Primitivism

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Jewish Primitivism

Author : Samuel J. Spinner
Publisher : Stanford University Press
Page : 338 pages
File Size : 43,8 Mb
Release : 2021-07-27
Category : Literary Criticism
ISBN : 9781503628281

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Jewish Primitivism by Samuel J. Spinner Pdf

Around the beginning of the twentieth century, Jewish writers and artists across Europe began depicting fellow Jews as savages or "primitive" tribesmen. Primitivism—the European appreciation of and fascination with so-called "primitive," non-Western peoples who were also subjugated and denigrated—was a powerful artistic critique of the modern world and was adopted by Jewish writers and artists to explore the urgent questions surrounding their own identity and status in Europe as insiders and outsiders. Jewish primitivism found expression in a variety of forms in Yiddish, Hebrew, and German literature, photography, and graphic art, including in the work of figures such as Franz Kafka, Y.L. Peretz, S. An-sky, Uri Zvi Greenberg, Else Lasker-Schüler, and Moï Ver. In Jewish Primitivism, Samuel J. Spinner argues that these and other Jewish modernists developed a distinct primitivist aesthetic that, by locating the savage present within Europe, challenged the idea of the threatening savage other from outside Europe on which much primitivism relied: in Jewish primitivism, the savage is already there. This book offers a new assessment of modern Jewish art and literature and shows how Jewish primitivism troubles the boundary between observer and observed, cultured and "primitive," colonizer and colonized.

Primitivist Modernism

Author : Sieglinde Lemke
Publisher : Oxford University Press
Page : 192 pages
File Size : 45,7 Mb
Release : 1998-04-30
Category : History
ISBN : 9780195344547

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Primitivist Modernism by Sieglinde Lemke Pdf

This book explores a rich cultural hybridity at the heart of transatlantic modernism. Focusing on cubism, jazz, and Josephine Baker's performance in the Danse Sauvage, Sieglinde Lemke uncovers a crucial history of white and black intercultural exchange, a phenomenon until now greatly obscured by a cloak of whiteness. Considering artists and critics such as Picasso, Alain Locke, Nancy Cunard, and Paul Whiteman, in addition to Baker, Lemke documents a potent cultural dialectic in which black artistic expression fertilized white modernism, just as white art forms helped shape the black modernism of Harlem and Paris. Coining the term primitivist modernism to designate the multicultural heritage of this century's artistic production, Lemke reveals the generative and germinating black cultural Other in the arts. She examines this neglected dimension in full, fascinating detail, blending literary theory, social history, and cultural analysis to document modernism's complex absorption of African culture and art. She details numerous ways in which African and African American forms (visual styles, musical idioms, black dialects) and fantasies (Baker's costume and dance, say) permeated high and mass culture on both sides of the Atlantic. So-called primitive art and high modernism; savage rhythms and European music hall culture; European and African American expressions in jazz; European primitivism and the racial awakenings of African American culture: paired and freshly examined by Lemke, these subjects stand revealed in their true interrelatedness. Insisting on modernism's two-way cultural flow, Lemke demonstrates not only that white modernism owes much of its symbolic capital to the black Other, but that black modernism built itself in part on white Euro-American models. Through superbly nuanced readings of individual texts and images (fifteen striking examples of which are reproduced in this handsome volume), Lemke reforms our understanding of modernism. She shows us, in clear, invigorating fashion, that transatlantic modernism in both its high and popular modes was significantly more diverse than commonly supposed. Students and scholars of modernism, African American studies, and cultural studies, and those with interests in twentieth-century art, dance, music, or literature, will find this book richly rewarding.

The Neo-primitivist Turn

Author : Victor Li
Publisher : University of Toronto Press
Page : 305 pages
File Size : 51,7 Mb
Release : 2006-01-01
Category : Social Science
ISBN : 9780802091116

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The Neo-primitivist Turn by Victor Li Pdf

In recent years the concept of 'the primitive' has been the subject of strong criticism; it has been examined, unpacked, and shown to signify little more than a construction or projection necessary for establishing the modernity of the West. The term 'primitive' continues, however, to appear in contemporary critical and cultural discourse, begging the question: Why does primitivism keep reappearing even after it has been uncovered as a modern myth? In The Neo-primitivist Turn, Victor Li argues that this contentious term was never completely banished and that it has in fact reappeared under new theoretical guises. An idealized conception of 'the primitive,' he contends, has come to function as the ultimate sign of alterity. Li focuses on the works of theorists like Jean Baudrillard, Jean-François Lyotard, Marianna Torgovnick, Marshall Sahlins, and Jürgen Habermas in order to demonstrate that primitivism continues to be a powerful presence even in those works normally regarded as critical of the concept. Providing close readings of the ways in which the premodern or primitive is strategically deployed in contemporary critical writings, Li's interdisciplinary study is a timely and forceful intervention into current debates on the politics and ethics of otherness, the problems of cultural relativism, and the vicissitudes of modernity.

The Myth of Primitivism

Author : Susan Hiller
Publisher : Routledge
Page : 368 pages
File Size : 54,5 Mb
Release : 2006-05-23
Category : Art
ISBN : 9781134980383

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The Myth of Primitivism by Susan Hiller Pdf

This book explores the fusion of myth, history and geography which leads to ideas of primitivism, and looks at their construction, interpretation and consumption in Western culture. Contextualized by Susan Hiller's introductions to each section, discussions range from the origins of cultural colonialism to eurocentric ideas of primitive societies, including the use of primitive culture in constructing national identities, and the appropriation of primitivist imagery in modernist art. The result is a controversial critique of art theory, practice and politics, and a major enquiry into the history of primitivism and its implications for contemporary culture.

Primitivism, Cubism, Abstraction

Author : Charles Harrison,Francis Frascina,Professor Francis Frascina,Gillian Perry
Publisher : Yale University Press
Page : 280 pages
File Size : 45,8 Mb
Release : 1993-01-01
Category : Art
ISBN : 0300055161

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Primitivism, Cubism, Abstraction by Charles Harrison,Francis Frascina,Professor Francis Frascina,Gillian Perry Pdf

On art in the early 20th century

Primitivism

Author : Michael Bell
Publisher : Routledge
Page : 104 pages
File Size : 46,8 Mb
Release : 2017-07-06
Category : History
ISBN : 9781315412832

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Primitivism by Michael Bell Pdf

First published in 1972, this books examines the subject of primitivism through the study of the work of a number of major writers, including D. H. Lawrence, Herman Melville, Joseph Conrad, T. S. Eliot and James Joyce. It looks at the variety of definitions and uses of primitivism and how the idea has changed over time as well as with each writer. In doing so, it is argued that primitivism denotes, or arises from, a sense of crisis in civilization and it is born of the interplay between the civilized self and the desire to reject or transform it. This book will be of interest to those studying modern literature.

Beyond Primitivism

Author : Jacob K. Olupona
Publisher : Routledge
Page : 374 pages
File Size : 49,7 Mb
Release : 2004-02-24
Category : Religion
ISBN : 9781134481989

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Beyond Primitivism by Jacob K. Olupona Pdf

What role do indigenous religions play in today's world? Beyond Primitivism is a complete appraisal of indigenous religions - faiths integrally connected to the cultures in which they originate, as distinct from global religions of conversion - as practised across America, Africa, Asia and the Pacific today. At a time when local traditions across the world are colliding with global culture, it explores the future of indigenous faiths as they encounter modernity and globalization. Beyond Primitivism argues that indigenous religions are not irrelevant in modern society, but are dynamic, progressive forces of continuing vitality and influence. Including essays on Haitian vodou, Korean shamanism and the Sri Lankan 'Wild Man', the contributors reveal the relevance of native religions to millions of believers worldwide, challenging the perception that indigenous faiths are vanishing from the face of the globe.

French Primitivism and the Ends of Empire, 1945-1975

Author : Daniel J. Sherman
Publisher : University of Chicago Press
Page : 307 pages
File Size : 43,8 Mb
Release : 2011-11-15
Category : Art
ISBN : 9780226752693

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French Primitivism and the Ends of Empire, 1945-1975 by Daniel J. Sherman Pdf

For over a century, the idea of primitivism has motivated artistic modernism. Focusing on the three decades after World War II, known in France as “les trentes glorieuses” despite the loss of most of the country’s colonial empire, this probing and expansive book argues that primitivism played a key role in a French society marked by both economic growth and political turmoil. In a series of chapters that consider significant aspects of French culture—including the creation of new museums of French folklore and of African and Oceanic arts and the development of tourism against the backdrop of nuclear testing in French Polynesia—Daniel J. Sherman shows how primitivism, a collective fantasy born of the colonial encounter, proved adaptable to a postcolonial, inward-looking age of mass consumption. Following the likes of Claude Lévi-Strauss, Andrée Putman, and Jean Dubuffet through decorating magazines, museum galleries, and Tahiti’s pristine lagoons, this interdisciplinary study provides a new perspective on primitivism as a cultural phenomenon and offers fresh insights into the eccentric edges of contemporary French history.

Primitivism and Identity in Latin America

Author : Erik Camayd-Freixas,José Eduardo González
Publisher : University of Arizona Press
Page : 306 pages
File Size : 55,5 Mb
Release : 2022-01-04
Category : Literary Criticism
ISBN : 9780816547272

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Primitivism and Identity in Latin America by Erik Camayd-Freixas,José Eduardo González Pdf

Although primitivism has received renewed attention in recent years, studies linking it with Latin America have been rare. This volume examines primitivism and its implications for contemporary debates on Latin American culture, literature, and arts, showing how Latin American subjects employ a Western construct to "return the gaze" of the outside world and redefine themselves in relation to modernity. Examining such subjects as Julio Cortázar and Frida Kahlo and such topics as folk art and cinema, the volume brings together for the first time the views of scholars who are currently engaging the task of cultural studies from the standpoint of primitivism. These varied contributions include analyses of Latin American art in relation to social issues, popular culture, and official cultural policy; essays in cultural criticism touching on ethnic identity, racial politics, women's issues, and conflictive modernity; and analytical studies of primitivism's impact on narrative theory and practice, film, theater, and poetry. This collection contributes offers a new perspective on a variety of significant debates in Latin American cultural studies and shows that the term primitive does not apply to these cultures as much as to our understanding of them. CONTENTS Paradise Subverted: The Invention of the Mexican Character / Roger Bartra Between Sade and the Savage: Octavio Paz’s Aztecs / Amaryll Chanady Under the Shadow of God: Roots of Primitivism in Early Colonial Mexico / Delia Annunziata Cosentino Of Alebrijes and Ocumichos: Some Myths about Folk Art and Mexican Identity / Eli Bartra Primitive Borders: Cultural Identity and Ethnic Cleansing in the Dominican Republic / Fernando Valerio-Holguín Dialectics of Archaism and Modernity: Technique and Primitivism in Angel Rama’s Transculturación narrativa en América Latina / José Eduardo González Narrative Primitivism: Theory and Practice in Latin America / Erik Camayd-Freixas Narrating the Other: Julio Cortázar’s "Axolotl" as Ethnographic Allegory / R. Lane Kauffmann Jungle Fever: Primitivism in Environmentalism; Rómulo Gallegos’s Canaima and the Romance of the Jungle / Jorge Marcone Primitivism and Cultural Production: Future’s Memory; Native Peoples’ Voices in Latin American Society / Ivete Lara Camargos Walty Primitive Bodies in Latin American Cinema: Nicolás Echevarría’s Cabeza de Vaca / Luis Fernando Restrepo Subliminal Body: Shamanism, Ancient Theater, and Ethnodrama / Gabriel Weisz Primitivist Construction of Identity in the Work of Frida Kahlo / Wendy B. Faris Mi andina y dulce Rita: Women, Indigenism, and the Avant-Garde in César Vallejo / Tace Megan Hedrick

Missionary Primitivism and Chinese Modernity

Author : David Woodbridge
Publisher : BRILL
Page : 185 pages
File Size : 48,6 Mb
Release : 2018-11-23
Category : Religion
ISBN : 9789004376106

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Missionary Primitivism and Chinese Modernity by David Woodbridge Pdf

In Missionary Primitivism and Chinese Modernity, David Woodbridge examines the activities of Brethren missionaries in twentieth-century China. Ranging from the coastal treaty ports to the inland frontiers, the book presents a fascinating encounter between primitivist missionaries and a modernising China.

Media Primitivism

Author : Delinda Collier
Publisher : Duke University Press
Page : 178 pages
File Size : 40,7 Mb
Release : 2020-09-18
Category : Art
ISBN : 9781478012313

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Media Primitivism by Delinda Collier Pdf

In Media Primitivism Delinda Collier provides a sweeping new understanding of technological media in African art, rethinking the assumptions that have conceptualized African art as unmediated, primary, and natural. Collier responds to these preoccupations by exploring African artworks that challenge these narratives. From one of the first works of electronic music, Halim El-Dabh’s Ta’abir Al-Zaar (1944), and Souleymane Cissé's 1987 film, Yeelen, to contemporary digital art, Collier argues that African media must be understood in relation to other modes of transfer and transmutation that have significant colonial and postcolonial histories, such as extractive mining and electricity. Collier reorients modern African art within a larger constellation of philosophies of aesthetics and technology, demonstrating how pivotal artworks transcend the distinctions between the constructed and the elemental, thereby expanding ideas about mediation and about what African art can do.

Primitivism and Twentieth-century Art

Author : Jack D. Flam,Miriam Deutch
Publisher : Univ of California Press
Page : 514 pages
File Size : 43,7 Mb
Release : 2003
Category : Art
ISBN : 0520212789

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Primitivism and Twentieth-century Art by Jack D. Flam,Miriam Deutch Pdf

"This is a much needed, important collection-a goldmine of sources for scholars and students. The texts articulate the key Primitivist aesthetic discourses of the period, offering crucial insight into the complex and always changing nexus between culture, politics, and representation. Because of the breadth of the materials covered and the controversies they raise, this anthology is one of the all too rare volumes that not only will provide reference materials for years to come but also will feature centrally in classroom discussions."--Suzanne Preston Blier, author of African Vodun: Art, Psychology, and Power "For almost a century art historians have fretted about the notion of primitivism in the arts. This comprehensive-in both senses of the word-anthology is a peerless source of the history of responses to works categorized as 'primitive.' In its range, the book touches upon all the troubling questions-formal, anthropological, political, historical-that have bedeviled the study of the arts of Oceania, Africa, and North and South America, and provides the grounds, at last, for intelligent pursuit of keener distinctions. I regard this book as a superb contribution to the study of Modern art; in fact, indispensable."--Dore Ashton, author of Noguchi East and West "An extraordinarily useful and complete collection of primary documents, many translated for the first time into English, and almost all unlikely to be encountered elsewhere without serious effort. Its five sections, each with a lively and scholarly introduction, reveal the diverse views of artists and writers on primitive art from Matisse, Picasso, and Fry to many far less known and sometimes surprising figures. The book also uncovers the politics and aesthetics of the major museum exhibitions that gained acceptance for art that had been both reviled and mythologized. Recent texts included are all germane. This book will be invaluable for any college course on the topic."--Shelly Errington, author of The Death of Authentic Primitive Art and Other Tales of Progress "An exceptionally valuable anthology of seventy documents--most heretofore unavailable in English--on the ongoing controversies surrounding Primitivism and Modern art. Insightfully chosen and annotated, the collection is brilliantly introduced by Jack Flam's essay on the historical progression, contexts, and cultural complexities of more than one hundred years' ideas about Primitivism. Rich, timely, illuminating."--Herbert M. Cole, author of Icons: Ideals and Power in the Art of Africa

"Primitivism" in 20th century art : affinity of the tribal and the modern ; [published in conjunction with an exhibition of the same title shown at the following museums: The Museum of Modern Art, New York; Detroit Institute of Arts; Dallas Museum of Art]

Author : William Stanley Rubin
Publisher : Unknown
Page : 343 pages
File Size : 46,9 Mb
Release : 1994
Category : Electronic
ISBN : 0870705342

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"Primitivism" in 20th century art : affinity of the tribal and the modern ; [published in conjunction with an exhibition of the same title shown at the following museums: The Museum of Modern Art, New York; Detroit Institute of Arts; Dallas Museum of Art] by William Stanley Rubin Pdf

Published for an exhibition held at the Museum of Modern Art in 1984.

Primitivism in Modern Art

Author : Robert Goldwater
Publisher : Harvard University Press
Page : 374 pages
File Size : 47,5 Mb
Release : 1986
Category : Art
ISBN : 0674704908

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Primitivism in Modern Art by Robert Goldwater Pdf

This now classic study maps the profound effect of primitive art on modern, as well as the primitivizing strain in modern art itself. Robert Goldwater describes how and why works by primitive artists attracted modern painters and sculptors, and he delineates the differences between what is truly primitive or archaic and what intentionally embodies such elements. His analysis distinguishes the romanticism of Gauguin; an emotional primitivism exemplified by the Brücke and Blaue Reiter groups in Germany; the intellectual primitivism of Picasso and Modigliani; and a “primitivism of the subconscious” in Miró, Klee, and Dali. Two of Goldwater's related essays—“Judgments of Primitive Art, 1905–1965” and “Art History and Anthropology”—have been added for this new paperback edition.

Sapphic Primitivism

Author : Robin Hackett
Publisher : Rutgers University Press
Page : 212 pages
File Size : 40,9 Mb
Release : 2004
Category : Literary Criticism
ISBN : 0813533473

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Sapphic Primitivism by Robin Hackett Pdf

In this book, Robin Hackett examines portrayals of race, class, and sexuality in modernist texts by white women to argue for the existence of a literary device that she calls "Sapphic primitivism." The works vary widely in their form and content and include Olive Schreiner's proto-modernist exploration of New Womanhood, The Story of an African Farm; Virginia Woolf's high modernist "play-poem," The Waves; Sylvia Townsend Warner's historical novel, Summer Will Show; and Willa Cather's Southern pastoral, Sapphira and the Slave Girl. In each, blackness and working-class culture are figured to represent sexual autonomy, including lesbianism, for white women. Sapphic primitivism exposes the ways several classes of identification were intertwined with the development of homosexual identities at the turn of the century. Sapphic primitivism is not, however, a means of disguising lesbian content. Rather, it is an aesthetic displacement device that simultaneously exposes lesbianism and exploits modern, primitivist modes of self-representation. Hackett's revelations of the mutual interests of those who study early twentieth-century constructions of race and sexuality and twenty-first-century feminists doing anti-racist and queer work are a major contribution to literary studies and identity theory.