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Author : John Belton
Publisher : Cambridge University Press
Page : 196 pages
File Size : 43,9 Mb
Release : 2000
Category : Performing Arts
ISBN : 0521564530
This volume provides a fresh examination of Rear Window from a variety of perspectives.
Author : John Fawell
Publisher : SIU Press
Page : 208 pages
File Size : 43,9 Mb
Release : 2004-11-22
Category : Performing Arts
ISBN : 0809389703
In the process of providing the most extensive analysis of Alfred Hitchcock’s Rear Window to date, John Fawell also dismantles many myths and clichés about Hitchcock, particularly in regard to his attitude toward women. Although Rear Window masquerades quite successfully as a piece of light entertainment, Fawell demonstrates just how complex the film really is. It is a film in which Hitchcock, the consummate virtuoso, was in full command of his technique. One of Hitchcock’s favorite films, Rear Window offered the ideal venue for the great director to fully use the tricks and ideas he acquired over his previous three decades of filmmaking. Yet technique alone did not make this classic film great; one of Hitchcock’s most personal films, Rear Window is characterized by great depth of feeling. It offers glimpses of a sensibility at odds with the image Hitchcock created for himself—that of the grand ghoul of cinema who mocks his audience with a slick and sadistic style. Though Hitchcock is often labeled a misanthrope and misogynist, Fawell finds evidence in Rear Window of a sympathy for the loneliness that leads to voyeurism and crime, as well as an empathy for the film’s women. Fawell emphasizesa more feeling, humane spirit than either Hitchcock’s critics have granted him or Hitchcock himself admitted to, and does so in a manner of interest to film scholars and general readers alike.
Author : John Fawell
Publisher : SIU Press
Page : 204 pages
File Size : 41,9 Mb
Release : 2004-11-22
Category : Performing Arts
ISBN : 9780809326068
In the process of providing the most extensive analysis of Alfred Hitchcock’s Rear Window to date, John Fawell also dismantles many myths and clichés about Hitchcock, particularly in regard to his attitude toward women. Although Rear Window masquerades quite successfully as a piece of light entertainment, Fawell demonstrates just how complex the film really is. It is a film in which Hitchcock, the consummate virtuoso, was in full command of his technique. One of Hitchcock’s favorite films, Rear Window offered the ideal venue for the great director to fully use the tricks and ideas he acquired over his previous three decades of filmmaking. Yet technique alone did not make this classic film great; one of Hitchcock’s most personal films, Rear Window is characterized by great depth of feeling. It offers glimpses of a sensibility at odds with the image Hitchcock created for himself—that of the grand ghoul of cinema who mocks his audience with a slick and sadistic style. Though Hitchcock is often labeled a misanthrope and misogynist, Fawell finds evidence in Rear Window of a sympathy for the loneliness that leads to voyeurism and crime, as well as an empathy for the film’s women. Fawell emphasizesa more feeling, humane spirit than either Hitchcock’s critics have granted him or Hitchcock himself admitted to, and does so in a manner of interest to film scholars and general readers alike.
Author : C. Morgan
Publisher : Unknown
Page : 42 pages
File Size : 43,9 Mb
Release : 2004
Category : Electronic
ISBN : UOM:39015075107535
Author : Anonim
Publisher : Unknown
Page : 128 pages
File Size : 53,9 Mb
Release : 1999
Category : Electronic
ISBN : OCLC:772805077
Author : Cornell Woolrich
Publisher : Penguin Mass Market
Page : 192 pages
File Size : 40,7 Mb
Release : 1994
Category : Detective and mystery stories, American
ISBN : UCSC:32106014247701
Rear window "tells the tale of Hal Jeffries, trapped in his apartment because of a broken leg, who watches his neighbors through his rear window-- until he is certain he's discovered a murder. In this story, as in the other four-- all featured as 'Alfred Hitchcock Presents' episodes-- Woolrich proves he is the all-time master of the noir genre".--Back cover.
Author : Cornell Woolrich
Publisher : Penguin (Non-Classics)
Page : 0 pages
File Size : 50,5 Mb
Release : 1998
Category : Detective and mystery stories, American
ISBN : 0140269770
Including the complete novels "I Married a Dead Man" and "Waltz into Darkness" plus "Rear Window" and four other short stories, "The Cornell Woolrich Omnibus" provides a thrilling collection of classic works from the quintessential master of noir fiction.
Author : Ingo Stüben
Publisher : expert verlag GmbH
Page : 734 pages
File Size : 44,8 Mb
Release : 2022-10-17
Category : Technology & Engineering
ISBN : 9783816984740
Dieses Wörterbuch dient zur Erleichterung der Arbeit für den Personenkreis, der mit englischen bzw. deutschen Fachausdrücken aus dem Bereich der KFZ-Technik konfrontiert wird. Falls nötig, werden zu den einzelnen Begriffen Hintergrundinformationen, Beispiele sowie umgangssprachliche Hinweise geliefert. Als zusätzliche Informationsebene sind nach Gruppen aufgeteilte schematische Darstellungen integriert, womit die Terminologie typischer Systeme erfasst und visualisiert ist. Bei dem vorliegenden Nachschlagewerk mit seinen circa 40.000 Stichworteintragungen handelt es sich nicht um ein Wörterbuch im üblichen Sinne, sondern um ein weit darüberhinausgehendes lexikonähnliches Fachwörterbuch. The purpose of this dictionary is to facilitate the work of persons who are confronted with English or German technical terms from the field of automotive engineering. In cases where it is necessary, background information, examples and colloquial references are provided for the individual terms. Additionally, this book includes information on schematic representations and divides them into groups, which means that it covers and visualizes terminology of typical systems. This reference work, with its approximately 40,000 keyword entries, is not a dictionary in the usual sense, but rather a technical dictionary that goes far beyond the scope of a lexicon.
Author : George E. Toles
Publisher : Wayne State University Press
Page : 372 pages
File Size : 42,5 Mb
Release : 2001
Category : Performing Arts
ISBN : 0814329462
When the lights go down and the film starts to roll, we give ourselves over to the magic of movies. But as George Toles observes, what we experience in this house of light may strike closer to home than we imagine. In eleven essays, Toles combines aesthetic inquiry with a psychology of spectatorship to illuminate the dialogue between sentiment and irony that unfolds in every good movie. Reflecting a literary critic's and professional screenwriter's ongoing love affair with cinema, each essay plunges the reader into the experience of one or more films, inviting us to ponder the nature and implications of that experience. Toles considers a wide variety of film experience, from Frank Capra to the Coen brothers to Alfred Hitchcock. However escapist a trip to the movies might be, says Toles, there is no escaping some version of "home" in every film experience. Toles examines important homes-from the cottage in Random Harvest to the foreboding Bates house in Psycho-to suggest that the house of film is a frame we long to enter in the spirit of homecoming but one that we cannot possess any more securely than the lost home of our beginnings. As film study marks a return to art-centered criticism, A House Made of Light breaks new ground in its assessment of the creation-and enjoyment-of movies.
Author : Jim Hillier
Publisher : Harvard University Press
Page : 332 pages
File Size : 55,9 Mb
Release : 1985
Category : Performing Arts
ISBN : 0674090616
The Cahiers du Cinéma has played a major role in establishing film theory and criticism as an essential part of the late 20th century culture. This volume contains articles from the 1950s.
Author : John Billheimer
Publisher : University Press of Kentucky
Page : 368 pages
File Size : 42,9 Mb
Release : 2019-06-14
Category : Social Science
ISBN : 9780813177434
Edgar Award Winner: This lively account of the director’s battles with the Code Office is “an essential addition to any Hitchcock shelf” (Mystery Scene Magazine). From 1934 to 1968, the Motion Picture Production Code Office controlled the content and final cut on all films made and distributed in the United States. Code officials protected sensitive ears from standard four-letter words, as well as a few five-letter words like tramp and six-letter words like cripes. They also scrubbed “excessively lustful” kissing from the screen and ensured that no criminal went unpunished. Thus, throughout his career, Alfred Hitchcock had to deal with a wide variety of censors attuned to the slightest suggestion of sexual innuendo, undue violence, toilet humor, religious disrespect, and all forms of indecency, real or imagined. During their review of Hitchcock’s films, the censors demanded an average of 22.5 changes, ranging from the mundane to the mind-boggling, on each of his American films. Code reviewers dictated the ending of Rebecca, absolved Cary Grant of guilt in Suspicion, edited Cole Porter’s lyrics in Stage Fright, decided which shades should be drawn in Rear Window, and shortened the shower scene in Psycho. In Hitchcock and the Censors, John Billheimer traces the forces that led to the Production Code and describes Hitchcock’s interactions with code officials on a film-by-film basis as he fought to protect his creations, bargaining with code reviewers and sidestepping censorship to produce a lifetime of memorable films. Despite the often-arbitrary decisions of the code board, Hitchcock still managed to push the boundaries of sex and violence permitted in films by charming—and occasionally tricking—the censors and by swapping off bits of dialogue, plot points, and individual shots (some of which had been deliberately inserted as trading chips) to protect cherished scenes and images. By examining Hitchcock’s priorities in dealing with the censors, this work highlights the director’s theories of suspense as well as his magician-like touch when negotiating with code officials.
Author : Thomas Christian Schuetz
Publisher : SAE International
Page : 1312 pages
File Size : 47,7 Mb
Release : 2015-12-30
Category : Technology & Engineering
ISBN : 9780768082531
The detailed presentation of fundamental aerodynamics principles that influence and improve vehicle design have made Aerodynamics of Road Vehicles the engineer’s “source” for information. This fifth edition features updated and expanded information beyond that which was presented in previous releases. Completely new content covers lateral stability, safety and comfort, wind noise, high performance vehicles, helmets, engine cooling, and computational fluid dynamics. A proven, successful engineering design approach is presented that includes: • Fundamentals of fluid mechanics related to vehicle aerodynamics • Essential experimental results that are the ground rules of fluid mechanics • Design strategies for individual experimental results • General design solutions from combined experimental results The aerodynamics of passenger cars, commercial vehicles, motorcycles, sports cars, and race cars is dealt with in detail, inclusive of systems, testing techniques, measuring and numerical aerodynamics methods and simulations that significantly contribute to vehicle development. Aerodynamics of Road Vehicles is an excellent reference tool and an indispensable source for the industry’s vehicle engineers, designers, and researchers, as well as for enthusiasts, students, and those working in academia or government regulatory agencies.
Author : Brian Hannan
Publisher : McFarland
Page : 492 pages
File Size : 42,7 Mb
Release : 2016-06-05
Category : Performing Arts
ISBN : 9781476623894
In the Silent Era, film reissues were a battle between rival studios—every Mary Pickford new release in 1914 was met with a Pickford re-release. For 50 years after the Silent Era, reissues were a battle between the studios, who considered old movies “found money,” and cinema owners, who often saw audiences reject former box office hits. In the mid–1960s, the return of The Bridge on the River Kwai (1957)—the second biggest reissue of all time—altered industry perceptions, and James Bond double features pushed the revival market to new heights. In the digital age, reissues have continued to confound the critics. This is the untold hundred-year story of how old movies saved new Hollywood. Covering the booms and busts of a recycling business that became its own industry, the author describes how the likes of Charlie Chaplin, Humphrey Bogart and Alfred Hitchcock won over new generations of audiences, and explores the lasting appeal of films like Napoléon (1927), Gone with the Wind (1939), The Rocky Horror Show (1975) and Blade Runner (1982).
Author : Roger Parker
Publisher : The Crowood Press
Page : 534 pages
File Size : 49,9 Mb
Release : 2018-06-05
Category : Transportation
ISBN : 9781785004308
The books in the Everyday Modifications series from Crowood are designed to guide classic car owners through the workshop skills needed to make their cars easier to use and enjoy. MG expert Roger Parker offers his advice on a range of modifications and changes that can be applied to the MGF and MG TF, which will enhance the practical daily use of the cars. With important and specific safety information and advice throughout, the book also covers: body and interior changes; brake, suspension and steering upgrades; wheel and tyre options; powertrain upgrades; electrical system upgrade options and finally, setting up and specific maintenance aspects. Illustrated with over 450 images, this is a valuable technical resource for the MGF and TF owner.
Author : United States. Congress. Senate. Judiciary
Publisher : Unknown
Page : 1410 pages
File Size : 55,7 Mb
Release : 1970
Category : Electronic
ISBN : STANFORD:36105119550825