Provocative Haiku 2 Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Provocative Haiku 2 book. This book definitely worth reading, it is an incredibly well-written.
What is the sound of poetry slapping your face? Provocative Haiku #2! This is the followup book to "Provocative Haiku" published in 2009. PH#2 takes favorites from the blog postings of 2009. Chock full of author photos of Manhattan. Urban topics and the frustration of city life are covered: blind dates, Crackberry misuse, bad neighbors, stupid people, the woes of public transportation, office shenanigans. Please visit the blog for a taste of Provocative Haiku and you are encouraged to leave your own 17 syllable masterpieces! www.ProvocativeHaiku.com - visit us and rile someone today! WARNING: a few "F" bombs, but not as foul-mouthed as PH#1.
These engaging and accessible haiku are in turns romantic, funny, erotic, and playful. A woman asks her new lover:Why don't you write about me'legs parted wry smile betweendark curls maybe I will.What follows is a powerful, explicit and vivid collection that follows the peaks and troughs of one man's relationships.Whether read alone or shared with the one you love, this is a collection wrought with sexual tension that will leave you gasping.
The first Penguin anthology of Japanese haiku, in vivid new translations by Adam L. Kern. Now a global poetry, the haiku was originally a Japanese verse form that flourished from the sixteenth to nineteenth centuries. Although renowned for its brevity, usually running three lines long in seventeen syllables, and by its use of natural imagery to make Zen-like observations about reality, in fact the haiku is much more: it can be erotic, funny, crude and mischievous. Presenting over a thousand exemplars in vivid and engaging translations, this anthology offers an illuminating introduction to this widely celebrated, if misunderstood, art form. Adam L. Kern's new translations are accompanied here by the original Japanese and short commentaries on the poems, as well as an introduction and illustrations from the period.
Birding and Mysticism Volume 2 by George E. Lowe Pdf
In volume 2 of Birding and Mysticism: Enlightenment Through Bird Watching, there is no traditional table of contents; rather, there are the five main parts and their sections and subsections, which contain the substantive ideas and memes of volume 2, followed by six appendices. The main thrust of volume 2 concerns the many aspects, faces, and forms of mysticism: religious, spiritual, rational, scientific, personal, and practical.
Haiku, Other Arts, and Literary Disciplines by Toru Kiuchi,Yoshinobu Hakutani Pdf
Haiku, Other Arts, and Literary Disciplines investigates the genesis and development of haiku in Japan and determines the relationships between haiku and other arts, such as essay writing, painting, and music, as well as the backgrounds of haiku, such as literary movements, philosophies, and religions that underlie haiku composition. By analyzing the poets who played major roles in the development of haiku and its related genres, these essays illustrate how Japanese haiku poets, and American writers such as Emerson and Whitman, were inspired by nature, especially its beautiful scenes and seasonal changes. Western poets had a demonstrated affinity for Japanese haiku which bled over into other art mediums, as these chapters discuss.
Young car buffs can learn the names of all the working parts of a variety of automobiles--car, truck, fire engine, ambulance--with a spiral-bound book that features clear acetate pages that reveal each vehicle's innards.
The 5th Season: New year ku (books 1 & 2 of 4) by Robin D. Gill Pdf
In this book, the first of a series, Robin D. Gill, author of the highly acclaimed Rise, Ye Sea Slugs! and Cherry Blossom Epiphany, the largest single-theme anthologies of poetry ever published, explores the traditional Japanese New Year through 2,000 translated haiku (mostly 17-20c). "The New Year," R.H. Blyth once wrote, "is a season by itself." That was nowhere so plain as in the world of haiku, where saijiki, large collections called of ku illustrating hundreds, if not thousands of briefly explained seasonal themes, generally comprised five volumes, one for each season. Yet, the great doyen of haiku gave this fifth season, considered the first season when it came at the head of the Spring rather than in mid-winter, only a tenth of the pages he gave to each of the other four seasons (20 vs. 200). Was Blyth, Zen enthusiast, not enamored with ritual? Or, was he loath to translate the New Year with its many cultural idiosyncrasies (most common to the Sinosphere but not to the West), because he did not want to have to explain the haiku? It is hard to say, but, with these poems for the re-creation of the world, Robin D. Gill, aka "keigu" (respect foolishness, or respect-fool), rushes in where even Blyth feared to tread to give this supernatural or cosmological season - one that combines aspects of the Solstice, Christmas, New Year's, Easter, July 4th and the Once Upon a Time of Fairy Tales - the attention it deserves. With G.K. Chesterton's words, evoking the mind of the haiku poets of old, the author-publisher leaves further description of the content to his reader-reviewers. "The man standing in his own kitchen-garden with the fairyland opening at the gate, is the man with large ideas. His mind creates distance; the motor-car stupidly destroys it." (G.K. Chesterton: Heretics 1905)
In the mood for love?Spice up your boudoir with these sexy haiku! Kick your love life up a notch with 69 Sexy Haiku, written to entice, seduce and delight lovers at play. From sensual poetry that will massage your senses to truly explicit mini-fantasies, these 69 poems explore love, lust and intimate relations with a personal twist. Read them to your lover to get them hot and bothered before bed, or to inspire them with new ideas! For readers 18+ and open minded only.
"The first full-length study in English of the kibyōshi, a genre of woodblock-printed comicbook widely read in late eighteenth-century Japan that became an influential form of political satire. The volume is copiously illustrated with rare prints from Japanese archival collections"--Provided by publisher.
Author : Mary Louise Wilson Publisher : Dramatists Play Service Inc Page : 84 pages File Size : 42,8 Mb Release : 2011 Category : Actors ISBN : 0822224941
THE STORIES: A hilarious evening of short plays about the foibles of stage actors and those who love them. Two women of a certain age prepare for a theater outing in LOST. (2 women.) In THE PROFESSIONAL, a seasoned actor recalls the two times he's
The Tokugawa World by Gary P. Leupp,De-min Tao Pdf
With over 60 contributions, The Tokugawa World presents the latest scholarship on early modern Japan from an international team of specialists in a volume that is unmatched in its breadth and scope. In its early modern period, under the Tokugawa shoguns, Japan was a world apart. For over two centuries the shogun’s subjects were forbidden to travel abroad and few outsiders were admitted. Yet in this period, Japan evolved as a nascent capitalist society that could rapidly adjust to its incorporation into the world system after its forced "opening" in the 1850s. The Tokugawa World demonstrates how Japan’s early modern society took shape and evolved: a world of low and high cultures, comic books and Confucian academies, soba restaurants and imperial music recitals, rigid enforcement of social hierarchy yet also ongoing resistance to class oppression. A world of outcasts, puppeteers, herbal doctors, samurai officials, businesswomen, scientists, scholars, blind lutenists, peasant rebels, tea-masters, sumo wrestlers, and wage workers. Covering a variety of features of the Tokugawa world including the physical landscape, economy, art and literature, religion and thought, and education and science, this volume is essential reading for all students and scholars of early modern Japan.
A Poetry Pedagogy for Teachers by Maya Pindyck,Ruth Vinz,Diana Liu,Ashlynn Wittchow Pdf
A Poetry Pedagogy for Teachers generates imaginative encounters with poetry and invites educators to practice a range of poetry exercises in order to inform instructional approaches to reading and writing. Guided by pedagogical principles prompted by their readings of Wallace Stevens' “Thirteen Ways of Looking at a Blackbird,” Maya Pindyck and Ruth Vinz provide critical discussion of prominent literacy practices in secondary classrooms and offer alternative approaches to encountering a text. They do this by way of experimental readings of Wallace Stevens' poem toward a set of thirteen pedagogical principles that anchor a pedagogy of poetic practices. The book also offers invitational exercises, the authors' own engagements with poetry practices, as well as student examples, visual modes of theorizing, and a gathering of relevant resources compiled by two classroom teachers. This is a book for secondary English teachers, teaching artists, English educators, college writing professors, readers and writers of poetry – both existing and aspirational – and any educator interested in poetry's capacities to pedagogically inform their subject matter and/or literacy practices.
How can literary forms fashion a nation? Though genres such as the novel and newspaper have been credited with shaping a national imagination and a sense of community, during the rapid modernization of the Meiji period, Japanese intellectuals took a striking—but often overlooked—interest in poetry’s ties to national character. In Idly Scribbling Rhymers, Robert Tuck offers a groundbreaking study of the connections among traditional poetic genres, print media, and visions of national community in late nineteenth-century Japan that reveals the fissures within the process of imagining the nation. Structured around the work of the poet and critic Masaoka Shiki, Idly Scribbling Rhymers considers how poetic genres were read, written, and discussed within the emergent worlds of the newspaper and literary periodical in Meiji Japan. Tuck details attempts to cast each of the three traditional poetic genres of haiku, kanshi, and waka as Japan’s national poetry. He analyzes the nature and boundaries of the concepts of national poetic community that were meant to accompany literary production, showing that Japan’s visions of community were defined by processes of hierarchy and exclusion and deeply divided along lines of social class, gender, and political affiliation. A comprehensive study of nineteenth-century Japanese poetics and print culture, Idly Scribbling Rhymers reveals poetry’s surprising yet fundamental role in emerging forms of media and national consciousness.
