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Author : Cristle Collins Judd
Publisher : Cambridge University Press
Page : 370 pages
File Size : 43,5 Mb
Release : 2000-11-30
Category : Music
ISBN : 0521771447
Enth. u.a. "The polyphony of Heinrich Glarean's 'Dodecachordon'" (S. 115-176).
Author : CristleCollins Judd
Publisher : Routledge
Page : 635 pages
File Size : 40,9 Mb
Release : 2017-07-05
Category : History
ISBN : 9781351556842
This volume of essays draws together recent work on historical music theory of the Renaissance. The collection spans the major themes addressed by Renaissance writers on music and highlights the differing approaches to this body of work by modern scholars, including: historical and theoretical perspectives; consideration of the broader cultural context for writing about music in the Renaissance; and the dissemination of such work. Selected from a variety of sources ranging from journals, monographs and specialist edited volumes, to critical editions, translations and facsimiles, these previously published articles reflect a broad chronological and geographical span, and consider Renaissance sources that range from the overtly pedagogical to the highly speculative. Taken together, this collection enables consideration of key essays side by side aided by the editor‘s introductory essay which highlights ongoing debates and offers a general framework for interpreting past and future directions in the study of historical music theory from the Renaissance.
Author : Suzannah Clark,Alexander Rehding
Publisher : Cambridge University Press
Page : 262 pages
File Size : 43,8 Mb
Release : 2001
Category : Music
ISBN : 0521771919
Music theory of almost all ages has relied on nature in its attempts to explain music. The understanding of what 'nature' is, however, is subject to cultural and historical differences. In exploring ways in which music theory has represented and employed natural order since the scientific revolution, this volume asks some fundamental questions not only about nature in music theory, but also the nature of music theory. In an array of different approaches, ranging from physical acoustics to theology and Lacanian psychoanalysis, these essays examine how the multifarious conceptions of nature, located variously between scientific reason and divine power, are brought to bear on music theory. They probe the changing representations and functions of nature in the service of music theory and highlight the ever-changing configurations of nature and music, as mediated by the music-theoretical discourse.
Author : Stefano Mengozzi
Publisher : Cambridge University Press
Page : 305 pages
File Size : 42,6 Mb
Release : 2010-02-11
Category : Music
ISBN : 9780521884150
A detailed study of the sight-singing method introduced by the 11th-century monk Guido of Arezzo, in its intellectual context.
Author : CristleCollins Judd
Publisher : Routledge
Page : 960 pages
File Size : 41,6 Mb
Release : 2017-07-05
Category : History
ISBN : 9781351556835
This volume of essays draws together recent work on historical music theory of the Renaissance. The collection spans the major themes addressed by Renaissance writers on music and highlights the differing approaches to this body of work by modern scholars, including: historical and theoretical perspectives; consideration of the broader cultural context for writing about music in the Renaissance; and the dissemination of such work. Selected from a variety of sources ranging from journals, monographs and specialist edited volumes, to critical editions, translations and facsimiles, these previously published articles reflect a broad chronological and geographical span, and consider Renaissance sources that range from the overtly pedagogical to the highly speculative. Taken together, this collection enables consideration of key essays side by side aided by the editor‘s introductory essay which highlights ongoing debates and offers a general framework for interpreting past and future directions in the study of historical music theory from the Renaissance.
Author : Peter Schubert
Publisher : Oxford University Press, USA
Page : 372 pages
File Size : 44,7 Mb
Release : 2008
Category : Language Arts & Disciplines
ISBN : STANFORD:36105124019022
The only species counterpoint text that draws directly on Renaissance treatises, Modal Counterpoint, Renaissance Style, Second Edition, provides a conceptual framework to guide students through composition and analysis as it teaches them general structural principles. It distinguishes between technical requirements ("hard" rules) and stylistic guidelines ("soft" rules), and includes coordinated exercises that allow students to develop their skills systematically. The second edition integrates improvisation activities and new repertoire examples into many chapters; revises the chapter on three-part writing (Chapter 14) so that it pays more attention to rules and strategies; reworks the chapters on cadences (Chapter 10) and on writing two parts in mixed values (Chapter 11) to make them more accessible to students; incorporates clarified instructions throughout; and includes a summary of rules.
Author : Lloyd Ultan
Publisher : U of Minnesota Press
Page : 278 pages
File Size : 54,6 Mb
Release : 2024-06-01
Category : Electronic
ISBN : 9781452912080
Author : Lloyd Ultan
Publisher : Unknown
Page : 283 pages
File Size : 44,9 Mb
Release : 1977-01-01
Category : Electronic
ISBN : 0608008427
Author : Susan Forscher Weiss,Russell E. Murray, Jr.,Cynthia J. Cyrus
Publisher : Indiana University Press
Page : 424 pages
File Size : 51,8 Mb
Release : 2010-07-16
Category : Music
ISBN : 9780253004550
What were the methods and educational philosophies of music teachers in the Middle Ages and the Renaissance? What did students study? What were the motivations of teacher and student? Contributors to this volume address these topics and other -- including gender, social status, and the role of the Church -- to better understand the identities of music teachers and students from 650 to 1650 in Western Europe. This volume provides an expansive view of the beginnings of music pedagogy, and shows how the act of learning was embedded in the broader context of the early Western art music tradition.
Author : James Haar
Publisher : Princeton University Press
Page : 408 pages
File Size : 40,7 Mb
Release : 2014-07-14
Category : Music
ISBN : 9781400864713
As a distinguished scholar of Renaissance music, James Haar has had an abiding influence on how musicology is undertaken, owing in great measure to a substantial body of articles published over the past three decades. Collected here for the first time are representative pieces from those years, covering diverse themes of continuing interest to him and his readers: music in Renaissance culture, problems of theory as well as the Italian madrigal in the sixteenth century, the figures of Antonfrancesco Doni and Giovanthomaso Cimello, and the nineteenth century's views of early music. In this collection, the same subject is seen from several angles, and thus gives a rich context for further exploration. Haar was one of the first to recognize the value of cultural study. His work also reminds us that the close study of the music itself is equally important. The articles contained in this book show the author's conviction that a good way to address large problems is to begin by focusing on small ones. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author : Ruth I. DeFord
Publisher : Cambridge University Press
Page : 517 pages
File Size : 55,6 Mb
Release : 2015-04-23
Category : Music
ISBN : 9781107064720
Ruth I. DeFord offers new insights on Renaissance theories of rhythm and their application to the analysis and performance of music.
Author : Michael R. Dodds
Publisher : Oxford University Press
Page : 513 pages
File Size : 50,6 Mb
Release : 2023-12-05
Category : Music
ISBN : 9780199338153
From Modes to Keys in Early Modern Music Theory addresses one of the broadest and most elusive open topics in music history: the transition from the Renaissance modes to the major and minor keys of the high Baroque. Through deep engagement with the corpus of Western music theory, author Michael R. Dodds presents a model to clarify the factors of this complex shift.
Author : Harold Owen
Publisher : Oxford University Press, USA
Page : 260 pages
File Size : 49,8 Mb
Release : 2000
Category : Music
ISBN : 0195115392
"Music Theory Resource Book covers topics not usually found in standard theory texts including basic acoustics, contrapuntal techniques, jazz harmony, musics from non-Western cultures, and music since 1950."--BOOK JACKET.
Author : Katelijne Schiltz,Bonnie J. Blackburn
Publisher : Cambridge University Press
Page : 545 pages
File Size : 53,5 Mb
Release : 2015-04-23
Category : Art
ISBN : 9781107082298
The culture of the enigmatic from Classical Antiquity to the Renaissance -- Devising musical riddles in the Renaissance -- The reception of the enigmatic in music theory -- Riddles visualised.
Author : Suzannah Clark,Elizabeth Eva Leach
Publisher : Boydell & Brewer Ltd
Page : 286 pages
File Size : 55,5 Mb
Release : 2005
Category : Music
ISBN : 184383166X
Essays - collected in honour of Margaret Bent - examining how medieval and Renaissance composers responded to the tradition in which they worked through a process of citation of and commentary on earlier authors.