Race And New Modernisms

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Race and New Modernisms

Author : K. Merinda Simmons,James A. Crank
Publisher : Bloomsbury Publishing
Page : 225 pages
File Size : 55,5 Mb
Release : 2019-09-05
Category : Literary Criticism
ISBN : 9781350030411

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Race and New Modernisms by K. Merinda Simmons,James A. Crank Pdf

From the Harlem and Southern Renaissances to postcolonial writing in the Caribbean, Race and New Modernisms introduces and critically explores key issues and debates on race and ethnicity in the study of transnational modernism today. Topics covered include: · Key terms and concepts in scholarly discussions of race and ethnicity · European modernism and cultural appropriation · Modernism, colonialism, and empire · Southern and Harlem Renaissances · Social movements and popular cultures in the modernist period Covering writers and artists such as Josephine Baker, W.E.B. Du Bois, T.S. Eliot, William Faulkner, Marcus Garvey, Édouard Glissant, Ernest Hemingway, Zora Neale Hurston, Claude McKay, and Paul Robeson, the book considers the legacy of modernist discussions of race in twenty-first century movements such as Black Lives Matter.

Race and New Modernisms

Author : K. Merinda Simmons,James A. Crank
Publisher : Bloomsbury Publishing
Page : 224 pages
File Size : 52,6 Mb
Release : 2019-09-05
Category : Literary Criticism
ISBN : 9781350030428

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Race and New Modernisms by K. Merinda Simmons,James A. Crank Pdf

From the Harlem and Southern Renaissances to postcolonial writing in the Caribbean, Race and New Modernisms introduces and critically explores key issues and debates on race and ethnicity in the study of transnational modernism today. Topics covered include: · Key terms and concepts in scholarly discussions of race and ethnicity · European modernism and cultural appropriation · Modernism, colonialism, and empire · Southern and Harlem Renaissances · Social movements and popular cultures in the modernist period Covering writers and artists such as Josephine Baker, W.E.B. Du Bois, T.S. Eliot, William Faulkner, Marcus Garvey, Édouard Glissant, Ernest Hemingway, Zora Neale Hurston, Claude McKay, and Paul Robeson, the book considers the legacy of modernist discussions of race in twenty-first century movements such as Black Lives Matter.

Geomodernisms

Author : Laura Doyle,Laura Anne Doyle,Laura Winkiel
Publisher : Indiana University Press
Page : 372 pages
File Size : 45,9 Mb
Release : 2005-11-22
Category : Literary Criticism
ISBN : 0253217784

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Geomodernisms by Laura Doyle,Laura Anne Doyle,Laura Winkiel Pdf

Modernism as a global phenomenon is the focus of the essays gathered in this book. The term "geomodernisms" indicates their subjects' continuity with and divergence from commonly understood notions of modernism. The contributors consider modernism as it was expressed in the non-Western world; the contradictions at the heart of modernization (in revolutionary and nationalist settings, and with respect to race and nativism); and modernism's imagined geographies, "pyschogeographies" of distance and desire as viewed by the subaltern, the caste-bound, the racially mixed, the gender-determined.

Race and the Modernist Imagination

Author : Urmila Seshagiri
Publisher : Cornell University Press
Page : 274 pages
File Size : 51,9 Mb
Release : 2010
Category : English fiction
ISBN : 0801448212

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Race and the Modernist Imagination by Urmila Seshagiri Pdf

In addition to her readings of a fascinating array of works---The Picture of Dorian Gray, Heart of Darkness --

The New Modernist Studies

Author : Douglas Mao
Publisher : Cambridge University Press
Page : 367 pages
File Size : 54,7 Mb
Release : 2021-02-04
Category : Literary Criticism
ISBN : 9781108487061

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The New Modernist Studies by Douglas Mao Pdf

The first book specifically devoted to the history and prospects of the new modernist studies.

The Dialect of Modernism

Author : Michael North
Publisher : Oxford University Press
Page : 272 pages
File Size : 43,9 Mb
Release : 1998-01-22
Category : Literary Criticism
ISBN : 9780190284114

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The Dialect of Modernism by Michael North Pdf

The Dialect of Modernism uncovers the crucial role of racial masquerade and linguistic imitation in the emergence of literary modernism. Rebelling against the standard language, and literature written in it, modernists, such as Joseph Conrad, Gertrude Stein, T.S. Eliot, Ezra Pound, and William Carlos Williams reimagined themselves as racial aliens and mimicked the strategies of dialect speakers in their work. In doing so, they made possible the most radical representational strategies of modern literature, which emerged from their attack on the privilege of standard language. At the same time, however, another movement, identified with Harlem, was struggling to free itself from the very dialect the modernists appropriated, at least as it had been rendered by two generations of white dialect writers. For writers such as Claude McKay, Jean Toomer, and Zora Neale Hurston, this dialect became a barrier as rigid as the standard language itself. Thus, the two modern movements, which arrived simultaneously in 1922, were linked and divided by their different stakes in the same language. In The Dialect of Modernism, Michael North shows, through biographical and historical investigation, and through careful readings of major literary works, that however different they were, the two movements are inextricably connected, and thus, cannot be considered in isolation. Each was marked, for good and bad, by the other.

The New Modernist Studies Reader

Author : Sean Latham,Gayle Rogers
Publisher : Bloomsbury Publishing
Page : 384 pages
File Size : 44,7 Mb
Release : 2021-01-28
Category : Literary Criticism
ISBN : 9781350106284

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The New Modernist Studies Reader by Sean Latham,Gayle Rogers Pdf

Bringing together 17 foundational texts in contemporary modernist criticism in one accessible volume, this book explores the debates that have transformed the field of modernist studies at the turn of the millennium and into the 21st century. The New Modernist Studies Reader features chapters covering the major topics central to the study of modernism today, including: · Feminism, gender, and sexuality · Empire and race · Print and media cultures · Theories and history of modernism Each text includes an introductory summary of its historical and intellectual contexts, with guides to further reading to help students and teachers explore the ideas further. Includes essential texts by leading critics such as: Anne Anlin Cheng, Brent Hayes Edwards, Rita Felski, Susan Stanford Friedman, Mark Goble, Miriam Bratu Hansen, Andreas Huyssen, David James, Heather K. Love, Douglas Mao, Mark S. Morrisson, Michael North, Jessica Pressman, Lawrence Rainey, Paul K. Saint-Amour, Bonnie Kime Scott, Urmila Seshagiri, Robert Spoo, and Rebecca L. Walkowitz.

Modernism, Race and Manifestos

Author : Laura A. Winkiel
Publisher : Unknown
Page : 242 pages
File Size : 42,6 Mb
Release : 2008
Category : Artists' writings
ISBN : 0511414854

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Modernism, Race and Manifestos by Laura A. Winkiel Pdf

Mid-Century Modernism and the American Body

Author : Kristina Wilson
Publisher : Princeton University Press
Page : 264 pages
File Size : 40,8 Mb
Release : 2021-04-13
Category : Art
ISBN : 9780691208190

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Mid-Century Modernism and the American Body by Kristina Wilson Pdf

"The first investigation of the role of how modernist objects were marketed by affirming buyers' racial and gender identities"--

Modernism and Race

Author : Len Platt
Publisher : Unknown
Page : 231 pages
File Size : 50,7 Mb
Release : 2014-05-14
Category : English literature
ISBN : 1139042521

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Modernism and Race by Len Platt Pdf

"The 'transnational' turn has transformed modernist studies, challenging Western authority over modernism and positioning race and racial theories at the very centre of how we now understand modern literature. Modernism and Race examines relationships between racial typologies and literature in the late nineteenth and early twentieth centuries, drawing on fin de sie;cle versions of anthropology, sociology, political science, linguistics and biology. Collectively, these essays interrogate the anxieties and desires that are expressed in, or projected onto, racialized figures. They include new outlines of how the critical field has developed, revaluations of canonical modernist figures like James Joyce, T. S. Eliot, Ford Madox Ford and Wyndham Lewis, and accounts of writers often positioned at the margins of modernism, such as Zora Neale Hurston, Claude McKay and the Holocaust writers Solomon Perel and Gisella Perl. This timely collection by leading scholars of modernism will make an important contribution to a growing field"--

Race and the Modern Artist

Author : Heather Hathaway,Josef Jarab,Jeffrey Melnick
Publisher : Oxford University Press
Page : 280 pages
File Size : 42,5 Mb
Release : 2003-01-16
Category : Literary Criticism
ISBN : 9780195352627

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Race and the Modern Artist by Heather Hathaway,Josef Jarab,Jeffrey Melnick Pdf

Definitions of modernism have been debated throughout the twentieth century. But both during the height of the modernist era and since, little to no consideration has been given to the work of minority writers as part of this movement. Considering works by writers ranging from B.A. Botkin, T.S. Eliot, Waldo Frank, and Jean Toomer to Pedro Pietri and Allen Ginsberg, these essays examine the disputed relationships between modernity, modernism, and American cultural diversity. In so doing, the collection as a whole adds an important new dimension to our understanding of twentieth-century literature.

Making Race

Author : Jacqueline Francis
Publisher : University of Washington Press
Page : 256 pages
File Size : 53,6 Mb
Release : 2012-01-15
Category : Art
ISBN : 9780295804330

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Making Race by Jacqueline Francis Pdf

Malvin Gray Johnson, Yasuo Kuniyoshi, and Max Weber were three New York City artists whose work was popularly assigned to the category of "racial art" in the interwar years of the twentieth century. The term was widely used by critics and the public at the time, and was an unexamined, unquestioned category for the work of non-whites (such as Johnson, an African American), non-Westerners (such as Kuniyoshi, a Japanese-born American), and ethnicized non-Christians (such as Weber, a Russian-born Jewish American). The discourse on racial art is a troubling chapter in the history of early American modernism that has not, until now, been sufficiently documented. Jacqueline Francis juxtaposes the work of these three artists in order to consider their understanding of the category and their stylistic responses to the expectations created by it, in the process revealing much about the nature of modernist art practices. Most American audiences in the interwar period disapproved of figural abstraction and held modernist painting in contempt, yet the critics who first expressed appreciation for Johnson, Kuniyoshi, and Weber praised their bright palettes and energetic pictures--and expected to find the residue of the minority artist's heritage in the work itself. Francis explores the flowering of racial art rhetoric in criticism and history published in the 1920s and 1930s, and analyzes its underlying presence in contemporary discussions of artists of color. Making Race is a history of a past phenomenon which has ramifications for the present.

Race, Nationalism and the State in British and American Modernism

Author : Patricia E. Chu
Publisher : Cambridge University Press
Page : 8 pages
File Size : 48,7 Mb
Release : 2006-12-14
Category : Literary Criticism
ISBN : 9781139461122

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Race, Nationalism and the State in British and American Modernism by Patricia E. Chu Pdf

Twentieth-century authors were profoundly influenced by changes in the way nations and states governed their citizens. The development of state administrative technologies allowed Western states to identify, track and regulate their populations in unprecedented ways. Patricia E. Chu argues that innovations of form and style developed by Anglo-American modernist writers chart anxieties about personal freedom in the face of increasing governmental controls. Chu examines a diverse set of texts and films, including works by T. S. Eliot, Katherine Mansfield, Zora Neale Hurston and others, to explore how modernists perceived their work and their identities in relation to state power. Additionally, she sheds light on modernists' ideas about race, colonialism and the postcolonial, as race came increasingly to be seen as a political and governmental construct. This book offers a powerful critique of key themes for scholars of modernism, American literature and twentieth-century literature.

Modernism, Race and Manifestos

Author : Laura Winkiel
Publisher : Cambridge University Press
Page : 254 pages
File Size : 44,6 Mb
Release : 2011-08-18
Category : Literary Criticism
ISBN : 1107403065

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Modernism, Race and Manifestos by Laura Winkiel Pdf

The modernist avant-garde used manifestos to outline their ideas, cultural programs and political agendas. Yet the manifesto, as a document of revolutionary change and a formative genre of modernism, has heretofore received little critical attention. This 2007 study reappraises the central role of manifestos in shaping the modernist movement by investigating twentieth-century manifestos from Europe and the Black Atlantic. Manifestos by writers from the imperial metropolis and the colonial 'periphery' drew very different emphases in their recasting of histories and experiences of modernity. Laura Winkiel examines archival materials as well as canonical texts to analyse how Sylvia Pankhurst, Virginia Woolf, Mina Loy, Wyndham Lewis, Nancy Cunard, C. L. R. James, W. E. B. Du Bois, Zora Neale Hurston, Aimé Césaire and others presented their modernist projects. This focus on manifestos in their geographical and historical context allows for a revision of modernism that emphasizes its cross-cultural aspects.

A New Vocabulary for Global Modernism

Author : Eric Hayot,Rebecca L. Walkowitz
Publisher : Columbia University Press
Page : 316 pages
File Size : 48,8 Mb
Release : 2016-11-29
Category : Literary Criticism
ISBN : 9780231543064

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A New Vocabulary for Global Modernism by Eric Hayot,Rebecca L. Walkowitz Pdf

Bringing together leading critics and literary scholars, A New Vocabulary for Global Modernism argues for new ways of understanding the nature and development of twentieth-century literature and culture. Scholars have largely understood modernism as an American and European phenomenon. Those parameters have expanded in recent decades, but the incorporation of multiple origins and influences has often been tied to older conceptual frameworks that make it difficult to think of modernism globally. Providing alternative approaches, A New Vocabulary for Global Modernism introduces pathways through global archives and new frameworks that offer a richer, more representative set of concepts for the analysis of literary and cultural works. In separate essays each inspired by a critical term, this collection explores what happens to the foundational concepts of modernism and the methods we bring to modernist studies when we approach the field as a global phenomenon. Their work transforms the intellectual paradigms we have long associated with modernism, such as tradition, antiquity, style, and translation. New paradigms, such as context, slum, copy, pantomime, and puppets emerge as the archive extends beyond its European center. In bringing together and reexamining the familiar as well as the emergent, the contributors to this volume offer an invaluable and original approach to studying the intersection of world literature and modernist studies.