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Years ago, in the town of Saxon Falls, young Kelsey Willard disappeared and was presumed dead. The tragedy left her family with a fractured life. Now another teenage girl has gone missing, ripping open old wounds for the Willards. Bureau of Criminal Investigation agent Mark Foster has stumbled on uncanny parallels in the lives of the two missing girls that could unlock clues to a serial killer's identity. That means breaking down the walls of the Willards' long-guarded secrets and getting to a truth that is darker than he bargained for.
Years ago, in the town of Saxon Falls, young Kelsey Willard disappeared and was presumed dead. The tragedy left her family with a fractured life. Now another teenage girl has gone missing, ripping open old wounds for the Willards. Bureau of Criminal Investigation agent Mark Foster has stumbled on uncanny parallels in the lives of the two missing girls that could unlock clues to a serial killer's identity. That means breaking down the walls of the Willards' long-guarded secrets and getting to a truth that is darker than he bargained for.
In the middle of winter, a fire blazes through a dance studio. Seventeen young dancers die. Their promising careers cut short by a tragic accident. But where others see tragedy, DCI Katie Maguire sees murder. This is not the first fire to sweep through Cork. And in one recent case, the victims were dead before the fire was lit. Katie Maguire is determined to see justice done, unaware she's about to face her most chilling killer yet...
“Wow, what a book!! I don’t think I drew a full breath for the entire time I was reading… I took it everywhere I went… I needed to read it at every opportunity!… Unbelievably twisty… I loved every word of it!” Goodreads Reviewer ⭐⭐⭐⭐⭐ Jo pulled together the victims’ pictures. In all cases their arms were askew, in a way that looked like—what? It was like they were freeze-framed in the middle of some action. It was like they were dancing. When loving wife Jeanine is found dead in a small leafy town in Massachusetts, newly promoted Detective Jo Fournier is shocked to her core. Why leave her body posed like a ballerina? Why steal her wedding band and nothing else? Hungry for answers, Jo questions Jeanine’s husband, but the heartbreaking pain written on his face threatens to tear open Jo’s old wounds. It’s the same pain she felt when her boyfriend was cruelly shot dead by a gang in their hometown of New Orleans. She couldn’t get justice for him, but she’s determined to get justice for Jeanine’s devastated family. But before Jo can get answers, another woman is found, wedding ring stolen, body posed in the same ritualistic way. Digging through old files, Jo makes a terrifying link to a series of cold cases. She knows a serial killer is on the loose, but nobody will listen to the truth—not her bosses, nor the FBI. Still, Jo won’t let her superiors keep her from stopping the murderer in his tracks, even if it means the end of her career. Just as she is beginning to lose hope, she finds messages on the victims’ computers that feel like the crucial missing link. Knowing the killer is moments away from selecting his next target, will Jo be able to take him down the before another innocent life is lost? A USA Today bestseller, The Dancing Girls is the first book in an absolutely unputdownable and gripping crime thriller series. Fans of Robert Dugoni, Lisa Regan and Melinda Leigh will devour it in one sitting and will never see that OMG twist coming! Everyone is utterly addicted to The Dancing Girls: “Loved it, loved it, loved it!!… If I could give it 6 stars I would! In this current climate of ‘twists you will never see coming’—believe me… you will never see this coming!…Cannot wait for the next book!… Best book I have read.” NetGalley Reviewer ⭐⭐⭐⭐⭐ “Wow, Wow, Wow… Extremely addictive and left me wanting more. This book has everything… and a huge, unexpected twist you will not see coming. I can’t emphasize enough how much enjoyment I got from reading this… Well-deserved five stars—Wow.” Goodreads Reviewer ⭐⭐⭐⭐⭐ “Holy Freaking Hell when is the next book out?! From start to finish this book is just WOW!… Keeps you on the edge of your seat… Full of twists and turns… Talk about mind-blowing… Want to shout about it from the rooftops… I cannot recommend this book enough.” Baker’s Not So Secret Blog ⭐⭐⭐⭐⭐ “Wow! Wow! Wow! The twists left my head spinning! Oh so smugly, I thought I had the ending figured out when—whammo!—twist came out of nowhere. ‘Did NOT see that coming’ is an understatement. Blindsided! Wow.” Goodreads Reviewer ⭐⭐⭐⭐⭐ “I was just blown away by its climax, wandering around going OMG… Found it totally gripping… impossible to put down.” Muse Books ⭐⭐⭐⭐⭐ “An unpredictable rollercoaster ride with more twists and turns than you would find on a snakes and ladders board… I felt as though I had been punched in the gut and they left me breathless.” Ginger Book Geek ⭐⭐⭐⭐⭐
Ever since she and her mother rescued Angel from her parents, Frankilee Baxter has been miserable. In addition to being more pretty and talented than Frankilee, Angel begins dating the boy Frankilee likes. Frankilee devises a plan to get rid of Angel, but, what she doesn't bargain for is getting involved in a burglary, a kidnapping and a shooting.
Dancing in Paradise, Burning in Hell by Trudy Irene Scee Pdf
An often overlooked segment of Maine (and American) history is the story of women in the working class dance industries. Generally looked upon with a gasp of shock, burlesque and vaudeville dancing, and later taxi dancing and marathon dancing, were often the only way for women to survive (In taxi dancing, men paid women by the dance; while marathon dancing was a contest and women tried to outlast each other on the dance floor.) In turn-of-the-20th-century Maine, this new form of dancing was taking off, as it was elsewhere in the country. Historian Trudy Irene Scee explores the dance industries of Maine, how they were effected by national events, and how events in Maine effected national trends. She explores the difficulties women faced at that time and how they turned to new forms of entertainment to make money and pay for food and shelter. The focus of the book centers on the 1910s through the 1970s, but extends back into the 1800s, largely exploring the dance halls of the nineteenth century (be they saloons with hurdy-gurdy girls and the like, or dance halls with women performing the early forms of taxi- and belly dancing), and includes a chapter on belly dancing and other forms of dance entertainment in Maine in the 1980s to early 2000s. The newest form of dance—striptease dancing—is not be examined specifically, but is discussed as it pertains to the other dance forms. The book forms a unique look at one segment of Maine history and is a terrific addition to the literature on women’s issues.
For many years, movie audiences have carried on a love affair with the American West, believing Westerns are escapist entertainment of the best kind, harkening back to the days of the frontier. This work compares the reality of the Old West to its portrayal in movies, taking an historical approach to its consideration of the cowboys, Indians, gunmen, lawmen and others who populated the Old West in real life and on the silver screen. Starting with the Westerns of the early 1900s, it follows the evolution in look, style, and content as the films matured from short vignettes of good-versus-bad into modern plots.
The Double Life Is Twice as Good by Jonathan Ames Pdf
Wildly original novelist, essayist, and performance artist Jonathan Aames delivers his best collection yet—a hilarious, risqué, and loveable selection of articles, essays, and fiction, including several previously unpublished pieces.With an HBO pilot based on this collection’s centerpiece (“Bored to Death”), his two hilarious novels, The Extra Man and Wake Up, Sir!, in development as films (with screenplays by Mr. Ames), a critically acclaimed graphic novel, The Alcoholic, under his belt, and an ongoing series of literary and not-so-literary stunts, Jonathan Ames has proven himself to be a writer of diverse and stunning talents. In The Double Life Is Twice as Good, fans will be treated to a deft and charming compilation of Ames’s journalism, personal essays, and short fiction. Featuring illuminating profiles of Marilyn Manson and Lenny Kravitz, his adventures at a goth festival in the Midwest, a story written for Esquire on a napkin, as well as a comic strip collaboration with graphic artist Nick Bertozzi, Ames’s unique style and personality-driven humor shines throughout this wickedly funny collection. Also included is the aforementioned short story, “Bored to Death,” a Raymond Chandler–esque tale about a struggling writer-turned-detective who becomes quickly embroiled in the search for a missing college co-ed. Described by The Portland Oregonian as “an edgier David Sedaris,” it’s no wonder that this comic mastermind’s already fervent and dedicated fanbase is continually growing.
The Girls at the Kingfisher Club by Genevieve Valentine Pdf
A reimagining of the "Twelve Dancing Princesses" traces the story of a family of flappers who work in a 1920s speakeasy until their suspicious father decides to marry them off, prompting a confrontation with a bootlegger from the eldest sister's past. By the award-winning author of Mechanique.
Dancing on My Ashes by Heather Gilion,Holly Snell Pdf
Holly and Heather share their story and help to walk the reader through the painful yet necessary healing process for when life deals us its harshest blows. Dancing on my ashes soothes and empathizes with the broken heart, while sharing the truth of scripture, and the hope that comes from the heart of God.
Its not for me to say exactly how bad or good this poetry is, that of course would be pretentious. I have to say and must say, however, that I feel this is at least very authentic, legitimate verse. Almost all of it rhymes, yet, I like to think it has a voice and attempts a kind of mellifluous flow, if you will {if you will} Its been very painful over the years, to witness insincere pseudo poetry sometimes thrive because of its authors name recognition while someone like myself with no public saliency is ignored by so called traditional publishers. Its very irritating. Therefore, Im giving it one shot with AuthorHouse and will, if not successful, go back to being merely a pauper, a peasant, a pawn and a poker player! In the opening poem, The Vicissitude of the Storm, the gossamer threads represent spider webs blowing in the wind. If Ive ever accidentally written a perfect poem, that would be The Season, in this volume. Its not a very long poem but the alliteration, I like to think, creates an astonishingly nuanced yet heart throbbing winter romance scene. In, A Stone in a Pond, I try to convey the sadness I feel of how a baby is often adored by people standing near it who see it through their egos. But when it becomes less amorphous, grows into something possibly wonderful yet different then them; it is scorned for not meeting their specific expectations. I havent written any more poetry for many many years because of becoming weary of fighting unreceptive publishers. Yet, Ive read and adored many sincere poets like Poe and Keats. The movie Bright Star about John Keats and his love interest, Fanny Brawne, touched me deeply. And I like to think, I too, have a little something to say
The inside story of the life of Cheryl Burke, TV star, dancer, choreographer, and two-time champion on the top-rated TV hit series Dancing with the Stars Cheryl Burke has been dancing since the age of four and competing since she was thirteen years old. Over several exciting seasons, she has captivated audiences of Dancing with the Stars with her incredible dance performances, Emmy-nominated choreography, high energy, and bright smile. In Dancing Lessons, she takes you from her childhood years into the world of competitive ballroom dancing and on to Dancing with the Stars. Includes behind-the-scenes stories and photos from the life of the first two-time champion of Dancing with the Stars Shares lessons Cheryl has learned from her celebrity partners on Dancing with the Stars, from Drew Lachey to Chad Ochocinco Includes personal revelations concerning Cheryl's childhood, weight issues, and the media In Dancing Lessons, Cheryl Burke whisks you away to a world full of dancing, entertainment, and living to the max. In each chapter, you will discover a depth of passion in Cheryl's life that perfectly matches the commitment she displays on the dance floor. Cheryl's accounts of being a powerful woman putting her talent to work will inspire readers everywhere to pursue their own dreams. "Not only an amazing dancer, but a kick-ass woman to look up to." —Jenny McCarthy
Dancing out of Line transports readers back to the 1840s, when the craze for social and stage dancing forced Victorians into a complex relationship with the moving body in its most voluble, volatile form. By partnering cultural discourses with representations of the dance and the dancer in novels such as Jane Eyre, Bleak House, and Daniel Deronda, Molly Engelhardt makes explicit many of the ironies underlying Victorian practices that up to this time have gone unnoticed in critical circles. She analyzes the role of the illustrious dance master, who created and disseminated the manners and moves expected of fashionable society, despite his position as a social outsider of nebulous origins. She describes how the daughters of the social elite were expected to “come out” to society in the ballroom, the most potent space in the cultural imagination for licentious behavior and temptation. These incongruities generated new, progressive ideas about the body, subjectivity, sexuality, and health. Engelhardt challenges our assumptions about Victorian sensibilities and attitudes toward the sexual/social roles of men and women by bringing together historical voices from various fields to demonstrate the versatility of the dance, not only as a social practice but also as a forum for Victorians to engage in debate about the body and its pleasures and pathologies.
Amy Cavanaugh is a mentally challenged 13 year old with dreams and wishes of being a ballerina. Colette Paul-Michelle is Amy's loving grandmother, whose wish is only to keep her dark secrets from getting out. At the source of these dark secrets is a amber hued jewel, "The Dragon's Tear", a mysterious necklace that seems to threaten Amy and Colette's peaceful life in East River. Amy and her grandmother's pleasant and peaceful life may come to an abrupt end when Colette's secrets are about to be revealed. When a stranger from her distant past calls Colette out and threatens to take all that she holds precious, will the "Dragon's Tear" alone be enough to protect Amy from Colette's hunters? With the help of a few unique friends, Colette must try to destroy the past that hunts her, and save Amy's future.