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Psychoanalysis and the Image by Griselda Pollock Pdf
Psychoanalysis and the Image brings together an influential team of international scholars who demonstrate innovative ways to apply psychoanalytical resources in the study of international modern art and visual representation. Examines psychoanalytic concepts, values, debates and controversies that have been hallmarks of visual representation in the modern and contemporary periods Covers topics including melancholia, sex, and pathology to the body, and parent-child relations Advances theoretical debates in art history while offering substantive analyses of significant bodies of twentieth century art Edited by internationally renowned art historian Griselda Pollock.
This book lays the foundation to the author's widely acclaimed theory of social representations, a theory that re-defines the field of social psychology, its problems, concepts and their symbolic and communicative functions, and that formulates a profoundly interactive study of complex social phenomena.
There has long been a politics around the way in which women are represented, with objection not so much to specific images as to a regime of looking which places the represented woman in a particular relationship to the spectator's gaze. Artists have sometimes avoided the representation of women altogether, but they are now producing images which challenge the regime. How do these images succeed in their challenge ? The Emptiness of the Image offers a psychoanalytic answer. Parveen Adams argues that, despite flaws in some of the details of its arguments, psychoanalytic theory retains an overwhelming explanatory strength in relation to questions of sexual difference and representation. She goes on to show how the issue of desire changes the way we can think of images and their effects. Throughout she discusses the work of theorists, artists and filmmakers such as Helene Deutsch, Catherine MacKinnon, Mary Kelly, Francis Bacon, Michael Powell and Della Grace. The Emptiness of the Image shows how the very space of representation can change to provide a new way of thinking the relation between the text and the spectator. It shows how psychoanalytic theory is supple enough to slide into and transform the most unexpected situations.
Psychoanalytic Perspectives on Gaze, Body Image, Shame, Judgment and Maternal Function by Lía A. Roth Pdf
Have you ever been praised or criticized about your body or any part of it? With this question, participants of a research study were invited to share their experiences of body judgment. As participants described, the body is a carrier of messages and the source of judgmental experiences. Psychoanalytic Perspectives on Gaze, Body Image, Shame, Judgment and Maternal Function: Being and Belonging offers an insightful and engaging psychoanalytical account of experiences of shame and fear of rejection, explained through clinical vignettes and research participants’ scripts. Exploring the findings from the individual and social standpoints, as well as the cultural and historical influences, Dr. Roth proposes that judgements are experienced as attacks, with the meaning attributed to the criticized body part, affecting the sense of self and forming a central point of the participants’ identity trauma. Furthermore, that as guilt requires reparative action, shame requires an act of sacrifice to align the individual to the ideal and to preserve the matrix of belonging, thus explaining the participants’ use of alienation as a defense. This book will be of great interest to psychoanalysts and psychotherapists, as well as scholars of culture and religion. Giving a brief introduction to psychoanalytic concepts, with a full glossary, it will also appeal to the non-psychoanalytic reader, interested in body image and how related perceptions and judgements can affect our own sense of Being and Belonging.
Sabina Spielrein and the Beginnings of Psychoanalysis by Pamela Cooper-White,Felicity Brock Kelcourse Pdf
Sabina Spielrein stands as both an important and tragic figure—misunderstood or underestimated by her fellow analysts (including Jung and Freud) and often erased in the annals of psychoanalytic history. Her story has not only been largely forgotten, but actively (though unconsciously) repressed as the figure who represented a trauma buried in the early history of psychoanalysis. Sabina Spielrein and the Beginnings of Psychoanalysis joins the growing field of scholarship on Spielrein’s distinctive and significant theoretical innovations at the foundations of psychoanalysis and serves as a new English language source of some of Spielrein’s key works. The book includes: Four chapters by Felicity Brock Kelcourse, Pamela Cooper-White, Klara Naszkowska, and Adrienne Harris spanning Spielrein’s life and exploring her works in depth, with new insights about her influence not only on Jung and Freud, but also Piaget in Geneva and Vygotsky and Luria in Moscow. A timeline providing readers with important historical context including Spielrein, Freud, Jung, other theorists, and historical events in Europe (1850-1950). Twelve new translations of works by Spielrein, ten of which are the first ever translations into English from the original French, German, or Russian. Spielrein’s life and works are currently undergoing a serious and necessary critical reclamation, as the fascinating chapters in this book attest. Sabina Spielrein and the Beginnings of Psychoanalysis will be of great significance to all psychoanalysts, psychoanalytic psychotherapists, analytical psychologists, and scholars of psychoanalysis interested in Spielrein and the early development of the field.
In the Image of God is a compilation of lectures by Stanley Leavy, a psychoanalyst approaching retirement, reflecting on his experience as a follower of Freud and his method and also as a lifelong, faithful Episcopalian. The overarching idea linking the individual lectures is Leavy's belief that "the deliberate study of the operations of the mind must yield results that are not just compatible with religious faith but amplify it," eschewing the faith versus science argument for a more inclusive worldview.
Photography & Psychoanalysis by Stephen Bray,Julian Stern Pdf
This text is about the histories of photography and psychoanalysis. It describes how they came together in the 20th century to revolutionize political propaganda and sales messages. It references the works of several 20th Century and contemporary photographers including: Edward Steichen, Brian Duffy, Helmut Newton, Henri Cartier-Bresson, Nan Goldin, Gregory Crewdson, Larry Clark, and Wang Qingsong. It includes a chapter summarizing and critiquing many of the thoughts of the philosopher and activist Susan Sontag, as well as being completely up-to-date with a chapter about photographers Cindy Sherman and Miru Kim. The book demonstrates how images may be understood, and interpreted, using the ideas of Freud, Jung and Lacan. This book helps you understand the psychological impact of images. You are introduced to various characters who influenced the development of both photography and psychoanalysis during the 19th and 20th centuries, and you are helped to appreciate the impact they continue to have today. Psychological and photographic concepts are added into the narrative until it becomes possible to look at examples of contemporary advertising images and campaigns using appropriate tools.
Wilfred Bion, Thinking, and Emotional Experience with Moving Images by Kelli Fuery Pdf
Wilfred Bion’s theories of dreaming, of the analytic situation, of reality and everyday life, and even of the contact between the body and the mind offer very different, and highly fruitful, perspectives on lived experience. Yet very little of his work has entered the field of visual culture, especially film and media studies. Kelli Fuery offers an engaging overview of Bion’s most significant contribution to psychoanalysis- his theory of thinking- and demonstrates its relevance for why we watch moving images. Bion’s theory of thinking is presented as an alternative model for the examination of how we experience moving images and how they work as tools which we use to help us ‘think’ emotional experience. ‘Being Embedded’ is a term used to identify and acknowledge the link between thinking and emotional experience within the lived reception of cinema. It is a concept that everyone can speak to as already knowing, already having felt it - being embedded is at the core of lived and thinking experience. This book offers a return to psychoanalytic theory within moving image studies, contributing to the recent works that have explored object relations psychoanalysis within visual culture (specifically the writings of Klein and Winnicott), but differs in its reference and examination of previously overlooked, but highly pivotal, thinkers such as Bion, Bollas and Ogden. A theorization of thinking as an affective structure within moving image experience provides a fresh avenue for psychoanalytic theory within visual culture. Wilfred Bion, Thinking, and Emotional Experience with Moving Images will appeal to psychoanalysts and psychoanalytic psychotherapists, as well as scholars and students of film and media studies, cultural studies and cultural sociology and anthropology, visual culture, media theory, philosophy, and psychosocial studies.
A 2022 SPE Outstanding Book Award Winner Anticipating Education is an interdisciplinary collection of Britzman’s previously published and unpublished papers that examines the dilemmas created by anticipating education, provoked when teachers, students, and professors encounter the unknown while trying to know emotional situations affecting their waiting, wanting, and wishing for teaching and learning. Anticipation has a particular flavor in scenes of education and not only since schooling presents again the mise-en-scène of childhood; anticipation also signifies the estranged temporality of anxiety, phantasies, and defense that compose and decompose hopes for transforming knowledge, sociality, and subjectivity in group life. This book is composed of Britzman’s well regarded and highly cited conceptual contributions to thinking broadly on topics of intersubjectivity and pedagogy at the university and schools; the reception of difficult knowledge as unresolved social conflicts in pedagogical thought; and the significance of psychoanalysis with pedagogy. Four themes address the anxieties of teaching and learning: phantasies of education; difficult knowledge; transforming subjects; and, psychoanalysis with education. Anticipating Education is required reading for every newly-minted faculty member. The wisdom provided in this volume will prove to be invaluable to your future career. Perfect for courses such as: Foundations of Education | Theories of Teaching and Learning | Special Topics | Advanced Curriculum Theory | Philosophy of Education | Social Thought and Education | Studies of Language, Culture and Teaching | Child and Adolescent Development
Visual Politics of Psychoanalysis by Griselda Pollock Pdf
Activists working in post-traumatic societies have tended to resist psychoanalytical terms because they fear that pathologizing individual suffering displaces the collective and political causes of traumatic violence. In a contrary direction, some thinkers about discourse and power have latterly embraced what Judith Butler insists is 'the psychic life of power'. An openly psychoanalytical modelling of trauma for approaching major historical events such as the Holocaust adds yet a third position. Drawing on all three strands, this book poses the question of visual politics to psychoanalysis. It also explores the relevance of the many psychoanalyses to the study of art and other images in post-traumatic conditions. Visual Politics of Psychoanalysis builds on maverick art historian Aby Warburg's project of combining social, cultural, anthropological and psychological analyses of the image in order to track the undercurrents of cultural violence in the representational repertoire of Western modernity. In this innovative collection, a distinguished group of international authors dare to think psychoanalytically about the legacies of political violence and suffering in relation to post-traumatic cultures worldwide. Drawing on post-colonial and feminist theory, they analyse the image and the aesthetic in conditions of historical trauma from enslavement and colonisation to the Irish Famine, from Denmark's national trauma about migrants and cartoons to collective shock after 9/11, from individual traumas of loss registered in allegory to newsreels and documentaries on suicide bombing in Israel/Palestine, from Kristeva's novels to Kathryn Bigelow's cinema.
Schaverien painstakingly describes and defines "processes which have so far only been intuitively known to art therapists" (p6) by introducing and elaborating the psychoanalytical concepts of transference and countertransference in relation to the use of visual art objects. The authors stated intention in this book is "to attempt to bridge the perceived gap between the practice of art therapy and analytical forms of psychotherapy..."(p 229) The epistemological base of this venture includes the fields of philosophy, anthropology, and aesthetics, as well as psychoanalysis. Schaverien suggests that analytical art psychotherapy is a way of working analytically with patients who are unsuitable, or unready, for psychotherapy, giving examples of psychotic and borderline patients, children, and patients in psychiatric settings. This is primarily a book about an analytical approach within art therapy, which may be of interest in itself. The material also raises issues of interest to analysts and psychotherapists, whether or not they work with art in the clinical setting. The book clarifies areas of similarity between the disciplines, and also makes areas of difference apparent. For example, most analysts would agree that visual art, like dream material, and other non-verbal representations of the inner world, can at times articulate and communicate meanings which for one reason or another cannot be verbally articulated at the time, and that this can be pertinent to the aim of analysis. However, I think few analysts would include facilities in their consulting rooms for the kind of art processes described in the book. When the analyst is working with materials in this form, the book will be extremely helpful in sorting out the complexity of the transference situation and the role of interpretation. The book is so strongly grounded in experiences emerging in the presence of actual art processes and objects that I think it will be of most interest to those who are interested in the specific clinical issues involved in relating to the making and use of actual art objects within the setting. Schaverien not only describes the processes involved in detail, but also presents technical approaches to the making and handling of art objects within the setting which will inform the capacity of those who are not trained as art therapists to relate to this kind of material in the consulting room.'
Lebeau examines the long and uneven history of developments in modern art, science, and technology that brought pychoanalysis and the cinema together towards the end of the nineteenth century. She explores the subsequent encounters between the two: the seductions of psychoanalysis and cinema as converging, though distinct, ways of talking about dream and desire, image and illusion, shock, and sexuality. Beginning with Freud's encounter with the spectacle of hysteria on display in fin-de-siecle Paris, this study offers a detailed reading of the texts and concepts which generated the field of psychoanalytic film theory.
Image, Sense, Infinities, and Everyday Life by Michael Eigen Pdf
Image and sensing have been underrated in Western thought but have come into their own since the Romantic movement and have always been valued by poets and mystics. Images come in all shapes and sizes and give expression to our felt sense of life. We say we are made in the image of God, yet God has no image. What kind of image do we mean? An impalpable image carrying impalpable sense? An ineffable sense permeates and takes us beyond the five senses, creating infinities within everyday life. Some people report experiencing colour and sound when they write or hear words. Sensing mediates the feel of life, often giving birth to image. In this compelling book, the author leads us through an array of images and sensing in many dimensions of experience, beginning with a sense of being born all through life, psychosis, mystical moments, the body, the pregnancy of "no", shame, his session with Andre Green, and his thoughts related to James Grotstein, Wilfred Bion, and Marion Milner.
The Enigma of the Hour by Daniel Silver,Adele Tutter Pdf
This book features a compendium of texts and artworks that serve to expand the themes of translation, transformation, temporality, dreams and the unconscious.The title of the book takes its inspiration from a painting by Giorgio de Chirico from 1911.Featuring works by Linder, Daniel Silver and Paloma Varga Weisz, Jean Auguste Dominique Ingres, Duncan Grant, Barbara Ker-Seymer with John Banting and Rodrigo Moynihan, along with items from the collection of the Freud Museum and the archive of The International Journal of Psychoanalysis.Accompanies the exhibition 'The Enigma of the Hour: 100 Years of Psychoanalytic Thought', 6 Jun - 4 Aug 2019, Freud Museum, London.Co-published with Simon Moretti.
A video of Don Carveth discussing the book and its subject matter can be accessed using the following web URL: https://www.youtube.com/watch?v=yW7tGq0uEtU Since the classical Freudian and ego psychology paradigms lost their position of dominance in the late 1950s, psychoanalysis became a multi-paradigm science with those working in the different frameworks increasingly engaging only with those in the same or related intellectual "silos." Beginning with Freud’s theory of human nature and civilization, Psychoanalytic Thinking: A Dialectical Critique of Contemporary Theory and Practice proceeds to review and critically evaluate a series of major post-Freudian contributions to psychoanalytic thought. In response to the defects, blind spots and biases in Freud’s work, Melanie Klein, Wilfred Bion, Jacques Lacan, Erich Fromm, Donald Winnicott, Heinz Kohut, Heinrich Racker, Ernest Becker amongst others offered useful correctives and innovations that are, nevertheless, themselves in need of remediation for their own forms of one-sidedness. Through Carveth’s comparative exploration, readers will acquire a sense of what is enduringly valuable in these diverse psychoanalytic contributions, as well as exposure to the dialectically deconstructive method of critique that Carveth sees as central to psychoanalytic thinking at its best. Carveth violates the taboo against speaking of the Imaginary, Symbolic and the Real unless one is a Lacanian, or the paranoid-schizoid and depressive positions unless one is a Kleinian, or id, ego, superego, ego-ideal and conscience unless one is a Freudian ego psychologist, and so on. Out of dialogue and mutual critique, psychoanalysis can over time separate the wheat from the chaff, collect the wheat, and approach an ever-evolving synthesis. Psychoanalytic Thinking: A Dialectical Critique of Contemporary Theory and Practice will be of great interest to psychoanalysts and psychoanalytic psychotherapists and, more broadly, to readers in philosophy, social science and critical social theory.