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There is a genuine resurgence of interest in this period of architecture. Brutalism is a highly debated topic in the architectural press and amongst architectural critics and institutions who promote the preservation of these buildings. This book is unique in combining beautiful, highly illustrated design with description of both British and International brutalist buildings and architects, alongside analysis of the present and future of brutalism. Not just be a historical tome, this book discusses brutalism as a living and evolving entity.
A curated collection of some of the most powerful and awe-inspiring Brutalist architecture ever built This Brutal World is a global survey of this compelling and much-admired style of architecture. It brings to light virtually unknown Brutalist architectural treasures from across the former eastern bloc and other far flung parts of the world. It includes works by some of the best contemporary architects including Zaha Hadid and David Chipperfield as well as by some of the master architects of the 20th century including Le Corbusier, Mies van der Rohe, Frank Lloyd Wright, Louis Kahn, Paul Rudolph and Marcel Breuer.
Temporary architecture is flourishing in our urban public spaces. Branded ‘pop-ups’ and follies to provide a moment of light entertainment they are in fact borne of a long history of more holistic architecture that is subtly suggesting how we could live, work and play more harmoniously together. Featuring revealing interviews with 13 young, emerging and socially-minded practices from New York and Santiago to London, Berlin and Zurich it also analyses this phenomenon in critical essays by well-respected practitioners and thinkers. Providing a highly personal insight into the architects’ experience, the design process, the challenges they encountered and how it affected their practice it sheds light on the growth of multidisciplinary collectives, community engagement and more participatory ways of designing, making and building. Including highly illustrated and imaginative projects ranging from a floating cinema and tiny travelling theatre, through ad-hoc structures made of found objects and discarded materials, and blow-up plastic bubbles, to a community lido and market restaurant this will open your eyes as to what is possible in architecture.
Book Award Finalist for Urban Design Group Awards 2020 Human settlements are the result of a mix of self-organisation and planning. Planners are fighting a losing battle to impose order on chaotic systems. Connections between the process of urban growth and the fields of complexity theory are of increasing importance to planners and urbanists alike; the idea that cities are emergent structures created not by design but from the interplay of relatively simple rules and forces over time. From the the small Tuscan hill town to the megacities of Asia: the struggle between the planned and the unplanned is universal. Based on years of international research, Climax City is a critical exploration of the growth of cities and masterplanning. Challenging the idea that the city can be entirely planned on paper, this book implores you to work with chaos when planning cities. Beautifully illustrated with striking hand-drawn plans of global cities, this is a vital and accessible contribution to urban theory and planning. It’s the perfect title for practitioners and academics across planning and urban design looking to make sense out of chaos.
No style has divided opinion more than brutalism. But now, fifty years since the heyday of the style, Brutalist buildings are more popular than they have ever been. This is the perfect introduction to Britain’s Brutalist monuments.
3D Printing for Construction with Alternative Materials by Bárbara Rangel,Ana Sofia Guimarães,Jorge Lino,Leonardo Santana Pdf
This book explores the latest achievements and design possibilities that 3D printing for construction (DPC) can offer, the alternative materials to natural aggregates or cement and even the 4th dimension that is already starting in this area. DPC materiality is starting to be explored in architecture as a new design language to reach not only outrageous forms but also to leverage the building process and its performance. Like Corbusier explored the concrete potentiality of concrete to release the façade and the plan, 3DPC is allowing to straighten design freedom with building performance. Industry and Scientific research are offering design professionals possibilities to start a new design movement. New paths are also starting to be tracked to reduce even more this building system footprint, stalking alternatives to Portland cement (PC). Today is already possible to build with the soil from the buildings’ ground. Leftovers from various industries are opening possibilities to decrease the PC and natural aggregates rate in printable mortars. From the industry, salt is becoming a possibility to be used in 3DPC. Sugar can ashes are improving the mortar performance reducing adjuvants. Construction and demolition waste can substitute natural aggregates and even offer new textures and color possibilities. Finally, to close this edition, the latest steps on the use of Phase Change Materials in additive manufacturing are collected to raise awareness to the next step of AM, the 4D printing.
The Hybrid Practitioner by Caroline Voet,Eireen Schreurs,Helen Thomas Pdf
Exploring different, interrelated roles for the architect and researcher The practice of architecture manifests in myriad forms and engagements. Overcoming false divides, this volume frames the fertile relationship between the cultural and scholarly production of academia and the process of designing and building in the material world. It proposes the concept of the hybrid practitioner, who bridges the gap between academia and practice by considering how different aspects of architectural practice, theory, and history intersect, opening up a fascinating array of possibilities for an active engagement with the present. The book explores different, interrelated roles for practicing architects and researchers, from the reproductive activities of teaching, consulting and publishing, through the reflective activities of drawing and writing, to the practice of building. The notion of the hybrid practitioner will appeal strongly to students, teachers and architectural practitioners as part of a multifaceted professional environment. By connecting academic interests with those of the professional realm, The Hybrid Practitioner addresses a wider readership embracing landscape design, art theory and aesthetics, European history, and the history and sociology of professions.
Brutalism Resurgent by Julia Gatley,Stuart King Pdf
Brutalism had its origins in béton brut – concrete in the raw – and thus in the post-war work of Le Corbusier. The British architects Alison and Peter Smithson used the term "New Brutalism" from 1953, claiming that if their house in Soho had been built, "it would have been the first exponent of the ‘New Brutalism’ in England". Reyner Banham famously gave the movement a series of characteristics, including the clear expression of a building’s structure and services, and the honest use of materials in their "as-found" condition. The Smithsons and Banham promoted the New Brutalism as ethic rather than aesthetic, privileging truth to structure, materials and services and the gritty reality of the working classes over the concerns of the bourgeoisie. But Brutalist architecture changed as it was taken up by others, giving rise to more sculptural buildings flaunting their raw materials, including off-form concrete, often in conjunction with bold structural members. While Brutalism fell out of vogue in the 1980s, recent years have seen renewed admiration for it. This volume is consistent with this broader resurgence, presenting new scholarship on Brutalist architects and projects from Skopje to Sydney, and from Harvard to Haringey. It will appeal to readers interested in twentieth-century architecture, and modern and post-war heritage. This book was originally published as a special issue of Fabrications: the Journal of the Society of Architectural Historians, Australia and New Zealand.
A passionate and personal book about the writer's own love for a controversial architectural style. Whether you love or hate brutalist buildings, this book will explain what it is about them that elicits such strong feeling. You will understand the true power of concrete and of mammoth-sized buildings, but also some of the more subtle aspects of brutalist buildings that you may not have known or considered. Brutalist architecture, which flourished in the 1950s to mid-1970s, gained its name from the term ' Béton-brut', or raw concrete – the material of choice for the movement. British architectural critic Reyner Banham adapted the term into 'brutalism' (originally 'New Brutalism') to identify the emerging style. The architectural style – typified by buildings such as Trellick Tower in London and Unité D'Habitation in Marseille – is controversial but has an enthusiastic fan base, including the author who is on a mission to explain his passion. John Grindrod's book will be enlightening for those new to the subject, bringing humour, insight and honesty to the subject but will also interest those already immersed in built culture. Illustrated with striking drawings by The Brutal Artist, the book is divided up into a series of mini essays that explains the brutalist world from a human aspect, as well as an architectural, historical and even pop cultural angle. The book journeys from the UK to discover brutalism and its influence around the world – from Le Corbusier's designs in Chandigarh, India, to Lina Bo Bardi's buildings in Brazil.
This book proposes alternative interpretations of broadly-debated concepts within architectural modernity. Bringing into view the work of lesser-known architects from across the globe, alongside previously unexplored aspects of mainstream masters of the Modern, Rethinking Modernity puts forward a compelling case for the range and diversity of architectural projects encompassed by this term. Exploring themes such as the use of colour, materials, ornament, local traditions and identities, Rethinking Modernity challenges readers to build a better understanding of a crucial moment in architectural history, and of design trends shaping the present-day production of the built environment. Complementing the RIBA Publishing titles Redefining Brutalism and Revisiting Postmodernism, this book sits within a series of books aiming to explore new interpretations of well-loved architectural movements, richly illustrated with rarely-seen archive photography and lesser-known projects.
AN OBSERVER BOOK OF THE YEAR Beginning in a tiny hermitage on the remote north Scottish coast, and ending up backstage at the National Theatre, Raw Concrete embarks on a wide-ranging journey through Britain over the past sixty years, stopping to examine how eight extraordinary buildings were made - from commission to construction - why they have been so vilified, and why they are beginning to be loved.
From luxury apartment towers to offices, places of worship to museums, brutalist architecture is having a 21st-century moment— and this book is here to explore the new interpretations of the style. Designed with the same bold aesthetic that informed Le Corbusier himself, this book features fifty recent examples of how architects around the world are embracing the principles of brutalism — simplicity, functionality, and rawness — reimagining them for today’s standards and tastes. Drawing from the radical approach of the controversial architectural movement, today’s Brutalist buildings are both sophisticated and elegant. As the hundreds of exterior and interior photos in this book reveal, architects have taken advantage of new technology to make concrete-based structures that are refined and alluring, as well as stylish and modish unlike their predecessors. Each chapter is dedicated to a different type of building and is introduced with a selection of iconic structures as an essential visual reference for Brutalism’s new look. In some instances the overall strength of the aesthetic is paired with equally forceful materials such as glass, metal and brick; other examples show how classically brutalist lines are integrated into generously proportioned, light-filled spaces. An informative celebration of Brutalist architecture’s legacy, this book is an exciting exploration of how today’s most innovative architects are discovering the inherent beauty of powerful concrete volumes that was at the heart of Le Corbusier’s original vision.
Heroic by Mark Pasnik,Chris Grimley,Michael Kubo Pdf
Often problematically labeled as “Brutalist” architecture, the concrete buildings that transformed Boston during 1960s and 1970s were conceived with progressive-minded intentions by some of the world’s most influential designers, including Marcel Breuer, Le Corbusier, I. M. Pei, Henry Cobb, Araldo Cossutta, Gerhard Kallmann and Michael McKinnell, Paul Rudolph, Josep Lluís Sert, and The Architects Collaborative. As a worldwide phenomenon, building with concrete represents one of the major architectural movements of the postwar years, but in Boston it was deployed in more numerous and diverse civic, cultural, and academic projects than in any other major U.S. city. After decades of stagnation and corrupt leadership, public investment in Boston in the 1960s catalyzed enormous growth, resulting in a generation of bold buildings that shared a vocabulary of concrete modernism. The period from the 1960 arrival of Edward J. Logue as the powerful and often controversial director of the Boston Redevelopment Authority to the reopening of Quincy Market in 1976 saw Boston as an urban laboratory for the exploration of concrete’s structural and sculptural qualities. What emerged was a vision for the city’s widespread revitalization often referred to as the “New Boston.” Today, when concrete buildings across the nation are in danger of insensitive renovation or demolition, Heroic presents the concrete structures that defined Boston during this remarkable period—from the well-known (Boston City Hall, New England Aquarium, and cornerstones of the Massachusetts Institute of Technology and Harvard University) to the already lost (Mary Otis Stevens and Thomas F. McNulty’s concrete Lincoln House and Studio; Sert, Jackson & Associates’ Martin Luther King Jr. Elementary School)—with hundreds of images; essays by architectural historians Joan Ockman, Lizabeth Cohen, Keith N. Morgan, and Douglass Shand-Tucci; and interviews with a number of the architects themselves. The product of 8 years of research and advocacy, Heroic surveys the intentions and aspirations of this period and considers anew its legacies—both troubled and inspired.
"A lively journey around the world's brutalist buildings" Frieze.com "A dazzlingly shot whistle-stop of the much-maligned style's greatest hits ... the book showcases confidence, clarity and the historical importance of the movement." Monocle No modern architectural movement has aroused so much awe and so much ire as Brutalism. This is architecture at its most assertive: compelling, distinctive, sometimes terrifying. But, as Concrete Concept shows, Brutalism can be about love as well as hate. This inspiring and informative photographic survey profiles 50 brutalist buildings from around the world. Travelling the globe – from Le Corbusier's Unite d’Habitation (Marseille, France), to the Former Whitney Museum (New York City, USA) to Preston Bus Station (Preston, UK) – this book covers concrete architecture in its most extraordinary forms, demonstrating how Brutalism has changed our landscapes and infected popular culture. Now in a stylish mini format, this is the perfect tour of Brutalism's biggest hits.
Embodied and Whole Life Carbon will change the way buildings are designed, yet carbon emissions associated with the construction and life of buildings are not yet wholly understood by the profession. Energy is assumed to be the province of services engineers, yet energy from materials is as big an issue. Architects have the opportunity to take the lead in redefining how buildings are designed to achieve a low carbon future.