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Nebraska Quilts and Quiltmakers by Patricia Cox Crews,Ronald Clinton Naugle Pdf
Features over one hundred quilts created from Nebraska's territorial period to the 1980s, with descriptions of the patterns, materials, and techniques and biographical sketches of the quiltmakers
Kentucky Quilts and Quiltmakers by Linda Elisabeth LaPinta Pdf
Although they are commonplace in American homes, quilts are much more than simple patchwork bed coverings and wall adornments. While many of these beautiful and intricate works of art are rich in history and tradition, others reflect the cutting-edge talent and avant-garde mastery of contemporary quiltmakers. Kentucky Quilts and Quiltmakers: Three Centuries of Creativity, Community, and Commerce is the first comprehensive study to approach quilts as objects of material culture that have adorned homes throughout the history of the commonwealth and the country. Linda Elisabeth LaPinta highlights such topics as quiltmaking in women's history, the influence of early Black quiltmakers, popular Kentucky quilt patterns, types, and colors, and the continuing importance of preserving the commonwealth's quilt history and traditions. The author provides a panoramic view of Kentucky quiltmaking from colonial America through the American Revolution, the Civil War to the 1900s, to the new millennium and the dynamic quilting industry of today. LaPinta reveals Kentucky's pivotal role in shaping significant aspects of American quilt culture—Kentuckians founded the first statewide quilt documentation project, created important exhibits and major quilt organizations, and established the National Quilt Museum. Rounding out this all-encompassing volume is a collection of fascinating and intimate artistic commentaries by notable quiltmakers, as well as discussion of the key players who have conserved, celebrated, and showcased the commonwealth's extraordinary quilt culture.
The Quiltmaker's Butterfly Forest by Felicia T. Brenoe Pdf
Let your creativity take flight with eight whimsical projects inspired by the beautiful butterflies of the Amazon rainforest. Discover new quilting inspiration—from Ecuador’s Tiputini Biodiversity Research Station in the Amazon rainforest, where designer Felicia Brenoe was mesmerized by the sights that surrounded her, especially the butterflies. With this book, you can sew eight projects that capture nature’s beauty, beginning with the magnificent 12-block sampler of butterflies and wreaths—an ideal block-of-the-month quilt. Introduce contrast, embellishment, and negative space as you sew other large quilts, pillows, wallhangings, and placemats. Links to full-size appliqué patterns are included, plus an easy guide to raw-edge fusible appliqué.
In Clues in the Calico Barbara Brackman unveils a much-needed system for dating America's heirloom quilts. She tells how, by collecting and observing quilts and finally analyzing her computer file on close to 900 date-inscribed specimens, she arrived at the system. And through this telling she also imparts a colorful, stunningly illustrated history of quiltmaking along with a good bit of entertaining social history and the newest findings in textile research.
Everything you need to know about quilt marking all in one handy reference book, by the author of 65 Drunkard’s Path Quilt Designs. Quilting stitches do more than hold the layers of quilt together—they add light, shadow, and dimension to create a two-sided work of art. This comprehensive reference on quilt marking is the result of Pepper Cory’s years of teaching quilt marking. Inside, you’ll learn: • How to choose designs that complement and contrast with the quilt top • All about marking tools • How to make the quilt design match in the borders and corners, plus 10 ways to mark a border that do not involve matching • How to make your own quilting stencils • How to preserve a quilt design found on an old quilt • Quilting from the judge’s point of view Features photos of inspiring antique and newly-made quilts. Praise for Mastering Quilt Marking “Finally, a book that addresses the importance of quilting design in relation to the pieced surface. A must-read for quilters devoted to the art of quilting!” —Alex Anderson, quiltmaker, author, and television host of Simply Quilts “Pepper is an expert on working with stencils and creating quilting designs that make quilt tops the best they can be. Reading this book is like being in her class.” —Harriet Hargrave, teacher, author, lecturer, and master machine quilter
Lives, Letters, and Quilts by Vanessa Kraemer Sohan Pdf
"Explores how writers, composers, and other artists without power resist dominant social, cultural, and political structures through the deployment of unconventional means and materials. To do so, Vanessa Kraemer Sohan focuses on three very unique instances, or case studies, that exemplify such rhetorical strategies--one political, one epistolary, and one artistic"--
Stitching the Self by Johanna Amos,Lisa Binkley Pdf
The needle arts are traditionally associated with the decorative, domestic, and feminine. Stitching the Self sets out to expand this narrow view, demonstrating how needlework has emerged as an art form through which both objects and identities – social, political, and often non-conformist – are crafted. Bringing together the work of ten art and craft historians, this illustrated collection focuses on the interplay between craft and artistry, amateurism and professionalism, and re-evaluates ideas of gendered production between 1850 and the present. From quilting in settler Canada to the embroidery of suffragist banners and the needlework of the Bloomsbury Group, it reveals how needlework is a transformative process – one which is used to express political ideas, forge professional relationships, and document shifting identities. With a range of methodological approaches, including object-based, feminist, and historical analyses, Stitching the Self examines individual and communal involvement in a range of textile practices. Exploring how stitching shapes both self and world, the book recognizes the needle as a powerful tool in the fight for self-expression.
When a generous quiltmaker finally agrees to make a quilt for a greedy king, but only under certain conditions, she causes him to undergo a change of heart. Each page highlights a different quilt block pattern whose name relates to the unfolding story.
Author : Eli Leon Publisher : University of Washington Press Page : 186 pages File Size : 44,9 Mb Release : 2006 Category : Art ISBN : UOM:39015069321563
This exuberantly illustrated book celebrates the sophistication, vivacity, and significance of improvisational African-Aemrican quilts, both as artistic achievements and as expressions of African-American traditions. The knowledge, attitudes, and values carried across the Atlantic by enslaved Africans appear to have informed a quiltmaking tradition so powerful that, to this day, it preserves its identity in a special province of African-American quilts. Such "Afro-traditional" quilts are made by people who have no formal art training and who usually do not consider themselves artists; they learned their craft and absorbed its aesthetics by watching and helping their mothers, aunts, and grandmothers who, in turn, learned form previous generations. The resulting--often highly idiosyncratic--quilts call out to be seen as the works of art that they are. The brilliance of this work must be partially credited to a tradition which encourages individual expression and provides a context in which the talents of individual artists can flourish. Improvisation, pervasive in black African art and familiar as a basic element of many African-American musical forms, is a vital force in this tradition. The artists maintain a generous attitude toward the accidental, embracing innovations that originate beyond the conscious domain. they use approximate measurement and "flexible patterning," in which the design, conceived of as a an invitation to variation, will not repeat, but will materialize in a sequence of visual elaborations. Afro-traditional attitudes and methods are antithetical to the standard American quiltmaking tradition--practiced by both whites and blacks--in which great value is placed on precise measurement and exact pattern replication. Instead they bear a keen likeness to the improvisatory practices of the textile-makers of Kongo and West Africa, regions from which American slaves were taken. These antipathies and affinities suggest an enduring African influence on the Afro-traditional quilt.