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"Sarah Gristwood has written a masterpiece that effortlessly and enthrallingly interweaves the amazing stories of women who ruled in Europe during the Renaissance period."--Alison Weir Sixteenth-century Europe saw an explosion of female rule. From Isabella of Castile, and her granddaughter Mary Tudor, to Catherine de Medici, Anne Boleyn, and Elizabeth Tudor, these women wielded enormous power over their territories, shaping the course of European history for over a century. Across boundaries and generations, these royal women were mothers and daughters, mentors and protégées, allies and enemies. For the first time, Europe saw a sisterhood of queens who would not be equaled until modern times. A fascinating group biography and a thrilling political epic, Game of Queens explores the lives of some of the most beloved (and reviled) queens in history.
Now at last three Legendary Women of World History biographies in a single boxed set volume. Begin your journey through time with Catherine de Valois, the French princess whose courage set the stage for the unified Great Britain we know today. Then follow two of Catherine's direct descendants, Queen Mary Stuart and Queen Elizabeth Tudor, as they struggle against powerful forces determined to take their lives and their thrones. Politics, religion, and romance are on a collision course in these powerful biographies of three of the most legendary women of the Renaissance.
Queens of the Renaissance by M. Beresford Ryley Pdf
The Renaissance was a period in European history, from the 14th to the 17th century, regarded as the cultural bridge between the Middle Ages and modern history. It started as a cultural movement in Italy in the Medieval period and later spread to the rest of Europe, marking the beginning of the Modern age. The Queens of this period and this publication were Catherine of Siena, Beatrice d'Este, Anne of Brittany, Lucretia Borgia, Margret D'Angouleme, Renée, Duchess of Ferrara.
Queens and Mistresses of Renaissance France by Kathleen Wellman Pdf
DIV This book tells the history of the French Renaissance through the lives of its most prominent queens and mistresses, beginning with Agnès Sorel, the first officially recognized royal mistress in 1444; including Anne of Brittany, Catherine de Medici, Anne Pisseleu, Diane de Poitiers, and Marguerite de Valois, among others; and concluding with Gabrielle d’Estrées, Henry IV’s powerful mistress during the 1590s. Wellman shows that women in both roles—queen and mistress—enjoyed great influence over French politics and culture, not to mention over the powerful men with whom they were involved. The book also addresses the enduring mythology surrounding these women, relating captivating tales that uncover much about Renaissance modes of argument, symbols, and values, as well as our own modern preoccupations. /div
When Women Ruled the World: Making the Renaissance in Europe by Maureen Quilligan Pdf
In this game-changing revisionist history, a leading scholar of the Renaissance shows how four powerful women redefined the culture of European monarchy in the glorious sixteenth century. The sixteenth century in Europe was a time of chronic destabilization in which institutions of traditional authority were challenged and religious wars seemed unending. Yet it also witnessed the remarkable flowering of a pacifist culture, cultivated by a cohort of extraordinary women rulers—most notably, Mary Tudor; Elizabeth I; Mary, Queen of Scots; and Catherine de’ Medici—whose lives were intertwined not only by blood and marriage, but by a shared recognition that their premier places in the world of just a few dozen European monarchs required them to bond together, as women, against the forces seeking to destroy them, if not the foundations of monarchy itself. Recasting the complex relationships among these four queens, Maureen Quilligan, a leading scholar of the Renaissance, rewrites centuries of historical analysis that sought to depict their governments as riven by personal jealousies and petty revenges. Instead, When Women Ruled the World shows how these regents carefully engendered a culture of mutual respect, focusing on the gift-giving by which they aimed to ensure ties of friendship and alliance. As Quilligan demonstrates, gifts were no mere signals of affection, but inalienable possessions, often handed down through generations, that served as agents in the creation of a steep social hierarchy that allowed women to assume political authority beyond the confines of their gender. “With brilliant panache” (Amanda Foreman), Quilligan reveals how eleven-year-old Elizabeth I’s gift of a handmade book to her stepmother, Katherine Parr, helped facilitate peace within the tumultuous Tudor dynasty, and how Catherine de’ Medici’s gift of the Valois tapestries to her granddaughter, the soon-to-be Grand Duchess of Tuscany, both solidified and enhanced the Medici family’s prestige. Quilligan even uncovers a book of poetry given to Elizabeth I by Catherine de’ Medici as a warning against the concerted attack launched by her closest counselor, William Cecil, on the divine right of kings—an attack that ultimately resulted in the execution of her sister, Mary, Queen of Scots. Beyond gifts, When Women Ruled the World delves into the connections the regents created among themselves, connections that historians have long considered beneath notice. “Like fellow soldiers in a sororal troop,” Quilligan writes, these women protected and aided each other. Aware of the leveling patriarchal power of the Reformation, they consolidated forces, governing as “sisters” within a royal family that exercised power by virtue of inherited right—the very right that Protestantism rejected as a basis for rule. Vibrantly chronicling the artistic creativity and political ingenuity that flourished in the pockets of peace created by these four queens, Quilligan’s lavishly illustrated work offers a new perspective on the glorious sixteenth century and, crucially, the women who helped create it.
This book examines writing both by and about Renaissance women rulers. It offers detailed analyses of poems, letters, and other writings by both Elizabeth I and Mary, Queen of Scots, and situates these firmly within the context of other literary figurings of Renaissance queens and queenship. It looks at a range of texts, ranging from the polemical (and largely ephemeral) treatises on the questions of female rule which were prompted by the sudden explosion of women rulers, to works by Shakespeare, Milton, and Elizabeth Cary, as well as the anonymous Arden of Faversham. The book as a whole thus explores both how Renaissance queens wrote themselves and how they were written by others.
This sumptuous catalogue provides an overview of French art circa 1500, a dynamic, transitional period when the country, resurgent after the dislocations of the Hundred Years' War, invaded Italy and all media flourished. What followed was the emergence of a unique art: the fusion of the Italian Renaissance with northern European Gothic styles. Outstanding examples of exquisite and revolutionary works are featured, including paintings, sculptures, illuminated manuscripts, stained glass, tapestries, and metalwork. Exciting new research brings to life court artists Jean Fouquet, Jean Bourdichon, Michel Colombe, Jean Poyer, and Jean Hey (The Master of Moulins), all of whose creations were used by kings and queens to assert power and prestige. Also detailed are the organization of workshops and the development of the influential art market in Paris and patronage in the Loire Valley.
Monarchs of the Renaissance by Philip J. Potter Pdf
During the Renaissance, the monarchy became the dominant ruling power in Europe. It was an era of formidable kings and queens who crushed the feudal rights of their nobles, defended the Catholic Church against the encroachments of Protestantism, fought self-aggrandizing wars and were great patrons of art, architecture, literature and music. This work chronicles the lives and reigns of the 42 monarchs in England, Scotland, France, Spain and the Holy Roman Empire between 1400 and 1600, presenting in the context of their era their personalities, accomplishments and failures.
Victoria University (Toronto, Ont.). Centre for Reformation and Renaissance Studies
Author : Victoria University (Toronto, Ont.). Centre for Reformation and Renaissance Studies Publisher : Centre for Reformation and Renaissance Studies Page : 164 pages File Size : 49,7 Mb Release : 2004 Category : Biography & Autobiography ISBN : 077272024X
The inspiration for the STARZ original series, The Serpent Queen, premiering September 11. “A beautifully written portrait of a ruthless, subtle and fearless woman fighting for survival and power in a world of gangsterish brutality, routine assassination and religious mania. . . . Frieda has brought a largely forgotten heroine-villainess and a whole sumptuously vicious era back to life. . . . This is The Godfather meets Elizabeth.” —Simon Sebag Montefiore, author of Stalin: The Court of the Red Tsar Poisoner, besotted mother, despot, necromancer, engineer of a massacre: the dark legend of Catherine de Medici is centuries old. In this critically hailed biography, Leonie Frieda reclaims the story of this unjustly maligned queen of France to reveal a skilled ruler battling extraordinary political and personal odds. Based on comprehensive research including thousands of Catherine’s own letters, Frieda unfurls Catherine’s story from her troubled childhood in Florence to her tumultuous marriage to Henry II of France; her transformation of French culture to her reign as a queen who would use brutality to ensure her children’s royal birthright. Brilliantly executed, this enthralling biography goes beyond myth to paint a very human portrait of this remarkable figure.
Queens of the Renaissance (Classic Reprint) by M. Beresford Ryley Pdf
Excerpt from Queens of the Renaissance The book is called Queens of the Renais sance but Catherine of Siena lived before the Renaissance surged into being, and Anne of Brittany, though her two husbands brought its Spirit into France, had not herself a hint of its lovely, penetrating eagerness. They are included because they help, nevertheless, to create con tinuity and coherence of impression, and the six leading, as they do naturally, one to the other, convey, in the mass, some co-ordinated notion of the Renaissance spirit. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Female power is explored in this online exhibition of one hundred Old Master paintings, prints, book illustrations, drawings, sculpture and decorative arts objects from the Renaissance and Baroque periods. Visual representations and real stories of women who ruled, including Athena, Aphrodite, Catherine de'Medici, Elizabeth I, Eve, Helen of Troy, and Joan of Arc are represented in this virtual tour of powerful women.
Author : Michelle L. Beer Publisher : Royal Historical Society Studi Page : 0 pages File Size : 54,5 Mb Release : 2018 Category : History ISBN : 0861933486
Queenship at the Renaissance Courts of Britain by Michelle L. Beer Pdf
A study of the performance of queenship by two Tudor monarchs, showing the strategies they used to assert their power. Catherine of Aragon (r.1509-33) and her sister-in-law Margaret Tudor (r.1503-13) presided as queens over the glittering sixteenth-century courts of England and Scotland, alongside their husbands Henry VIII of England and James IV of Scotland. Although we know a great deal about these two formidable sixteenth-century kings, we understand very little about how their two queens contributed to their reigns. How did these young, foreign women become effective and trusted consorts, and powerful political figures in their own right? This book argues that Catherine and Margaret's performance of queenship combined medieval queenly virtues with the new opportunities for influence and power offered by Renaissance court culture. Royal rituals such as childbirth and the Royal Maundy, courtly spectacles such as tournaments, banquets and diplomatic summits, or practices such as arranged marriages and gift-giving, were all moments when Catherine and Margaret could assert their honour, status and identity as queens. Their husbands' support for their activities at court helped bring them the influence and patronage necessary to pursue their own political goals and obtain favour and rewards for their servants and followers. Situating Catherine and Margaret's careers within the history of the royal courts of England and Scotland and amongst their queenly peers, this book reveals these two queens as intimately connected agents of political influence and dynastic power. MICHELLE BEER is an independent researcher working in Oakland, California.
