Radio Camelot Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Radio Camelot book. This book definitely worth reading, it is an incredibly well-written.
The author provides a full account of Arthurian radio drama, which evolved from D.G. Bridson's patriotic pre-war 'King Arthur', via fascinations with the Holy Grail and the Lady of Shalott, to its flowering in the 1990s with Kevin Crossley-Holland's 'Arthur's Knight'.
King Arthur and Robin Hood on the Radio by Katherine Barnes Echols Pdf
Before stories of King Arthur and Robin Hood were adapted and readapted for film, television and theater, radio scriptwriters looking for material turned to Thomas Malory's Le Morte Darthur (1485) and Howard Pyle's The Merry Adventures of Robin Hood (1883). Throughout the 1930s to the mid-1950s, their legends inspired storylines for Abbott and Costello, Popeye, Let's Pretend, Escape, Gunsmoke, The Adventures of Superman and others. Many of these adaptations reflect the moral and ethical questions of the day, as characters' faced issues of gender relations, divorce, citizenship, fascism, crime and communism in a medieval setting.
The Disney Middle Ages by T. Pugh,S. Aronstein Pdf
For many, the middle ages depicted in Walt Disney movies have come to figure as the middle ages, forming the earliest visions of the medieval past for much of the contemporary Western (and increasingly Eastern) imagination. The essayists of The Disney Middle Ages explore Disney's mediation and re-creation of a fairy-tale and fantasy past, not to lament its exploitation of the middle ages for corporate ends, but to examine how and why these medieval visions prove so readily adaptable to themed entertainments many centuries after their creation. What results is a scrupulous and comprehensive examination of the intersection between the products of the Disney Corporation and popular culture's fascination with the middle ages.
Perspectives in Social Research Methods and Analysis by Howard Lune,Enrique S. Pumar,Ross Koppel Pdf
This book shows students the steps involved in the research process, the various strategies for conducting a valid social inquiry, and most importantly, the persuasiveness and elegance of reliable social research. It highlights the link between academic research and the real world. Included are carefully chosen examples of each of the major methodological techniques-survey, interviews, fieldwork observations, experiments, content analysis, secondary analysis and program evaluation. Also included are selections on sampling strategies, research ethics and both qualitative and quantitative data analysis.
Arthurian Literature XXXI by Elizabeth Archibald,David F. Johnson Pdf
Arthurian Literature has established its position as the home for a great diversity of new research into Arthurian matters. It delivers fascinating material across genres, periods, and theoretical issues. TIMES LITERARY SUPPLEMENT
A highly readable version of this remarkable and largely unexplored work. Perceforest is one of the largest and certainly the most extraordinary of the late Arthurian romances. Justly described as "an encyclopaedia of 14th-century chivalry" and "a mine of folkloric motifs", it is the subject ofrapidly increasing attention and research. The author of Perceforest draws on Alexander romances, Roman histories and medieval travel writing (not to mention oral tradition, as he gives, for example, the distinctly racy first written version of the Sleeping Beauty story), to create a remarkable prehistory of King Arthur's Britain. It begins with the arrival in Britain of Alexander the Great. His follower Perceforest, the first of Arthur's Greek ancestors, is made king of the island and finds it infested by the "evil clan" of Darnant the Enchanter. Magic plays a dominant part in the adventures which follow, as Perceforest ousts Darnant's clan despite their supernaturalpowers. He founds the knightly order of the "Franc Palais", an ideal of chivalric civilisation prefiguring the Round Table of Arthur and indeed that of Edward III. But that civilisation is, the author shows, all too fragile. The vast imaginative scope of Perceforest is matched by its variety of tone, ranging from tales of love and enchantment to bawdy comedy, from glamorous tournaments to unvarnished descriptions of the havoc wrought by war.And the author's surprising view of pagan gods and the coming of Christianity is as fascinating as the prominence he gives to women and his understanding of how the world of chivalry should work. Because of its enormous length - it runs to over a million words - Nigel Bryant has provided a version which gives a complete account of every episode, linking extensive passages of translation, to make a manageable and highly readable version (including the previously unpublished Books Five and Six), of this remarkable and largely unexplored work. Nigel Bryant has worked as a producer for BBC Radio 3 and as head of drama at Marlborough College. This is his fourth majortranslation of medieval Arthurian romance.
The Continuations of Chrétien's Perceval by Leah Tether Pdf
The Continuations of Chretien de Troyes' Perceval are here examined as constituting a discrete genre of medieval literature. The notion of Continuation in medieval literature is a familiar one - but difficult to define precisely. Despite the existence of important texts which are commonly referred to as Continuations, such as Le Roman de la Rose,Le Chevalier de la Charrette and, of course, the Perceval Continuations, the mechanics and processes involved in actually producing a Continuation have found themselves indistinguishable from those associated with other forms of medieval réécriture. The Perceval Continuations (composed c.1200-1230) constitute a vast body of material which incorporates four separately authored Continuations, each of which seeks to further,in some way, the unfinished Perceval of Chrétien de Troyes - though they are not merely responses to his work. Chronologically, they were composed one after the other, and the next in line picks up where the previous one left off; they thus respond intertextually to each other as well as to Chrétien, and only one actually furnishes the story as a whole with an ending. Here, these fascinating texts are used as a lens for examining, defining and distinguishing the whole concept of a Continuation; the author also employs theories as to what constitutes an "end" and what is "unfinished", alongside scrutiny of other medieval "ends" and Continuations. Dr Leah Tether isa Postdoctoral Research Fellow at the Cultures of the Digital Economy Institute, Anglia Ruskin University.
Chrétien's Equal: Raoul de Houdenc by Raoul de Houdenc Pdf
By his contemporaries, Raoul de Houdenc was 'mentioned in the same breath as Chrétien de Troyes as one of the masters of French poetry' (Keith Busby, The New Arthurian Encyclopaedia).
Chrétien De Troyes in Prose by Chrétien (de Troyes),Bibliothèque royale de Belgique Pdf
First English translations of later adaptions of Chrétien's romances: a vital source for the development of Arthurian romance. In the middle of the fifteenth century two anonymous writers "translated" into prose Chrétien de Troyes's first verse romances, Erec and Cligés (dating from the twelfth century), for the circle of Philip the Good, duke of Burgundy. For a long time unfairly dismissed as trite and slavish renderings of Chrétien's masterful narratives, the prose Erec and Cligés actually merit careful study in their own right, for these Middle French reworkings adapt the earlier romances to fit the interests of the fifteenth-century public. The authors updated not only the language but also the descriptions of chivalric exploits, tourneys, and siege warfare; furthermore, they showed real ingenuity in the way they modified the story line, clarifying motivation, rescripting characters, and shortening many of the descriptions. The romances offer valuable insights into the evolution of Arthurian romance, the history of reception of Chrétien's work, and the mentality and culture of one of the most remarkable courts to flourish in the late middle ages. This volume presents the first English prose translations of the writings, accompanied by an introduction presenting the historical, cultural, and literary context, and notes. Joan Tasker Grimbert is Professor of French at the Catholic University of America, Washington, DC; Carol J. Chase is Professor Emerita of French at Knox College, Galesburg, Illinois.
The Interlace Structure of the Third Part of the Prose Lancelot by Frank Brandsma Pdf
The intricate structure and the many different narrative threads of the Prose Lancelot are here skilfully analysed, showing them to be a major new development in literary technique. Thematically and as a narrative technique, interlace, the complex weaving together of many different story-telling strands, comes to its full development in the intriguing conclusion of the Prose Lancelot. The Grail appearson the horizon and although Lancelot's love for Guenevere still makes him the best knight in the world, it becomes clear that this very love disqualifies him from the Grail Quest. Meanwhile, the adventures of a myriad Arthurian knights continue to be followed. This study explains how the interlace works and shows that it is the perfect vehicle for the relation of the events. It discusses the division of the narrative into threads, their interweaving, convergence and divergence, the gradual introduction of the Grail theme and its first climax (the begetting of Galahad), the distribution of information to the audience, the use of dramatic irony and emotions, and many other aspects of this major innovation in story-telling technique. Dr FRANK BRANDSMA is Senior Lecturer in Comparative Literature (Middle Ages) in the Department of Modern Languages at Utrecht University.
The Complete Story of the Grail by Chrétien (de Troyes),Chrétien de Troyes Pdf
The mysterious and haunting Grail makes its first appearance in literature in Chrétien de Troyes' Perceval at the end of the twelfth century. But Chrétien never finished his poem, leaving an unresolved story and an incomplete picture of the Grail. It was, however, far too attractive an idea to leave. Not only did it inspire quite separate works; his own unfinished poem was continued and finally completed by no fewer than four other writers. The Complete Story of the Grail is the first ever translation of the whole of the rich and compelling body of tales contained in Chrétien's poem and its four Continuations, which are finally attracting the scholarly attention they deserve. Besides Chrétien's original text, there are the anonymous First Continuation (translated here in its fullest version), the Second Continuation attributed to Wauchier de Denain, and the intriguing Third and Fourth Continuations - probably written simultaneously, with no knowledge of each other's work - by Manessier and Gerbert de Montreuil. Two other poets were drawn to create preludes explaining the background to Chrétien's story, and translated here also are their works: The Elucidation Prologue and Bliocadran. Only in this, The Story of the Grail's complete form, can the reader appreciate the narrative skill and invention of the medieval poets and their surprising responses to Chrétien's theme - not least their crucial focus on the knight as a crusader. Equally, Chrétien's original poem was almost always copied in conjunction withone or more of the Continuations, so this translation represents how most medieval readers would have encountered it. Nigel Bryant's previous translations from Medieval French include Perlesvaus - the High Bookof the Grail, Robert de Boron's trilogy Merlin and the Grail, the Medieval Romance of Alexander, The True Chronicles of Jean le Bel and Perceforest.
