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For four centuries, New England has been a cradle of crime and murder—from the Salem witch trials to the modern-day mafia. Nineteenth century New England was the hunting ground of five female serial killers: Jane Toppan, Lydia Sherman, Nellie Webb, Harriet E. Nason, and Sarah Jane Robinson. Female killers are often portrayed as caricatures: Black Widows, Angels of Death, or Femme Fatales. But the real stories of these women are much more complex. In Pretty Evil New England, true crime author Sue Coletta tells the story of these five women, from broken childhoods, to first brushes with death, and she examines the overwhelming urges that propelled these women to take the lives of a combined total of more than one-hundred innocent victims. The murders, investigations, trials, and ultimate verdicts will stun and surprise readers as they live vicariously through the killers and the would-be victims that lived to tell their stories.
Nineteenth century New England was the hunting ground of five female serial killers: Jane Toppan, Lydia Sherman, Nellie Webb, Harriet E. Nason, and Sarah Jane Robinson. PRETTY EVIL NEW ENGLAND tells the story of these five women, from their humble births through the circumstances that led to them committing their heinous crimes.
Female criminals are often portrayed as caricatures: Black Widows, Queenpins, Mob Molls, or Femme Fatales. But the real stories are much more fascinating and complex.In Pretty Evil New York author Elizabeth Kerri Mahon takes you on a journey through a rogue’s gallery of some of New York’s most notable female criminals. Drawing on newspaper coverage and other primary sources, this collection of historical true crime stories chronicles eleven women who were media sensations in their day, making headlines across the country decades before radio, television, or social media. Roxalana Druse, the last woman to be hanged in New York; Ruth Snyder, immortalized in James M. Cain’s novella Double Indemnity; serial killer Lizzie Halliday, nicknamed the Worst Woman in the World, who became a Hudson Valley legend; Celia Cooney, the Bobbed Hair Bandit; and Stephanie St. Clair, who rose to the top of the numbers game and then made Harlem cheer when she stood up to mobster Dutch Schultz. Alongside them are some forgotten felons, whose stories, though less well-known, are just as fascinating. Spurred by passion, profit, paranoia, or just plain perverse pleasure, these ladies span one hundred years of murder, mayhem, and madness in the Empire State.
Three sexy bachelors with big plans. Longtime friends Rice, Coach, and Geffen can't believe it when they see an abandoned property just a stone's throw away from Rodeo Drive -- the dilapidated wreck is more haunted house than Hollywood high life. But when they enter the massive estate with their best friend and realtor Sunnie, they see a great financial investment. A fixer-upper with room for a gym and a sauna. A cavernous hall for swanky celebrity parties. A hideaway for seducing the ladies...in other words, a place to live large and dream big. A foxy she-devil out for revenge. But Sunnie senses all is not right with the house. Turns out it is already occupied by a supernatural vixen who resents the intruders and vows to use her shape-shifting powers to dispatch them -- not with violence but with an equally lethal weapon: sex. Morphing into each man's fantasy lover, she takes them one by one to heights of ecstasy designed to torment their souls. Only Sunnie, armed with an extrasensory gift and some very powerful prayers, can take on this devilishly gorgeous demon -- even if she has to pay the ultimate price.
New Englanders are always cursing. But a colorful profanity uttered by some stero-typically taciturn old Yankee is usually more humorous than menacing. Yet, true maledictions (the opposite of benedictions) have frequently been spoken on New England soil, curses intended to invoke evil, injury, or total destruction against other people. Stories about preternatural revenge are numerous in Yankee lore, with each New England state providing its favorites. You’ll read about curses that were followed by the strange disappearance of a father and daughter in Rhode Island, mysterious afflictions in Massachusetts, a river of death in Maine, an unaccountable blight in New Hampshire, unexplained madness in Connecticut, and other eerie happenings from New England’s colorful history. Some are well known, at least regionally. Others are nearly forgotten. Within these pages, storyteller Joseph A. Citro vividly brings these tales to life, letting us decide if these tales of woe were bad luck or . . . something else.
Bestselling true-crime author M. William Phelps, star of the new investigative television series “Dark Minds,” takes readers to his own backyard in these eight bloodcurdling murder cases. Think New England is all bucolic landscapes and Robert Frost poems? Think again. In Murder, New England, Phelps explores different motives, themes, and community reactions to horrific crimes: ** Murder by Blood: The Strange Death of Rebecca Cornwell (1673, Narragansset Bay, RI). A 73-year-old widow burned to death in front of her bedroom fireplace… ** William Beadle: Husband, Father, Murderer (1782, Wethersfield, CT). A man murders his wife and kids before taking his own life... ** The Angry Man: Murder in Manchester (1821, Manchester, NH). A poor widow killed in her home by a “ruffian” looking for food and drink... ** Better Off in Heaven: John Kemmler Kills His Three Children (1879, Holyoke, MA). After losing his mill job, a man kills his daughters because he fears they will become prostitutes... ** Birth of the “Big Seven”: Gaspare Messina’s Mafioso (1917, Boston). An ol’ fashioned Mafia murder tale... ** Electronic Kill Machine: “Forensic Files” Murder (2001, Somerville, MA). Teenage slackers, the show “Forensic Files,” and the murder of a grandmother blamed on TV, youth, drugs, sex, money, and rock-n-roll... ** Sings of Life (2006, Lanesborough, MA). A woman employs the help of her cocaine-snorting daughter and Goth son to help her get rid of their step-father. ** Sesame Street Murder: Death on Big Bird’s Estate (2008, Woodstock, CT). A young woman out for a jog murdered by the groundskeeper of an estate owned by the puppeteer who played Big Bird and Oscar the Grouch. [Page Two of spread] A chilling scene unfolds on the Woodstock, Connecticut, estate of the Sesame Street puppeteer who played Big Bird and Oscar the Grouch: Near the end of the access road was a picnic area with a large pagoda-like structure topped by an A-framed roof. Two paddle boats were stored under the ceiling of the open-air building. The pagoda had that sacred, spiritual look one would expect of a place to relax and meditate. Here was a haven separated from the main living space where one could retreat and disconnect from the world. What upset the serenity of the scene was the trail of blood. It lead from the roadway directly to the pagoda—and yet stopped in the center of the ground under the ceiling. The paddle boats, investigators noticed, had blood spatter and smudge marks on them. But what did it mean that the trail of blood just stopped? As they continued to search, troopers looked above them and spied a set of pull-down stairs. There was a storage area or attic within the pagoda’s A-frame. The blood trail had stopped directly beneath the pull-down stairs.
Adequacy of Northern New England Air Service, Hearings Before the Subcommittee on Aviation..., 92-1, September 9 and 10, 1971 by United States. Congress. Senate. Commerce Pdf
New England Furies Box Set #1-3 by Nicola R. White Pdf
This box set collects the first three books of the award-winning New England Furies series into an affordable bundle, along with two short stories (Venus Rising and Something Blue) and The Official Fury’s Kiss Companion, a novella-length peek behind the scenes into the world of the Furies. Get $18 of value for only $9.99!
The Beautiful Side of Evil by Johanna Michaelsen Pdf
The last 15 years have witnessed an unprecedented explosion of interest in psychic phenomena. Johanna Michaelsen shares an extraordinary story about how she became a personal assistant to a psychic surgeon and witnessed miraculous healings, yet realized the true occultic source behind The Beautiful Side of Evil. Over 235,000 sold!
Why the Devil Chose New England for His Work by Jason Brown Pdf
“Brown’s comic take on America today is both amazing and memorable . . . One of the most brilliant and original new writers to appear for a long time.” (Alison Lurie, Pulitzer Prize–winning author) “Everything Natalie said seemed, to herself, to have been said better by him. He was less fond of speaking, however, than he was of hitting people in the face, which seemed a more likely source of her love to those of us who knew him,” begins Jason Brown’s linked collection of beautifully haunted, violent, and wry stories set in the densely forested lands of northern New England. In these tales of forbidden love, runaway children, patrimony, alcohol, class, inheritance, and survival, Brown’s elegant prose emits both quiet despair and a poignant sense of hope and redemption. These vivid accounts of troubled lives combine the powerful family drama of Andre Dubus and Russell Banks, the dark wit of Denis Johnson, the lost souls of Charles D’Ambrosio, and the New England gothic of Nathaniel Hawthorne. “One quality that makes these stories feel unmistakably new is Brown’s . . . seamless, oddly cinematic shifts among points of view . . . He has a gift for crisp, angular sentences, some of which are embedded with a quiet humor.” —Time Out New York “In Jason Brown’s fine story collection . . . the inhabitants of Vaughn, Maine, are stalked not by Stephen King horror but by intimate afflictions of blood, accident, and history. Yet their stories are too vivid to be entirely bleak. Maine’s woods and rivers, its changing light, are the beautifully rendered constants in a harsh, even malevolent, world.” —The Boston Globe
In her analysis of the cultural construction of gender in early America, Elizabeth Reis explores the intersection of Puritan theology, Puritan evaluations of womanhood, and the Salem witchcraft episodes. She finds in those intersections the basis for understanding why women were accused of witchcraft more often than men, why they confessed more often, and why they frequently accused other women of being witches. In negotiating their beliefs about the devil's powers, both women and men embedded womanhood in the discourse of depravity.Puritan ministers insisted that women and men were equal in the sight of God, with both sexes equally capable of cleaving to Christ or to the devil. Nevertheless, Reis explains, womanhood and evil were inextricably linked in the minds and hearts of seventeenth-century New England Puritans. Women and men feared hell equally but Puritan culture encouraged women to believe it was their vile natures that would take them there rather than the particular sins they might have committed.Following the Salem witchcraft trials, Reis argues, Puritans' understanding of sin and the devil changed. Ministers and laity conceived of a Satan who tempted sinners and presided physically over hell, rather than one who possessed souls in the living world. Women and men became increasingly confident of their redemption, although women more than men continued to imagine themselves as essentially corrupt, even after the Great Awakening.
A New York Times–bestselling journalist traces a string of unsolved murders—and the botched investigation that let the New Bedford Highway Killer walk away. Over the course of seven months in 1988, eleven women disappeared off the streets of New Bedford, Massachusetts, a gloomy, drug-addled coastal town that was once the whaling capital of the world. Nine turned up dead. Two were never found. And the perpetrator remains unknown to this day. How could such a thing happen? How, in what was once one of America’s richest cities, could the authorities let their most vulnerable citizens down this badly? As Carlton Smith, a Pulitzer Prize finalist for his coverage of the Green River Killer case, demonstrates in this riveting account, it was the inability of police officers and politicians alike to set aside their personal agendas that let a psychopath off the hook. In Killing Season, Smith takes readers into a close-knit community of working-class men and women, an underworld of prostitution and drug abuse, and the halls of New England law enforcement to tell the story of an epic failure of justice.