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Here is a skillful tracing of two tracks in the evolution of musical genres that have evolved from black religion. Songs of protest developed from the spiritual through social-gospel hymnody to culminate in songs of the civil-rights movement and the blues. Born in rebellion, they envision the Kingdom of God.Songs of praise, by contrast, express adoration. Beginning with the "ring-shout," Spencer follows the history of intoned declamation through the tongue song, Holiness-Pentecostal music, and the chanted sermon of the black preacher. Spencer's approach, termed theomusicology, unlocks the wealth of African-American sacred music with a theological key. The result is a fascinating account of a people's struggle with God in history.
This book delves into the public character of public theology from the sites of subalternity, the excluded Dalit (non) public in the Indian public sphere. Raj Bharat Patta employs a decolonial methodology and explores the topic in three parts: First, he engages with ‘theological contexts,’ by mapping global and Indian public theologies and critically analysing them. Next, he discusses ‘theological companions,’ and explains ‘theological subalternity’ and ‘subaltern public’ as companions for a subaltern public theology for India. Finally, Patta explains ‘theological contours’ by discussing subaltern liturgy as a theological account of the subaltern public and explores a subaltern public theology for India.
What we must see, Martin Luther King once insisted, is that a riot is the language of the unheard. In this new era of global protest and popular revolt, Languages of the Unheard draws on King's insight to address a timely and controversial topic: the ethics and politics of militant resistance. Using vivid examples from the history of militancy including—armed actions by Weatherman and the Red Brigades, the LA Riots, the Zapatista uprising, the Mohawk land defence at Kanesatake, the Black Blocs at summit protests, the occupations of Tahrir Square and Zuccotti Park, the Indigenous occupation of Alcatraz, the Quebec Student Strike, and many more—this book will be of interest to democratic theorists and moral philosophers, and practically useful for protest militants attempting to grapple with the moral ambiguities and political dilemmas unique to their distinctive position.
Christian Worship by Franklin M. Segler,Randall Bradley Pdf
Christian Worship (revised and expanded in this third edition) is the complete reference handbook on the meaning, expression, and conducting of worship, from its foundational elements to the very latest contemporary issues. Taking into account cultural and denominational differences, this broad resource clearly directs all church members in the number one priority of worshipping God. Among the subjects addressed are: Banners and Symbolism (Do they have a place in worship?); Children in Worship; Copyright Laws (Does your church comply?); Drama; and Elements of Worship (What are the specific roles of music, prayer, Scripture reading, baptism, preaching, and the Lord’s Supper?).
Protest Camps by Anna Feigenbaum,Fabian Frenzel,Patrick McCurdy Pdf
From Tahrir Square to Occupy, from the Red Shirts in Thailand to the Teachers in Oaxaca, protest camps are a highly visible feature of social movements' activism across the world. They are spaces where people come together to imagine alternative worlds and articulate contentious politics, often in confrontation with the state. Drawing on over fifty different protest camps from around the world over the past fifty years, this book offers a ground-breaking and detailed investigation into protest camps from a global perspective - a story that, until now, has remained untold. Taking the reader on a journey across different cultural, political and geographical landscapes of protest, and drawing on a wealth of original interview material, the authors demonstrate that protest camps are unique spaces in which activists can enact radical and often experiential forms of democratic politics.
Isaiah 40-55 Vol 1 (ICC) by John Goldingay,David Payne Pdf
For over one hundred years International Critical Commentaries have had a special place among works on the Bible. They bring together all the relevant aids to exegesis - linguistic, textual, archaeological, historical, literary, and theological - to help the reader understand the meaning of the books of the Old and New Testaments. The new commentaries continue this tradition. All new evidence now available is incorporated and new methods of study are applied. The authors are of the highest international standing. No attempt has been made to secure a uniform theological or critical approach to the biblical text: contributors have been invited for their scholarly distinction, not for their adherence to any one school of thought.
The Resisting Muse: Popular Music and Social Protest by Ian Peddie Pdf
Popular music has traditionally served as a rallying point for voices of opposition, across a huge variety of genres. This volume examines the various ways popular music has been deployed as anti-establishment and how such opposition both influences and responds to the music produced. Implicit in the notion of resistance is a broad adversarial hegemony against which opposition is measured. But it would be wrong to regard the music of popular protest as a kind of dialogue in league against 'the establishment'. Convenient though they are, such 'us and them' arguments bespeak a rather shop-worn stance redolent of youthful rebellion. It is much more fruitful to perceive the relationship as a complex dialectic where musical protest is as fluid as the audiences to which it appeals and the hegemonic structures it opposes. The book's contemporary focus (largely post-1975) allows for comprehensive coverage of extremely diverse forms of popular music in relation to the creation of communities of protest. Because such communities are fragmented and diverse, the shared experience and identity popular music purports is dependent upon an audience collectivity that is now difficult to presume. In this respect, The Resisting Muse examines how the forms and aims of social protest music are contingent upon the audience's ability to invest the music with the 'appropriate' political meaning. Amongst a plethora of artists, genres, and themes, highlights include discussions of Aboriginal rights and music, Bauhaus, Black Sabbath, Billy Bragg, Bono, Cassette culture, The Capitol Steps, Class, The Cure , DJ Spooky, Drum and Bass, Eminem, Farm Aid, Foxy Brown, Folk, Goldie, Gothicism, Woody Guthrie, Heavy Metal, Hip-hop, Independent/home publishing, Iron Maiden, Joy Division, Jungle, Led Zeppelin, Lil'Kim, Live Aid, Marilyn Manson, Bob Marley, MC Eiht, Minor Threat, Motown, Queen Latifah, Race, Rap, Rastafarianism, Reggae, The Roots, Diana Ross, Rush, Salt-n-Pepa, 7 Seconds, Roxanne Shanté, Siouxsie and the Banshees, The Sisters of Mercy, Michelle Shocked, Bessie Smith, Straight edge Sunrize Band, Bunny Wailer, Wilco, Bart Willoughby, Wirrinyga Band, Zines.
In 1743, according to legend, the last wolf in Scotland was killed by a huntsman near Inverness. At the time the extinction of wolves in Scotland was celebrated. But since then deer have multiplied in the Highlands, destroying the vegetation on which an array of wildlife depends and creating a barren, treeless landscape. Gradually it has become clear that the entire eco-system has been thrown out of balance by the elimination of a top predator. Now there are calls for a limited reintroduction of wolves into Scotland as a way of healing the damaged land. The wolf has been the victim of black propaganda since ancient times. By tellers of folk tales and historians alike it has been described as a slayer of babies, a robber of graves, a devourer of battlefield dead. In this passionate polemic, Jim Crumley argues that these stories are pure fiction, a distortion of reality which prevents people from thinking rationally about the huge benefits the presence of wolves could bring to Scotland. Now is the time for myths to be dispelled, and for the wolf to return to its old home in the highlands.
Illegitimate Freedom: Informality in Modernist Literature, 1900 - 1940 is the first study of informality in modernist literature. Differentiating informality from intimacy in its introduction, the book discusses the informal in relation with sensory experience, aesthetic presentation, ethical deliberation or action, and social attitudes within modernist works. It examines these works for particular nuances of the word "informality" in each of its chapters in the following thematic sequence: informality that offers humour, interpretive freedom, and promiscuity as counters to self-absorption in works by Virginia Woolf; rebuttals to male priorities in liberalism through "feminine informality" in several short stories by Katherine Mansfield; contempt for colloquialism and intimacy, tinged with class-anxieties and crises of attitude, in T. S. Eliot’s poetry; resistance to disgust in James Joyce’s novels; and the fusion of irreverence, protest, and praise in W. H. Auden’s writings before 1940. The book’s conclusion considers the risks of informality through a discussion of what it calls "inverted dignity." The theoretical aspects of the book offer insights into Lockean liberalism, the ethical dimensions of what Hélène Cixous termed "feminine writing," relations of sublimity and domesticity, Sigmund Freud’s arguments on humour and melancholia, and recent affect theory’s—as well as Immanuel Kant’s and Friedrich Nietzsche’s—views on disgust, linking these with modernism. This wide range of engagement makes this study relevant for those interested in literary studies, critical theory, and philosophy.