Author : Anonim
Publisher : Unknown
Page : 116 pages
File Size : 44,9 Mb
Release : 2009
Category : Prints
ISBN : UCSC:32106020078801
Print Quarterly
Anonim
Print Quarterly
Print Quarterly Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Print Quarterly book. This book definitely worth reading, it is an incredibly well-written.
The Renaissance Print, 1470-1550
David Landau,Peter W. Parshall
Author : David Landau,Peter W. Parshall
Publisher : Yale University Press
Page : 453 pages
File Size : 52,9 Mb
Release : 1994-01-01
Category : Art
ISBN : 9780300068832
The Renaissance Print, 1470-1550 by David Landau,Peter W. Parshall Pdf
Through an examination of material and institutional circumstances, through the study of work shop practices and of technical and aesthetic experimentation, this book seeks to give an account of the ways in which Renaissance prints were realized, distributed, acquired, and handled by their public.
Michelangelo in Print
Bernadine Barnes
Author : Bernadine Barnes
Publisher : Routledge
Page : 243 pages
File Size : 43,5 Mb
Release : 2017-07-05
Category : Art
ISBN : 9781351558280
Michelangelo in Print by Bernadine Barnes Pdf
In seeing printed reproductions as a form of response to Michelangelo's work, Bernadine Barnes focuses on the choices that printmakers and publishers made as they selected which works would be reproduced and how they would be presented to various audiences. Six essays set the reproductions in historical context, and consider the challenges presented by works in various media and with varying degrees of accessibility, while a seventh considers how published verbal descriptions competed with visual reproductions. Rather than concentrating on the intentions of the artist, Barnes treats the prints as important indicators of the use of, and public reaction to, Michelangelo's works. Emphasizing reception and the construction of history, her approach adds to the growing body of scholarship on print culture in the Renaissance. The volume includes a comprehensive checklist organized by the work reproduced.
Vasari and the Renaissance Print
Sharon Gregory,Giorgio Vasari
Author : Sharon Gregory,Giorgio Vasari
Publisher : Ashgate Publishing, Ltd.
Page : 464 pages
File Size : 53,5 Mb
Release : 2012
Category : Art
ISBN : 1409429261
Vasari and the Renaissance Print by Sharon Gregory,Giorgio Vasari Pdf
In both Vasari's life and in his Lives, prints played important roles. This volume examines Giorgio Vasari's interest, as an art historian and as an artist, in engravings and woodblock prints, revealing how it sheds light on aspects of Vasari's career, and on aspects of sixteenth-century artistic culture and artistic practice. It is the first book to study his interest in prints from this dual perspective.
Mariette and the Science of the Connoisseur in Eighteenth-Century Europe
Kristel Smentek
Author : Kristel Smentek
Publisher : Routledge
Page : 343 pages
File Size : 51,5 Mb
Release : 2017-07-05
Category : Art
ISBN : 9781351559218
Mariette and the Science of the Connoisseur in Eighteenth-Century Europe by Kristel Smentek Pdf
Celebrated connoisseur, drawings collector, print dealer, book publisher and authority on the art of antiquity, Pierre-Jean Mariette (1694-1774) was a pivotal figure in the eighteenth-century European art world. Focusing on the trajectory of Mariette?s career, this book examines the material practices and social networks through which connoisseurs forged the idea of art as an object of empirical and historical analysis. Drawing on significant unpublished archival material as well as on histories of science, publishing, collecting and display, this book shows how Mariette and his colleagues? practices of classification and interpretation of the graphic arts gave rise to new conceptions of artistic authorship and to a history of art that transcended the biographies of individual artists. To follow Mariette?s career through the eighteenth century is to see that art was consolidated as a specialized category of intellectual inquiry-and that style emerged as its structuring analytic device-in the overlapping spaces of the collector?s cabinet, the connoisseur?s portfolio and the dealer?s shop.
"Collecting Prints and Drawings in Europe, c. 1500?750 "
Christopher Baker
Author : Christopher Baker
Publisher : Routledge
Page : 376 pages
File Size : 46,6 Mb
Release : 2017-09-29
Category : Art
ISBN : 9781351571593
"Collecting Prints and Drawings in Europe, c. 1500?750 " by Christopher Baker Pdf
Prints and drawings have been keenly collected in Europe since at least the early sixteenth century. Relatively modest in price, they offered artists, amateurs and collectors of a systematic turn of mind the opportunity to put together holdings with a wide representation of different hands, schools and types of subject. Prints and drawings are traditionally treated separately, but their collecting is shown here to raise many interrelated issues. Employing a wide range of methodologies, the essays in this volume offer a number of innovative investigations into the collecting, perception, classication and display of works on paper.
Printing Colour 1400-1700
Anonim
Author : Anonim
Publisher : BRILL
Page : 278 pages
File Size : 44,9 Mb
Release : 2015-08-24
Category : Art
ISBN : 9789004290112
Printing Colour 1400-1700 by Anonim Pdf
In Printing Colour 1400–1700, Ad Stijnman and Elizabeth Savage offer the first handbook of early modern colour printmaking before 1700 (when most such histories begin), creating a new, interdisciplinary paradigm for the history of graphic art.
Monarchy, Print Culture, and Reverence in Early Modern England
Stephanie E. Koscak
Author : Stephanie E. Koscak
Publisher : Routledge
Page : 374 pages
File Size : 52,9 Mb
Release : 2020-06-11
Category : History
ISBN : 9781000038545
Monarchy, Print Culture, and Reverence in Early Modern England by Stephanie E. Koscak Pdf
This richly illustrated and interdisciplinary study examines the commercial mediation of royalism through print and visual culture from the second half of the seventeenth century. The rapidly growing marketplace of books, periodicals, pictures, and material objects brought the spectacle of monarchy to a wide audience, saturating spaces of daily life in later Stuart and early Hanoverian England. Images of the royal family, including portrait engravings, graphic satires, illustrations, medals and miniatures, urban signs, playing cards, and coronation ceramics were fundamental components of the political landscape and the emergent public sphere. Koscak considers the affective subjectivities made possible by loyalist commodities; how texts and images responded to anxieties about representation at moments of political uncertainty; and how individuals decorated, displayed, and interacted with pictures of rulers. Despite the fractious nature of party politics and the appropriation of royal representations for partisan and commercial ends, print media, images, and objects materialized emotional bonds between sovereigns and subjects as the basis of allegiance and obedience. They were read and re-read, collected and exchanged, kept in pockets and pasted to walls, and looked upon as repositories of personal memory, national history, and political reverence.
"Prints in Translation, 1450?750 "
EdwardH. Wouk
Author : EdwardH. Wouk
Publisher : Routledge
Page : 385 pages
File Size : 44,9 Mb
Release : 2017-07-05
Category : Art
ISBN : 9781351553209
"Prints in Translation, 1450?750 " by EdwardH. Wouk Pdf
Printed artworks were often ephemeral, but in the early modern period, exchanges between print and other media were common, setting off chain reactions of images and objects that endured. Paintings, sculpture, decorative arts, musical or scientific instruments, and armor exerted their own influence on prints, while prints provided artists with paper veneers, templates, and sources of adaptable images. This interdisciplinary collection unites scholars from different fields of art history who elucidate the agency of prints on more traditionally valued media, and vice-versa. Contributors explore how, after translations across traditional geographic, temporal, and material boundaries, original 'meanings' may be lost, reconfigured, or subverted in surprising ways, whether a Netherlandish motif graces a cabinet in Italy or the print itself, colored or copied, is integrated into the calligraphic scheme of a Persian royal album. These intertwined relationships yield unexpected yet surprisingly prevalent modes of perception. Andrea Mantegna's 1470/1500 Battle of the Sea Gods, an engraving that emulates the properties of sculpted relief, was in fact reborn as relief sculpture, and fabrics based on print designs were reapplied to prints, returning color and tactility to the very objects from which the derived. Together, the essays in this volume witness a methodological shift in the study of print, from examining the printed image as an index of an absent invention in another medium - a painting, sculpture, or drawing - to considering its role as a generative, active agent driving modes of invention and perception far beyond the locus of its production.
Print, Manuscript and the Search for Order, 1450-1830
David McKitterick
Author : David McKitterick
Publisher : Cambridge University Press
Page : 340 pages
File Size : 49,9 Mb
Release : 2003-07-10
Category : Design
ISBN : 052182690X
Print, Manuscript and the Search for Order, 1450-1830 by David McKitterick Pdf
See:
Sculpture in Print, 1480–1600
Anne Bloemacher,Mandy Richter,Marzia Faietti
Author : Anne Bloemacher,Mandy Richter,Marzia Faietti
Publisher : BRILL
Page : 392 pages
File Size : 48,9 Mb
Release : 2021-04-19
Category : Art
ISBN : 9789004445864
Sculpture in Print, 1480–1600 by Anne Bloemacher,Mandy Richter,Marzia Faietti Pdf
In this first in-depth study dedicated to the intriguing history of the translation of statues and reliefs into print, the essays in this volume reflect the printmakers’ various approaches and challenges of translating antique or contemporary artworks, underlining their highly creative handling.
Female Printmakers, Printsellers and Print Publishers in the Eighteenth Century
Cristina S. Martinez,Cynthia E. Roman
Author : Cristina S. Martinez,Cynthia E. Roman
Publisher : Cambridge University Press
Page : 293 pages
File Size : 50,9 Mb
Release : 2024-03-31
Category : Art
ISBN : 9781108844772
Female Printmakers, Printsellers and Print Publishers in the Eighteenth Century by Cristina S. Martinez,Cynthia E. Roman Pdf
Integrates the vital contributions of women as printmakers, printsellers and print publishers into the history of eighteenth-century art.
Copyright in the Renaissance: Prints and the Privilegio in Sixteenth-Century Venice and Rome
Christopher Witcombe
Author : Christopher Witcombe
Publisher : BRILL
Page : 446 pages
File Size : 51,6 Mb
Release : 2004-06-01
Category : History
ISBN : 9789047413639
Copyright in the Renaissance: Prints and the Privilegio in Sixteenth-Century Venice and Rome by Christopher Witcombe Pdf
This richly documented study of copyright in sixteenth-century Venice and Rome provides valuable new information about the privilegio and the printers, engravers, painters, mapmakers, and others who used it to protect their commercial interests in various types of printed images.
The Reception of the Printed Image in the Fifteenth and Sixteenth Centuries
Grażyna Jurkowlaniec,Magdalena Herman
Author : Grażyna Jurkowlaniec,Magdalena Herman
Publisher : Routledge
Page : 421 pages
File Size : 50,5 Mb
Release : 2020-09-01
Category : Art
ISBN : 9781000173123
The Reception of the Printed Image in the Fifteenth and Sixteenth Centuries by Grażyna Jurkowlaniec,Magdalena Herman Pdf
This book examines the early development of the graphic arts from the perspectives of material things, human actors and immaterial representations while broadening the geographic field of inquiry to Central Europe and the British Isles and considering the reception of the prints on other continents. The role of human actors proves particularly prominent, i.e. the circumstances that informed creators’, producers’, owners’ and beholders’ motivations and responses. Certainly, such a complex relationship between things, people and images is not an exclusive feature of the pre-modern period’s print cultures. However, the rise of printmaking challenged some established rules in the arts and visual realms and thus provides a fruitful point of departure for further study of the development of the various functions and responses to printed images in the sixteenth century. The book will be of interest to scholars working in art history, print history, book history and European studies. The introduction of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license at https://www.taylorfrancis.com/chapters/oa-edit/10.4324/9781003029199-1/introduction-gra%C5%BCyna-jurkowlaniec-magdalena-herman?context=ubx&refId=b6a86646-c9f3-490d-8a06-2946acd75fda
Printing Music in Renaissance Rome
Jane A. Bernstein
Author : Jane A. Bernstein
Publisher : Oxford University Press
Page : 297 pages
File Size : 50,6 Mb
Release : 2024-02-16
Category : Music
ISBN : 9780197669631
Printing Music in Renaissance Rome by Jane A. Bernstein Pdf
In sixteenth-century Italy, Rome ranked second only to Venice as an important center for music book production. Throughout the century, printers in the Eternal City experimented more readily and more consistently with the materiality of the book than their Venetian counterparts, who, by standardizing their printing methods, came to dominate the international marketplace. The Romans' ingenuity and willingness to meet individual clients' needs resulted in music editions in a broader array of shapes and sizes, employing a wider range of printing techniques. They became "boutique" printers, eschewing the run-of-the-mill in favor of tailoring production to varied market demands. Accommodating the diverse requirements of their clientele, they supplied customized volumes, which Venetian presses either could not--or would not--produce. In Printing Music in Renaissance Rome, author Jane A. Bernstein offers a panoramic view of the cultures of music and the book in Rome from the beginning of printing in 1476 through the early seventeenth century. Emphasizing the exceptionalism of Roman music publishing, she highlights the innovative printing technologies and book forms devised by Roman bookmen. She also analyzes the Church's predominant influence on the book industry and, in turn, the Roman press's impact on such important composers as Palestrina, Marenzio, Victoria, and Cavalieri. Drawing on innovative publications, Bernstein reveals a synergistic relationship between music repertories and the materiality of the book. In particular, she focuses on the post-Tridentine period, when musical idioms, both new and old, challenged printers to employ alternative printing methods and modes of book presentation in the creation of their music editions. Of interest to musicologists, art historians, and book historians alike, this book builds on Bernstein's previous work as she continues to chart the course of music and the book in Renaissance Italy.