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Quetzalcóatl tales are ancient legends from Mexico and Central America that have been passed down through the ages, primarily by oral tradition. The Quetzalcóatl Tales Series, aimed at K-5 students, particularly in first and fifth grade, introduces young children to these wonderful stories with their sensitive portrayal of this rich and significant culture. These vividly illustrated texts are available in English and Spanish and are accompanied by teacher's guides that provide the archaeological and historical background of each story, as well as a wide range of engaging and educational activities for students. A Quetzalcóatl Tale of Corn tells how Quetzalcóatl followed a trail of ants to the Mountain of Sustenance and stole maize from the gods to feed his people, while A Quetzalcóatl Tale of Chocolate tells the story of Two Wind Deer, the boy who brought chocolate to the people of the earth. In A Quetzalcóatl Tale of the Ball Game, Quetzalcóatl saves his people from war by playing a game with a rubber ball against the Rain God and is rewarded for winning with jade and quetzal feathers.
The culture, history, and spirit of the Hispanic Southwest are brought to readers through this fascinating collection of 45 cuentos (stories and legends) from the region. From ancient creation myths of the Aztecs and traditional tales of Spanish colonialists to an eclectic sampling of the work of modern Latino storytellers, this book provides a rich tapestry of both obscure and well-loved stories-religious stories; animal tales; stories of magic, transformation, and wisdom; and chistes (short comic tales). Fifteen tales are also presented in Spanish. The origin and historical development of the stories are examined in an introductory chapter. A discussion of dichos (proverbs) and adivinanzas (riddles) illuminates the larger context of the oral tradition in which the tales have flourished. Lavishly illustrated with pictures of original paintings and sculpture by contemporary Latino artists, this fascinating collection will appeal to children and adults alike and is a must for the multicultural class
Author : Laura E. Pérez,Ann Marie Leimer Publisher : Duke University Press Page : 313 pages File Size : 43,9 Mb Release : 2022-06-13 Category : Art ISBN : 9781478022930
Consuelo Jimenez Underwood by Laura E. Pérez,Ann Marie Leimer Pdf
Consuelo Jimenez Underwood’s artwork is marked by her compassionate and urgent engagement with a range of pressing contemporary issues, from immigration and environmental precarity to the resilience of Indigenous ancestral values and the necessity of decolonial aesthetics in art making. Drawing on the fiber arts movement of the 1960s and 1970s, Chicana feminist art, and Indigenous fiber- and loom-based traditions, Jimenez Underwood’s art encompasses needlework, weaving, painted and silkscreened pieces, installations, sculptures, and performance. This volume’s contributors write about her place in feminist textile art history, situate her work among that of other Indigenous-identified feminist artists, and explore her signature works, series, techniques, images, and materials. Redefining the practice of weaving, Jimenez Underwood works with repurposed barbed wire, yellow caution tape, safety pins, and plastic bags and crosses Indigenous, Chicana, European, and Euro-American art practices, pushing the arts of the Americas beyond Eurocentric aesthetics toward culturally hybrid and Indigenous understandings of art making. Jimenez Underwood’s redefinition of weaving and painting alongside the socially and environmentally engaged dimensions of her work position her as one of the most vital artists of our time. Contributors. Constance Cortez, Karen Mary Davalos, Carmen Febles, M. Esther Fernández, Christine Laffer, Ann Marie Leimer, Amalia Mesa-Bains, Robert Milnes, Jenell Navarro, Laura E. Pérez, Marcos Pizarro, Verónica Reyes, Clara Román-Odio, Carol Sauvion, Cristina Serna, Emily Zaiden
The table provides the food that sustains physical life. It is also the setting for people to share the fellowship that sustains cultural, community, and political life.In the vision of artist Rolando Briseño, food is a powerful metaphor, a way of understanding how culture nurtures the spirit. When cultures collide-as they inevitably do in borderlands settings-food, its preparation, and the rituals surrounding its consumption can preserve meanings and understandings that might otherwise have been lost to the mainstream social narrative.Briseño’s exhibit, La Mesa de Moctezuma/Moctezuma’s Table, originally hosted by San Antonio’s Instituto Cultural Mexicano and later by the Instituto de México, Montreal, Canada, brings to vivid life the artist’s conception of food as life source, social symbol, and embodiment of meaning.Now, editor Norma E. Cantú has gathered the art, along with the words of fifteen poets, writers, artists, and scholars who reflect in various ways on the layers of interpretation to be derived from Briseño’s works. Their thoughts provide focal points for musings about food, transborder relationships between food and art, personal connections to food, individual works within the exhibit, and the intense and immediate connections among culture, food, and self.
The Myth of Quetzalcoatl by Enrique Florescano Pdf
In this comprehensive study, Enrique Florescano traces the spread of the worship of the Plumed Serpent, and the multiplicity of interpretations that surround him, by comparing the Palenque inscriptions (ca. A.D. 690), the Vienna Codex (pre-Hispanic Conquest), the Historia de los Mexicanos (1531), the Popul Vuh (ca. 1554), and numerous other texts. He also consults and reproduces archeological evidence from Mexico, Guatemala, El Salvador, and Nicaragua, demonstrating how the myth of Quetzalcoatl extends throughout Mesoamerica.