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"The L Word" captured international attention when it first appeared on American screens in January 2004. The groundbreaking primetime drama from Showtime is about a group of lesbian and bisexual friends living and loving in Los Angeles, and challenges traditional notions of relationships, queer life styles, gender identities, race and ethnicity and sex and sexuality. "Reading the L Word" is the first book about this television phenomenon. With an introduction by Sarah Warn, the founder of premier lesbian entertainment website, AfterEllen.com, and a foreword by Eve Kosofsky.
Reading 'The L Word' by Kim Akass,Janet McCabe Pdf
"The L Word" captured international attention when it first appeared on American screens in January 2004. The groundbreaking primetime drama from Showtime is about a group of lesbian and bisexual friends living and loving in Los Angeles, and challenges traditional notions of relationships, queer life styles, gender identities, race and ethnicity and sex and sexuality. "Reading the L Word" is the first book about this television phenomenon. With an introduction by Sarah Warn, the founder of premier lesbian entertainment website, AfterEllen.com, and a foreword by Eve Kosofsky Sedgwick, the collection brings together leading academics, feminist critics, scholars and award-winning journalists to discuss "The L Word". There is also a complete episode guide, as well as a series of interviews with the actors Erin Daniels, Katherine Moennig, and the writer, Guinevere Turner. Analytical, often humorous and sometimes provocative, "Reading the L Word" uncovers what makes this show both so compelling and groundbreaking.
The complete and groundbreaking "The L Word" is now out on DVD and this book makes the perfect companion, covering the series in its entirety. "Loving The L Word" picks up where Reading "The L Word: Outing Contemporary Television" (I.B. Tauris, 2006) left off. With new, updated chapters by many of the same television writers and scholars who contributed to the first volume, as well as essays by some newcomers, "Loving The L Word" explores the series' quantum contribution to the ongoing evolution of queer television. Whether you loved "The L Word", hated it, or loved to hate it, this book recognizes that the show transformed the post-Ellen LGBT television landscape, fulfilling a long-neglected, visceral desire for lesbian stories and images. In the process, it reshaped the communities that follow and talk about queer television and care about the narratives and characters that drive it. Including complete Character/Actor, Film/TV and Episode guides, the book also proceeds from the understanding that while "The L Word' ended in 2009 it manages to live on - in the lives of its fans, as well as in a new reality spin-off, "The Real L Word".
Reclaiming the "L" Word is a book about renewing congregations by recognizing and living out the core teachings of the Lutheran faith. Primarily written for those who call themselves Lutheran and, specifically, those who are members of ELCA congregations, this little book helps us answer these central questions: Who are we? What DOES it mean to be a Lutheran today, anyway? And, why does it matter. Inspirational, engaging, and challenging, this book is a must-read for pastors and congregational leaders!
Somewhere in the 1970s liberals in the United States lost their way. After successes like the New Deal, they became arrogant. So argues Douglas Massey in Return of the "L" Word. Faced with the difficult politics of race and class, liberals used the heavy hand of government to impose policies on a resentful public. Conservatives capitalized on this with a staunch ideology of free markets, limited government, and conservative social values. The time is ripe for a liberal realignment, declares Massey, but what has been lacking is a consistent liberal ideology that explains to voters, in simple terms, government's vital role in producing a healthier, more financially equitable, less divided society. This book supplies that ideology. Massey begins his powerful manifesto by laying out the liberals' mistakes over the past twenty years. Drawing on insights from the expanding field of economic sociology, he then sets forth a clear set of liberal principles to explain how markets work in society, principles he applies to articulate salable liberal policies. After outlining a new liberal political philosophy, Massey traces liberalism's opposition and says plainly: liberals should have no illusions about the competition's resolve and skill. He closes with a practical approach to liberal coalition-building in America. The political economy conservatives have constructed in recent decades has benefited 20 percent of the people. Liberal success requires a return to material rather than symbolic politics, showing most Americans why it is in their economic as well as moral interest to support the liberal cause.
Author : Margaret T. McFadden Publisher : Wayne State University Press Page : 162 pages File Size : 51,7 Mb Release : 2014-02-10 Category : Performing Arts ISBN : 9780814338254
In January 2004, Showtime debuted The L Word, the first prime-time commercial drama to center around lesbian characters. Over the course of six seasons, the show depicted the lives and loves of an evolving circle of friends in West Hollywood, California, and was widely read as evidence of changing social attitudes toward gay people. Building on immediate critical attention, the show reigned as Showtime's most popular for its first three seasons and earned a large and enthusiastic audience. In The L Word, author Margaret T. McFadden argues that the show is important for its subject matter, its extended and deeply literate commentary on the history of representation of lesbians in popular media, and the formal innovations it deployed to rewrite that history. McFadden shows that the program’s creators, led by executive producer Ilene Chaiken, were well aware of the assumptions and expectations that viewers would bring to it after a history of stereotypical depictions of lesbians on television. They sought to satisfy a diverse group of viewers who wanted honest and appealing portrayals of their lives while still attracting a large enough mainstream audience to make The L Word commercially viable. In five chapters, McFadden explores how the show tackled these problems of representation by using reflexivity as a strategy to make meaning, undertaking a complicitous critique of Hollywood, skillfully using a soap-drama format to draw in its audience, and ultimately creating its own complex representation of a lesbian community. While deconstructing the history of misrepresentation of lesbians, The L Word’s new modes of storytelling and new perspectives made many aspects of lesbian experience, history, and culture visible to a large audience. Fans of the show as well as readers interested in cultural studies and gay and lesbian pop cultural history will enjoy this astute volume.
In a world where a left swipe means you could be alone and sexless forever and taking a chance could mean you find 'The One', the question we often find ourselves asking is, what is love? When romance writer Aastha Atray Banan found herself getting asked questions about the daily struggles of love she decided to start a podcast, Love Aaj Kal, that dealt with everything about love and relationships. The L-Word is about modern love: from ghosting, polyamory, love in the times of social media to more every-day problems like dealing with heartbreak, infidelity and getting out of toxic relationships. Love can be many things - sometimes intimidating, frustrating, and often exhilarating - this book tells you how to make sense of it.
The Handbook of Gender, Sex, and Media by Karen Ross Pdf
The Handbook of Gender, Sex and Media offers original insights into the complex set of relations which exist between gender, sex, sexualities and the media, and in doing so, showcases new research at the forefront of media and communication practice and theory. Brings together a collection of new, cutting-edge research exploring a number of different facets of the broad relationship between gender and media Moves beyond associating gender with man/woman and instead considers the relationship between the construction of gender norms, biological sex and the mediation of sex and sexuality Offers genuinely new insights into the complicated and complex set of relations which exist between gender, sex, sexualities and the media Essay topics range from the continuing sexism of TV advertising to ways in which the internet is facilitating the (re)invention of our sexual selves.
Disrupting Breast Cancer Narratives by Emilia Nielsen Pdf
Engaging with discussions surrounding the culture of disease, Disrupting Breast Cancer Narratives explores politically insistent narratives of illness. Resisting the optimism of pink ribbon culture, these stories use anger as a starting place to reframe cancer as a collective rather than an individual problem. Disrupting Breast Cancer Narratives discusses the ways emotion, gender, and sexuality, in relation to breast cancer diagnosis and treatment, all become complicated, relational, and questioning. Providing theoretically informed close-readings of breast cancer narratives, this study explores how disruption functions both personally and politically. Highlighting a number of contributors in the field of health and gender studies including Barbara Ehrenreich, Kathlyn Conway, Audre Lorde, and Teva Harrison, this work takes into account documentary film, television, and social media as popular mediums used to explore stories of disease.
American Militarism on the Small Screen by Anna Froula,Stacy Takacs Pdf
Anna Froula is Associate Professor of Film Studies in the Department of English at East Carolina University, USA Stacy Takacs is Associate Professor and Director of American Studies at Oklahoma State University, USA
Masculinity is no longer a monolithic category, if ever it was. Long Live the King is a solid piece of scholarship that explores in depth the drag king phenomenon as well as key theoretical texts by feminist, postcolonial and cultural thinkers. Maite Escudero-Alías delves into drag king culture and highlights its relevance for the study of the relationship between gender, sex, race and sexuality. Introduced by a well-informed theoretical chapter that traces the roots of queer theory, Long Live the King provides the reader with a rigorous textual and cultural examination of drag kings’ most innovative performances of masculinity in the USA and the UK. These chapters prove groundbreaking in their acute analyses of drag kings’ acts in different media, ranging from still images to live performances, documentaries, mainstream television series and literature. Theory and analysis blend perfectly and Escudero-Alías’s main contention in this research – the ambivalent nature of drag kings’ performances of masculinity – is conducted convincingly. This book constitutes an invaluable contribution to the field of gender studies and a fair assessment of the political impact of minority artistic practices in contemporary culture.
Television Finales by Douglas L. Howard,David Bianculli Pdf
Today more than ever, series finales have become cultural touchstones that feed watercooler fodder and Twitter storms among a committed community of viewers. While the final episodes of The Fugitive and M*A*S*H continue to rank among the highest rated broadcasts, more recent shows draw legions of binge-watching fans. Given the importance of finales to viewers and critics alike, Howard and Bianculli along with the other contributors explore these endings and what they mean to the audience, both in terms of their sense of narrative and as episodes that epitomize an entire show. Bringing together a veritable "who’s who" of television scholars, journalists, and media experts, including Robert Thompson, Martha Nochimson, Gary Edgerton, David Hinckley, Kim Akass, and Joanne Morreale, the book offers commentary on some of the most compelling and often controversial final episodes in television history. Each chapter is devoted to a separate finale, providing readers with a comprehensive survey of these watershed moments. Gathering a unique international lineup of journalists and media scholars, the book also offers readers an intriguing variety of critical voices and perspectives.
Freire and Macedo analyse the connection between literacy and politics according to whether it produces existing social relations, or introduces a new set of cultural practices that promote democratic and emancipatory change.
