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Author : David Carrasco Publisher : University of Chicago Press Page : 246 pages File Size : 49,6 Mb Release : 1992-06-15 Category : History ISBN : 9780226094908
Quetzalcoatl and the Irony of Empire by David Carrasco Pdf
Davíd Carrasco draws from the perspectives of the history of religions, anthropology, and urban ecology to explore the nature of the complex symbolic form of Quetzalcoatl in the organization, legitimation, and subversion of a large segment of the Mexican urban tradition. His new Preface addresses this tradition in the light of the Columbian quincentennial. "This book, rich in ideas, constituting a novel approach . . . represents a stimulating and provocative contribution to Mesoamerican studies. . . . Recommended to all serious students of the New World's most advanced indigenous civilization."—H. B. Nicholson, Man
The Myth of Quetzalcoatl by Enrique Florescano Pdf
In this comprehensive study, Enrique Florescano traces the spread of the worship of the Plumed Serpent, and the multiplicity of interpretations that surround him, by comparing the Palenque inscriptions (ca. A.D. 690), the Vienna Codex (pre-Hispanic Conquest), the Historia de los Mexicanos (1531), the Popul Vuh (ca. 1554), and numerous other texts. He also consults and reproduces archeological evidence from Mexico, Guatemala, El Salvador, and Nicaragua, demonstrating how the myth of Quetzalcoatl extends throughout Mesoamerica.
Author : Jacques Lafaye Publisher : University of Chicago Press Page : 366 pages File Size : 51,9 Mb Release : 1987-08-15 Category : History ISBN : 9780226467887
"In this study of complex beliefs in which Aztec religion and Spanish Catholicism blend, Lafaye demonstrates the importance of religious beliefs in the formation of the Mexican nation. Far from being of only parochial interest, this volume is of great value to any historian of religions concerned with problems of nativism and syncretism."—Franke J. Neumann, Religious Studies Review
The Myth of Quetzalcoatl by Alfredo López Austin,Guilhem Olivier Pdf
The Myth of Quetzalcoatl is a translation of Alfredo López Austin’s 1973 book Hombre-Dios: Religión y politica en el mundo náhuatl. Despite its pervasive and lasting influence on the study of Mesoamerican history, religion in general, and the Quetzalcoatl myth in particular, this work has not been available in English until now. The importance of Hombre-Dios and its status as a classic arise from its interdisciplinary approach, creative use of a wide range of source material, and unsurpassed treatment of its subject—the nature and content of religious beliefs and rituals among the native populations of Mesoamerica and the manner in which they fused with and helped sanctify political authority and rulership in both the pre- and post-conquest periods. Working from a wide variety of previously neglected documentary sources, incorporating myth, archaeology, and the ethnography of contemporary Native Americans including non-Nahua peoples, López Austin traces the figure of Quetzalcoatl as a “Man-God” from pre-conquest times, while Russ Davidson’s translator’s note, Davíd Carrasco's foreword, and López Austin’s introduction place the work within the context of modern scholarship. López Austin’s original work on Quetzalcoatl is a pivotal work in the field of anthropology, and this long-overdue English translation will be of significance to historians, anthropologists, linguists, and serious readers interested in Mesoamerica.
Cocijo's Gift to the People, Manco Capac and the Golden Rod, Quetzalcoatl Creates People by Carol Pugliano-Martin Pdf
Cocijo, the god of lightning, unleashes clouds, hail, rain, and wind on the people he has created. Will they survive? Manco Capac and Mama Ocllo must civilize the people of the Cuzco Valley. Will they succeed? Quetzalcoatl travels to the Land of the Dead to gather bones from which to create a new people. What will these people be like? Read these stories to find out.
How Did the “White” God Come to Mexico? Ce Acatl Topiltzin Quetzalcoatl by Stefan Heep Pdf
Most American schoolbooks claim that the Aztec ruler Moctezuma II confused the Spanish conquistador Hernán Cortés for the Aztec god Quetzalcoatl, a fabulous, fair-skinned priest king of ancient times who had promised to return, which is why Moctezuma voluntarily surrendered his mighty empire. In the past, the tale of Quetzalcoatl has inspired many people to speculate about pre-Columbian invaders from the Old World. It has also been abused as another presumed proof of white supremacy. Indigenous traditions, however, saw a Mexican Messiah who played an important part in constructing the Mexican national identity. This book demonstrates that the story of the returning god is a product of “fake news” uttered by Cortés. It does so by analysing the most important sources of the Quetzalcoatl-tale. A systematic context-enlargement that also includes ethnographic information and contemporary history reveals why and how Cortés constructed this story, and why and how the Aztec elite adopted it. This method proves to be an epistemological tool which allows researchers to identify pre-Hispanic information in ethnohistorical texts of colonial times. As a result, the true Quetzalcoatl behind the legend comes to light.
Quetzalcoatl by Ernesto Novato,Charles River Editors Pdf
*Includes pictures *Includes a bibliography for further reading Gilgamesh, Hercules, Aeneas, and Lancelot are instantly recognized as mythological heroes in the West, evoking visions of Persian monsters, ghastly labors, and the founding and glorification of cities, but the name Quetzalcoatl is as mysterious as its spelling. Even those who have come across his name when learning about the history of Mesoamerica - particularly the Aztec and the god's role in the Spanish conquest of their empire - are often unaware that the Mesoamerican deity has tales that equal any of those in the repertoire of the mythological figures mentioned above, and the tale of his transmission into modern times is no less fascinating. As archaeologists quickly learned, there are numerous temples dedicated to Quetzalcoatl all across Mesoamerica. From the Aztec to the Maya, Quetzalcoatl - the Feathered Serpent - rears his beautiful head from magnificent relief carvings in temples no less grandiose than the largest pyramid in the region, that of Cholula in Mexico. Furthermore, thousands of people still gather in the great Mayan city of Chichén Itzá during the spring and autumn equinoxes to watch the shadow of the Feathered Serpent slither its way down the temple known as El Castillo. Worship of the Feathered Serpent can be traced back 2,000 years, and the Serpent's cults appear all across Mesoamerica. The Olmec, the Aztec, and both the Yucatec and K'iche Mayans all had different names for this deity, including Kukulkan, Q'uq'umatz, and Tohil, but his iconography is curiously consistent over several centuries across the region. Depending on who was worshipping him, the Feathered Serpent was a creator-god, the god of the winds, the god of the rains, or merely a near-divine ancestor whose militaristic ways won his followers land and riches before he was eventually marred by lavishness and iniquity, resulting in his demise. To some of the invading Spanish conquistadores, Quetzalcoatl was little more than another demon the "natives" had been worshipping before they were kind enough to bring God to the New World. To others, however, Quetzalcoatl was precisely evidence of the spread of Christianity reaching Mesoamerica long before the conquistadores ever arrived. Much of what modern scholars depend on to understand Quetzalcoatl, however, comes from the period of the Spanish invasion of Mesoamerica, and therefore stories of his blowing the sun across the sky have become mixed with those linking him with Jesus Christ. Nevertheless, this makes for a fascinating picture of a deity whose image has been shaped by some of the most famous civilizations in history and continues to be adopted by people today, often for more than spiritual purposes (as is evident in the adoption of Quetzalcoatl imagery in Mexico's struggle for independence). As a result, Quetzalcoatl was and remains one of the most interesting and enlightening stories ever to have come out of any civilization, and his stories offer a better understanding of the Mesoamerican world. Quetzalcoatl: The History and Legacy of the Feathered Serpent God in Mesoamerican Mythology examines the origins of the deity and his place in the pantheon of gods. Along with pictures of important people, places, and events, you will learn about Quetzalcoatl like never before.
Lee offers a more realistic portrait of the legendary Aztec ruler Nezahualcoyotl, derived from examination of original Nahuatl codices and poetry, as well as Spanish chronicles.
A reprint of the 1920s Plumed Serpent, restoring edited text. Set in Mexico, the novel traces the involvement of a worldly Irish widow with two men planning a revolution based on a revival of Aztec gods.
The Plumed Serpent (Quetzalcoatl) by David Herbert Lawrence Pdf
The novel has a contemporary setting during the period of the Mexican Revolution. It opens with a group of tourists visiting a bullfight in Mexico City. One of them, Kate Leslie, departs in disgust and encounters Don Cipriano, a Mexican general. Later she meets his friend, intellectual land-owner Don Ramon, and travels to Sayula, a small town set on a lake. Ramon and Cipriano are leading a revival of a pre-Christian religion and Kate becomes drawn into their cult.
In Topiltzin Quetzalcoatl, H.B. Nicholson presents the most comprehensive survey and discussion of the primary sources and relevant archaeological evidence concerning this man/god, the most enigmatic figure of ancient Mesoamerica. Long available only on university microfilm, this classic text has been updated and now includes new illustrations and an index. Nicholson sorts through the wealth of material, classifying, summarizing, and analyzing all known primary accounts in the Spanish, Nahuatl, and Mayan languages of the career of Topiltzin Quetzalcoatl. In a new Introduction, he updates the original source material presently available to scholars concerned with this figure.
Second Witness: Analytical and Contextual Commentary on the Book of Mormon by Brant A. Gardner Pdf
Stop looking for the Book of Mormon in Mesoamerica and start looking for Mesoamerica in the Book of Mormon! Second Witness, a new six-volume series from Greg Kofford Books, takes a detailed, verse-by-verse look at the Book of Mormon. It marshals the best of modern scholarship and new insights into a consistent picture of the Book of Mormon as a historical document. Taking a faithful but scholarly approach to the text and reading it through the insights of linguistics, anthropology, and ethnohistory, the commentary approaches the text from a variety of perspectives: how it was created, how it relates to history and culture, and what religious insights it provides. The commentary accepts the best modern scholarship, which focuses on a particular region of Mesoamerica as the most plausible location for the Book of Mormon’s setting. For the first time, that location—its peoples, cultures, and historical trends—are used as the backdrop for reading the text. The historical background is not presented as proof, but rather as an explanatory context. The commentary does not forget Mormon’s purpose in writing. It discusses the doctrinal and theological aspects of the text and highlights the way in which Mormon created it to meet his goal of “convincing . . . the Jew and Gentile that Jesus is the Christ, the Eternal God.”
The Hero's Quest and the Cycles of Nature by Rachel S. McCoppin Pdf
This examination of the heroic journey in world mythology casts the protagonist as a personification of nature--a "botanical hero" one might say--who begins the quest in a metaphorical seed-like state, then sprouts into a period of verdant strength. But the hero must face a mythic underworld where he or she contends with mortality and sacrifice--embracing death as a part of life. For centuries, humans have sought superiority over nature, yet the botanical hero finds nothing is lost by recognizing that one is merely a part of nature. Instead, a cyclical promise of continuous life is realized, in which no element fully disappears, and the hero's message is not to dwell on death.