:33433082282413
Author : Paul Hindemith
Publisher : Unknown
Page : 223 pages
File Size : 43,8 Mb
Release : 1948
Category : Composition (Music)
ISBN : OCLC:908822578
Author : Francesco Galeazzi
Publisher : University of Illinois Press
Page : 434 pages
File Size : 52,6 Mb
Release : 2012-05-30
Category : Music
ISBN : 9780252094187
A virtuoso violinist, conductor, composer, and a professor of mathematics and botany, Francesco Galeazzi (1758–1819) firmly believed that musical education should be clear, demonstrable, and practical. In 1791 and 1796, he published the two volumes of his Elementi teorico-practici di musica, a treatise that demonstrated both his thorough grounding in the work of earlier theorists and his own approach to musical study. The first volume gave precise instructions on the violin and how to play it; the second demonstrated his command of other instruments and genres and provided comprehensive introductions to music theory, music history, and music aesthetics. The treatise also addresses the nature of compositional process and eighteenth-century concerns about natural and acquired talent and creativity. This volume offers an unprecedented English translation of the second volume of Elementi teorico-practici di musica, with annotations and commentary. The translation is introduced with a study of Galeazzi's life and milieu, the genesis and sources for the Elementi, and its reception through the present day.
