Author : Bernard Malamud
Publisher : Unknown
Page : 155 pages
File Size : 52,5 Mb
Release : 1980
Category : Electronic
ISBN : OCLC:251399166
Rembrandt's hat
Bernard Malamud
Rembrandt S Hat
Rembrandt S Hat Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Rembrandt S Hat book. This book definitely worth reading, it is an incredibly well-written.
Rembrandt's Hat
Bernard Malamud
Author : Bernard Malamud
Publisher : Farrar, Straus and Giroux
Page : 226 pages
File Size : 43,8 Mb
Release : 1973-01-01
Category : Fiction
ISBN : 9781466805934
Rembrandt's Hat by Bernard Malamud Pdf
This collection of short stories by Bernard Malamud includes: The Silver Crown Man in the Drawer The Letter In Retirement Rembrandt's Hat Notes from a Lady at a Dinner Party My Son the Murderer Talking Horse
Rembrandt's Hat
Malamud, B.
Author : Malamud, B.
Publisher : Unknown
Page : 112 pages
File Size : 54,8 Mb
Release : 1974
Category : Electronic
ISBN : LCCN:94840996
Rembrandt's Hat by Malamud, B. Pdf
A Corpus of Rembrandt Paintings VI
Ernst van de Wetering
Author : Ernst van de Wetering
Publisher : Springer
Page : 736 pages
File Size : 51,5 Mb
Release : 2014-11-11
Category : Art
ISBN : 9789401792400
A Corpus of Rembrandt Paintings VI by Ernst van de Wetering Pdf
A revised survey of Rembrandt’s complete painted oeuvre. The question of which 17th-century paintings in Rembrandt’s style were actually painted by Rembrandt himself had already become an issue during his lifetime. It is an issue that is still hotly disputed among art historians today. The problem arose because Rembrandt had numerous pupils who learned the art of painting by imitating their master or by assisting him with his work as a portrait painter. He also left pieces unfinished, to be completed by others. The question is how to determine which works were from Rembrandt’s own hand. Can we, for example, define the criteria of quality that would allow us to distinguish the master’s work from that of his followers? Do we yet have methods of investigation that would deliver objective evidence of authenticity? To what extent do research techniques used in the physical sciences help? Or are we, after all, still dependent on the subjective, expert eye of the connoisseur? The book provides answers to these questions. Prof. Ernst van de Wetering, the author of our forthcoming book which deals with these questions, has been closely involved in all aspects of this research since 1968, the year the renowned Rembrandt Research Project (RRP) was founded. In particular, he played an important role in developing new criteria for authentication. Van de Wetering was also witness to the way the often overly zealous tendency to doubt the authenticity of Rembrandt’s paintings got out of hand. In this book he re-attributes to the master a substantial number of unjustly rejected Rembrandts. He also was closely involved in the (re)discovery of a considerable number of lost or completely unknown works by Rembrandt. The verdicts of earlier specialists – including the majority of members of the original RRP (up to 1989) – were based on connoisseurship: the self-confidence in one’s ability to recognise a specific artist’s style and ‘hand’. Over the years, Van de Wetering has carried out seminal research into 17th-century studio practice and ideas about art current in Rembrandt’s time. In this book he demonstrates the fallibility of traditional connoisseurship, especially in the case of Rembrandt, who was par excellence a searching artist. The methodological implications of this critical view are discussed in an introductory chapter which relates the history of the developments in this turbulent field of research. Van de Wetering’s account of his own involvement in it makes this book a lively and sometimes unexpectedly personal account. The catalogue section presents a chronologically ordered survey of Rembrandt’s entire painted oeuvre of 336 paintings, richly illustrated and annotated. For all the paintings re-attributed in this book, extensive commentaries have been included that provide a multi-facetted new insight into Rembrandt’s world and the world of art-historical research. Rembrandt’s Paintings Revisited is the concluding sixth volume of A Corpus of Rembrandt Paintings (Volumes I-V; 1982, 1986, 1989, 2005, 2010). It can also be read as a revisionary critique of the first three Volumes published by the old RRP team up till 1989 and of Gerson’s influential survey of Rembrandt’s painted oeuvre of 1968/69. At the same time, the book is designed as an independent overview that can be used on the basis that anyone seeking more detailed information will be referred to the five previous (digital versions of the) Volumes and the detailed catalogues published in the meantime by the various museums with collections of Rembrandt paintings. This work of art history and art research should belong in the library of every serious art historical institute, university or museum.
A Corpus of Rembrandt Paintings IV
Ernst van de Wetering
Author : Ernst van de Wetering
Publisher : Springer Science & Business Media
Page : 724 pages
File Size : 46,8 Mb
Release : 2010-07-19
Category : Art
ISBN : 9781402044410
A Corpus of Rembrandt Paintings IV by Ernst van de Wetering Pdf
Volume IV of A Corpus of Rembrandt Paintings deals uniquely with the self-portraits of Rembrandt. In a clearly written explanatory style the head of the Rembrandt Research Project and Editor of this Volume, Ernst van de Wetering, discusses the full body of work of paintings and etchings portraying Rembrandt. He sets the different parameters for accepting or rejecting a Rembrandt self-portrait as such, whilst also discussing the exact working environment of Rembrandt and his apprentices. This workshop setting created a surroundings where apprentices could be involved in working on Rembrandt paintings making it more difficult to determine the hand of the master. Van de Wetering, who is one of the Rembrandt experts of our day and age, goes down to great detail to explain how the different self-portraits are made and what techniques Rembrandt uses, also giving an overview of which paintings are to be attributed to the Dutch Master and which not. In the additional catalogue the self-portraits are examined in detail. In clear and accessible explanatory text the different paintings are discussed, larded with immaculate images of each painting. Details are shown where possible, as well as the results of modern day technical imaging like X-radiography. This work of art history and art research should be part of every serious art historical institute, university or museum. Nowhere in the art history have all Rembrandt’s self portraits been discussed in such detailed and comparative manner by an authority such as Ernst van de Wetering. This is a standard work for decades to come.
Rembrandt's Hat
Susan Blackaby,Mary Newell DePalma
Author : Susan Blackaby,Mary Newell DePalma
Publisher : Houghton Mifflin Harcourt
Page : 32 pages
File Size : 44,7 Mb
Release : 2002
Category : Juvenile Fiction
ISBN : 0618114521
Rembrandt's Hat by Susan Blackaby,Mary Newell DePalma Pdf
When Rembrandt the bear loses his special lucky hat, he finds that neither a bird, nor a cat, nor a clown hat can replace it.
Der sokratische Künstler
Jürgen Müller
Author : Jürgen Müller
Publisher : BRILL
Page : 348 pages
File Size : 54,9 Mb
Release : 2015-02-04
Category : History
ISBN : 9789004289642
Der sokratische Künstler by Jürgen Müller Pdf
Die Studie untersucht die ironische Erzählweise Rembrandts und stellt dabei dessen Nachtwache ins Zentrum der Untersuchung. Zentral ist dabei die kritische Auseinandersetzung mit der klassizistischen Kunsttheorie eines Franciscus Junius. The study analyzes Rembrandt’s ironic narrative techniques, focusing on the artist’s group portrait the Night Watch. Central to the inquiry is the artist’s critical engagement with the classical art theory of Franciscus Junius.
Stealing Rembrandts
Anthony M. Amore,Tom Mashberg
Author : Anthony M. Amore,Tom Mashberg
Publisher : St. Martin's Press
Page : 272 pages
File Size : 53,5 Mb
Release : 2011-07-05
Category : Art
ISBN : 9780230337428
Stealing Rembrandts by Anthony M. Amore,Tom Mashberg Pdf
Anthony M. Amore and Tom Mashberg's Stealing Rembrandts is a spellbinding journey into the high-stakes world of art theft Today, art theft is one of the most profitable criminal enterprises in the world, exceeding $6 billion in losses to galleries and art collectors annually. And the masterpieces of Rembrandt van Rijn are some of the most frequently targeted. In Stealing Rembrandts, art security expert Anthony M. Amore and award-winning investigative reporter Tom Mashberg reveal the actors behind the major Rembrandt heists in the last century. Through thefts around the world - from Stockholm to Boston, Worcester to Ohio - the authors track daring entries and escapes from the world's most renowned museums. There are robbers who coolly walk off with multimillion dollar paintings; self-styled art experts who fall in love with the Dutch master and desire to own his art at all costs; and international criminal masterminds who don't hesitate to resort to violence. They also show how museums are thwarted in their ability to pursue the thieves - even going so far as to conduct investigations on their own, far away from the maddening crowd of police intervention, sparing no expense to save the priceless masterpieces. Stealing Rembrandts is an exhilarating, one-of-a-kind look at the black market of art theft, and how it compromises some of the greatest treasures the world has ever known.
Rembrandt's Jews
Steven Nadler
Author : Steven Nadler
Publisher : University of Chicago Press
Page : 279 pages
File Size : 48,9 Mb
Release : 2015-08-04
Category : Art
ISBN : 9780226360614
Rembrandt's Jews by Steven Nadler Pdf
There is a popular and romantic myth about Rembrandt and the Jewish people. One of history's greatest artists, we are often told, had a special affinity for Judaism. With so many of Rembrandt's works devoted to stories of the Hebrew Bible, and with his apparent penchant for Jewish themes and the sympathetic portrayal of Jewish faces, it is no wonder that the myth has endured for centuries. Rembrandt's Jews puts this myth to the test as it examines both the legend and the reality of Rembrandt's relationship to Jews and Judaism. In his elegantly written and engrossing tour of Jewish Amsterdam—which begins in 1653 as workers are repairing Rembrandt's Portuguese-Jewish neighbor's house and completely disrupting the artist's life and livelihood—Steven Nadler tells us the stories of the artist's portraits of Jewish sitters, of his mundane and often contentious dealings with his neighbors in the Jewish quarter of Amsterdam, and of the tolerant setting that city provided for Sephardic and Ashkenazic Jews fleeing persecution in other parts of Europe. As Nadler shows, Rembrandt was only one of a number of prominent seventeenth-century Dutch painters and draftsmen who found inspiration in Jewish subjects. Looking at other artists, such as the landscape painter Jacob van Ruisdael and Emmanuel de Witte, a celebrated painter of architectural interiors, Nadler is able to build a deep and complex account of the remarkable relationship between Dutch and Jewish cultures in the period, evidenced in the dispassionate, even ordinary ways in which Jews and their religion are represented—far from the demonization and grotesque caricatures, the iconography of the outsider, so often found in depictions of Jews during the Middle Ages and the Renaissance. Through his close look at paintings, etchings, and drawings; in his discussion of intellectual and social life during the Dutch Golden Age; and even through his own travels in pursuit of his subject, Nadler takes the reader through Jewish Amsterdam then and now—a trip that, under ever-threatening Dutch skies, is full of colorful and eccentric personalities, fiery debates, and magnificent art.
Rembrandt
John William Mollett
Author : John William Mollett
Publisher : Unknown
Page : 172 pages
File Size : 44,8 Mb
Release : 1879
Category : Artists
ISBN : UOM:39015062773323
Rembrandt by John William Mollett Pdf
Rembrandt Is in the Wind
Russ Ramsey
Author : Russ Ramsey
Publisher : Zondervan
Page : 289 pages
File Size : 50,9 Mb
Release : 2022-03-22
Category : Religion
ISBN : 9780310129738
Rembrandt Is in the Wind by Russ Ramsey Pdf
How do art and faith intersect? How does art help us see our own lives more clearly? What can we understand about God and humanity by looking at the lives of artists? Striving for beauty, art also reveals what is broken. It presents us with the tremendous struggles and longings common to the human experience. And it says a lot about our Creator too. Great works of art can speak to the soul in a unique way. Rembrandt Is in the Wind is an invitation to discover some of the world's most celebrated artists and works and how each of them illuminates something about God, people, and the purpose of life. Part art history, part biblical study, part philosophy, and part analysis of the human experience, this book is nonetheless all story. From Michelangelo to Vincent van Gogh to Edward Hopper, the lives of the artists in this book illustrate the struggle of living in this world and point to the beauty of the redemption available to us in Christ. Each story is different. Some conclude with resounding triumph while others end in struggle. But all of them raise important questions about humanity's hunger and capacity for glory, and all of them teach us to love and see beauty. "The artists featured in these pages—artists who devoted their lives and work to what is good, true, and beautiful—remind us that we can, and should, do the same." —Karen Swallow Prior, author of On Reading Well
Rembrandt
Rembrandt Harmenszoon van Rijn
Author : Rembrandt Harmenszoon van Rijn
Publisher : Unknown
Page : 322 pages
File Size : 51,8 Mb
Release : 1906
Category : Artists
ISBN : UOM:39015014058831
Rembrandt by Rembrandt Harmenszoon van Rijn Pdf
A Descriptive Catalogue of the Prints of Rembrandt
Thomas Wilson (solicitor, agent to Lord Portman.)
Author : Thomas Wilson (solicitor, agent to Lord Portman.)
Publisher : Unknown
Page : 280 pages
File Size : 55,5 Mb
Release : 1836
Category : Drawing
ISBN : HARVARD:32044108411257
A Descriptive Catalogue of the Prints of Rembrandt by Thomas Wilson (solicitor, agent to Lord Portman.) Pdf
Rembrandt's Religious Prints
Charles M. Rosenberg
Author : Charles M. Rosenberg
Publisher : Indiana University Press
Page : 496 pages
File Size : 41,6 Mb
Release : 2017-09-11
Category : Art
ISBN : 9780253025906
Rembrandt's Religious Prints by Charles M. Rosenberg Pdf
A stunning catalogue of the seventy religious prints from the 2017 exhibition, featuring detailed background information on each piece. Rembrandt’s stunning religious prints stand as evidence of the Dutch master’s extraordinary skill as a technician and as a testament to his genius as a teller of tales. Here, several virtually unknown etchings, collected by the Feddersen family and now preserved for the ages at the University of Notre Dame, are made widely available in a lavishly illustrated volume. Building on the contributions of earlier Rembrandt scholars, noted art historian Charles M. Rosenberg illuminates each of the seventyreligious prints through detailed background information on the artist’s career as well as the historical, religious, and artistic impulses informing their creation. Readers will enjoy an impression of the earliest work, The Circumcision (1625-26); the famous Hundred Guilder Print; the enigmatic eighth state of Christ Presented to the People; one of a handful of examples of the very rare final posthumous state of The Three Crosses; and an impression and counterproof of The Triumph of Mordecai. From the joyous epiphany of the coming of the Messiah to the anguish of the betrayal of a father (Jacob) by his children, from choirs of angels waiting to receive the Virgin into heaven to the dog who defecates in the road by an ancient inn (The Good Samaritan), Rembrandt’s etchings offer a window into the nature of faith, aspiration, and human experience, ranging from the ecstatically divine to the worldly and mundane. Ultimately, these prints—modest, intimate, fragile objects—are great works of art which, like all masterpieces, reward us with fresh insights and discoveries at each new encounter. “Despite many reliable catalogues of Rembrandt etchings, very few have focused on the religious content of these prints. The outstanding range of the Feddersen Collection offers an excellent occasion for closer examination of Rembrandt’s development—as a printmaker but also as a spiritual devout Christian, especially evident from his thoughtful return to the same subjects across his career. Charles Rosenberg and his team at the Snite Museum deserve our thanks for fresh analysis of Rembrandt’s religious prints, combined with the latest scholarship on the artist and his etchings output. Rembrandt scholars but also all lovers of the artist will want to consult this important catalogue.” —Larry Silver, author (with Shelley Perlove) of Rembrandt’s Faith: Church and Temple in the Dutch Golden Age “Rembrandt’s etchings of religious themes capture the emotional heart of their subjects through a uniquely inventive approach to both technique and content. . . . The seventy prints gathered by Jack and Alfrieda Feddersen span the full range of Rembrandt’s production and offer an outstanding resource for appreciation and research. This catalogue tells the fascinating story of how the collection was formed and brings a fresh analysis to each print. Charles Rosenberg’s extensive catalogue entries will be useful reading for anyone interested in the history of European art and one of its most talented practitioners, Rembrandt van Rijn.” —Stephanie Dickey, Queen’s University
A Corpus of Rembrandt Paintings
J. Bruyn,B. Haak,S.H. Levie,P.J.J. van Thiel,E. van de Wetering
Author : J. Bruyn,B. Haak,S.H. Levie,P.J.J. van Thiel,E. van de Wetering
Publisher : Springer Science & Business Media
Page : 815 pages
File Size : 53,7 Mb
Release : 2013-05-14
Category : Art
ISBN : 9789400908116
A Corpus of Rembrandt Paintings by J. Bruyn,B. Haak,S.H. Levie,P.J.J. van Thiel,E. van de Wetering Pdf
Since the second half of the last century art historians, realizing that the image of Rembrandt’s work had become blurred with time, have attempted to redefine the artist’s significance both as a source of inspiration to other artists and as a great artist in his own right. In order to carry on the work started by previous generations, a group of leading Dutch art historians from the university and museum world joined forces in the late 1960s in order to study afresh the paintings usually ascribed to the artist. The researchers came together in the Rembrandt Research Project which was established to provide the art world with a new standard reference work which would serve the community of art historians for the nearby and long future. They examined the originals of all works attributed to Rembrandt taking full advantage of today’s sophisticated techniques including radiography, neutron activation autoradiography, dendrochronology and paint sample analysis — thereby gaining valuable insight into the genesis and condition of the paintings. The result of this meticulous research is laid down chronologically in the following Volumes: A Corpus of Rembrandt Paintings, Volume I, which deals with works from Rembrandt’s early years in Leiden(1629-1631), published in 1982. A Corpus of Rembrandt Paintings, Volume II, covering his first years in Amsterdam (1631-1634), published in 1986. THIS VOLUME: A Corpus of Rembrandt Paintings, Volume III, goes into his later years of reputation (1635-1642), published in 1990. Each Volume consists of a number of Introductory Chapters as well as the full Catalogue of all paintings from the given time period attributed to Rembrandt. In this catalogue each painting is discussed and examined in a detailed way, comprising a descriptive, an interpretative and a documentary section. For the authenticity evaluation of the paintings three different categories are used to divide the works in: A. Paintings by Rembrandt, B. Paintings of which Rembrandt’s authorship cannot be positively either accepted or rejected, and C. Paintings of which Rembrandt’s authorship cannot be accepted. This volume (Volume III) contains 820 pages, starting of with three introductory chapters and discussing 86 paintings. In clear and accessible explanatory text all different paintings are discussed, larded with immaculate images of each painting. Details are shown where possible, as well as the results of modern day technical imaging. In this volume important paintings including the Night Watch are discussed.
