Refractions Of Reality Philosophy And The Moving Image
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Refractions of Reality: Philosophy and the Moving Image by John Mullarkey Pdf
This is the first book to explore all central issues surrounding the relationship between the film-image and philosophy. It tackles the work of particular philosophers of film (Žižek, Deleuze and Cavell) as well as general philosophical positions (Cognitivist and Culturalist), and analyses the ability of film to teach and create philosophy.
New Takes in Film-Philosophy by H. Carel,G. Tuck Pdf
This collection displays a range of approaches and contemporary developments in the expanding field of film-philosophy. The essays explore central issues surrounding the conjunction of film and philosophy, presenting a varied yet coherent reflection on the nature of this conjunction.
Plato and the Moving Image by Shai Biderman,Michael Weinman Pdf
Plato and the Moving Image shows how and why debates in the philosophy of film can be advanced through the study of the role of images in Plato’s dialogues, and vice versa.
Ecologies of the Moving Image by Adrian J. Ivakhiv Pdf
This book presents an ecophilosophy of cinema: an account of the moving image in relation to the lived ecologies – material, social, and perceptual relations – within which movies are produced, consumed, and incorporated into cultural life. If cinema takes us on mental and emotional journeys, the author argues that those journeys that have reshaped our understanding of ourselves, life, and the Earth and universe. A range of styles are examined, from ethnographic and wildlife documentaries, westerns and road movies, sci-fi blockbusters and eco-disaster films to the experimental and art films of Tarkovsky, Herzog, Malick, and Brakhage, to YouTube's expanding audio-visual universe.
Terrence Malick and the Thought of Film by Steven Rybin Pdf
As the director of Badlands, Days of Heaven, The Thin Red Line, and The New World, Terrence Malick has created a remarkable body of work that enables imaginative acts of philosophical interpretation. Steven Rybin's Terrence Malick and the Thought of Film looks closely at the dialogue between Malick's films and our powers of thinking, showing how his work casts the philosophy of thinkers such as Stanley Cavell, Martin Heidegger, Walter Benjamin, Andr Bazin, Edgar Morin, and Immanuel Kant in new cinematic light. With a special focus on how the voices of Malick's characters move us to thought, Terrence Malick and the Thought of Film offers new readings of his films and places Malick's work in the context of recent debates in the interdisciplinary field of film and philosophy. Rybin also provides a postscript on Malick's recently-released fifth film, The Tree of Life.
The Palgrave Handbook of the Philosophy of Film and Motion Pictures by Noël Carroll,Laura T. Di Summa,Shawn Loht Pdf
This handbook brings together essays in the philosophy of film and motion pictures from authorities across the spectrum. It boasts contributions from philosophers and film theorists alike, with many essays employing pluralist approaches to this interdisciplinary subject. Core areas treated include film ontology, film structure, psychology, authorship, narrative, and viewer emotion. Emerging areas of interest, including virtual reality, video games, and nonfictional and autobiographical film also have dedicated chapters. Other areas of focus include the film medium’s intersection with contemporary social issues, film’s kinship to other art forms, and the influence of historically seminal schools of thought in the philosophy of film. Of emphasis in many of the essays is the relationship and overlap of analytic and continental perspectives in this subject.
European Cinema and Continental Philosophy by Thomas Elsaesser Pdf
This groundbreaking volume for the Thinking Cinema series focuses on the extent to which contemporary cinema contributes to political and philosophical thinking about the future of Europe's core Enlightenment values. In light of the challenges of globalization, multi-cultural communities and post-nation state democracy, the book interrogates the borders of ethics and politics and roots itself in debates about post-secular, post-Enlightenment philosophy. By defining a cinema that knows that it is no longer a competitor to Hollywood (i.e. the classic self-other construction), Elsaesser also thinks past the kind of self-exoticism or auto-ethnography that is the perpetual temptation of such a co-produced, multi-platform 'national cinema as world cinema'. Discussing key filmmakers and philosophers, like: Claire Denis and Jean-Luc Nancy; Aki Kaurismäki, abjection and Julia Kristeva; Michael Haneke, the paradoxes of Christianity and Slavoj Zizek; Fatih Akin, Alain Badiou and Jacques Rancière, Elsaesser is able to approach European cinema and assesses its key questions within a global context. His combination of political and philosophical thinking will surely ground the debate in film philosophy for years to come.
New Philosophies of Film by Robert Sinnerbrink Pdf
This is a critical exploration of analytic and Continental philosophies of film, which puts film-philosophy into practice with detailed discussions of three filmmakers. The book includes philosophical readings of three key contemporary filmmakers: Malick, Lynch and Von Trier. It also features links to online resources, guides to further reading and a filmography.
The Anthem Handbook of Screen Theory by Hunter Vaughan,Tom Conley Pdf
The Anthem Handbook of Screen Theory offers a unique and progressive survey of screen theory and how it can be applied to a range of moving-image texts and sociocultural contexts. Focusing on the “handbook” angle, the book includes only original essays from established authors in the field and new scholars on the cutting edge of helping screen theory evolve for the twenty-first-century vistas of new media, social shifts and geopolitical change. This method guarantees a strong foundation and clarity for the canon of film theory, while also situating it as part of a larger genealogy of art theories and critical thought, and reveals the relevance and utility of film theories and concepts to a wide array of expressive practices and specified arguments. The Anthem Handbook of Screen Theory is at once inclusive, applicable and a chance for writers to innovate and really play with where they think the field is, can and should be heading.
Ecocinema Theory and Practice by Stephen Rust,Salma Monani,Sean Cubitt Pdf
This is an anthology that offers a comprehensive introduction to the rapidly growing field of eco-film criticism, a branch of critical scholarship that investigates cinema's intersections with environmental understandings.
Noël Carroll is one of the most prolific, widely-cited and distinguished philosophers of art, but how, specifically, has cinema impacted his thought? This book, one of the first in the acclaimed 'Film Thinks' series, argues that Carroll's background in both cinema and philosophy has been crucial to his overall theory of aesthetics. Often a controversial figure within film studies, as someone who has assertively contested the psychoanalytic, semiotic and Marxist cornerstones of the field, his allegiance to alternative philosophical traditions has similarly polarised his readership. Mario Slugan proposes that Carroll's defence of the notions of truth and objectivity provides a welcome antidote to 'anything goes' attitudes and postmodern scepticism towards art and popular culture, including film. Carroll's thinking has loosened the grip of continental philosophers on cinema studies - from Maurice Merleau-Ponty to Gilles Deleuze and Jacques Lacan - by turning to cognitive and analytical approaches. Slugan goes further to reveal that Carroll's methods of evaluation and interpretation in fact, usefully bridge gaps between these `opposing' sides, to look at artworks anew. Throughout, Slugan revisits and enriches Carroll's definitions of popular art, mass art, horror, humour and other topics and concludes by tracing their origins to this important thinker's relationship with the medium of cinema.
Iranian Cinema and Philosophy by Farhang Erfani Pdf
In film studies, Iranian films are kept at a distance, as 'other,' different, and exotic. In reponse, this book takes these films as philosophically relevant and innovative. Each chapter of this book is devoted to analyzing a single film, and each chapter focuses on one philosopher and one particular aesthetic question.
The Poverty of Philosophy: Readings in Non and Other Philosophies and Arts of Imminence kicks off with an 8,000 word overture, “Poverty of Philosophy” introducing non-philosophy and its progenitor, François Laruelle, his inspirations by, rapports and connections with other ‘philosophers of immanence’ (Nietzsche, Henry, Deleuze, Derrida...) as well as exploring, and also drawing some conclusions as to the possibilities of its present, and/or feasible impact on culture, politics and the arts, there follows the Anthology of NON, and other Philosophies and Arts of Immanence, comprised of some 300 excerpts from some 140 published sources, many signed by Laruelle, and many of the others by French, Anglophone, as well as Eastern European writers, artists, philosophers, scholars, critics and thinkers who extend his insights in the various domains of human endeavor. Very often translated from the French, and frequently commented, these excerpts are arranged alphabetically under 88 topics, from Actor to World, the complete list of them following my introduction, in a table of contents keyed to page #’s for each of them. Following are close readings in Beitchman’s five review essays, two of works of Laruelle, and of three by scholars here very much in his wake: “The Machinery of Control (Sophie Lesueur, “Pensée machine et ordre politique”)”; “Universe, World, Philo-Fiction and Non-Action in Non-philosophy (François Laruelle, Tétralogos:)”; “Ecology, Sacred and Profane (François Laruelle, En dernière humanité: la nouvelle science écologique)”; “The Philo-Fictions of Katerina Kolozova (Cut of the Real and 5 other works)”; “A Leap through Language: Non-Philosophy, Science and the Arts (Sergueï Khoruzhiy, “La non-philosophie de François Laruelle entre le Charybde de la transraison et le Scylla du scientisme”).” These essays provide a synoptic overview of non-philosophy from its inception to its latest non-standard philosophy avatar. Generally Beitchman’s focus is on language and vocabulary, and their associated arts, principally literary and performing—and on the way terms like World, Universe, Superposition and Philo-fiction are deployed, defined, re-defined or refused definition; also how modern science, once fractals, now more Quantum and Wave theory, in concert with these imponderables, expands the horizon of the thinkable, conceivable and above all the feasible.
Transformational Ethics of Film by Martin P. Rossouw Pdf
Charting new routes for film ethics, Transformational Ethics of Film develops a critical account of the ethics of personal transformation at work within the ‘film as philosophy’ debate.