Proceedings Of The Harvard Celtic Colloquium 24 25 2004 And 2005
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Proceedings of the Harvard Celtic Colloquium, 24/25: 2004 And 2005 by Samuel Jones,Aled Llion Jones,Jennifer Dukes Knight,Christina Chance,Matthew Knight Pdf
In Volume 24: Manuel Alberro, "The Celticity of Galicia and the Arrival of the Insular Celts"; Brenda Gray, "Reading Aislinge Óenguso as a Christian-Platonist Parable"; and 6 other articles. In Volume 25: Timothy P. Bridgman, "Keltoi, Galatai, Galli: Were They All One People?"; Chao Li, "On Verbal Nouns in Celtic Languages"; and 6 other articles.
Proceedings of the Harvard Celtic Colloquium, 20/21: 2000 And 2001 by Charlene Shipman Eska,Hugh Fogarty,Kathryn Izzo,Diana Luft Pdf
This double volume includes "Retoiric and Composition in Geneamuin Chormaic," by Hugh Fogarty; "Gendering the Vita Prima: An Examination of St. Brigid's Role as 'Mary of the Gael, '" by Diane Peters Auslander; and nineteen other articles.
Support, Transmission, Education and Target Varieties in the Celtic Languages by Noel Ó Murchadha,Bettina Migge Pdf
Like many languages across the globe, the Celtic languages today are experiencing varying degrees of minoritisation and revitalisation. The experience of the Celtic languages in the twenty-first century is characterised by language shift to English and French, but they have also been the focus of official and grassroots initiatives aimed at reinvigorating the minoritised languages. This modern reality is evident in the profile of contemporary users of the Celtic languages, in the type of variation that they practise, and in their views on Celtic language and society in the twenty-first century. In turn, this reality provides a challenge to preconceived ideas about what the Celtic languages are like and how they should be regarded and managed at local and global levels. This book aims to shed light on some of the main issues facing the Celtic languages into the future and to showcase different approaches to studying such contexts. It presents contributions interested in explicating the modern condition of the Celtic languages. It engages with attitudinal support for the Celtic languages, modes of language transmission, choosing educational models in minority settings, pedagogical approaches for language learners and perceptions of linguistic practices. These issues are considered within the context of language shift and revitalisation in the Celtic languages. The chapters in this book were originally published as a special issue of Language, Culture and Curriculum.
Opera and British Print Culture in the Long Nineteenth Century by Christina Fuhrmann Pdf
Recently, studies of opera, of print culture, and of music in Britain in the long nineteenth century have proliferated. This essay collection explores the multiple point of interaction among these fields. Past scholarship often used print as a simple conduit for information about opera in Britain, but these essays demonstrate that print and opera existed in a more complex symbiosis. This collection embeds opera within the culture of Britain in the long nineteenth century, a culture inundated by print. The essays explore: how print culture both disseminated and shaped operatic culture; how the businesses of opera production and publishing intertwined; how performers and impresarios used print culture to cultivate their public persona; how issues of nationalism, class, and gender impacted reception in the periodical press; and how opera intertwined with literature, not only drawing source material from novels and plays, but also as a plot element in literary works or as a point of friction in literary circles. As the growth of digital humanities increases access to print sources, and as opera scholars move away from a focus on operas as isolated works, this study points the way forward to a richer understanding of the intersections between opera and print culture.
Poetry and British Nationalisms in the Bardic Eighteenth Century by Jeff Strabone Pdf
This book offers a radical new theory of the role of poetry in the rise of cultural nationalism. With equal attention to England, Scotland, and Wales, the book takes an Archipelagic approach to the study of poetics, print media, and medievalism in the rise of British Romanticism. It tells the story of how poets and antiquarian editors in the British nations rediscovered forgotten archaic poetic texts and repurposed them as the foundation of a new concept of the nation, now imagined as a primarily cultural formation. It also draws on legal and ecclesiastical history in drawing a sharp contrast between early modern and Romantic antiquarianisms. Equally a work of literary criticism and history, the book offers provocative new theorizations of nationalism and Romanticism and new readings of major British poets, including Allan Ramsay, Thomas Gray, and Samuel Taylor Coleridge.
Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.
Proceedings of the Harvard Celtic Colloquium, 24/25: 2004 And 2005 by Samuel Jones,Aled Llion Jones,Christina Chance,Matthew Knight Pdf
In Volume 24: Manuel Alberro, "The Celticity of Galicia and the Arrival of the Insular Celts"; Brenda Gray, "Reading Aislinge Óenguso as a Christian-Platonist Parable"; and 6 other articles. In Volume 25: Timothy P. Bridgman, "Keltoi, Galatai, Galli: Were They All One People?"; Chao Li, "On Verbal Nouns in Celtic Languages"; and 6 other articles.
Voices of Medieval England, Scotland, Ireland, and Wales by Linda E. Mitchell Pdf
This volume provides a selection of primary documents from medieval England, Scotland, Ireland, and Wales, thereby enabling readers to directly access information about life long ago in the region. Voices of Medieval England, Scotland, Ireland, and Wales: Contemporary Accounts of Daily Life provides a broad selection of primary documents that are appropriate in level and content for a variety of readers. It includes dozens of primary document excerpts that illustrate important elements of daily life during the medieval period. Each document is accompanied by an introduction that supplies relevant historical background, context points to help readers evaluate the document, a description of the results and consequences of the document, and a "Further Information" section listing important print and electronic resources as well as any relevant films or television programs. Covering an important curricular topic, this book provides extensive contextual material along with guidance to help students read documents. Additionally, it serves to support Common Core State Standards by helping students develop critical thinking skills through document analysis.
Feast as a Mirror of Social and Cultural Changes by Frédéric Armao,Bożena Gierek,Ilze Kačāne,Tatiana Minniyakhmetova,László Mód ,Marek Moroń,Ewa Nowicka,Alīna Romanovska,Monika Salzbrunn,Tigran Simyan ,Kiyoshi Umeya Pdf
Feasting seems to be an inseparable element of peoples’—especially their collective—lives. ___|___ The proposed volume consists of original unpublished texts in which their Authors search for the answers to the following questions: How far have we gone astray from the primeval idea of celebrating the feast, from understanding tradition in terms of the Romanian historian of religion, Mircea Eliade, or the French sociologist, Émile Durkheim? Are there still any traditional, in its very meaning, feasts? If not—if they are invented (Hobsbawm and Ranger [1983] 1992)—why are they called “traditional”? What elements have changed and why? What has had the greatest impact on celebrating feasts? What are the new factors influencing the course of a feast’s celebration? ___|___ It was difficult to categorize the texts contained in this book because the subjects discussed in them very often overlap. Still, it was possible to recognize several accentuated aspects that served as the basis for the division of the book into three sections: 1) Culture and Identity; 2) Ritual and Cultural Values; 3) Culture and Policy. The contributors are scholars who represent various international institutions and fields of research, and use different approaches and methodologies to study the subject of the feast. This publication is an opportunity to bring the results of their research together in one book. The volume contains chapters in which various aspects of feasts, festivals, and festivities perceived as a mirror of social and cultural changes in the twentieth and twenty-first centuries are presented. It provides a unique and rich resource in the fields of culture, folklore, religion, anthropology, sociology, as well as politics and other cultural and social sciences. In the future, we hope to broaden the scope of our research and to include more ethnic groups and their cultures in order to see the changes they have undergone and factors that caused them. _____ TABLE OF CONTENTS _____ Frédéric Armao (University of Toulon, France), Uisneach: from the Ancient Assembly to the Fire Festival 2017 | Key words: Bealtaine, folklore, Irish festivals, mythology, Uisneach _____ Bożena Gierek (Jagiellonian University, Krakow, Poland), Lajkonik (Hobby Horse) as Theatrum of the Period of Corpus Christi in Kraków (Poland) | Key words: Corpus Christi, feast, Lajkonik, raftsmen, theatrum _____ Tatiana Minniyakhmetova (University of Tartu, Estonia), Manifestation of Various Values in Traditional Udmurt Feasts | Key words: “beestings,” feast, porridge-meat, symbols, Udmurts _____ László Mód (University of Szeged, Hungary), Grape Harvest Feast as an Attempt to Develop Local Identity and Cultural Heritage. The Hungarian Case | Key words: cultural heritage, grape harvest feast, invented tradition, local identity _____ Marek Moroń (Jagiellonian University, Krakow, Poland), The Use of Sacrifice Feast of Eid ul-Adha in Bengal as an Instrument of Promoting Communal Violence for Political Purposes. The Situation in the 1920s, 1930s and 2017 | Key words: Bengal, cow sacrifice, Eid ul Adha, Hindu, Muslim, politics _____ Ewa Nowicka (University of Warsaw, Poland), Performing Ethnicity: Buryat Ethnofestivals and a Rediscovered Tradition | Key words: Buryatia, cultural canon, ethnofestival, identity, rediscovered tradition _____ Alīna Romanovska (Daugavpils University, Latvia), Diaspora Festivals as a Way for Development of Cultural Identity in the Regional City: the Case of Daugavpils (Latvia) | Key words: creolization, diaspora, festival, identity, regional city _____ Monika Salzbrunn (University of Lausanne, Switzerland), The Swiss Carnivals of Payerne and Lausanne: Place-making between the mise en scène of Self and the Other(s) | Key words: Brandons, carnival, Othering, performance, place-making, wordplay _____ Tigran Simyan (Yerevan State University, Armenia) and Ilze Kačāne (Daugavpils University, Latvia), Transformations of New Year Celebration in the Soviet and Post-Soviet Era: the Cases of Armenia and Latvia | Key words: Christmas (New Year) tree, Ded Moroz, New Year, post-Soviet, Santa Claus, Soviet, transformation _____ Kiyoshi Umeya (Kobe University, Japan / University of Cape Town, South Africa), Feasts to Send-off the Dead: with Special Reference to the Jopadhola of Eastern Uganda | Key words: agency of the dead, feast, funeral rites, Jopadhola, modernity, Uganda
Fairies, Demons, and Nature Spirits by Michael Ostling Pdf
This book examines the fairies, demons, and nature spirits haunting the margins of Christendom from late-antique Egypt to early modern Scotland to contemporary Amazonia. Contributions from anthropologists, folklorists, historians and religionists explore Christian strategies of encompassment and marginalization, and the ‘small gods’ undisciplined tendency to evade such efforts at exorcism. Lurking in forest or fairy-mound, chuckling in dark corners of the home or of the demoniac’s body, the small gods both define and disturb the borders of a religion that is endlessly syncretistic and in endless, active denial of its own syncretism. The book will be of interest to students of folklore, indigenous Christianity, the history of science, and comparative religion.
Proceedings of the Harvard Celtic Colloquium, 28: 2008 by Kassandra Conley,Edyta Lehmann,Sarah Zeiser Pdf
This volume includes: "The Influence of 19th century Anthologies of Celtic Music in Redefining Celtic Nationalism" by Graham Aubrey; "A Reactionary Dimension in Progressive Revolutionary Theories?" by Olivier Coquelin; "The Spiteful Tongue: Breton Song Practices and the Art of the Insult" by Natalie Franz; "Celtic Democracy" by D. Blair Gibson; "Pendragon's Ancestors" by Natalie Ginoux; "When Historians Study Breton Oral Ballads: A Cultural Approach" by Eva Guillorel; "The British Tristan Tradition" by Sabine Heinz; "Time and the Translation of the Breton Laws" by Heather Laird; "Judas, His Sister, and the Miraculous Cock in the Middle Irish poem Cr st ro crochadh" by Christopher Leydon; "Se principen nominat: Rhetorical Self-Fashioning and Epistolary Style in the Letters of Owain Gwynedd" by Patricia Malone; and "Abduction, Swordplay, Monsters and Mistrust: Findabair, Gwenhwyfa and the Restoration of Honour" by Sharon Paice MacLeod.
Author : James E. Doan,Cornelius G. Buttimer Publisher : Department of Celtic Literature & Page : 176 pages File Size : 51,5 Mb Release : 2006-11 Category : History ISBN : 1879095025
Proceedings of the Harvard Celtic Colloquium by James E. Doan,Cornelius G. Buttimer Pdf
The Harvard Celtic Colloquium was established in 1980 by two graduate students in the Harvard University Department of Celtic Languages and Literatures as a forum in which graduate students could share their work and gain experience in professional academia. Since then, it has been organized annually by a team of students in the department, grown in size, and gained an international reputation which annually draws a diverse mix of scholars from around the world to present papers on all facets of Celtic Studies. The Harvard Celtic Colloquium is the only conference in the field of Celtic Studies to be wholly organized and run by graduate students. Since its inception, established and internationally-renowned scholars in Celtic as well as graduate students, junior academics, and unaffiliated scholars have been drawn to this dynamic setting, presenting papers on ancient, medieval, and modern topics in the many disciplines relating to Celtic Studies; including literature, linguistics, art, archeology, government, economics, music, and history. Papers given at the Colloquium may be submitted for review to the organizers of the conference, who become the editors for those papers selected for publication in the Proceedings of the Harvard Celtic Colloquium. Only papers presented at the annual conference are considered for publication. Harvard University Press is proud to announce that we will distribute the Proceedings of the Harvard Celtic Colloquium.
Proceedings of the Harvard Celtic Colloquium, 13: 1993 by Barbara Hillers,Pamela Hopkins,Jerry Hunter Pdf
The Harvard Celtic Colloquium was established in 1980 by two graduate students in the Harvard University Department of Celtic Languages and Literatures as a forum in which graduate students could share their work and gain experience in professional academia. Since then, it has been organized annually by a team of students in the department, grown in size, and gained an international reputation which annually draws a diverse mix of scholars from around the world to present papers on all facets of Celtic Studies. The Harvard Celtic Colloquium is the only conference in the field of Celtic Studies to be wholly organized and run by graduate students. Since its inception, established and internationally-renowned scholars in Celtic as well as graduate students, junior academics, and unaffiliated scholars have been drawn to this dynamic setting, presenting papers on ancient, medieval, and modern topics in the many disciplines relating to Celtic Studies; including literature, linguistics, art, archeology, government, economics, music, and history. Papers given at the Colloquium may be submitted for review to the organizers of the conference, who become the editors for those papers selected for publication in the Proceedings of the Harvard Celtic Colloquium. Only papers presented at the annual conference are considered for publication. Harvard University Press is proud to announce that we will distribute the Proceedings of the Harvard Celtic Colloquium.
