Redhead And The Slaughter King Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Redhead And The Slaughter King book. This book definitely worth reading, it is an incredibly well-written.
Redhead and the Slaughter King by Megan Falley Pdf
The dark, sexy, and dangerous landscape of Redhead and the Slaughter King is illuminated by its truth-slinging author, Megan Falley. More than a collection of poems, this book serves as a survival guide for anyone who has ever been a daughter. Knotted with gritty tales of addiction, mental illness, and girlhood, Redhead and the Slaughter King is the prequel to every time someone asked the question, "How did I end up here?"
As if she discovered a small army of silenced women captive in her pen, Megan Falley releases them in the spilled ink that is her most brilliant collection of poems, After the Witch Hunt. Demanding "if you really love a writer, bury her in all your awful and watch as she scrawls her way out," her book does exactly that. An incessant digging, a journey in building escape routes, armed with both humor and a brazen darkness, each poem in this book of bloodletting is another swing of the pick and axe in this young woman's labor, insistent upon light.
A Constellation of Half-Lives is a collection of poems that attempt to reconcile the crisis of living on a collapsing planet with the unreasonable joy of loving and the pleasure of being alive. With careful precision and an exquisite eye for detail, poet Seema Reza examines what it means to be a mother, a daughter, and an American in a time of war. Through second-person poems she questions whether the beauty of this world outweighs its fragility and risk.
The poems in Help in the Dark Season expose lessons of adult and childhood trauma, relationship joys and failures, and the all-around hard work of true togetherness. Help in the Dark Season explores the pathway of human love as it begins in the dark, moves into parental hands, transfers into to experiments of the heart, grows, breaks, and ultimately transforms us more than any other experience we withstand. Each poem walks us into Jacqueline Suskin’s world, where dreams and sacred visions are just as important as reality, where planet earth is an active character and spouse, and every attempt at love adds up as wisdom worth remembering. There are so many ways for us to access love; these poems map this personal process, uncovering the helpful tools and healing realizations that Suskin has gathered while conjuring up and relentlessly believing in love. Even when it hurts us the most and causes the worst confusion, even when it’s laughable and foolish, these poems aim to provide proof that human connection is crucial and always worth the risk.
This is an account of an ethnically and racially diverse classroom of funny, endearing, and often poignant six-year-olds in a Seattle inner-city elementary school. The author, their volunteer literary coach, describes the classroom, their heroic teacher, a number of clever teaching modules, and the evolution of this school toward excellence. The children’s confidences, essays, and poetry sparkle with humor, and the unexpected viewpoints of childhood. Eight captivating students are profiled and featured for us in line drawing illustrations. In the final chapters some startling school district data is introduced as well as three common-sense recommendations to give all kids a fair chance in school. Having learned so much about the realities of public elementary education in her five years in the classroom, the author wanted to share the good news of what is possible with others who might otherwise view this as a grim subject.
MultiVerse does for superheroes what Rob Sturma's first anthology Aim For The Head did for zombies: It tackles what could be dismissed as a genre novelty and through the words of page and stage poets, finds the heart, pathos, and humor involved in the otherworld of those with superhuman abilities. Welcome to an examination of the many facets of what it means to be a hero.
How to Love the Empty Air by Cristin O'Keefe Aptowicz Pdf
New York Times bestselling nonfiction writer and poet Cristin O’Keefe Aptowicz’s How to Love the Empty Air reaches new heights in her revelatory seventh collection of poetry. Continuing in her tradition of engaging autobiographical work, How to Love the Empty Air explores what happens when the impossible becomes real?for better and for worse. Aptowicz’s journey to find happiness and home in her ever-shifting world sees her struggling in cities throughout America. When her luck changes?in love and in life?she can’t help but “tell the sun / tell the fields / tell the huge Texas sky.... / tell myself again and again until I believe it.” However, the upward trajectory of this new life is rocked by the sudden death of the poet’s mother. In the year that follows, Aptowicz battles the silencing power of grief with intimate poems burnished by loss and a hard-won humor, capturing the dance that all newly grieving must do between everyday living and the desire “to elope with this grief, / who is not your enemy, / this grief who maybe now is your best friend. / This grief, who is your husband, / the thing you curl into every night, / falling asleep in its arms...” As in her award-winning The Year of No Mistakes, Aptowicz counts her losses and her blessings, knowing how despite it all, life “ripples boundless, like electricity, like joy / like... laughter, irresistible and bright, / an impossible thing to contain.”
In her debut poetry collection, Ordinary Cruelty, Amber Flame spells out rituals in everyday decisions to hold on or let go. While questioning the role of elder, mentor, mother in the face of losing those figures, Flame details the unrelenting nature of parenthood through the cycles of grief. Her poems exuberantly rejoice in the brown skin of the female body, while soberly acknowledging the societal dangers of claiming such skin as home. Flame takes the reader through a visceral examination of the body's processes of both dying and continuing to live and the joy to be found while we do.
Megan Falley’s much-anticipated fourth collection of poetry shocks you with its honesty: whether through exacting wit or lush lyrical imagery. It is clear that the author is madly in love, not only with her partner for whom she writes both idiosyncratic and sultry poems for, but in love with language, in love with queerness, in love with the therapeutic process of bankrupting the politics of shame. These poems tackle gun violence, toxic masculinity, LGBTQ* struggles, suicidality, and the oppression of women’s bodies, while maintaining a vivid wildness that the tongue aches to speak aloud. Known best for breathtaking last lines and truths that will bowl you over, Drive Here and Devastate Me will “relinquish you from the possibility of meeting who you could have been, and regretting who you became.”
Our Poison Horse is the newest poetry collection released by Derrick C. Brown. Brown is the winner of the Texas Book of The Year Prize, 2013. The New York Times calls his work a "...rekindling of the faith in the shocking, weird and beautiful power of words." Brown finally sold the ship, The Sea Section, upon which he lived for years in the Long Beach harbor, after which he took to hunting for a city that was affordable and had a bustling writer's community. He landed in Austin, Texas and when the progress of that town got to be intense, he moved to the nearby countryside in Elgin, Texas, and from that pastoral setting came unfurling this new collection of his most personal work to date. Brown has been known as one of the most touring, well travelled living poets in America. He has based his whole writing career on changing peoples minds about poetry and he feels a quality, unforgettable live experience can achieve that. Brown told himself he needed a 10-year hiatus from writing poetry when he felt the well of creativity had dried up. 2 years ago, he wrote a one-hour long 'poetic play' called Strange Light, commissioned by The Noord Nederlands Dans Group in Holland. The piece was performed by 14 dancers and accompanied by a live orchestra using music composed by fellow Americans, Emily Wells and Timmy Straw. While he was working on a new libretto for Wayne State University in Detroit, he was set up in a seemingly pastoral country setting, where, as Brown says, "an incredible war broke out inside and out, such bright, massive storms, snakes, guns, howling wind, hard sun: all kinds of poems gushed forth. I gave in to the process and my best work to date was born, this will be my 5th book." Our Poison Horse touches on more autobiography than the romantic and fantastical that was so present in his past work. In Derrick Brown's words: "I found a poetry in the real events that shaped or broke me. Every morning, I would quiet down, stare out into the field where we were watching our neighbors horse, a horse that was poisoned with pesticide by some local boys, a horse with massive scars all down its body from it's skin peeling from the poison sprayed upon it maliciously by some bastard kids. I watched the horse heal and finally come to me, and trust me and eat carrots. Something about that horse, Lacey, about it not trusting me and then warming up pulled something out of me that I didn't know I was ready for. There is a theme that in beautiful places, you will
Nicole Homer's first full-length poetry collection, Pecking Order, is an unflinching look at how race and gender politics play out in the domestic sphere. Homer challenges the notion of family by forcing the reader to examine how race, race performance, and colorism impact motherhood immediately and from generation to generation. In a world where race and color often determine treatment, the home should be sanctuary, but often is not. Homer's poems question the construction of racial identity and how familial love can both challenge and bolster that construction. Her poems range from the intimate details of motherhood to the universal experiences of parenting; the dynamics of multiracial families to parenting black children; and the ingrained social hierarchy which places the black mother at the bottom. Homer forces us to reckon with the truth that no one–not even the mother–is unbiased.
Bill Moran's collection, Oh God Get Out Get Out, goes through us like ugly medicine. It wades through his anxietywater— the grief, trauma, mental illness, money, addiction, deceased friends, and long EMS shifts— all pooled inside the depressed deathmetal kid, his thirsty mouth held open and up to heaven, wanting to die. It walks him and his audience through the haunted house that we are, the one we hate living in. It doesn't look away from the dark. It kindly refuses an early exit. It keeps the death off by leaning into it. Hems it in like a band shirt, animal coat, tv show, or god we can wear when our own bodies are worn out. It eats its way out of Moran and his audience, the same way he will leave this world: wet with its Ugly, wearing the Ugly like a deathmetal shirt, carrying armfuls of Ugly out with him. You'll hate the taste, but he swears you can drink this like medicine. When you want to disappear, it is light you can douse yourself in. When you want to get the hell out, it will clean house. It really hopes you'll stay.
With the perfect blend of wit, eloquence, and honesty, Taylor Mali's poems delight, haunt, and illuminate with equal measure every subject they celebrate. Bouquet of Red Flags is laced with more than the typical LSD (love, sex, divorce) of modern poetry. Here lie poems that elevate the overlooked daily miracles of coincidence ("The Luck I Crave") as well as the blessings of loss and longing ("Love as a Form of Diving"). Whether employing form or rhyme or merely crafting the artful prose he is known for, Taylor Mali delivers entertaining epiphanies spiced with the "Deepest Condiments."
The top-selling queer poet in America, Andrea Gibson's Pansy balances themes of love, gender, politics, sexuality, illness, family and forgiveness with stunning imagery and a fierce willingness to delve into the exploration of what it means to truly heal. Each turn of the page represents both that which as been forgotten and that which is yet to be released. While this book is a rally cry for political action, it is also a celebration of wonder and longing and love.