Realism After Modernism

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Realism after Modernism

Devin Fore
Realism after Modernism Book PDF

Author : Devin Fore
Publisher : MIT Press
Page : 417 pages
File Size : 40,6 Mb
Release : 2015-01-30
Category : Art
ISBN : 9780262527620

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Realism after Modernism by Devin Fore Pdf

The paradox at the heart of the return to realism in the interwar years, as seen in work by Moholy-Nagy, Brecht, and others. The human figure made a spectacular return in visual art and literature in the 1920s. Following modernism's withdrawal, nonobjective painting gave way to realistic depictions of the body and experimental literary techniques were abandoned for novels with powerfully individuated characters. But the celebrated return of the human in the interwar years was not as straightforward as it may seem. In Realism after Modernism, Devin Fore challenges the widely accepted view that this period represented a return to traditional realist representation and its humanist postulates. Interwar realism, he argues, did not reinstate its nineteenth-century predecessor but invoked realism as a strategy of mimicry that anticipates postmodernist pastiche. Through close readings of a series of works by German artists and writers of the period, Fore investigates five artistic devices that were central to interwar realism. He analyzes Bauhaus polymath László Moholy-Nagy's use of linear perspective; three industrial novels riven by the conflict between the temporality of capital and that of labor; Brecht's socialist realist plays, which explore new dramaturgical principles for depicting a collective subject; a memoir by Carl Einstein that oscillates between recollection and self-erasure; and the idiom of physiognomy in the photomontages of John Heartfield. Fore's readings reveal that each of these “rehumanized” works in fact calls into question the very categories of the human upon which realist figuration is based. Paradoxically, even as the human seemed to make a triumphal return in the culture of the interwar period, the definition of the human and the integrity of the body were becoming more tenuous than ever before. Interwar realism did not hearken back to earlier artistic modes but posited new and unfamiliar syntaxes of aesthetic encounter, revealing the emergence of a human subject quite unlike anything that had come before.

Modernism, Post-modernism, Realism

Brandon Taylor
Modernism Post modernism Realism Book PDF

Author : Brandon Taylor
Publisher : Unknown
Page : 182 pages
File Size : 41,7 Mb
Release : 1987
Category : Art
ISBN : UOM:39015064363321

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Modernism, Post-modernism, Realism by Brandon Taylor Pdf

In this book, the author provides a summary of the main tenents of modernism in art, and then considers the phenomenon of post-modernism, allegedly the central condition of art in the post-war world, one determined by popular culture, feminism, historical styles and new trends in psychoanalysis and philosophy.

British Fiction After Modernism

M. MacKay,L. Stonebridge
British Fiction After Modernism Book PDF

Author : M. MacKay,L. Stonebridge
Publisher : Springer
Page : 221 pages
File Size : 55,5 Mb
Release : 2007-01-08
Category : Literary Criticism
ISBN : 9780230801394

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British Fiction After Modernism by M. MacKay,L. Stonebridge Pdf

This collection of essays offers a wide-ranging and provocative reassessment of the British novel's achievements after modernism. The book identifies continuities of preoccupation - with national identity, historiography and the challenge to literary form presented by public and private violence - that span the entire century.

The Nouveau Roman and Writing in Britain After Modernism

Adam Guy
The Nouveau Roman and Writing in Britain After Modernism Book PDF

Author : Adam Guy
Publisher : Oxford University Press, USA
Page : 246 pages
File Size : 45,6 Mb
Release : 2019-11-14
Category : English fiction
ISBN : 9780198850007

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The Nouveau Roman and Writing in Britain After Modernism by Adam Guy Pdf

The nouveau roman and Writing in Britain After Modernism recovers a neglected literary history. In the late 1950s, news began to arrive in Britain of a group of French writers who were remaking the form of the novel. In the work of Michel Butor, Marguerite Duras, Robert Pinget, Alain Robbe-Grillet, Nathalie Sarraute, and Claude Simon, the hallmarks of novelistic writing--discernible characters, psychological depth, linear chronology--were discarded in favour of other aesthetic horizons. Transposed to Britain's highly polarized literary culture, the nouveau roman became a focal point for debates about the novel. For some, the nouveau roman represented an aberration, and a pernicious turn against the humanistic values that the novel embodied. For others, it provided a route out of the stultifying conventionality and conformism that had taken root in British letters. On both sides, one question persisted: given the innovations of interwar modernism, to what extent was the nouveau roman actually new? This book begins by drawing on publishers archives and hitherto undocumented sources from a wide range of periodicals to show how the nouveau roman was mediated to the British public. Of central importance here is the publisher Calder & Boyars, and its belief that the nouveau roman could be enjoyed by a mass public. The book then moves onto literary responses in Britain to the nouveau roman, focusing on questions of translation, realism, the end of empire, and the writing of the project. From the translations of Maria Jolas, through to the hostile responses of the circle around C. P. Snow, and onto the literary debts expressed in novels by Brian W. Aldiss, Christine Brooke-Rose, Eva Figes, B. S. Johnson, Alan Sheridan, Muriel Spark, and Denis Williams, the nouveau roman is shown to be a central concern in the postwar British literary field.

Africa after Modernism

Michael Janis
Africa after Modernism Book PDF

Author : Michael Janis
Publisher : Routledge
Page : 279 pages
File Size : 46,6 Mb
Release : 2013-05-13
Category : History
ISBN : 9781135201449

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Africa after Modernism by Michael Janis Pdf

Africa after Modernism traces shifts in perspectives on African culture, arts, and philosophy from the conflict with European modernist interventions in the climate of colonialist aggression to present identitarian positions in the climate of globalism, multiculturalism, and mass media. By focusing on what may be called deconstructive moments in twentieth-century Africanist thought – on intellectual landmarks, revolutionary ideas, crises of consciousness, literary and philosophical debates – this study looks at African modernity and modernism from critical postcolonial perspectives. An effort to sketch contemporary frameworks of global intersubjective relations reflecting African cultures and concerns must resist taking modernism as a term of African periodization, or master-narrative, but as a constellation of discursive and subjective forms that obtains upon the present moment in African literature, philosophy, and cultural history. Africa after Modernism argues for a philosophical consciousness and pan-African multiculturalist ethos that operate, after the deconstruction of Eurocentrism, beyond self/other paradigms of exoticism or West/Africa political ideologies, in dialogue with postcolonial approaches to cultural reciprocity.

The Contemporaneity of Modernism

Michael D'Arcy,Mathias Nilges
The Contemporaneity of Modernism Book PDF

Author : Michael D'Arcy,Mathias Nilges
Publisher : Routledge
Page : 236 pages
File Size : 40,6 Mb
Release : 2015-10-23
Category : Literary Criticism
ISBN : 9781317423645

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The Contemporaneity of Modernism by Michael D'Arcy,Mathias Nilges Pdf

At a juncture in which art and culture are saturated with the forces of commodification, this book argues that problems, forms, and positions that defined modernism are crucially relevant to the condition of contemporary art and culture. The volume is attuned to the central concerns of recent scholarship on modernism and contemporary culture: the problems of aesthetic autonomy and the specific role of art in preserving a critical standpoint for cultural production; the relationship between politics and the category of the aesthetic; the problems of temporality and contemporaneity; literary transnationalism; and the questions of medium and medium specificity. Ranging across art forms, mediums, disciplines, and geographical locations, essays address the foundational questions that fuse modernism and the contemporary moment: What is art? What is the relation between art and the economy? How do art and technology interpenetrate and transform each other? What is modernism’s logic of time and contemporaneity, and how might it speak to the problem of thinking genuine novelty, or the possibility of an alternative to the current stage of neo-liberal capitalism? What is modernism, and what is its history? The book is thus committed to revising our understanding of what modernism was in its earlier instantiations, and in accounting for the current moment, addressing the problems raised by modernism's afterlives and reverberations in the 20th and 21st centuries. The volume includes essays that consider literature, sociology, philosophy, visual art, music, architecture, digital culture, television, and other artistic media. It synthesizes the most recent thinking on modernism and contemporary culture and presents a compelling case for what happens to literature, art, and culture in the wake of the exhaustion of postmodernism. This book will be of interest to those studying literature, visual art, media studies, architecture, literary theory, modernism, and twentieth-century and contemporary culture more generally.

Modernism, Postcolonialism, and Globalism

Richard Begam,Michael Valdez Moses
Modernism Postcolonialism and Globalism Book PDF

Author : Richard Begam,Michael Valdez Moses
Publisher : Oxford University Press
Page : 336 pages
File Size : 46,9 Mb
Release : 2018-11-12
Category : Literary Criticism
ISBN : 9780199980987

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Modernism, Postcolonialism, and Globalism by Richard Begam,Michael Valdez Moses Pdf

As England withdrew from its empire after World War II, how did writers living outside the United Kingdom respond to the history of colonialism and the aesthetics of modernism within a global context? In fourteen original essays, edited by Richard Begam and Michael Valdez Moses, a distinguished group of scholars considers these questions in relation to novelists, playwrights, and poets living in English-speaking countries around the world. Modernism, Postcolonialism, and Globalism not only examines how modernism and postcolonialism evolved over several generations, but also situates the writers analyzed in terms of canonical realignments inspired by the New Modernist Studies and an array of emerging methodologies and approaches. While this volume highlights social and political questions connected with the end of empire, it also considers the aesthetics of postcolonialism, detailing how writers drew upon, responded to and, sometimes reacted against, the formal innovations of modernism. Many of the essays consider the influence modernist artists and movements exercised on postcolonial writers, from W. B. Yeats, Joseph Conrad, Franz Kafka, Marcel Proust, James Joyce, T. S. Eliot, and Virginia Woolf to Impressionism, Expressionism, Surrealism, and Abstractionism. Modernism, Postcolonialism, and Globalism is organized around six geographic locales and includes essays on Africa (Chinua Achebe, Ngugi wa Thiong'o, Nadine Gordimer, J. M. Coetzee), Asia (Salman Rushdie, Arundhati Roy), the Caribbean (Jean Rhys, Derek Walcott, V. S. Naipaul), Ireland (Samuel Beckett, Seamus Heaney), Australia/New Zealand (David Malouf, Keri Hulme) and Canada (Michael Ondaatje). Examining how Anglophone writers engaged with the literary, intellectual, and cultural heritage of modernism, this volume offers a vital and distinctive intervention in ongoing discussions of modern and contemporary literature.

Middlebrow Modernism

Melinda J. Cooper
Middlebrow Modernism Book PDF

Author : Melinda J. Cooper
Publisher : Sydney University Press
Page : 291 pages
File Size : 55,9 Mb
Release : 2022-10-01
Category : Literary Criticism
ISBN : 9781743328668

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Middlebrow Modernism by Melinda J. Cooper Pdf

Eleanor Dark (1901–85) is one of Australia’s most innovative 20th-century writers. Her extensive oeuvre includes ten novels published from the early 1930s to the late 1950s, and represents a significant engagement with global modernity from a unique position within settler culture. Yet Dark’s contribution to 20th-century literature has been undervalued in the fields of both Australian literary studies and world literature. Although two biographies have been written about her life, there has been no book-length critical study of her writing published since 1976. Middlebrow Modernism counters this neglect by providing the first full-length critical survey of Eleanor Dark’s writing to be published in over four decades. Focusing on the fiction that Dark produced during the interwar years and reading this in the context of her larger body of work, this book positions Dark’s writing as important to the study of Australian literature and global modernism. Melinda Cooper argues that Dark’s fiction exhibits a distinctive aesthetic of middlebrow modernism, which blends attributes of literary modernism with popular fiction. It seeks to mediate and reconcile apparent binaries: modernism and mass culture; liberal humanism and experimental aesthetics; settler society and international modernity. The term middlebrow modernism also captures the way Dark negotiated cosmopolitan commitments with more place-based attachments to nation and local community within the mid-20th century. Middlebrow Modernism posits that Dark’s fiction and the broader phenomenon of Australian modernism offer essential case studies for larger debates operating within global modernist and world literature studies, providing perspectives these fields might otherwise miss.

Realism, Form, and Representation in the Edwardian Novel

Charlotte Jones
Realism Form and Representation in the Edwardian Novel Book PDF

Author : Charlotte Jones
Publisher : Oxford University Press
Page : 332 pages
File Size : 43,9 Mb
Release : 2021-01-07
Category : Literary Criticism
ISBN : 9780192599810

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Realism, Form, and Representation in the Edwardian Novel by Charlotte Jones Pdf

The real represents to my perception the things that we cannot possibly not know, sooner or later, in one way or another', wrote Henry James in 1907. This description, riven with double negatives, hesitation, and uncertainty, encapsulates the epistemological difficulties of realism, for underlying its narrative and descriptive apparatus as an aesthetic mode lies a philosophical quandary. What grounds the 'real' of the realist novel? What kind of perception is required to validate the experience of reality? How does the realist novel represent the difficulty of knowing? What comes to the fore in James's account, as in so many, is how the forms of realism are constituted by a relation to unknowing, absence, and ineffability. Realism, Form, and Representation in the Edwardian Novel recovers a neglected literary history centred on the intricate relationship between fictional representation and philosophical commitment. It asks how—or if—we can conceptualize realist novels when the objects of their representational intentions are realities that might exist beyond what is empirically verifiable by sense data or analytically verifiable by logic, and are thus irreducible to conceptual schemes or linguistic practices—a formulation Charlotte Jones refers to as 'synthetic realism'. In new readings of Edwardian novels including Conrad's Nostromo and The Secret Agent, Wells's Tono-Bungay, and Ford's The Good Soldier, this volume revises and reconsiders key elements of realist novel theory—metaphor and metonymy; character interiority; the insignificant detail; omniscient narration and free indirect discourse; causal linearity—to uncover the representational strategies by which realist writers grapple with the recalcitrance of reality as a referential anchor, and seek to give form to the force, opacity, and uncertain scope of realities that may lie beyond the material. In restoring a metaphysical dimension to the realist novel's imaginary, Realism, Form, and Representation in the Edwardian Novel offers a new conceptualization of realism both within early twentieth-century literary culture and as a transhistorical mode of representation.

Concepts of Realism

Luc Herman
Concepts of Realism Book PDF

Author : Luc Herman
Publisher : Camden House
Page : 262 pages
File Size : 54,7 Mb
Release : 1996
Category : Literary Collections
ISBN : 1571130535

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Concepts of Realism by Luc Herman Pdf

Examination of the critical discourse on the literary movement of 'realism.' Concepts of Realismsurveys the central episodes in the development of the discourse surrounding 'realism' from its inception, with substantial reference to developments in the United States. It concentrates on modernismand the avant-garde as hostile to the realist movement, but more positive critics of the concept, such as Erich Auerbach and Joseph Stern, also receive ample treatment.

The Distance of Irish Modernism

John Greaney
The Distance of Irish Modernism Book PDF

Author : John Greaney
Publisher : Bloomsbury Publishing
Page : 248 pages
File Size : 55,7 Mb
Release : 2022-06-16
Category : Literary Criticism
ISBN : 9781350125278

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The Distance of Irish Modernism by John Greaney Pdf

The Distance of Irish Modernism interrogates the paradox through which Irish modernist fictions have become containers for national and transnational histories while such texts are often oblique and perverse in terms of their times and geographies. John Greaney explores this paradox to launch a metacritical study of the modes of inquiry used to define Irish modernism in the 21st century. Focused on works by Samuel Beckett, Elizabeth Bowen, John McGahern, Flann O'Brien and Kate O'Brien, this book analyses how and if the complex representational strategies of modernist fictions provide a window on historical events and realities. Greaney deploys close reading, formal analysis, narratology and philosophical accounts of literature alongside historicist and materialist approaches, as well as postcolonial and world literature paradigms, to examine how modernist texts engage the cultural memories they supposedly transmit. Emphasizing the proximities and the distances between modernist aesthetic practice and the history of modernity in Ireland and beyond, this book enables a new model for narrating Irish modernism.

Descriptions of physiognomies in English fiction from realism to modernism

Mirjam Marits
Descriptions of physiognomies in English fiction from realism to modernism Book PDF

Author : Mirjam Marits
Publisher : GRIN Verlag
Page : 184 pages
File Size : 54,8 Mb
Release : 2003-11-28
Category : Foreign Language Study
ISBN : 9783638235785

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Descriptions of physiognomies in English fiction from realism to modernism by Mirjam Marits Pdf

Diploma Thesis from the year 2003 in the subject Didactics - English - Literature, Works, grade: very good, University of Graz (Institute for Anglistics), language: English, abstract: 1. Introduction: Descriptions of physiognomies in (English) literature and their significance It is a fascinating phenomenon, that whenever we meet another person for the first time, we unconsciously and immediately judge him or her by merely looking at the person’s face. Although we may call ourselves the most tolerant people free of prejudices, we cannot help thinking a person likeable or not right away by the first visual impression we get, without ever having talked to him or her. Even though we know that a correspondence of physiognomic and ‘inner’ traits has never been convincingly or scientifically proved, it is unquestionable that most of us are impressed and influenced by visual data we receive from our fellow human beings’ faces. In the course of history (and thus, of literature), people have repeatedly tried to come to terms with this phenomenon and to find explanations as well as definitions that may help to ‘face’ and deal with physiognomy in everyday life. Apparently, it has always been, and still is, people’s wish to ‘read’ in other faces so as to facilitate contact and to know how to judge characters. That this desire is not new can be seen by the fact that even (Pseudo-)Aristotle set up (very questionable, highly racist and sexist) rules according to which one could ‘categorise’ faces and thus know what kind of character is hidden behind the surface. Today, nobody relies on his writings anymore, which categorised people, among other factors, by establishing an analogy between animals and human beings. According to the author, those who had certain traits that were seen as resembling certain animals were considered to have the respective animal’s ‘inner’ traits as well, as in the following examples. “Die [Menschen] mit dicken Lippen, wobei die obere weiter vorsteht als die untere, sind dumm; siehe die Esel und Affen. [...] Die eine kleine Stirn haben, sind ungebildet; siehe die Schweine.“1 In (English) literature, the question of whether there is an indexical or arbitrary connection between inner and outer traits has been approached in many different ways which cannot be analysed in detail here. In a large number of older texts, descriptive passages containing physiognomic hints were not included, which points to a certain disinterest in this field of explanations (as well as in visual details in general). [...] 1 [Pseudo-] Aristoteles (~ 300v.Chr./1999). Physiognomica. Übers. u. kommentiert von Sabine Vogt. Berlin: Akademie Verlag. 26f.

In Search of Russian Modernism

Leonid Livak
In Search of Russian Modernism Book PDF

Author : Leonid Livak
Publisher : JHU Press
Page : 392 pages
File Size : 43,9 Mb
Release : 2018-11-30
Category : Literary Criticism
ISBN : 9781421426426

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In Search of Russian Modernism by Leonid Livak Pdf

Aiming to open an overdue debate about the academic fields of Russian and transnational modernist studies, this book is intended for an audience of scholars in comparative literary and cultural studies, specialists in Russian and transnational modernism, and researchers engaged with European cultural historiography.

The Meaning of Contemporary Realism

György Lukács
The Meaning of Contemporary Realism Book PDF

Author : György Lukács
Publisher : London : Merlin Press
Page : 148 pages
File Size : 48,8 Mb
Release : 1963
Category : Fiction
ISBN : STANFORD:36105002541675

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The Meaning of Contemporary Realism by György Lukács Pdf

With a new introduction by Dr Gary Day, De Montfort University, Leicester, UK An argument for literary realism as opposed to modernism, contrasting Mann and Kafka. The book also argues for socialist as opposed to critical realism in literature.

Laughter from Realism to Modernism

Alberto Godioli
Laughter from Realism to Modernism Book PDF

Author : Alberto Godioli
Publisher : Routledge
Page : 176 pages
File Size : 44,8 Mb
Release : 2017-12-02
Category : Literary Criticism
ISBN : 9781351191012

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Laughter from Realism to Modernism by Alberto Godioli Pdf

"As best exemplified by the works of Pirandello, Svevo, Palazzeschi, and Gadda, Italian modernist fiction is particularly rich in bizarre and ludicrous characters, whose originality is often derided by a uniform society. On the other hand, laughter can also be used by the author (or by the misfits themselves) as a reaction to the levelling pressure of social life - Pirandello's umorismo, Svevo's irony, Palazzeschi's controdolore, and Gadda's satire are all good cases in point. Looked at from this perspective, early 20th-century Italian fiction can set the basis for an innovative reflection on broader comparative themes. What is the role of laughter and individual diversity in international Modernism? How is modernist eccentricity related to the representations of originality in the 18th and 19th centuries, from Sterne to Balzac and Dostoevsky? And what does it tell us about the fear of homogenisation as a crucial aspect of the modern social imaginary? Building on the analysis of a large corpus of short stories and other major works by the Italian authors at issue, as well as on a series of previously undetected intertextual links with the classics of European Realism, this book is the first systematic attempt at answering such questions. Alberto Godioli is Teaching Fellow in Italian at the University of Edinburgh."