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From the bestselling author of the Adrian Mole series and The Woman who Went to Bed for a Year comes a brilliant, laugh-out-loud satire on modern Britain and the battle of the sexes 'There are two things that you should know about me immediately: the first is that I am beautiful, the second is that yesterday I killed a man. Both things were accidents . . .' When Midlands housewife Coventry Dakin kills her neighbour in a wild bid to prevent him from strangling his wife, she goes on the run. Finding herself alone and friendless in London she tries to lose herself in the city's maze of streets. There, she meets a bewildering cast of eccentric characters. From Professor Willoughby D'Eresby and his perpetually naked wife Letitia to Dodo, a care-in the-community inhabitant of Cardboard City, all of whom contrive to change Coventry in ways she could never have foreseen . . .
The Coventry Blitz of 14 November 1940 was a key event of the Second World War and in the growth of public consciousness of the destructive power of warfare. The medieval city, already undergoing rapid change, was largely destroyed on that night. The destruction was seen as an opportunity by some including the then City Architect, Donald Gibson. The result was the first of the master plans for post-war redevelopment of Britain's bombed city centres. The redevelopment of Coventry city centre to plans by Gibson and his successors provided an intensely urban and civilised centre, embodying new planning principles. Post-war Coventry was hugely influential and Gibson's ideas helped to shape the rebuilding of other city centres, the post-war new towns and developments in Europe. Despite incremental change in the subsequent decades the planning and architecture of Gibson's city centre are still clearly legible. The modern demands of a growing city on its centre are now very different from those of the post-war years. Coventry needs to grow and plan for its future and change will inevitably affect the city centre. This book aims to inform the public and decision makers of the significance of Coventry, and especially its centre, so that change can be managed in ways that will continue the life, use and enjoyment of the best of Coventry's remarkable post-war heritage.
Author : Steven H. Gale Publisher : Taylor & Francis Page : 690 pages File Size : 52,7 Mb Release : 1996 Category : English wit and humor ISBN : 0824059905
The image of Coventry in flames was one of the most haunting of the Second World War. Yet the excitement and optimism of the 1950s and 1960s were succeeded by a quarter century of urban blight and economic slump. The collapse of manufacturing industry - machine tools, aeroplanes, cars - left a proud community adrift and demoralised. Today a revitalised twenty-first century city, Coventry has embraced the new millennium and evolved from bleak post-industrial desert to vibrant cultural oasis, in the process rediscovering a sense of purpose and a vision for the future. "The City of Coventry" tells the story of an experiment in social democracy carried out by a Labour-controlled council which envisaged the bomb shattered city as a model of urban regeneration and imaginative planning. Post-war reconstruction could be a striking success, as in the pedestrian-friendly Precinct and the bold new cathedral, or a notable failure as in the ever more intrusive ring roads and grim high-rise flats. In offering a fresh perspective on the city, this innovative volume of essays rediscovers Coventry as an inspiration for poets and painters such as Philip Larkin and Terry Frost, musicians as varied as Benjamin Britten and The Specials, and film-makers such as Humphrey Jennings, whose "Heart of Britain" was shot in the immediate aftermath of the Blitz. Adrian Smith skilfully mixes memoir, family history and meticulous scholarship to paint a complete and incisive portrait of Coventry. Drawing on new research into topics as diverse as the place of Surrealism in West Midlands culture and the shadowy presence of rugby league in a union bastion, Smith brings a unique insight into the recent history of his native city. Attractively presented, highly readable and with broad appeal, "The City of Coventry" is a lively re-examination of an iconic city of the twentieth century illuminating the profound changes that engulfed industrial England during and after the Second World War.
This anthology of essays by a group of distinguished scholars investigates post-1945 city planning in Britain; not from a technical viewpoint, but as a polemical, visual and educational phenomenon, shifting the focus of scholarly interest towards the often-neglected emotional and aesthetic aspects of post-war planning. Each essay is grounded in original archival research and sheds new light on this critical era in the development of modern town planning. This collection is a valuable resource for architectural, social and urban historians, as well as students and researchers offering new insights into the development of the mid-twentieth century city.
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Rebuilding Britain's Blitzed Cities by Catherine Flinn Pdf
Many British cities were devastated by bombing during the Second World War and faced stark economic dilemmas concerning reconstruction planning and implementation after 1945. How did politicians, civil servants and local authorities manage to produce the cities we live in today? Rebuilding Britain's Blitzed Cities examines the underlying processes and pressures, especially financial and bureaucratic, which shaped postwar urbanism in Britain. Catherine Flinn integrates architectural planning with in-depth economic and political analyses of Britain's blitzed cities for the first time. She examines early reconstruction arrangements, the postwar economic apparatus and the challenges of postwar physical planning across the country, while providing insightful case studies from the cities of Hull, Exeter and Liverpool. By addressing the ideology versus the reality of reconstruction in postwar Britain, Rebuilding Britain's Blitzed Cities highlights the importance of economic and political factors for understanding the British postwar built environment.
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The British Archaeological Association's 2007 conference celebrated the material culture of medieval Coventry, the fourth wealthiest English city of the later middle ages. The nineteen papers collected in this volume set out to remedy the relative neglect in modern scholarship of the city's art, architecture and archaeology, as well as to encompass recent research on monuments in the vicinity. The scene is set by two papers on archaeological excavations in the historic city centre, especially since the 1970s, and a paper investigating the relationships between Coventry's building boom and economic conditions in the city in the later middle ages. Three papers on the Cathedral Priory of St Mary bring together new insights into the Romanesque cathedral church, the monastic buildings and the post-Dissolution history of the precinct, derived mainly from the results of the Phoenix Initiative excavations (19992003). Three more papers provide new architectural histories of the spectacular former parish church of St Michael, the fine Guildhall of St Mary and the remarkable surviving west range of the Coventry Charterhouse. The high-quality monumental art of the later medieval city is represented by papers on wall-painting (featuring the recently conserved Doom in Holy Trinity church), on the little-known Crucifixion mural at the Charterhouse, and on a reassessment of the working practices of the famous master-glazier, John Thornton. Two papers on a guild seal and on the glazing at Stanford on Avon parish church consider the evidence for Coventry as a regional workshop centre for high quality metalwork and glass-painting. Beyond the city, three papers deal with the development of Combe Abbey from Cistercian monastery to country house, with the Beauchamp family's hermitage at Guy's Cliffe, and with a newly identified stonemasons' workshop in the 'barn' at Kenilworth Abbey. Two further papers concern the architectural patronage of the earls and dukes of Lancaster in the 14th century at Kenilworth Castle and in the Newarke at Leicester Castle.
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