Rant Chant Chisme Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Rant Chant Chisme book. This book definitely worth reading, it is an incredibly well-written.
Rant. Chant. Chisme. is the debut collection of poetry by south Texas native Amalia Ortiz, featuring writing from the first decade of her career. Readers will get a taste of life on the border from the perspective of a young woman of color struggling to write herself into existence. These poems introduce a unique new transcultural feminist viewpoint as the poems call for social and political change along the borderlands. Ortiz, an award-winning performance poet known for her dynamic delivery style, relinquishes control of her writing to the reader, but not without first imparting the theatrical stage directions stated in the book's title, which commands readers to recite these poems aloud in a spoken word celebration exploring culture, music, and place while encouraging the reader to embrace diversity and find their own storytelling voice.
Poetry. Latinx Studies. Native American Studies. Women's Studies. LGBTQIA Studies. Chicana Studies. Winner of a 2020 American Book Award in Oral Literature. THE CANCIÓN CANNIBAL CABARET & OTHER SONGS is a hybrid manuscript experimenting with poetry at the intersection of performance. As a text, it is a collection of post-apocalyptic prose poems and poem songs cannibalizing knowledge from before the fall of civilization. In performance, THE CANCIÓN CANNIBAL CABARET is a Xicana punk rock musical--part concept album, part radio play. Set in a not-so-distant dystopian future, La Madre Valiente, a refugee raised under the oppressive State, studies secretly to become the leader of a feminist revolution. Her emissaries, Las Hijas de la Madre, roam the land spreading her story, educating others, and galvanizing allies. Inspired by current issues of social injustice, this multidisciplinary musical performance piece is a refugee, people of color, feminist, and LGBTQ+ call to action.
Rethinking Multicultural Education 3rd Edition by Wayne Au Pdf
From book bans, to teacher firings, to racist content standards, the politics of teaching race and culture in schools have shifted dramatically in recent years. This 3rd edition of Rethinking Multicultural Education has been greatly revised and expanded to reflect these changing times, including sections on “Intersectional Identities,” “Anti-Racist Teaching Across the Curriculum,” “Teaching for Black Lives,” and “K-12 Ethnic Studies,” among others. Practical, rich in story, and analytically sharp, Rethinking Multicultural Education can help current and future educators as they seek to bring racial and cultural justice into their own classrooms.
Latinidad at the Crossroad: Insights into Latinx identity in the Twenty-First Century encompasses an interdisciplinary perspective on the complex range of latinidades and simultaneously advocates a more flexible (re)definition of the term that may overcome static collective representations of identity, ethnicity and belonging.
Some truths can do more harm than good. This is what Isa comes to believe at the tender age of nine when she first has a dream about kissing a girl—an act that would never be acceptable to her family. By her late twenties, Isa has left her hometown in South Texas, so her conservative family won't discover that she’s gay, and immersed herself in the workaholic routine of law school. One fateful night, she experiments with a man, and subsequently ended up with an unwanted pregnancy. Meanwhile, Isa’s only sister, Cristina, loses the infant she spent years trying to conceive. Moving forward with her own pregnancy and giving the baby to Cristina seems like the perfect solution—until Isa bonds with the newborn. Still, the sisters move forward with the family adoption. Now everyone in the family has a secret. Twelve years later, after much deceit and loss has passed between the sisters, Isa decides to reveal both her sexuality and her niece’s true parentage to their family, against Cristina’s wishes—but before all can be exposed, tragedy strikes. Timely and gripping, Profound and Perfect Things is a story of two first-generation Mexican-American sisters striving to build a meaningful existence outside their traditional parent’s approval and ways of life—and an exploration of the boundaries of our responsibilities to those we love.
How have we thought “the body”? How can we think it anew? The body of mortal creatures, the body politic, the body of letters and of laws, the “mystical body of Christ”—all these (and others) are incorporated in the word Corpus, the title and topic of Jean-Luc Nancy’s masterwork. Corpus is a work of literary force at once phenomenological, sociological, theological, and philosophical in its multiple orientations and approaches. In thirty-six brief sections, Nancy offers us at once an encyclopedia and a polemical program—reviewing classical takes on the “corpus” from Plato, Aristotle, and Saint Paul to Descartes, Hegel, Husserl, and Freud, while demonstrating that the mutations (technological, biological, and political) of our own culture have given rise to the need for a new understanding of the body. He not only tells the story of this cultural change but also explores the promise and responsibilities that such a new understanding entails. The long-awaited English translation is a bold, bravura rendering. To the title essay are added five closely related recent pieces—including a commentary by Antonia Birnbaum—dedicated in large part to the legacy of the “mind-body problem” formulated by Descartes and the challenge it poses to rethinking the ancient problems of the corpus. The last and most poignant of these essays is “The Intruder,” Nancy’s philosophical meditation on his heart transplant. The book also serves as the opening move in Nancy’s larger project called “The deconstruction of Christianity.”
John Ross has been living in the old colonial quarter of Mexico City for the last three decades, a rebel journalist covering Mexico and the region from the bottom up. He is filled with a gnawing sense that his beloved Mexico City's days as the most gargantuan, chaotic, crime-ridden, toxically contaminated urban stain in the western world are doomed, and the monster he has grown to know and love through a quarter century of reporting on its foibles and tragedies and blight will be globalized into one more McCity. El Monstruo is a defense of place and the history of that place. No one has told the gritty, vibrant histories of this city of 23 million faceless souls from the ground up, listened to the stories of those who have not been crushed, deconstructed the Monstruo's very monstrousness, and lived to tell its secrets. In El Monstruo, Ross now does.
Junkyard Dogs is the debut poetry collection by National Poetry Slam champion Damien Flores. His poems evoke the Old Town Albuquerque of his youth, growing up in a large, complicated Catholic family, and his relationships with his family and the city of his upbringing. With appearances from Juana Henrieta and Manuel Leyba, Tony Mares, Freddy Fender, and Johnny Tapia, Flores pays homage to the people and places of the Duke City.
The Chicano Latino Literary Prize by Stephanie Fetta Pdf
ñDavid is mine!î Mrs. Renteria shouts out to her neighbors gathered about the dead but handsome young man found in the dry riverbed next to their homes in a Los Angeles barrio. ñDavid?î Tiburcio asked. ñSince when is his name David? He looks to me more like a î Tiburcio glanced at the manÍs face, ñ a Luis.î Mrs. RenteriaÍs neighbors call out a litany of names that better suit the mysterious corpse: Roberto, Antonio, Henry, Enrique, Miguel, Roy, Rafael. The very first winner of the Chicano / Latino Literary Prize in 1974, Ron AriasÍ ñThe Wetbackî uses dark humor to reflect on the appearance of a dead brown man in their midst. This landmark collection of prize-winning fiction, poetry, and drama paints a historical and aesthetic panorama of Chicana/o and Latina/o letters over a twenty-five-year period beginning in 1974 and ending in 1999. Most, but not all, of the winning entries are featured in this anthology, which also includes second- and third-place winners, as well as honorable mentions. Now entering its thirty-first year, the award has recognized a wide variety of writers, from established ones such as Juan Felipe Herrera, Michael Nava, and Helena Maria Viramontes, to those that are lesser known. Many of the pieces in this anthology are considered to be foundational texts of Chicana/o and Latina/o literature, and those that are not as widely recognized deserve more serious study and attention. Presented in chronological order, the selected writings are primarily in English, although some are written in Spanish, and others in Spanglish. Some, like Francisco X. AlarconÍs poem ñRaices / Roots,î appear in both languages: ñMis raices / las cargo / siempre / conmigo / enrolladas / me sirven / de almohada.î ñI carry / my roots / with me / all the time / rolled up / I use them / as my pillow.î In addition to the diverse array of authors, styles, and genres, the works included in this collection cover a wide range of themes, from more political issues of ethnic, gender, and class.
Mercedez Holtry is a slam poet, writer, student, mentor, and Chicana feminist who focuses on bringing out her roots, experiences and lessons learned through her poetry in hopes that they embrace her people and other artists around her. She has represented ABQ on multiple final and semifinal stages for national poetry events. Mercedez is passionate about spoken word and aspires to continually learn all she can about her art through working and slamming for her community.
