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A new beginning. . .or a bloody end? For reluctant vampires Deirdre Griffin and her lover, Mitch, the prospect of eternity is bearable--as long as they can spend it together. At their English seaside pub, The Black Rose, they charge tourists by the pint. . .of blood. But when Deirdre goes missing, everything is in peril of changing--most of all, Deirdre. For her blood is undergoing a strange metamorphosis, one that will leave her neither vampire nor human, but something entirely mysterious, and ultimately dead. Mitch knows only that whoever has taken her has also jeopardized his last link to humanity--their unborn child. But as he embarks on a desperate search, Deirdre faces an astonishing choice, one that will require she make use of her sharpest instincts, to the very last drop. . .
Author : Mary Pope Osborne Publisher : Random House Books for Young Readers Page : 146 pages File Size : 42,8 Mb Release : 2009-03-20 Category : Juvenile Fiction ISBN : 9780375894596
The #1 bestselling chapter book series of all time celebrates 25 years with new covers and a new, easy-to-use numbering system! Jack and Annie are headed to a land of fierce samurai and great beauty, the capital city of Edo (now the city of Tokyo), in ancient Japan in the 1600s. They bring only a research book to guide them and a magic wand with three special rules. Formerly numbered as Magic Tree House #37, the title of this book is now Magic Tree House Merlin Mission #9: Dragon of the Red Dawn. Did you know that there’s a Magic Tree House book for every kid? Magic Tree House: Adventures with Jack and Annie, perfect for readers who are just beginning chapter books Merlin Missions: More challenging adventures for the experienced reader Super Edition: A longer and more dangerous adventure Fact Trackers: Nonfiction companions to your favorite Magic Tree House adventures
When the Great Red Dawn Is Shining by Christopher Morry,Howard Morry Pdf
On their march towards the Somme, and Beaumont Hamel, the young men of the Royal Newfoundland Regiment raised their voices to sing "When the Great Red Dawn is Shining," a song about returning home to the people they love. Howard Morry was one of the young men who managed to make it back. And now, one hundred years after the events that changed his life, we hear Morry's voice, in these pages, rising from the silence to recount his days with the famed Regiment. In memoirs expertly selected and contextualized by Christopher Morry, When the Great Red Dawn Is Shining offers a rare first-hand account of life on the front lines as told by a soldier preserving his memories for generations to come.
On the outside, seventeen year-old Selena McKinley is like any other teenage girl. Yet Selena has always felt as if she doesn’t belong and is counting the days to graduation and her freedom from the small town that makes her feel so out of place, when the arrival of a stranger turns her world upside down. Selena will learn just how different she is and the truth of where she comes from. A lost princess, they call her, the catalyst for a war involving a world that Selena was taken from as a child. An evil queen obsessed with her own beauty with a plan to enslave the human race.…the notion seems so silly, yet Selena knows in her heart that it is true. Then there is Titus, the shape shifter whose blue eyes and claims of destiny hold her heart captive. Can Selena find the strength to do what she must while following her heart?
When an aging Soviet submarine becomes caught under the polar ice cap while being escorted by one of the best submarines in the Soviet Navy, a high-tech game of cat and mouse involving the US ensues to see who can get to the submarine—and the dangerous propulsion system it’s carrying—first.
Projecting Politics by Elizabeth Haas,Terry Christensen,Peter J. Haas Pdf
The new edition of this influential work updates and expands the scope of the original, including more sustained analyses of individual films, from The Birth of a Nation to The Wolf of Wall Street. An interdisciplinary exploration of the relationship between American politics and popular films of all kinds—including comedy, science fiction, melodrama, and action-adventure—Projecting Politics offers original approaches to determining the political contours of films, and to connecting cinematic language to political messaging. A new chapter covering 2000 to 2013 updates the decade-by-decade look at the Washington-Hollywood nexus, with special areas of focus including the post-9/11 increase in political films, the rise of political war films, and films about the 2008 economic recession. The new edition also considers recent developments such as the Citizens United Supreme Court decision, the controversy sparked by the film Zero Dark Thirty, newer generation actor-activists, and the effects of shifting industrial financing structures on political content. A new chapter addresses the resurgence of the disaster-apocalyptic film genre with particular attention paid to its themes of political nostalgia and the turn to global settings and audiences. Updated and expanded chapters on nonfiction film and advocacy documentaries, the politics of race and African-American film, and women and gender in political films round out this expansive, timely new work. A companion website offers two additional appendices and further materials for those using the book in class.
In 1777, Anne Secord and her children are rescued from the destruction of the Loyalist settlements in the Mohawk Valley, and brought to British-held Fort Niagara. The Loyalist refugees subsequently cross the river, and establish a new colony. The Secord family settles at Lundy's Lane. With the War of 1812, men from of Anne's extended family serve in the militia, in support of the British Regular regiments. A bloody conflict ensues to defend the fledgling Upper Canada. Farms and homesteads in the Niagara frontier are devastated repeatedly. At Harvard College, Samuel Clifford is exposed to revolutionary foment, against his Loyalist parents' convictions. The day before he leaves home for his second year, he is terrified by a hideous vision. He joins Washington's army. What he discovers convinces him to desert. He makes his way to British-held New York. After the revolution, he rejoins his family at Lundy's Lane. He becomes that settlement's school teacher. Samuel finds himself drawn into the horror of an American civil war. He deplores the wanton slaughter, with cousin killing cousin. He sees himself still American, born and raised, yet he cannot return. Christmas in 1814: he experiences another vision, that of a red dawn, with what it portends.
""Had she known that in a world of gods and mortals, she was a Titan?"" It's the middle of the 23rd century, and life has never been better. But for those less privileged, things have never been worse. Torn from her childhood at just four years of age, Morgan has known only suffering. Her young life spent locked up with others just like her in one of many underground facilities known as Basements, where they're used for torturous experiments so severe that many never make it out. And even those who do are never truly free of the horrors they have experienced. After years of suffering, Morgan, whose eyes have turned a chilling metallic grey from the experiments she'd endured, is freed by the Rebellion. Now known to many as Titanium, Morgan seizes the opportunity to inflict revenge for everything that was ever done to her and quickly works her way up until she becomes the leader of her own army, the Titans, named after their fearless metallic-eyed leader.
Child Of Mist: Red Dawn (Child Of Mist, Book 1) by Lola St.Vil Pdf
Rayne's Mother is a ruthless Fae hunter. So she was kept hidden from the magical world for her safety. But someone has exposed her. And now, its open season on Rayne...
In 1777, Anne Secord and her children are rescued from the destruction of the Loyalist settlements in the Mohawk Valley, and brought to British-held Fort Niagara. The Loyalist refugees subsequently cross the river, and establish a new colony. The Secord family settles at Lundy's Lane. With the War of 1812, men from of Anne's extended family serve in the militia, in support of the British Regular regiments. A bloody conflict ensues to defend the fledgling Upper Canada. Farms and homesteads in the Niagara frontier are devastated repeatedly. At Harvard College, Samuel Clifford is exposed to revolutionary foment, against his Loyalist parents' convictions. The day before he leaves home for his second year, he is terrified by a hideous vision. He joins Washington's army. What he discovers convinces him to desert. He makes his way to British-held New York. After the revolution, he rejoins his family at Lundy's Lane. He becomes that settlement's school teacher. Samuel finds himself drawn into the horror of an American civil war. He deplores the wanton slaughter, with cousin killing cousin. He sees himself still American, born and raised, yet he cannot return. Christmas in 1814: he experiences another vision, that of a red dawn, with what it portends.
STORYLINE: The story is about a clan of The People, or hornbrows, as they refer to themselves. The clan is making its annual trek, along with the rest of a great herd, to the ancient nesting grounds. Along the way, two of the main characters get split off from the herd during an attack by a tyrannosaur-like predator. What follows is a series of adventures by characters remaining with the herd, and those forced to deal with the dangers of traveling without the protection of the herd. The former takes the reader through herd socialization, dominance fighting, nest-building, and the feeding and protection of the young. All of this moves through the actions and intrigues of several prominent characters: Grendaar the Groundshaker, the aging clan-leader, who must fight to retain his position and his life-long consort, the eternally beautiful Tessah the Wise ... Dandraar, the irrepressible youth, who half the time is engaged in adventures with his friends, and the other half is trying to find sense in the actions of adults ... and Adeldraar, highly placed leader of the herd, and sworn enemy of Grendaar's ... Add to this the adventures of a young pair trying to survive beyond the herd, while at the same time coping with the changes brought about by imminent adulthood. This part of the story follows several other main characters: Panthrar the Swift, the valiant and handsome adolescent, maturing to adulthood ... Pippit the True, the comely, budding young female who accidently gets thrown together with Panthrar ... Red-patch, the dreadrunner, a vicious tyrannosaur-like creature ... Thundermaker, the threehorn, the indomitable leader of a herd of Triceratops that fate throws the way of the young hornbrows ... and Savage, the dreadcharger, and his troop of deadly and relentless Tyrannosaurs. The story unfolds as Panthrar and Pippit constantly try to evade death, yet find time to fall in love, cope with nesting, and raise a brood of hatchlings in an often strange, and frequently hostile environment. The book comes complete with graphics, maps, and appendices. The appendices describe the characters, provide a glossary of terms, provide insight about the inhabitants of late Cretaceous North America, and elaborate on the setting for the story. ADDITIONAL BACKGROUND: Paleontological research and findings over the several decades have changed our perspective of what we know, and what we think we know, about dinosaurs. For example, it is pretty well established that at least some types of herbivorous dinosaurs (notably hadrosaurs and ceratopsians) traveled together in large herds, herds sometimes exceeding ten thousand individuals. And since they traveled in large groups, then it might be reasonable to expect that they developed a heightened social awareness. In other words, they would have developed some form of social structure, a hierarchy, or pecking order. They would have some form of communication, to protect territory, to signal if a predator threatened the herd, to make other simple wants known, and possibly for more complex purposes. It has also been discovered that more than one form of dinosaur nested in colonies. This is a not-too-surprising extension of the socialization of the herd. Along with these findings, it has been determined that many dinosaurs built nests, and that at least some of them tended the eggs in the nests, and fed and protected the young after they hatched. Some hatchling hadrosaurs were completely helpless for weeks after hatching, and someone, likely the mother and/or the father, had to gather food for them, and keep predators away from the nest. These were remarkable discoveries: socializing, nesting in colonies, and parenting. Other findings are still being hotly debated, although the general consensus is that dinosaurs were not stupid, sluggish, cold-blooded, and doomed to extinction. Were at least some dinosaurs warm-blooded? Were many dinosaurs swift and alert? Dinosaurs survived for over 140 million years (compared to a few million years for human-like creatures), and suppressed the development of mammals during that entire period. It was only after dinosaurs ceased to be, that mammals inherited the earth. A hundred and forty million years is a long time - so they were doing something right.
In Hollywood Bloodshed, James Kendrick presents a fascinating look into the political and ideological instabilities of the 1980s as studied through the lens of cinema violence. Kendrick uses in-depth case studies to reveal how dramatic changes in the film industry and its treatment of cinematic bloodshed during the Reagan era reflected shifting social tides as Hollywood struggled to find a balance between the lucrative necessity of screen violence and the rising surge of conservatism. As public opinion shifted toward the right and increasing emphasis was placed on issues such as higher military spending, family values, and “money culture,” film executives were faced with an epic dilemma: the violent aspects of cinema that had been the studios’ bread and butter were now almost universally rejected by mainstream audiences. Far from eliminating screen bloodshed altogether, studios found new ways of packaging violence that would allow them to continue to attract audiences without risking public outcry, ushering in a period of major transition in the film industry. Studios began to shy away from the revolutionary directors of the 1970s—many of whom had risen to fame through ideologically challenging films characterized by a more disturbing brand of violence—while simultaneously clearing the way for a new era in film. The 1980s would see the ascent of entertainment conglomerates and powerful producers and the meteoric rise of the blockbuster—a film with no less violence than its earlier counterparts, but with action-oriented thrills rather than more troubling images of brutality. Kendrick analyzes these and other radical cinematic changes born of the conservative social climate of the 1980s, including the disavowal of horror films in the effort to present a more acceptable public image; the creation of the PG-13 rating to designate the gray area of movie violence between PG and R ratings; and the complexity of marketing the violence of war movies for audience pleasure. The result is a riveting study of an often overlooked, yet nevertheless fascinating time in cinema history. While many volumes have focused on the violent films of the New American Cinema directors of the 1970s or the rise of icons such as Woo, Tarantino, and Rodriguez in the 1990s, Kendrick’s Hollywood Bloodshed bridges a major gap in film studies.This comprehensive volume offers much-needed perspective on a decade that altered the history of Hollywood—and American culture—forever.
A NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE Following the trail of espionage and technological innovation, and making use of newly opened archives, Michael D. Gordin provides a new understanding of the origins of the nuclear arms race and fresh insight into the problem of proliferation. On August 29, 1949, the first Soviet test bomb, dubbed "First Lightning," exploded in the deserts of Kazakhstan. This surprising international event marked the beginning of an arms race that would ultimately lead to nuclear proliferation beyond the two superpowers of the Soviet Union and the United States. With the use of newly opened archives, Michael D. Gordin follows a trail of espionage, secrecy, deception, political brinksmanship, and technical innovation to provide a fresh understanding of the nuclear arms race.