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This volume offers clear readings of 28 Cantos from The Cantos of Ezra Pound in 23 essays written by eminent Poundians, with careful explanation of sources balanced with critical analysis of Pound’s project.
Author : Richard Parker Publisher : Clemson University Press: The Ezra Pound Center for Literature Book Series Page : 400 pages File Size : 47,6 Mb Release : 2021-04 Category : Electronic ISBN : 1800859562
Readings in the Cantos: Volume I by Richard Parker Pdf
This volume offers clear readings of 28 Cantos from The Cantos of Ezra Pound in 23 essays written by eminent Poundians, with careful explanation of sources balanced with critical analysis of Pound's project.
Readings in the Cantos by Richard T. A. Parker Pdf
The first in a three-volume project of readings of individual sections from the central modernist long poem, 'The Cantos of Ezra Pound'. The project as a whole represents a landmark publication for modernist studies, bringing together a number of critical readings of 'The Cantos' by the world's leading Pound and modernist scholars.
Readings in the Cantos: Volume I by Richard Parker Pdf
This book will be required reading for any serious Pound scholar but also for those who work in the area of modernist poetry. Many of the book' s contributors (and its editor) are affiliated with the Ezra Pound Society, which will provide a built-in audience and mechanism for promoting the work. Although the book will be of interest to any library containing a copy of Pound' s Cantos, it will also be attractive to individual scholars who may not want to wade through the considerable scholarship but are looking for entry into specific cantos
The three volumes of Readings in the Cantos bring together, in a ground-breaking format, a number of critical readings by world-renowned scholars of the central modernist long poem, The Cantos of Ezra Pound. Each contributor approaches either a single Canto or a defined small group of Cantos in isolation, providing a clear, informative, and interpretive reading that includes an up-to-date assessment of sources and an idea of recent critical approaches. Together the contributors offer a remarkably diverse reading of The Cantos that at the same time demonstrates the coherence of Pound's text.
Ezra Pound, Italy, and the Cantos by Massimo Bacigalupo Pdf
Ezra Pound spent most of his life in Italy and wrote about it incessantly in his poetry. Only by following his footsteps, acquaintances and composition processes can we make sense of and enjoy his forbidding Cantos. This study provides for the first time an account of Pound’s Italian wanderings and of what they became in his work. After this study we will be able to read Pound as a guide to the places, people and books he loved, and we will share his the poet traveler’s joys and discoveries.
This project offers readings of selected individual Cantos from The Cantos of Ezra Pound provided by renowned Poundians. It is designed to be useful for those new to Pound's epic modernist poem, with each "reading" providing a clear, detailed explanantion of Pound's often complicated poetics and fields of reference. The project will form the most complete resource on The Cantos since Carroll F. Terrell's A Companion to the Cantos of Ezra Pound, adding developed prose readings to the source-hunting of Terrell's project. As well as guiding the new reader, however, these essays also offer individual and often oirignal approaches to the poetry in question, providing a wealth of critical material for those already familiar with The Cantos and pursuing the works of Pound in more depth. The variety in approaches and reading methods displayed here offers numerous strategies for readers of Pound and for readers of modernism in general. This is the second volume of three, and describes 27 Cantos in 22 essays, focusing on work published between 1937 and 1948. The final volume will deal with Cantos published between 1956 and 1969, while the first volume addresses work published between 1917 and 1934.
Vertical Readings in Dante's Comedy by George Corbett,Heather Webb Pdf
Vertical Readings in Dante’s Comedy is a reappraisal of the poem by an international team of thirty-four scholars. Each vertical reading analyses three same-numbered cantos from the three canticles: Inferno i, Purgatorio i and Paradiso i; Inferno ii, Purgatorio ii and Paradiso ii; etc. Although scholars have suggested before that there are correspondences between same-numbered cantos that beg to be explored, this is the first time that the approach has been pursued in a systematic fashion across the poem. This collection – to be issued in three volumes – offers an unprecedented repertoire of vertical readings for the whole poem. As the first volume exemplifies, vertical reading not only articulates unexamined connections between the three canticles but also unlocks engaging new ways to enter into core concerns of the poem. The three volumes thereby provide an indispensable resource for scholars, students and enthusiasts of Dante. The volume has its origin in a series of thirty-three public lectures held in Trinity College, the University of Cambridge (2012-2016) which can be accessed at the ‘Cambridge Vertical Readings in Dante’s Comedy’ website.
This selection from the Cantos was made by Ezra Pound himself in 1965. It is intended to "indicate main elements" in the long poem -- his personal epic -- with which he was engaged for more than fifty years. His choice includes, of course, a number of the Cantos most admired by critics and anthologists, such as Canto XIII ("Kung [Confucius] walked by the dynastic temple..."), Canto XLV ("With usura hath no man a house of good stone...") and the passage from The Pisan Cantos (LXXXI) beginning "What thou lovest well remains / the rest is dross," and so the book is an ideal introduction for newcomers to the great work. But it has, too, particular interest for the already initiated reader and the specialist, in its revelation, through Pound's own selection of "main elements," of the relative importance which he himself placed on various motifs as they figure in the architecture of the whole poem. Book jacket.
Readings in the Cantos by Richard Parker,Alexander Howard Pdf
This volume offers clear readings of 21 Cantos from The Cantos of Ezra Pound in 20 essays written by eminent Poundians, with careful explanation of sources balanced with critical analysis of Pound's project.
Vertical Readings in Dante's Comedy by George Corbett,Heather Webb Pdf
This collection – to be issued in three volumes – offers an unprecedented repertoire of vertical readings for the whole poem. As the first volume exemplifies, vertical reading not only articulates unexamined connections between the three canticles but also unlocks engaging new ways to enter into core concerns of the poem. The three volumes thereby provide an indispensable resource for scholars, students and enthusiasts of Dante. The volume has its origin in a series of thirty-three public lectures held in Trinity College, the University of Cambridge (2012-2016) which can be accessed at the Cambridge Vertical Readings in Dante’s Comedy website.
Vertical Readings in Dante's Comedy by George Corbett,Heather Webb Pdf
Vertical Readings in Dante’s Comedy is a reappraisal of the poem by an international team of thirty-four scholars. Each vertical reading analyses three same-numbered cantos from the three canticles: Inferno i, Purgatorio i and Paradiso i; Inferno ii, Purgatorio ii and Paradiso ii; etc. Although scholars have suggested before that there are correspondences between same-numbered cantos that beg to be explored, this is the first time that the approach has been pursued in a systematic fashion across the poem. This collection in three volumes offers an unprecedented repertoire of vertical readings for the whole poem. As the first volume exemplifies, vertical reading not only articulates unexamined connections between the three canticles but also unlocks engaging new ways to enter into core concerns of the poem. The three volumes thereby provide an indispensable resource for scholars, students and enthusiasts of Dante. The volume has its origin in a series of thirty-three public lectures held in Trinity College, the University of Cambridge (2012-2016) which can be accessed at the Cambridge Vertical Readings in Dante’s Comedy website.
Included here are all of Pound's concert reviews and statements; the biweekly columns written under the pen name William Atheling for The New Age in London; articles from other periodicals; the complete text of the 1924 landmark volume Antheil and the Treatise on Harmony; extracts from books and letters, and the poet's additional writings on the subject of music. The pieces are organized chronologically, with illuminating commentary, thorough footnotes, and an index. Three appendixes complete this comprehensive volume; an analysis of Pound's theories of "absolute rhythm" and "Great Bass;" a glossary of important musical personalities mentioned in the text and the composer George Antheil's 1924 appreciation, "Why a Poet Quit the Muses."