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Modern atheism is a further act in the ancient drama of Prometheus vs Zeus. This book argues that the antagonism is false, as proved by the "irony": in which atheism turns into antitheism, transferring divine qualities to Humanity. The drama is framed by the "classicla dilemma," a conflict of wills: Tyrant and Rebel. The Unbinding of Prometheus is traced through Western history, to the Enlightenment "death of God," both speculative (Hegel) and practical (Marx). Finally, four types of "idols" are examined, in which Prometheus is rebound: Freud's Oedipus, Nietzsche's Dionysus, Camus' Sisyphus and Sartre's Orestes. The revision of both theism and atheism demands re-casting Zeus and Prometheus, breaking the impasse of heteronomy/autonomy and omnipotence/free will. Only thus may we affirm Humanity without denying God.
Prometheus Rebound is a three-pronged narrative. Henri Vanderveer, a struggling gossip columnist, forges his way through the mid-Seventies celebrity culture in search of the scoop that will make his career-only to find that the story he was looking for will expose his own family. Paul Manship, the renown Art Deco sculptor, searches for a vision that will be the focus of Rockefeller Center. In the hunt for his inspiration he discovers the intricacies of his psychosexual underbelly. And then there is Prometheus, the punished and chained Titan who daily has his liver eaten out by vultures because he stole the fire from the heavens and brought it to earth. This is the price he pays so that we mortals can live in a civilized manner.
Author : Nicholas F. Gier Publisher : State University of New York Press Page : 331 pages File Size : 52,5 Mb Release : 2012-03-27 Category : Religion ISBN : 9780791492826
This work in comparative philosophy uses the concept of Titanism to critique certain trends in both Eastern and Western philosophy. Titanism is an extreme form of humanism in which human beings take on divine attributes and prerogatives. The author finds the most explicit forms of spiritual Titanism in the Jaina, Samkhya, and Yoga traditions, where yogis claim powers and knowledge that in the West are only attributed to God. These philosophies are also radically dualistic, and liberation involves a complete transcendence of the body, society, and nature. Five types of spiritual Titanism are identified; and, in addition to this typology, a heuristic based on Nietzsche's three metamorphoses of camel, lion, and child is offered. The book determines that answers to spiritual Titanism begin not only with the Hindu Goddess religion, but also are found in Buddhism, Confucianism, and Daoism, especially Zen Buddhism and Confucianism.
Reveals how the divorce of divine perfection from human perfection undergirds the divorce of theology and philosophy. This work shows how these discourses were originally joined by the Church Fathers, to how they were separated in the Middle Ages and modern Anglicanism, to how they can be rejoined.
Volume 16, Tome II: Kierkegaard's Literary Figures and Motifs by Katalin Nun,Jon Stewart Pdf
While Kierkegaard is perhaps known best as a religious thinker and philosopher, there is an unmistakable literary element in his writings. He often explains complex concepts and ideas by using literary figures and motifs that he could assume his readers would have some familiarity with. This dimension of his thought has served to make his writings far more popular than those of other philosophers and theologians, but at the same time it has made their interpretation more complex. Kierkegaard readers are generally aware of his interest in figures such as Faust or the Wandering Jew, but they rarely have a full appreciation of the vast extent of his use of characters from different literary periods and traditions. The present volume is dedicated to the treatment of the variety of literary figures and motifs used by Kierkegaard. The volume is arranged alphabetically by name, with Tome II covering figures and motifs from Gulliver to Zerlina.
Romantic Echoes in the Victorian Era by Andrew Radford Pdf
In tracing those deliberate and accidental Romantic echoes that reverberate through the Victorian age into the beginning of the twentieth century, this collection acknowledges that the Victorians decided for themselves how to define what is 'Romantic'. The essays explore the extent to which Victorianism can be distinguished from its Romantic precursors, or whether it is possible to conceive of Romanticism without the influence of these Victorian definitions. Romantic Echoes in the Victorian Era reassesses Romantic literature's immediate cultural and literary legacy in the late nineteenth century, showing how the Victorian writings of Matthew Arnold, Wilkie Collins, the Brontës, the Brownings, Elizabeth Gaskell, Charles Dickens, Gerard Manley Hopkins, Thomas Hardy, and the Rossettis were instrumental in shaping Romanticism as a cultural phenomenon. Many of these Victorian writers found in the biographical, literary, and historical models of Chatterton, Coleridge, Byron, Shelley, Keats, and Wordsworth touchstones for reappraising their own creative potential and artistic identity. Whether the Victorians affirmed or revolted against the Romanticism of their early years, their attitudes towards Romantic values enriched and intensified the personal, creative, and social dilemmas described in their art. Taken together, the essays in this collection reflect on current critical dialogues about literary periodisation and contribute to our understanding of how these contemporary debates stem from Romanticism's inception in the Victorian age.
Paronomasia consists of two books of poetry: Songs Of Paronomasia and Tales From The Land Of Nod. The first book is a collection of poems that were written between the years 1970 and 1975. The second book written in nine cantos, is described by by the author as a "gnostic myth".
Author : Helene P. Foley Publisher : Univ of California Press Page : 396 pages File Size : 40,7 Mb Release : 2014-06-26 Category : History ISBN : 9780520283879
Reimagining Greek Tragedy on the American Stage by Helene P. Foley Pdf
This book explores the emergence of Greek tragedy on the American stage from the nineteenth century to the present. Despite the gap separating the world of classical Greece from our own, Greek tragedy has provided a fertile source for some of the most innovative American theater. Helene P. Foley shows how plays like Oedipus Rex and Medea have resonated deeply with contemporary concerns and controversies—over war, slavery, race, the status of women, religion, identity, and immigration. Although Greek tragedy was often initially embraced for its melodramatic possibilities, by the twentieth century it became a vehicle not only for major developments in the history of American theater and dance but also for exploring critical tensions in American cultural and political life. Drawing on a wide range of sources—archival, video, interviews, and reviews—Reimagining Greek Tragedy on the American Stage provides the most comprehensive treatment of the subject available.
God’s world was created “very good,” Genesis chapter 1 tells us, and in this book Jon Garvey rediscovers the truth, known to the Church for its first 1,500 years but largely forgotten now, that the fall of mankind did not lessen that goodness. The natural creation does not require any apologies or excuses, but rather celebration and praise. The author’s re-examination of the scriptural evidence, the writings of two millennia of Christian theologians, and the physical evidence of the world itself lead to the conclusion that we, both as Christians and as modern Westerners, have badly misunderstood our world. Restoring a truer vision of the goodness of the present creation can transform our own lives, sharpen the ministry of the church to the world of both people and nature, and give us a better understanding of what God always intended to bring about through Christ in the age to come.
Like Richard Ellmann’s James Joyce, Richard Zenith’s Pessoa immortalizes the life of one of the twentieth century’s greatest writers. Nearly a century after his wrenching death, the Portuguese poet Fernando Pessoa (1888–1935) remains one of our most enigmatic writers. Believing he could do “more in dreams than Napoleon,” yet haunted by the specter of hereditary madness, Pessoa invented dozens of alter egos, or “heteronyms,” under whose names he wrote in Portuguese, English, and French. Unsurprisingly, this “most multifarious of writers” (Guardian) has long eluded a definitive biographer—but in renowned translator and Pessoa scholar Richard Zenith, he has met his match. Relatively unknown in his lifetime, Pessoa was all but destined for literary oblivion when the arc of his afterlife bent, suddenly and improbably, toward greatness, with the discovery of some 25,000 unpublished papers left in a large, wooden trunk. Drawing on this vast archive of sources as well as on unpublished family letters, and skillfully setting the poet’s life against the nationalist currents of twentieth-century European history, Zenith at last reveals the true depths of Pessoa’s teeming imagination and literary genius. Much as Nobel laureate José Saramago brought a single heteronym to life in The Year of the Death of Ricardo Reis, Zenith traces the backstories of virtually all of Pessoa’s imagined personalities, demonstrating how they were projections, spin-offs, or metamorphoses of Pessoa himself. A solitary man who had only one, ultimately platonic love affair, Pessoa used his and his heteronyms’ writings to explore questions of sexuality, to obsessively search after spiritual truth, and to try to chart a way forward for a benighted and politically agitated Portugal. Although he preferred the world of his mind, Pessoa was nonetheless a man of the places he inhabited, including not only Lisbon but also turn-of-the-century Durban, South Africa, where he spent nine years as a child. Zenith re-creates the drama of Pessoa’s adolescence—when the first heteronyms emerged—and his bumbling attempts to survive as a translator and publisher. Zenith introduces us, too, to Pessoa’s bohemian circle of friends, and to Ophelia Quieroz, with whom he exchanged numerous love letters. Pessoa reveals in equal force the poet’s unwavering commitment to defending homosexual writers whose books had been banned, as well as his courageous opposition to Salazar, the Portuguese dictator, toward the end of his life. In stunning, magisterial prose, Zenith contextualizes Pessoa’s posthumous literary achievements—especially his most renowned work, The Book of Disquiet. A modern literary masterpiece, Pessoa simultaneously immortalizes the life of a literary maestro and confirms the enduring power of Pessoa’s work to speak prophetically to the disconnectedness of our modern world.
Half a century ago, Canadian poet Gary Botting pioneered the use of shaped poetry to achieve visual effects often experienced by the reader as vertigo. Most of his published poems pushed the accepted boundaries of poetic and linguistic structure and thematic acceptability. Now his experimental poems are regarded as avant-garde. In Streaking! The Collected Poems of Gary Botting, the poet explores themes of unabashed sensuality in a variety of forms, from haikus, sonnets, odes, and ballads to his full-length poetic drama, Prometheus Rebound. His acerbic wit finds voice in poetic sequences such as Monomonster in Hell, where he satirizes his own naiveté as a teenaged missionary in Hong Kong. “His sense of humor – rare in Canadian poets – giggles across the page,” says one critic.
Animal Sacrifice and the Death Penalty by Giosuè Ghisalberti Pdf
The slaughter of animals as a religious ritual and the execution of human beings as a judicial one was an interrelated phenomenon in the ancient world. Writings from different traditions had to be interpreted in relation to each other for the connection between two sacred rituals to be made. The history of the death penalty within the textual traditions of Judaism and ancient Greece could be traced to specific commandments beginning in Genesis and in laws specified as early as in Hesiod's Theogony--in each case, however, with far from unambiguous conclusions despite their divine origins in YHWH or Zeus. An ever-present uncertainty in the nature of the death penalty pervades the writings of the Bible from Genesis to the Gospels of Jesus, as well as in the mytho-poetic world of Hesiod, the tragedy of Aeschylus, and Socratic philosophy as represented in Plato's dialogues. Scholarship has not considered the importance of these two interrelated traditions insofar as both expose the specific characteristics of violence and killing within the institutions of religion and the law. The creation of religious rituals and the acts of the law are inseparable and essential to the authority of the politico-religious state. Animal sacrifice and the death penalty serve as the pillars of social legitimacy in the ancient world.
An ethnography of terrorism trials in Delhi, India, this book explores what modes of life are made possible in the everyday experience of the courtroom. Mayur Suresh shows how legal procedures and technicalities become the modes through which courtrooms are made habitable. Where India’s terror trials have come to be understood by way of the expansion of the security state and displays of Hindu nationalism, Suresh elaborates how they are experienced by defendants in a quite different way, through a minute engagement with legal technicalities. Amidst the grinding terror trials—which are replete with stories of torture, illegal detention and fabricated charges—defendants school themselves in legal procedures, became adept petition writers, build friendships with police officials, cultivate cautious faith in the courts and express a deep sense of betrayal when this trust is belied. Though seemingly mundane, legal technicalities are fraught and highly contested, and acquire urgent ethical qualities in the life of a trial: the file becomes a space in which the world can be made or unmade, the petition a way of imagining a future, and investigative and courtroom procedures enable the unexpected formation of close relationships between police and terror-accused. In attending to the ways in which legal technicalities are made to work in everyday interactions among lawyers, judges, accused terrorists, and police, Suresh shows how human expressiveness, creativity and vulnerability emerge through the law.
Year 2000 and Mental Retardation by Stanley C. Plog Pdf
The future is exciting-frightening-and demanding! As social and eco nomic change accelerates at an ever-increasing rate, we look with awe and wonder at the way in which unanticipated events impact on our lives and change the way we live. We are also frightened about how well we will adapt to the demands of a world that may be structured quite differently from the familiar environment of today. If we are to handle our own futures with some degree of skill and adap tiveness, we need to begin planning today for the dawn of the next century. Otherwise, we may find that events have overrun our capacity to cope. Those of us in the social and helping sectors of the economy have a responsibility for the future welfare of persons who are less able to look out for their own needs or to protect themselves from the vagaries of economic fluctuations or major dislocations in the social fabric of the land. The President's Committee on Mental Retardation is proud of its deci sion to look at the year 2000 and its impact on the mentally retarded. Our goals were straightforward-to understand how unfolding events can affect the lives of the mentally retarded, for good or ill, a generation from now.
