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The Red Man's Continent by Ellsworth Huntington Pdf
In writing this book the author has aimed first to present in readable form the main facts about the geographical environment of American history. Many important facts have been omitted or have been touched upon only lightly because they are generally familiar. On the other hand, special stress has been laid on certain broad phases of geography which are comparatively unfamiliar. One of these is the similarity of form between the Old World and the New, and between North and South America; another is the distribution of indigenous types of vegetation in North America; and a third is the relation of climate to health and energy. In addition to these subjects, the influence of geographical conditions upon the life of the primitive Indians has been emphasized.
Red Man's America meets the great need for a comprehensive study of Indian societies from the first Stone Age hunters to the American citizens of today. Beginning with the first migrations of primitive man from Siberia in the Old World to Alaska in the New, probably during the latter part of the Pleistocene glaciations, and his subsequent migration southward and eastward, the author takes up in turn the tribes and cultures of the various regions of North America. The material Professor Underhill has gathered from the fields of archaeology, ethnology, and history, together with that drawn from her own experience in the United States Indian Service, produces a fascinating narrative. Red Man's America is an important contribution to our heritage of Indian life and lore. "A work for which both sociologist and historian will be forever grateful. The author has combined a long period of study with actual field work in the service of the Indian to produce a work that gives a brief, but well written and accurate, sketch of the origins, backgrounds, and customs of the various North American tribes. . . . There is no other modern single volume that contains as much information on the subject."—E.R. Vollmar, The Historical Bulletin "Liveliness in style and illustration, together with perspicacity in content, makes this book a useful introduction to the civilization of the original inhabitants of the land."—Pacific Historical Review
The Red Man's on the Warpath by R. Scott Sheffield Pdf
“The red man’s on the warpath! The time has come for him to dig up the hatchet and join his paleface brother in his fight to make the world safe for the sacred cause of freedom and democracy.” -- Winnipeg Free Press, May 1941 During the Second World War, thousands of First Nations people joined in the national crusade to defend freedom and democracy. High rates of Native enlistment and public demonstrations of patriotism encouraged Canadians to re-examine the roles and status of Native people in Canadian society. The Red Man’s on the Warpath explores how wartime symbolism and imagery propelled the “Indian problem” onto the national agenda, and why assimilation remained the goal of post-war Canadian Indian policy – even though the war required that it be rationalized in new ways. The word “Indian” conjured up a complex framework of visual imagery, stereotypes, and assumptions that enabled English Canadians to explain the place of First Nations people in the national story. Sheffield examines how First Nations people were discussed in both the administrative and public realms. Drawing upon an impressive array of archival records, newspapers, and popular magazines, he tracks continuities and changes in the image of the “Indian” before, during, and immediately after the Second World War. Informed by current academic debates and theoretical perspectives, this book will interest scholars in the fields of Native-Newcomer and race relations, war and society, communications studies, and post-Confederation Canadian history. Sheffield’s lively style makes it accessible to a broader readership.
The Secret Casino at Red Men?s Hall by Samuel W. Valenza Jr. Pdf
The sleepy town of Mt. Holly, New Jersey, was more than it seemed. In the unsettled years following the Great Depression, it hosted the Secret Casino at Red Men's Hall, an underground playground that attracted Mafia bosses and players alike. Under the watchful and protective eye of author Samuel Valenza Jr.'s father, the casino was a thriving den for craps, roulette, poker, and slots players. the continuing cooperation of local law enforcement was assured each Saturday morning, when Officer Bucky Squires made his pickup of payoff money held for him in Mom's icebox. Growing up in this environment, the author's young life was scarred with violence, fear, hunger, betrayal, and homelessness, while his father enjoyed the high life with his powerful gangster associates. the author was just six years old when Frank "Paulie" Carbo, a prolific Murder, Inc. assassin, raided the casino and slaughtered his uncle, the casino handyman and 'gofer'--as a warning. the murder was the beginning of the end at Red Men's Hall, which fell under intense scrutiny from the authorities. Using the narrative style of a crime novel, Valenza recalls the intimate and often dangerous days of a life lived in the shadow of the Mafia.
Red Man's Land/white Man's Law by Wilcomb E. Washburn Pdf
Red Man's Land/White Man's Law is a history of the legal status of the American Indians and their land from the period of first contact with Europeans down to the present day. It begins with the efforts of colonial authorities-Spanish, British, and French-to deal with tribal sovereignty and carries the discussion of U. S. -Indian legal relations through the nineteenth and twentieth centuries. Tribal sovereignty was eroded from the very beginning, but more recently it has emerged as a powerful force in American and Canadian law and touches upon many current legal issues, such as land allotment and land claims; definitions of Indian status; hunting, fishing, and water rights; and tribal relations with Congress, the Bureau of Indian Affairs, and the Canadian government. First published in 1971, this second edition contains a new preface and an extensive afterword discussing important legal events and issues in the last twenty-five years, making this a complete, up-to-date survey of legal relations between the United States and the American Indian.
Red Man's Origin by Donald N. Panther-Yates,William Eubanks,George Sahkiyah Sanders Pdf
In the world of Native Americans, oral communication takes the place of the written word in preserving their most valued "texts." By a miracle of transmission, here is the earliest and most complete version of the story of the Cherokee people, from their origins in a land across the great waters to the coming of the white man. In olden times, it was recited at every Great Moon or Cherokee New Year festival so it could be learned by young people and the tribal lore perpetuated. It was set down in English in an Indian Territory newspaper by Cornsilk (the pen-name of William Eubanks) from the Cherokee language recitation of George Sahkiyah (Soggy) Sanders, a fellow Keetoowah Society priest, in 1892. We do not have anything anterior or more authentic than Eubanks and Sanders' "Red Man's Origin. Mystic and plain-spoken at the same time, "Red Man's Origin" tells how the clans became seven in number, reorganized their religion in America and struggled to maintain their "half-sphere temple of light." You will hear in Cornsilk's original words about the true name of the Cherokee people, the totem Uktena serpent, divining crystals of the Urim and Thummin, "terrible Sa-ho-ni clan" and other Cherokee storytelling subjects. The brief narrative is here reprinted with an introduction, notes and line drawings from Native American history by Cherokee author Donald Panther-Yates. If you own one book about the Cherokee Indians it should be this one.
The first biography in over sixty years of a great American artist whose paintings are more famous than the man who made them. George Catlin has been called the “first artist of the West,” as none before him lived among and painted the Native American tribes of the Northern Plains. After a false start as a painter of miniatures, Catlin found his calling: to fix the image of a “vanishing race” before their “extermination”—his word—by a government greedy for their lands. In the first six years of the 1830s, he created over six hundred portraits—unforgettable likenesses of individual chiefs, warriors, braves, squaws, and children belonging to more than thirty tribes living along the upper Missouri River. Political forces thwarted Catlin’s ambition to sell what he called his “Indian Gallery” as a national collection, and in 1840 the artist began three decades of self-imposed exile abroad. For a time, his exhibitions and writings made him the most celebrated American expatriate in London and Paris. He was toasted by Queen Victoria and breakfasted with King Louis-Philippe, who created a special gallery in the Louvre to show his pictures. But when he started to tour “live” troupes of Ojibbewa and Iowa, Catlin and his fortunes declined: He changed from artist to showman, and from advocate to exploiter of his native performers. Tragedy and loss engulfed both. This brilliant and humane portrait brings to life George Catlin and his Indian subjects for our own time. An American original, he still personifies the artist as a figure of controversy, torn by conflicting demands of art and success.
Among the topics considered in this classic study are world origins and supernatural powers, attitudes toward the dead, the medicine man and shaman, hunting and gathering rituals, war and planting ceremonies, and newer religions, such as the Ghost Dance and the Peyote Religion. "The distinctive contribution of [Red Man's Religion] is the treatment of topics, the insight and the perspective of the author, and her ability to transmit these to the reader. . . . Trais and aspects of religion are not treated as abstract entitites, to be enumerated and summated, assigned a geographic distribution, and then abandoned. No page is a dry recital; each is an illumination. Insight and wisdom are framed in poetic prose. An offering of information in such a medium merits gratitude."—American Anthropologist