Red Modernism

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Red Modernism

Author : Mark Steven
Publisher : JHU Press
Page : 265 pages
File Size : 42,7 Mb
Release : 2017-12-21
Category : Literary Criticism
ISBN : 9781421423579

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Red Modernism by Mark Steven Pdf

How did modernist poetry respond—both thematically and technically—to communism? In Red Modernism, Mark Steven asserts that modernism was highly attuned—and aesthetically responsive—to the overall spirit of communism. He considers the maturation of American poetry as a longitudinal arc, one that roughly followed the rise of the USSR through the Russian Revolution and its subsequent descent into Stalinism, opening up a hitherto underexplored domain in the political history of avant-garde literature. In doing so, Steven amplifies the resonance among the universal idea of communism, the revolutionary socialist state, and the American modernist poem. Focusing on three of the most significant figures in modernist poetry—Ezra Pound, William Carlos Williams, and Louis Zukofsky—Steven provides a theoretical and historical introduction to modernism’s unique sense of communism while revealing how communist ideals and references were deeply embedded in modernist poetry. Moving between these poets and the work of T. S. Eliot, Langston Hughes, Muriel Rukeyser, Gertrude Stein, Wallace Stevens, and many others, the book combines a detailed analysis of technical devices and poetic values with a rich political and economic context. Persuasively charting a history of the avant-garde modernist poem in relation to communism, beginning in the 1910s and reaching into the 1940s, Red Modernism is an audacious examination of the twinned history of politics and poetry.

Red Modernism

Author : Mark Steven
Publisher : JHU Press
Page : 265 pages
File Size : 46,8 Mb
Release : 2017-12-21
Category : Literary Criticism
ISBN : 9781421423586

Get Book

Red Modernism by Mark Steven Pdf

How did modernist poetry respond—both thematically and technically—to communism? In Red Modernism, Mark Steven asserts that modernism was highly attuned—and aesthetically responsive—to the overall spirit of communism. He considers the maturation of American poetry as a longitudinal arc, one that roughly followed the rise of the USSR through the Russian Revolution and its subsequent descent into Stalinism, opening up a hitherto underexplored domain in the political history of avant-garde literature. In doing so, Steven amplifies the resonance among the universal idea of communism, the revolutionary socialist state, and the American modernist poem. Focusing on three of the most significant figures in modernist poetry—Ezra Pound, William Carlos Williams, and Louis Zukofsky—Steven provides a theoretical and historical introduction to modernism’s unique sense of communism while revealing how communist ideals and references were deeply embedded in modernist poetry. Moving between these poets and the work of T. S. Eliot, Langston Hughes, Muriel Rukeyser, Gertrude Stein, Wallace Stevens, and many others, the book combines a detailed analysis of technical devices and poetic values with a rich political and economic context. Persuasively charting a history of the avant-garde modernist poem in relation to communism, beginning in the 1910s and reaching into the 1940s, Red Modernism is an audacious examination of the twinned history of politics and poetry.

The Red Theology in the Far East

Author : Charles H. Coates
Publisher : Unknown
Page : 216 pages
File Size : 50,7 Mb
Release : 1926
Category : Apologetics
ISBN : UCAL:$B293949

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The Red Theology in the Far East by Charles H. Coates Pdf

McLuhan, Or Modernism in Reverse

Author : Glenn Willmott
Publisher : Theory / Culture
Page : 288 pages
File Size : 55,9 Mb
Release : 1996
Category : Philosophy
ISBN : UOM:39015037490672

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McLuhan, Or Modernism in Reverse by Glenn Willmott Pdf

An examination of the life and work of Marshall McLuhan who coined the term "global village" and, in the light of postmodernism and technology, informed current critical thought regarding the media. Wilmott retraces and synthesizes McLuhan's work and re-reads his literary and cultural projects integrating New Criticism and Marxism into the discourses on art, politics, and technology. Within the context of postmodernism, the critic does not seem as eccentric as he once did in the 1960s and as the author states in the introduction his "self-experiment...uncannily reflects the desires and limits of our own." Paper edition (unseen), $19.95. Canadian card order number C95-932946-3. Annotation copyright by Book News, Inc., Portland, OR

Translations from Red Flag

Author : Anonim
Publisher : Unknown
Page : 430 pages
File Size : 40,5 Mb
Release : 1987
Category : China
ISBN : UOM:39015043502072

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Translations from Red Flag by Anonim Pdf

The Red and the White

Author : Paul Coates
Publisher : Wallflower Press
Page : 272 pages
File Size : 54,9 Mb
Release : 2005
Category : Motion pictures
ISBN : UOM:39015061462274

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The Red and the White by Paul Coates Pdf

The Red and the White: The Cinema of People's Poland takes a fascinating look at the history of post-war Polish cinema, and how it was affected by the political, social and cultural upheavals throughout the period 1947-89. This timely study re-evaluates the legacy of Socialist Realism, the representation of the war, cinematic portrayals of national myth and cultural history, literary adaptation and surrealism, and discourses of exile and national identity. Although paying particular reference to the work of Krzysztof Kieslowski and Andrzej Wajda, this book considers the contribution of a wide range of filmmakers, including Jerzy Skolimowski, Krzysztof Zanussi, Agnieska Holland, Andrzej Munk, Jerzy Kawalerowicz, Wojciech Has and Roman Polanski. The volume also includes unique primary archival research into the role of state-sponsored censorship, and coverage of Polish-Jewish representations in film. Among the many films discussed are A Generation, Eroica, Ashes and Diamonds, Family Life, The Promised Land, The Hour Glass Sanatorium, Hands Up!, Decalogue 8, Europa, Europa and The Double Life of Veronique.

Red Creative

Author : Justin O'Connor,Xin Gu
Publisher : Intellect (UK)
Page : 320 pages
File Size : 47,8 Mb
Release : 2021-01-15
Category : China
ISBN : 1789383218

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Red Creative by Justin O'Connor,Xin Gu Pdf

Red Creative is an exploration of China's cultural economy over the last twenty years, particularly through the lens of its creative hub of Shanghai. The research presented here raises questions about the nature of contemporary 'creative' capitalism and the universal claims of Western modernity, offering new ways of thinking about cultural policy in China. Taking a long-term historical perspective, Justin O'Connor and Xin Gu analyze the ongoing development of China's cultural industries, examining the institutions, regulations, interests, and markets that underpin the Chinese cultural economy and the strategic position of Shanghai within it. Further, the authors explore cultural policy reforms in post-colonial China and articulate Shanghai's significance in paving China's path to modernity and entry to global capitalism. In-depth and illuminating, Red Creative carefully situates China's contemporary cultural economy in its larger global and historical context, revealing the limits of Western thought in understanding Chinese history, culture, and society.

Red Riding Hood and the Wolf in Bed

Author : Ann Martin
Publisher : University of Toronto Press
Page : 217 pages
File Size : 55,5 Mb
Release : 2006-01-01
Category : Literary Criticism
ISBN : 9780802090867

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Red Riding Hood and the Wolf in Bed by Ann Martin Pdf

Drawing on theoretical paradigms from gender and cultural studies, Martin develops a participatory model of modernist literature and culture.

American Modernism at the Art Institute of Chicago

Author : Art Institute of Chicago,Judith A. Barter,Jennifer M. Downs
Publisher : Unknown
Page : 374 pages
File Size : 48,7 Mb
Release : 2009
Category : Art
ISBN : UCSD:31822036369122

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American Modernism at the Art Institute of Chicago by Art Institute of Chicago,Judith A. Barter,Jennifer M. Downs Pdf

The first publication to focus on the Art Institute's outstanding collection of American modernism, this volume includes over 175 important paintings, sculptures, decorative-art objects, and works on paper made in North America between World War II and 1955. Together they fully reflect the history of American art in these decades, including examples of early modernism, Social Realism, Surrealism, and Abstract Expressionism. Among the paintings are such iconic works as Hopper's Nighthawks and Wood's American Gothic, along with notable pieces by Davis, De Kooning, Hartley, Lawrence, Marin, O'Keeffe, Pollock, and Sheeler. Among the sculptors represented are Calder, Cornell, and Noguchi. Spectacular decorative artwork by the Eameses, Grotell, Neutra, Saarinen, F. L. Wright, and Zeisel are also featured. Reproduced in full color, each work is accompanied by an accessible and up-to-date text, complete with comparative illustrations. The introduction traces the formation of this important collection by a number of noted curators, collectors, and patrons. Distributed for the Art Institute of Chicago

Modernism

Author : Richard Weston
Publisher : Unknown
Page : 248 pages
File Size : 50,9 Mb
Release : 2001-04-24
Category : Design
ISBN : UCSD:31822028559045

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Modernism by Richard Weston Pdf

A comprehensive survey tracing the course of the Modernist movement.

Automatic

Author : Timothy Wientzen
Publisher : JHU Press
Page : 269 pages
File Size : 51,7 Mb
Release : 2021-08-31
Category : History
ISBN : 9781421440873

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Automatic by Timothy Wientzen Pdf

"Reconstructing a vast archive of writing about reflex behaviors, this book demonstrates the ways in which a "politics of reflex" came to shape the intellectual and cultural life of the modernist era"--

Modernism and the Spiritual in Russian Art

Author : Louise Hardiman,Nicola Kozicharow
Publisher : Open Book Publishers
Page : 320 pages
File Size : 55,7 Mb
Release : 2017-11-13
Category : Art
ISBN : 9781783743414

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Modernism and the Spiritual in Russian Art by Louise Hardiman,Nicola Kozicharow Pdf

In 1911 Vasily Kandinsky published the first edition of ‘On the Spiritual in Art’, a landmark modernist treatise in which he sought to reframe the meaning of art and the true role of the artist. For many artists of late Imperial Russia – a culture deeply influenced by the regime’s adoption of Byzantine Orthodoxy centuries before – questions of religion and spirituality were of paramount importance. As artists and the wider art community experimented with new ideas and interpretations at the dawn of the twentieth century, their relationship with ‘the spiritual’ – broadly defined – was inextricably linked to their roles as pioneers of modernism. This diverse collection of essays introduces new and stimulating approaches to the ongoing debate as to how Russian artistic modernism engaged with questions of spirituality in the late nineteenth to mid-twentieth centuries. Ten chapters from emerging and established voices offer new perspectives on Kandinsky and other familiar names, such as Kazimir Malevich, Mikhail Larionov, and Natalia Goncharova, and introduce less well-known figures, such as the Georgian artists Ucha Japaridze and Lado Gudiashvili, and the craftswoman and art promoter Aleksandra Pogosskaia. Prefaced by a lively and informative introduction by Louise Hardiman and Nicola Kozicharow that sets these perspectives in their historical and critical context, Modernism and the Spiritual in Russian Art: New Perspectives enriches our understanding of the modernist period and breaks new ground in its re-examination of the role of religion and spirituality in the visual arts in late Imperial Russia. Of interest to historians and enthusiasts of Russian art, culture, and religion, and those of international modernism and the avant-garde, it offers innovative readings of a history only partially explored, revealing uncharted corners and challenging long-held assumptions.

Massive Modernism

Author : Alyson Helene Tischler
Publisher : Unknown
Page : 434 pages
File Size : 53,8 Mb
Release : 2002
Category : Electronic
ISBN : UOM:39015056176913

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Massive Modernism by Alyson Helene Tischler Pdf

Red Square, Black Square

Author : Vladislav Todorov
Publisher : SUNY Press
Page : 220 pages
File Size : 44,5 Mb
Release : 1995-01-01
Category : Literary Criticism
ISBN : 0791421910

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Red Square, Black Square by Vladislav Todorov Pdf

This book builds a new vision of the development of Russian revolutionary culture, bringing together fiction, criticism, utopian projects, manifestos, performance and film theory, religious philosophy, and the imaginary space of communism centered around the Mummy of Lenin. Revolution and modernization are two main issues of the book. The author argues that in Modernism the work of art was conceived as a miniature of the world to come; thus, art was meant to make projects, not master-pieces. He analyzes the genre of the manifesto as a special rhetorical device of modernist discourse and shows how projects of biological and social engineering elaborate a vision of a future human type apt to exist under unprecedented conditions. Red Square, Black Square traces the process of totalitarian reduction of the modernist impulse into a rigid party doctrine. It follows the turbulent development of Russian Modernism through its categorical arrest under the official doctrine of "socialist realism." Moscow's Red Square is examined as a primal communist space that manifests the symbolism of power. Viewing communism as an aesthetically, not economically, motivated society, the book enacts "political aesthetics" as a discipline that provides the fundamental tool for an adequate and thorough understanding of communism. Todorov concludes by discussing the rise of nationalism in Eastern Europe as a post-communist condition, and the new mission of the intellectuals.

Ideographic Modernism

Author : Christopher Bush
Publisher : Oxford University Press
Page : 257 pages
File Size : 55,9 Mb
Release : 2010-02-01
Category : Literary Criticism
ISBN : 9780199889457

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Ideographic Modernism by Christopher Bush Pdf

Ideographic Modernism offers a critical account of the ideograph (Chinese writing as imagined in the West) as a modernist invention. Through analyses of works by Claudel, Pound, Kafka, Benjamin, Segalen, and Valery, among others, Christopher Bush traces the interweaving of Western modernity's ethnographic and technological imaginaries, in which the cultural effects of technological media assumed "Chinese" forms, even as traditional representations of "the Orient" lived on in modernist-era responses to media. The book also makes a methodological argument, demonstrating new ways of recovering the generally overlooked presence of China in the text of Western modernism.