Prints And Engraved Illustrations By And After Henry Fuseli

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Prints and Engraved Illustrations by and After Henry Fuseli

Author : David H. Weinglass
Publisher : Unknown
Page : 456 pages
File Size : 43,8 Mb
Release : 1994
Category : Art
ISBN : UOM:39015049636353

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Prints and Engraved Illustrations by and After Henry Fuseli by David H. Weinglass Pdf

Throughout his lifetime the name Henry Fuseli (1741-1825) was constantly invoked as the epitome of untrammelled genius and originality. In our own day he is recognised not only as a seminal figure in the rise of Romanticism but as a great artist and master illustrator in his own right. He is also the only member of the Royal Academy ever to hold the positions of Professor of Painting and Keeper in that institution concurrently. This comprehensive catalogue of the prints and engraved illustrations by and after Henry Fuseli explores the nature and extent of Fuseli's role as history painter cum illustrator. It documents the intricate financial, artistic and business practices that shaped the complex working relationships between artist, engraver, printer and publisher. Such materials also help elucidate how engraved versions of Fuseli's and other artists' paintings stimulated public interest in the arts and literature, thereby becoming an important means of cultural transmission to the middle class.

Antiquity, Theatre, and the Painting of Henry Fuseli

Author : Andrei Pop
Publisher : Classical Presences
Page : 295 pages
File Size : 49,6 Mb
Release : 2015
Category : Art
ISBN : 9780198709275

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Antiquity, Theatre, and the Painting of Henry Fuseli by Andrei Pop Pdf

The rediscovery of Pompeii and Herculaneum in the eighteenth century challenged European assumptions about ancient life; just as influential, if quieter, was the revolution caused by translations of Greek tragedy. Art of the mid-eighteenth to early nineteenth centuries dealt with the violence and seeming irrationality of tragic action as an account of the rituals and beliefs of a foreign culture, worshipping strange gods and enacting unfamiliar customs. The result was a focus on the radical difference of the past which, however, was thought to still have something to teach us: not how to live better, but that we live differently and should allow others to do so as well. In recognizing tragedy as an alien cultural form, modern Europe recognized its own historical status as one culture among many. Naturally, this insight was resisted. Greek tragedy was seldom performed. In painting, it lived a shadow existence alongside more didactic subject matter, emerging explicitly only in a corpus of wash drawings by Anglo-Swiss artist Henry Fuseli (1741-1825), and an international circle of artists active in Rome in the 1770s. In this volume, Pop examines Fuseli as exemplary of a pluralist classicism, paying especial attention to his experiments with moral and aesthetic conventions in the more private medium of drawing. He analyses this broad view of culture through the lens of Fuseli's life and work; his remarkable acquaintances Emma Hamilton, Erasmus Darwin, and Mary Wollstonecraft, and the great theorists of art and morals to whom he responded, Jean-Jacques Rousseau, Johann Joachim Winckelmann, and David Hume, play prominent roles in this investigation of how antiquity became modern.

Fuseli's Milton Gallery

Author : Luisa Cale
Publisher : Oxford University Press on Demand
Page : 290 pages
File Size : 46,5 Mb
Release : 2006-12-21
Category : Art
ISBN : 9780199267385

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Fuseli's Milton Gallery by Luisa Cale Pdf

Fuseli's Milton Gallery challenges the antipictorial theories and canons of Romantic period culture. Between 1791 and 1799 Swiss painter Henry Fuseli turned Milton's Paradise Lost into a series of 40 pictures. Fuseli's project and other literary galleries developed within an expanding market for illustrated books and a culture of anthologization used to reading British and other 'classics' in terms of the visualization of key moments in the text. Thus transformedinto repositories of virtual pictures literary texts became ideal sources of subjects for painters. Illustrating British literature was a way of inventing a national 'grand style' to fit the needs of a consumer society.Cale calls into question the separation of reading and viewing as autonomous aesthetic practices. To 'turn readers into spectators' meant to place readers and reading within the dizzying world of associations offered by an emerging culture of exhibitions. Attending to the energized reading effects developed by Fuseli's Gallery we rediscover a new side of the Romantic imagination which is not the solitary mentalist experience preferred by Wordsworth and Coleridge, nor divorced from the senses,let alone a refuge from the crowded public spaces of the Revolutionary period. Rather, Fuseli's embodied aesthetic exemplifies the associationist psychology espoused by the radical circle convening around the publisher Joseph Johnson, including Joseph Priestley and Mary Wollstonecraft. This bookanalyses exhibitions as important sites of Romantic sociability and one of many interrelated mediums for the literature, debates and controversies of the Revolutionary period.

Bodybuilding

Author : Martin Myrone
Publisher : Yale University Press
Page : 408 pages
File Size : 42,5 Mb
Release : 2005-01-01
Category : Health & Fitness
ISBN : 0300110057

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Bodybuilding by Martin Myrone Pdf

"Combining visual analysis, social history and masculinity studies, Bodybuilding effects a vivid image of this critical period in Britain's cultural history and establishes on ambitious new framework for the study of late eighteenth-century art and gender."--BOOK JACKET.

Romanticism and Illustration

Author : Ian Haywood,Susan Matthews,Mary L. Shannon
Publisher : Cambridge University Press
Page : 343 pages
File Size : 47,9 Mb
Release : 2019-05-16
Category : Art
ISBN : 9781108425711

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Romanticism and Illustration by Ian Haywood,Susan Matthews,Mary L. Shannon Pdf

Explores a vital aspect of British Romanticism, the role of illustration in Romantic-era literary texts and visual culture.

Painting Shakespeare

Author : Stuart Sillars
Publisher : Cambridge University Press
Page : 388 pages
File Size : 46,5 Mb
Release : 2006-02-23
Category : Art
ISBN : 0521853087

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Painting Shakespeare by Stuart Sillars Pdf

A critical history of Shakespeare painting in its richest period - 1720-1820.

Annual Bibliography of the History of the Printed Book and Libraries

Author : Dept. of Special Collections of the Koninklijke Bibliotheek
Publisher : Springer Science & Business Media
Page : 636 pages
File Size : 50,7 Mb
Release : 1999-08-31
Category : Language Arts & Disciplines
ISBN : 0792358198

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Annual Bibliography of the History of the Printed Book and Libraries by Dept. of Special Collections of the Koninklijke Bibliotheek Pdf

This twenty-seventh volume of ABHB (Annual bibliography of the history of the printed book and libraries) contains 5076 records, selected from some 1000 periodicals, the list of which follows this introduction. They have been compiled by the National Committees of the following countries: Arab Countries Italy Australia Latin America Austria Latvia Lithuania Belarus Belgium Luxembourg Bulgaria Mexico The Netherlands Canada Croatia Poland Estonia Portugal Finland Rumania France Russia Germany South Africa Great Britain Spain Hungary Sweden Switzerland Iceland Ukraine Ireland Israel USA Benevolent readers are requested to signal the names of bibliographers and historians from countries not mentioned above, who would be willing to co-operate to this scheme of international bibliographic collaboration. The editor will greatly appreciate any communication on this matter. Subject As has been said in the introduction to the previous volumes, this biblio graphy aims at recording all books and articles of scholarly value which relate to the history of the printed book, to the history of the arts, crafts, techniques and equipment, and of the economic, social and cultural envi ronment, involved in its production, distribution, conservation, and descrip tion. Of course, the ideal of a complete coverage is nearly impossible to at tain. However, it is the policy of this publication to include missing items as VIII INTRODUCTION much as possible in the forthcoming volumes. The same applies to coun tries newly added to the bibliography.

Henry Fuseli

Author : Martin Myrone
Publisher : Tate Gallery Publishing Limited
Page : 88 pages
File Size : 55,9 Mb
Release : 2001
Category : Painting, Modern
ISBN : UCSC:32106018772589

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Henry Fuseli by Martin Myrone Pdf

Henry Fuseli's work has always been the subject of speculation, from the rumours of his opium addiction to modern views of him as an exponent of Neoclassicism. This text offers an interpretation of the artist.

The Illustrated Shakespeare, 1709-1875

Author : Stuart Sillars,Iakovos Vasiliou
Publisher : Cambridge University Press
Page : 433 pages
File Size : 55,5 Mb
Release : 2008-12-18
Category : Drama
ISBN : 9780521878371

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The Illustrated Shakespeare, 1709-1875 by Stuart Sillars,Iakovos Vasiliou Pdf

A complete study of the history and tradition of illustrated editions of Shakespeare, containing 167 illustrative images from major editions.

Correspondences

Author : T. A. Shippey,Martin Arnold
Publisher : DS Brewer
Page : 260 pages
File Size : 51,5 Mb
Release : 2005
Category : Art, Medieval
ISBN : 1843840634

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Correspondences by T. A. Shippey,Martin Arnold Pdf

The Cambridge Bibliography of English Literature

Author : Joanne Shattock
Publisher : Cambridge University Press
Page : 74 pages
File Size : 44,8 Mb
Release : 1999
Category : English literature
ISBN : 0521391008

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The Cambridge Bibliography of English Literature by Joanne Shattock Pdf

Blake, Lavater, and Physiognomy

Author : Sibylle Erle
Publisher : Routledge
Page : 276 pages
File Size : 46,6 Mb
Release : 2017-12-02
Category : Literary Criticism
ISBN : 9781351193696

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Blake, Lavater, and Physiognomy by Sibylle Erle Pdf

"William Blake never travelled to the continent, yet his creation myth is far more European than has ever been acknowledged. The painter Henry Fuseli introduced Blake to traditional European thinking, and Blake responded to late 18th century body-theory in his Urizen books (1794-95), which emerged from his professional work as a copy-engraver on Henry Hunter's translation of Johann Caspar Lavater's Essays on Physiognomy (1789-98). Lavater's work contains hundreds of portraits and their physiognomical readings. Blake, Fuseli, Joshua Reynolds and their contemporaries took a keen interest in the ideas behind physiognomy in their search for the right balance between good likeness and type in portraits. Blake, Lavater, and Physiognomy demonstrates how the problems occurring during the production of the Hunter translation resonate in Blake's treatment of the Genesis story. Blake takes us back to the creation of the human body, and interrogates the idea that 'God created man after his own likeness.' He introduces the 'Net of Religion', a device which presses the human form into material shape, giving it personality and identity. As Erle shows, Blake's startlingly original take on the creation myth is informed by Lavater's pursuit of physiognomy: the search for divine likeness, traced in the faces of their contemporary men."

American Gothic Art and Architecture in the Age of Romantic Literature

Author : Kerry Dean Carso
Publisher : University of Wales Press
Page : 258 pages
File Size : 41,9 Mb
Release : 2014-11-15
Category : Literary Criticism
ISBN : 9781783161621

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American Gothic Art and Architecture in the Age of Romantic Literature by Kerry Dean Carso Pdf

American Gothic Art and Architecture in the Age of Romantic Literature analyses the influence of British Gothic novels and historical romances on American art and architecture in the Romantic era.

Forms of Enchantment: Writings on Art and Artists

Author : Marina Warner
Publisher : Thames & Hudson
Page : 383 pages
File Size : 46,7 Mb
Release : 2018-10-23
Category : Art
ISBN : 9780500774434

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Forms of Enchantment: Writings on Art and Artists by Marina Warner Pdf

An anthology of enlightening writing by an award-winning critic that engages with art in its social, political, and aesthetic contexts. Art writing at its most useful should share the dynamism, fluidity, and passions of the objects of its enquiry, argues author Marina Warner in this new anthology. Here, some of Warner’s most compelling writing captures the visual experience of the work of a diverse group of artists—with a notable focus on the inner lives of women—through an exploration of the range of stories and symbols to which they allude in their work. Warner vividly describes this imagery, covering the connection with animals in the work of Louise Bourgeois, the Catholicism of Damien Hirst, performance as a medium of memory in the installations of Joan Jonas, and more. Rather than drawing on connoisseurship, Warner’s approach grows principally out of anthropology and mythology. Accompanied by illustrations of the works being described, Marina Warner’s writing unites the imagination of artist, writer, and reader, creating a reading experience that parallels the intrinsic pleasure of looking at art. This book will appeal to any student of art history, those interested in philosophy, feminism, and more generally in the humanities.

The Legacy of Antiquity

Author : Lenia Kouneni
Publisher : Cambridge Scholars Publishing
Page : 295 pages
File Size : 49,6 Mb
Release : 2014-09-26
Category : Art
ISBN : 9781443867740

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The Legacy of Antiquity by Lenia Kouneni Pdf

Recent years have seen an increase of interest in classicism and the reception and survival of antiquity. Classical Reception Studies is a rapidly developing field of research and teaching, and a growing number of new scholars are investigating issues of reception of classical texts, ideas, performance, and material culture across different cultural contexts and in different media. This volume adds new perspectives in this growing field of scholarship. This collection of essays explores the uses of the past from a wide range of perspectives. The papers are drawn from a spectrum of cultures and chronological periods; from medieval to modern times, from Italian to Byzantine, from French to British. The characters involved in each case study accessed the past through different means, employing varying combinations of texts, oral traditions, iconographic representations, and visible remains of the landscape. It is a snapshot of a field in movement, illustrative of current directions and hopeful of producing new ones. The legacy of antiquity is omnipresent, and is as multifaceted as suggested by the wide range of the papers. This volume presents new perspectives, dealing with ever-elusive enigmas and opening the way for future research and investigation to all those who seek to explore the constant fascination with the antique.