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Reading Mohamed Choukri's Narratives by Jonas Elbousty,Roger Allen Pdf
"Reading Mohamed Choukri's Narratives presents an intricate exploration into the life and literary universe of Mohamed Choukri, a towering figure in 20th-century Moroccan literature. Known primarily for his groundbreaking autobiographical work "al-Khubz al-Ḥāfī" (For Bread Alone), Choukri's literary influence extends well beyond this single work. This book seeks to cast a light on his broader body of work, examining the cultural, societal, and personal influences that shaped his unique storytelling style. Through a deep analysis of his narratives, this text aims to unfold how Choukri portrayed the harsh realities he and others encountered, giving voice to the marginalized individuals and communities in Morocco"--
Reading Mohamed Choukri’s Narratives by Jonas Elbousty,Roger Allen Pdf
Reading Mohamed Choukri’s Narratives presents an intricate exploration into the life and literary universe of Mohamed Choukri, a towering figure in 20th-century Moroccan literature. Known primarily for his groundbreaking autobiographical work "al-Khubz al-Ḥāfī" (For Bread Alone), Choukri's literary influence extends well beyond this single work. This book seeks to cast a light on his broader body of work, examining the cultural, societal, and personal influences that shaped his unique storytelling style. Through a deep analysis of his narratives, this text aims to unfold how Choukri portrayed the harsh realities he and others encountered, giving voice to the marginalized individuals and communities in Morocco.
The complete short stories of acclaimed Moroccan author Mohamed Choukri, translated into English and collected in one volume for the first time A World Literature Today Notable Translation of 2023 "Choukri is one of Morocco's most revered figures. . . . To have his words translated is to have the privilege to view the inner world of his intellect and the obscured landscapes of Tangier."--Noshin Bokth, The New Arab Mohamed Choukri's vivid stories invite the reader to wander the streets of Tangier, the ancient coastal crossroads between Europe and Africa, and to meet its denizens at markets, beaches, cafés, and brothels. Choukri's Tangier is a place where newborns are for sale, swindlers hawk the Prophet's shoes, and boys collect trash to sell for food. Choukri says that "writing is a protest, not a parade." And in these thirty-one stories he privileges the voices of those ignored by society: the abused, the abandoned, the addicted. The tales are at once vibrant local vignettes and profound reflections on the lives, sufferings, and hopes of Choukri's fellow Tangerines.
Is Mohamed Choukri's for Bread Alone a Picaresque Narrative? by Driss Faddouli Pdf
Bachelor Thesis from the year 2009 in the subject Literature - Africa, grade: A: 16/20, Mohammed V University at Agdal (Faculty of Letters and Humanities), course: End-of-studies Project, language: English, abstract: This thesis sets out to examine Mohamed Choukri's autobiographic narrative "For Bread Alone" with reference to the picaresque literary genre in an attempt to identify some of the common characteristics which might be held to relate this narrative to this general literary tradition. My purpose here, in other words, will be to show to what extent Choukri's narrative can be related to the picaresque genre. This will be achieved notably through the endeavor of defining and identifying some of the ways that "For Bread Alone" manifests itself as a picaresque narrative.
A street hood in Tangier decides belatedly to obtain an education. The novel describes him juggling his two lives, sitting in a classroom during the day, hustling in bars and brothels at night. By the author of For Bread Alone.
Author : Ralph M. Coury,Robert Kevin Lacey Publisher : Peter Lang Page : 216 pages File Size : 47,6 Mb Release : 2009 Category : Literary Collections ISBN : 1433103990
Writing Tangier by Ralph M. Coury,Robert Kevin Lacey Pdf
Writing Tangier discusses an array of topics relating to the literature on Tangier from the seventeenth century to the present. Major questions include: Why has Tangier come to play an important role in contemporary world literary history as a signifier in the literary imagination; what is the nature of the inter-textual output produced through Paul Bowles' translations of the oral tales of a circle of uneducated storytellers (including Mohammed Mrabet and Larbi Layachi) and the text (For Bread Alone) brought to Bowles by the literate Mohamed Choukri; how do academics, artists, and writers who have been based in the city or who have written about it assess the various socio-economic, political, and cultural factors that have shaped its cultural production and the relationship of this production to the celebrated hybrid aspects of its identity; does the success of the literature of Tangier reflect a truly new multicultural cosmopolitanism, or does it stem from the fact that this literature is congenial to Westerners, that it is understood in terms that they themselves define, and that much of it (including productions in Arabic prepared with the expectation of translation) has even been «written to measure» for them?
An Analysis of the protagonist’s journeys in Mohamed Choukri’s "For Bread Alone" by Sophie Duhnkrack Pdf
Thesis (M.A.) from the year 2009 in the subject Orientalism / Sinology - Arabistic, grade: 90, Ben Gurion University, course: Arabic Literature, language: English, abstract: In 1973 the English translation—For Bread Alone—of Mohamed Choukri’s Al-Khubz Al-Hafi was published. This first part of Choukri’s extraordinary autobiography is written in a very simplistic style, which Paul Bowles, the translator of For Bread Alone, also described as a “technique:” Choukri’s narration is the work of an “illiterate” who has not yet learned “to classify what goes into his memory” (5). The novel illustrates the protagonist’s struggle to survive under exceptionally difficult circumstances, namely extreme poverty and violence. Indeed, Mohmed Choukri states that “all my life has been a response to one challenge after the other.” The novel is constructed as a rihla (journey)- both an earlier ‘external’ one of physical movement, and a later one, which this paper will describe as ‘internal.’ First this paper will explore the external journey, which leads the protagonist Mohamed to different cities and places, and it will analyze the language, structure and content which express this travel; this first journey is dominated by his family, whose relationship with Mohamed is also central to this study. Furthermore it will examine the transition from this journey to the internal one by means of the content and the structure of the text. The internal rihla, which prevails in the second part of the novel and which the paper will address by means of the text’s language and content, obviously is not separate from the external journey since the story is about the development of one and the same person. The second journey, that describes his existence as a teenager, replaces the first physical one, lived as a child. However, this paper will divide the two rihlas in order to carve out its differences and to show Mohamed’s development, which eventually leads to his emancipation through literacy. Finally, the paper will address some personal impressions and remarks on the novel.
The complete short stories of acclaimed Moroccan author Mohamed Choukri, translated into English and collected in one volume for the first time Mohamed Choukri’s vivid stories invite the reader to wander the streets of Tangier, the ancient coastal crossroads between Europe and Africa, and to meet its denizens at markets, beaches, cafés, and brothels. Choukri’s Tangier is a place where newborns are for sale, swindlers hawk the Prophet’s shoes, and boys collect trash to sell for food. Choukri says that “writing is a protest, not a parade.” And in these thirty-one stories he privileges the voices of those ignored by society: the abused, the abandoned, the addicted. The tales are at once vibrant local vignettes and profound reflections on the lives, sufferings, and hopes of Choukri’s fellow Tangerines.
The Construction of Marginalities and Narrative Imaginary in Mohamed Zafzaf’s Texts by Lhoussain Simour Pdf
This book works on the interface between literature, culture, and discourse. It is entirely devoted to the reading of some of Zafzāf’s novels that came out in the early 1970s and in the late 1980s, and attempts to chart the trajectory of the aesthetic imaginary of an exceptional writing experience that marked out the literary and cultural landscape in Morocco and in the Arab world for long. Zafzāf and his writings are associated with aspects of the country's social contradictions, cultural transition, and political transformations, expressed through various aesthetic patterns that translate the crisis of the intellectual within a society weighed down by poverty, political instability, social conflict, and cultural disintegration. Given the relative scarcity of resources that are written in English about the Moroccan novel of Arabic expression, this work is an attempt to theorize and approach in an interdisciplinary manner a set of narratives that have not been previously explored in western academia. Using postcolonial discourse as approach and a metaphor of reading, it draws attention to the often-neglected texts in Moroccan literature of Arabic expression and explores their aesthetic, discursive, and cultural implications that rethink and disturb canonical formations of literary texts in Morocco. This book will be adopted in the now burgeoning fields of the Humanities, and will provide useful resources for courses about Moroccan Literature and culture.
The first English translation of one of the novels that helped change modern Arab literature Mohamed Choukri, one of the most important writers of modern Moroccan literature, grew up in extreme poverty in Tangier and was illiterate until the age of twenty. After learning to read, he realized that "writing could also be a way to expose, to protest against those who have stolen my childhood, my teenage-hood and a piece of my youthfulness." His vivid portrayals of marginalized people, which had been considered taboo, led to the censorship of his work and a cultural backlash in the Middle East. In Faces, the third book in his trilogy of fictionalized autobiographical works, he describes gritty events, extreme poverty, prostitution, violence, sexual revelry, deprivation, and abuse. It is through his storytelling that Choukri reflects on human nature, love, and kindness?emphasizing the need for community and collaboration. Faces humanizes those undergoing poverty and places the blame for the violence they encounter squarely on colonial forces and the resulting postcolonial government, while opening literary traditions to a new style of writing. Choukri's friendships with Tennessee Williams, Paul Bowles, Jean Genet, and other writers brought him attention in his lifetime. But Faces?his last novel, which was originally published in Arabic in 1996?has remained untranslated until now. In English for the first time, Jonas Elbousty's translation allows Choukri's work to reach wider international discussions of contemporary Arab literature.
An Analysis of the Protagonist's Journeys in Mohamed Choukri's "For Bread Alone" by Sophie Duhnkrack Pdf
Thesis (M.A.) from the year 2009 in the subject Orientalism / Sinology - Arabistic, grade: 90, Ben Gurion University, course: Arabic Literature, language: English, abstract: In 1973 the English translation-For Bread Alone-of Mohamed Choukri's Al-Khubz Al-Hafi was published. This first part of Choukri's extraordinary autobiography is written in a very simplistic style, which Paul Bowles, the translator of For Bread Alone, also described as a "technique: " Choukri's narration is the work of an "illiterate" who has not yet learned "to classify what goes into his memory" (5). The novel illustrates the protagonist's struggle to survive under exceptionally difficult circumstances, namely extreme poverty and violence. Indeed, Mohmed Choukri states that "all my life has been a response to one challenge after the other." The novel is constructed as a rihla (journey)- both an earlier 'external' one of physical movement, and a later one, which this paper will describe as 'internal.' First this paper will explore the external journey, which leads the protagonist Mohamed to different cities and places, and it will analyze the language, structure and content which express this travel; this first journey is dominated by his family, whose relationship with Mohamed is also central to this study. Furthermore it will examine the transition from this journey to the internal one by means of the content and the structure of the text. The internal rihla, which prevails in the second part of the novel and which the paper will address by means of the text's language and content, obviously is not separate from the external journey since the story is about the development of one and the same person. The second journey, that describes his existence as a teenager, replaces the first physical one, lived as a child. However, this paper will divide the two rihlas in order to carve out its differences and to show Mohamed's development, which eventually leads to his emancipation through lit
Choukri's classic and moving work, which has already been translated into more than ten languages, speaks for an entire generation of North Africans. Born in the Rif, Choukri moved with his family to Tangier at a time of great famine. His childhood was spent in abject poverty; eight of his brothers and sisters died of malnutrition or neglect. During his adolescence, described here with its attendant erotic escapades, Choukri worked for a time as servant to a French family. He then returned to Tangier, where he experienced the violence of the 1952 independence riots. At the age of 20, and still illiterate, he took the decision to learn to read and write classical Arabic - a decision, which transformed his life. After mastering the language, he became a teacher and writer, finally being awarded the chair of Arabic Literature at Ibn Batuta College in Tangier.
Driven by famine from their home in the Rif, Mohamed's family walks to Tangier in search of a better life. But things are no better there. Eight of Mohamed's siblings die of malnutrition and neglect, and one is killed by his father in a fit of rage. On moving to another province Mohamed learns how to charm and steal, and discovers the joys of drugs, sex and alcohol. Proud, insolent and afraid of no one, he returns to Tangier, where he is caught up in the violence of the 1952 independence riots. It is here, during a short spell in a filthy Moroccan jail, that a fellow inmate kindles Mohamed's life-altering love of literature. 'A true document of human desperation, shattering in its impact.' Tennessee Williams 'Its unrelenting realism has produced a masterpiece ... In Choukri's African Islamic coastal cities the nightmares are of fathers killing children and the agony of hunger. Choukri's memories take him from famine in the Rif to Tangier and Oran, a world of crime, paid-for sex and of living poor ... It is an urban pain where every day "the alleys swallow me up and spew me out." A book to read, cherish and remember - and to show us again why we need books as well as bread.' Morning Star '(An) extraordinarily vivid, uncensored immediacy ... Using only undemonstrative prose, and asking for no special sympathy, Choukri conveys the experience of struggling to survive in a harsh world of dusty streets and unforgiving sunlight.' Guardian 'Five stars ... Achingly elegant ... Choukri's irrepressible, ultimately indomitable spirit is most touching and human.' Independent 'Richly descriptive and engaging ... an honest and vivid account. ... Definitely an enjoyable and worthwhile read.' Socialist Review 'A cult classic ... Choukri's text has become a staple on the syllabi of modern Arabic, comparative literature, and post-colonial studies programs.' Daily Star 'The most poetic exploration of that world of vice, coffee, conversation and intrigue ... One of the most widely read modernist novels in the Arab world.' Outsideleft.com
A Poetics of Arabic Autobiography by Ariel M. Sheetrit Pdf
This book examines the poetics of autobiographical masterpieces written in Arabic by Leila Abouzeid, Hanan al-Shaykh, Samuel Shimon, Abd al-Rahman Munif, Salim Barakat, Mohamed Choukri and Hanna Abu Hanna. These literary works articulate the life story of each author in ways that undermine the expectation that the "self"—the "auto" of autobiography—would be the dominant narrative focus. Although every autobiography naturally includes and relates to others to one degree or another, these autobiographies tend to foreground other characters, voices, places and texts to the extent that at times it appears as though the autobiographical subject has dropped out of sight, even to the point of raising the question: is this an autobiography? These are indeed autobiographies, Sheetrit argues, albeit articulating the story of the self in unconventional ways. Sheetrit offers in-depth literary studies that expose each text’s distinct strategy for life narrative. Crucial to this book’s approach is the innovative theoretical foundation of relational autobiography that reveals the grounding of the self within the collective—not as symbolic of it. This framework exposes the intersection of the story of the autobiographical subject with the stories of others and the tensions between personal and communal discourse. Relational strategies for self-representation expose a movement between two seemingly opposing desires—the desire to separate and dissociate from others, and the desire to engage and integrate within a particular relationship, community, culture or milieu. This interplay between disentangling and conscious entangling constitutes the leitmotif that unites the studies in this book.