Punk Minneapolis

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Punks

Author : Sharon M. Hannon
Publisher : Bloomsbury Publishing USA
Page : 205 pages
File Size : 52,8 Mb
Release : 2009-11-25
Category : Social Science
ISBN : 9780313364570

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Punks by Sharon M. Hannon Pdf

This history of the punk movement in the United States shows how punk music, fashion, art, and attitude clashed with and ultimately influenced mainstream culture. Unlike other volumes on the punk era that focus on just the music—and primarily on British punk bands—Punks: A Guide to an American Subculture spans the full expanse of punk as it happened in the United States, from the late-1960s blast from Iggy Pop and the Stooges to the full explosion of punk in the mid 1970s to its next-generation resurgences and continuing aftershocks. Punks covers it all—not just music, but the punk influence on film, fashion, media, and language. Readers will see how punk spread virally, through fan-created magazines, record labels, clubs, and radio stations, as well as how mainstream America reacted, then absorbed aspects of punk culture. The book includes interviews with key members of the punk subculture, including new conversations with people who participated in the punk scene in the 1970s and 1980s.

Punk Minneapolis

Author : Peter Joseph Swanson
Publisher : Stonegarden.Net Pub
Page : 260 pages
File Size : 55,9 Mb
Release : 2010-11
Category : Fiction
ISBN : 1600761682

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Punk Minneapolis by Peter Joseph Swanson Pdf

At a pizza place in uptown Minneapolis, scenesters and a psychic try very hard to find the next cool party and a pure state of punk living in the summating year of 1989. Their overripe imaginations (and beer) bring out bizarre fatal accidents, memories of once being devil possessed, and a vengeful ghost of a hippie who had overdosed.

Our Band Could Be Your Life

Author : Michael Azerrad
Publisher : Little, Brown
Page : 528 pages
File Size : 46,9 Mb
Release : 2012-12-01
Category : Music
ISBN : 9780316247184

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Our Band Could Be Your Life by Michael Azerrad Pdf

The definitive chronicle of underground music in the 1980s tells the stories of Black Flag, Sonic Youth, The Replacements, and other seminal bands whose DIY revolution changed American music forever. Our Band Could Be Your Life is the never-before-told story of the musical revolution that happened right under the nose of the Reagan Eighties -- when a small but sprawling network of bands, labels, fanzines, radio stations, and other subversives re-energized American rock with punk's do-it-yourself credo and created music that was deeply personal, often brilliant, always challenging, and immensely influential. This sweeping chronicle of music, politics, drugs, fear, loathing, and faith is an indie rock classic in its own right. The bands profiled include: Sonic Youth Black Flag The Replacements Minutemen Husker Du Minor Threat Mission of Burma Butthole Surfers Big Black Fugazi Mudhoney Beat Happening Dinosaur Jr.

Complicated Fun

Author : Cyn Collins
Publisher : Unknown
Page : 377 pages
File Size : 52,6 Mb
Release : 2017
Category : Music
ISBN : 1681340321

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Complicated Fun by Cyn Collins Pdf

The origins of Minneapolis's legendary indie rock scene, as told by the people who were there and made it happen.

The Replacements

Author : Jim Walsh
Publisher : Voyageur Press
Page : 304 pages
File Size : 46,5 Mb
Release : 2009-11-30
Category : Music
ISBN : 9781616739782

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The Replacements by Jim Walsh Pdf

Formed in a Minneapolis basement in 1979, the Replacements were a notorious rock ’n’ roll circus, renowned for self-sabotage, cartoon shtick, stubborn contrarianism, stage-fright, Dionysian benders, heart-on-sleeve songwriting, and—ultimately—critical and popular acclaim. While rock then and now is lousy with superficial stars and glossy entertainment, the Replacements were as warts-and-all “real” as it got. In the first book to take on the jumble of facts, fictions, and contradictions behind the Replacements, veteran Minneapolis music journalist Jim Walsh distills hundreds of hours of interviews with band members, their friends, families, fellow musicians, and fans into an absorbing oral history worthy of the scruffy quartet that many have branded the most influential band to emerge from the ’80s. Former manager Peter Jesperson, Paul Stark and Dave Ayers of Twin/Tone Records, Bob Mould and Grant Hart of rivals Hüsker Dü, the legendary Curtiss A, Soul Asylum’s Dan Murphy, Lori Barbero of Babes in Toyland, R.E.M.’s Peter Buck, power-pop hero Alex Chilton, Craig Finn of The Hold Steady, and replacement Replacements Slim Dunlap and Steve Foley: all have something to say about the scene that spawned the band. These and dozens of others offer insights into the Replacement’s workings--and the band’s continuing influence more than fifteen years after their breakup. Illustrated with both rarely seen and classic photos, this, finally, is the rollicking story behind the turbulent and celebrated band that came on fast and furious and finally flamed out, chronicled by one eyewitness who was always at the periphery of the storm, and often at its eye. “[T]his consistently engaging and poignant work . . . . [is a] loving, appropriately ramshackle tribute to one of the most beloved rock-and-roll bands of the 1980s. . . . The band's story is an archetype of the joys and pitfalls of underground success.”--Publishers Weekly “The Replacements were superheroes: They rescued a whole planet from ’80s music. Jim Walsh’s loving, engrossing oral history is the book they deserve.”—Nick Hornby, author of High Fidelity

Damaged

Author : Evan Rapport
Publisher : Univ. Press of Mississippi
Page : 364 pages
File Size : 50,9 Mb
Release : 2020-12-15
Category : Music
ISBN : 9781496831255

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Damaged by Evan Rapport Pdf

Damaged: Musicality and Race in Early American Punk is the first book-length portrait of punk as a musical style with an emphasis on how punk developed in relation to changing ideas of race in American society from the late 1960s to the early 1980s. Drawing on musical analysis, archival research, and new interviews, Damaged provides fresh interpretations of race and American society during this period and illuminates the contemporary importance of that era. Evan Rapport outlines the ways in which punk developed out of dramatic changes to America’s cities and suburbs in the postwar era, especially with respect to race. The musical styles that led to punk included transformations to blues resources, experimental visions of the American musical past, and bold reworkings of the rock-and-roll and rhythm-and-blues sounds of the late 1950s and early 1960s, revealing a historically oriented approach to rock that is strikingly different from the common myths and conceptions about punk. Following these approaches, punk itself reflected new versions of older exchanges between the US and the UK, the changing environments of American suburbs and cities, and a shift from the expressions of older baby boomers to that of younger musicians belonging to Generation X. Throughout the book, Rapport also explores the discourses and contradictory narratives of punk history, which are often in direct conflict with the world that is captured in historical documents and revealed through musical analysis.

Hüsker Dü

Author : Andrew Earles
Publisher : Quarto Publishing Group USA
Page : 302 pages
File Size : 54,8 Mb
Release : 2010-11-15
Category : Music
ISBN : 9781616739799

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Hüsker Dü by Andrew Earles Pdf

Bob Mould, Grant Hart, and Greg Norton formed Hüsker Dü in 1979 as a wildly cathartic outfit fueled by a cocktail of anger, volume, and velocity. Here's the first book to dissect the trio that countless critics and musicians have cited as one of the most influential bands of the 1980s. Author Andrew Earles examines how Hüsker Dü became the first hardcore band to marry pop melodies with psychedelic influences and ear-shattering volume. Readers witness the band create the untouchable noise-pop of LPs like New Day Rising, Flip Your Wig, and Candy Apple Grey, not to mention the sprawling double-length Zen Arcade. Few bands from the original American indie movement did more to inform the alternative rock styles that breached the mainstream in the 1990s. Hüsker Dü truly were visionaries.

Going Underground

Author : George Hurchalla
Publisher : PM Press
Page : 540 pages
File Size : 44,5 Mb
Release : 2016-04-01
Category : Music
ISBN : 9781629632421

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Going Underground by George Hurchalla Pdf

The product of decades of work and multiple self-published editions, Going Underground, written by 1980s scene veteran George Hurchalla, is the most comprehensive look yet at America’s nationwide underground punk scene. Despite the mainstream press declarations that “punk died with Sid Vicious” or that “punk was reborn with Nirvana,” author Hurchalla followed the DIY spirit of punk underground, where it not only survived but thrived nationally as a self-sustaining grassroots movement rooted in seedy clubs, rented fire halls, Xeroxed zines, and indie record shops. Rather than dwell solely on well-documented scenes from Los Angeles, New York, and Washington, DC, Hurchalla delves deep into the counterculture, rooting out stories from Chicago, Philadelphia, Austin, Cincinnati, Miami, and elsewhere. The author seamlessly mixes his personal experiences with the oral history of dozens of band members, promoters, artists, zinesters, and scenesters. Some of the countless bands covered include Articles of Faith, Big Boys, Necros, Hüsker Dü, Bad Brains, Government Issue, and Minutemen, as well as many of the essential zines of the time such as Big Takeover, Maximum RocknRoll, Flipside, and Forced Exposure. Going Underground features over a hundred unique photos from Marie Kanger-Born of Chicago, Dixon Coulbourn of Austin, Brian Trudell of LA, Malcolm Riviera of DC, Justina Davies of New York, Ed Arnaud of Arizona, and many others, along with flyers from across the nation.

We're Not Here to Entertain

Author : Kevin Mattson
Publisher : Oxford University Press
Page : 417 pages
File Size : 49,5 Mb
Release : 2020-05-14
Category : Music
ISBN : 9780190908256

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We're Not Here to Entertain by Kevin Mattson Pdf

Many remember the 1980s as the era of Ronald Reagan, a conservative decade populated by preppies and yuppies dancing to a soundtrack of electronic synth pop music. In some ways, it was the "MTV generation." However, the decade also produced some of the most creative works of punk culture, from the music of bands like the Minutemen and the Dead Kennedys to avant-garde visual arts, literature, poetry, and film. In We're Not Here to Entertain, Kevin Mattson documents what Kurt Cobain once called a "punk rock world" --the all-encompassing hardcore-indie culture that incubated his own talent. Mattson shows just how widespread the movement became--ranging across the nation, from D.C. through Ohio and Minnesota to LA--and how democratic it was due to its commitment to Do-It-Yourself (DIY) tactics. Throughout, Mattson puts the movement into a wider context, locating it in a culture war that pitted a blossoming punk scene against the new president. Reagan's talk about end days and nuclear warfare generated panic; his tax cuts for the rich and simultaneous slashing of school lunch program funding made punks, who saw themselves as underdogs, seethe at his meanness. The anger went deep, since punks saw Reagan as the country's entertainer-in-chief; his career, from radio to Hollywood and television, synched to the very world punks rejected. Through deep archival research, Mattson reignites the heated debates that punk's opposition generated in that era-about everything from "straight edge" ethics to anarchism to the art of dissent. By reconstructing the world of punk, Mattson demonstrates that it was more than just a style of purple hair and torn jeans. In so doing, he reminds readers of punk's importance and its challenge to simplistic assumptions about the 1980s as a one-dimensional, conservative epoch.

Punk Record Labels and the Struggle for Autonomy

Author : Alan O'Connor
Publisher : Lexington Books
Page : 157 pages
File Size : 54,8 Mb
Release : 2008-04-30
Category : Music
ISBN : 9781461634089

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Punk Record Labels and the Struggle for Autonomy by Alan O'Connor Pdf

This book describes the emergence of DIY punk record labels in the early 1980s. Based on interviews with sixty-one labels, including four in Spain and four in Canada, it describes the social background of those who run these labels. Especially interesting are those operated by dropouts from the middle class. Other respected older labels are often run by people with upper middle-class backgrounds. A third group of labels are operated by working-class and lower middle-class punks who take a serious attitude to the work. Using the ideas of French sociologist Pierre Bourdieu, this book shows how the field of record labels operates. The choice of independent or corporate distribution is a major dilemma. Other tensions are about signing contracts with bands, expecting extensive touring, and using professional promotion. There are often rivalries between big and small labels over bands that have become popular and have to decide whether to move to a more commercial record label. Unlike approaches to punk that consider it as subcultural style, this book breaks new ground by describing punk as a social activity. One of the surprising findings is how many parents actually support their children's participation in the scene. Rather than attempting to define punk as resistance or as commercial culture, this book shows the dilemmas that actual punks struggle with as they attempt to live up to what the scene means for them.

Television's Marquee Moon

Author : Bryan Waterman
Publisher : Bloomsbury Publishing USA
Page : 122 pages
File Size : 51,6 Mb
Release : 2011-06-09
Category : Music
ISBN : 9781441145291

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Television's Marquee Moon by Bryan Waterman Pdf

Two kids in their early twenties walk down the Bowery on a spring afternoon, just as the proprietor of a club hangs an awning with the new name for his venue. The place will be called CBGB & OMFUG which, he tells them, stands for “Country Bluegrass and Blues & Other Music for Uplifting Gormandizers.” That's exactly the sort of stuff they play, they lie, somehow managing to get a gig out of him. After the first show their band, Television, lands a regular string of Sundays. By the end of the year a scene has developed that includes Tom Verlaine's new love interest, a poet-turned rock chanteuse named Patti Smith. American punk rock is born. Bryan Waterman peels back the layers of this origin myth and, assembling a rich historical archive, situates Marquee Moon in a broader cultural history of SoHo and the East Village. As Waterman traces the downtown scene's influences, public image, and reputation via a range of print, film, and audio recordings we come to recognize the real historical surprises that the documentary evidence still has to yield and come to a new appreciation of this quintessential album of the New York City night.

Rebel Music in the Triumphant Empire

Author : David Pearson
Publisher : Oxford University Press
Page : 264 pages
File Size : 44,5 Mb
Release : 2020-11-16
Category : Music
ISBN : 9780197534908

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Rebel Music in the Triumphant Empire by David Pearson Pdf

At the dawn of the 1990s, as the United States celebrated its victory in the Cold War and sole superpower status by waging war on Iraq and proclaiming democratic capitalism as the best possible society, the 1990s underground punk renaissance transformed the punk scene into a site of radical opposition to American empire. Nazi skinheads were ejected from the punk scene; apathetic attitudes were challenged; women, Latino, and LGBTQ participants asserted their identities and perspectives within punk; the scene debated the virtues of maintaining DIY purity versus venturing into the musical mainstream; and punks participated in protest movements from animal rights to stopping the execution of Mumia Abu-Jamal to shutting down the 1999 WTO meeting. Punk lyrics offered strident critiques of American empire, from its exploitation of the Third World to its warped social relations. Numerous subgenres of punk proliferated to deliver this critique, such as the blazing hardcore punk of bands like Los Crudos, propagandistic crust-punk/dis-core, grindcore and power violence with tempos over 800 beats per minute, and So-Cal punk with its combination of melody and hardcore. Musical analysis of each of these styles and the expressive efficacy of numerous bands reveals that punk is not merely simplistic three-chord rock music, but a genre that is constantly revolutionizing itself in which nuances of guitar riffs, vocal timbres, drum beats, and song structures are deeply meaningful to its audience, as corroborated by the robust discourse in punk zines.

American Hardcore (Second Edition)

Author : Steven Blush,George Petros
Publisher : Feral House
Page : 408 pages
File Size : 50,5 Mb
Release : 2010-10-19
Category : Music
ISBN : 9781932595987

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American Hardcore (Second Edition) by Steven Blush,George Petros Pdf

"American Hardcore sets the record straight about the last great American subculture"—Paper magazine Steven Blush's "definitive treatment of Hardcore Punk" (Los Angeles Times) changed the way we look at Punk Rock. The Sony Picture Classics–distributed documentary American Hardcore premiered at the 2006 Sundance Film Festival. This revised and expanded second edition contains hundreds of new bands, thirty new interviews, flyers, a new chapter ("Destroy Babylon"), and a new art gallery with over 125 rare photos and images.

Green Day - American Idiots & The New Punk Explosion

Author : Ben Myers
Publisher : Bonnier Zaffre
Page : 243 pages
File Size : 51,5 Mb
Release : 2015-05-26
Category : Biography & Autobiography
ISBN : 9781784189433

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Green Day - American Idiots & The New Punk Explosion by Ben Myers Pdf

The Green Day story is very blunt: three school friends grow up together in a cluster of small blue-collar Californian towns, form a band ... and sell more than fifty million albums. Except it wasn't that simple. Self-confessed latch-key children, theirs is far from an easy ride. Inspired by both the energy of British punk bands like the Sex Pistols and Buzzcocks and cult American bands such as Dead Kennedys and Operation Ivy, Green Day formed in 1989 when all three members were still at school. Against a backdrop of dodgy glam rock revivalists and mainstream rock-pop, the trio were quickly selling out every underground club that booked them. They toured - constantly. Word spread, fast.Their 1994 major label debut Dookie was a 10-million-selling worldwide smash hit that seized the zeitgest at a time when American rock music was still reeling from the death of Nirvana's frontman Kurt Cobain. With the arrival of Green Day, suddenly music was dumb, fun, upbeat and colourful again. Many now credit Green Day with saving rock from the hands of a hundred grunge-lite bands. Punk was back on the agenda.In 2004 Green Day reached a career pinnacle with the concept album American Idiot, a sophisticated commentary on modern life - not least dissatisfaction with their president and America's continued cultural and economical imperialism. With American Idiot, Green Day boldly went where few others have dared and as such have extended their fanbase even further - from pre-teen kids to previously sceptical critics. This book is the world's first full biography on Green Day. An authority on punk and hardcore, author Ben Myers charts the band members' difficult childhoods, the context of the band within the US and world punk scene and their glittering rise to success. The author has also interviewed the band for various magazines at different stages of their career, including in the midst of a riot in Los Angeles during the making of 2000's Warning album.Green Day is the biggest punk band in the world.This is how it happened...Unofficial and unauthorised

The Clash Takes on the World

Author : Samuel Cohen,James Peacock
Publisher : Bloomsbury Publishing USA
Page : 288 pages
File Size : 45,6 Mb
Release : 2017-06-01
Category : Music
ISBN : 9781501317354

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The Clash Takes on the World by Samuel Cohen,James Peacock Pdf

On their debut, The Clash famously claimed to be “bored with the USA,” but The Clash wasn't a parochial record. Mick Jones' licks on songs such as “Hate and War” were heavily influenced by classic American rock and roll, and the cover of Junior Murvin's reggae hit “Police and Thieves” showed that the band's musical influences were already wide-ranging. Later albums such as Sandinista! and Combat Rock saw them experimenting with a huge range of musical genres, lyrical themes and visual aesthetics. The Clash Takes on the World explores the transnational aspects of The Clash's music, lyrics and politics, and it does so from a truly transnational perspective. It brings together literary scholars, historians, media theorists, musicologists, social activists and geographers from Europe and the US, and applies a range of critical approaches to The Clash's work in order to tackle a number of key questions: How should we interpret their negotiations with reggae music and culture? How did The Clash respond to the specific socio-political issues of their time, such as the economic recession, the Reagan-Thatcher era and burgeoning neoliberalism, and international conflicts in Nicaragua and the Falkland Islands? How did they reconcile their anti-capitalist stance with their own success and status as a global commodity? And how did their avowedly inclusive, multicultural stance, reflected in their musical diversity, square with the experience of watching the band in performance? The Clash Takes on the World is essential reading for scholars, students and general readers interested in a band whose popularity endures.