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Author : Anonim
Publisher : Unknown
Page : 398 pages
File Size : 45,9 Mb
Release : 1993
Category : English drama
ISBN : STANFORD:36105015988210
Author : Robert L. A. Clark
Publisher : First Circle Publishing
Page : 260 pages
File Size : 50,5 Mb
Release : 2014-07-05
Category : Drama
ISBN : 9780991976027
ROMARD: Research on Medieval and Renaissance Drama is an academic journal devoted to the study of Medieval and Renaissance drama in Europe. Previously published under the title of Research Opportunities in Renaissance Drama (RORD), the journal has been in publication since 1956. ROMARD is published annually at Western University (www.uwo.ca). For further details, please visit the ROMARD website at www.romard.org. The Ritual Life of Medieval Europe: Papers By and For C. Clifford Flanigan Guest Editor: Robert L. A. Clark Chief Editor: Mario B. Longtin Volume 52-53 is a double issue honouring the memory of C. Clifford Flanigan. It consists of the unpublished articles of Professor Flanigan, and articles in tribute by his friends and colleagues in the field.
Author : William E. Engel
Publisher : Oxford University Press, USA
Page : 222 pages
File Size : 40,9 Mb
Release : 2002
Category : History
ISBN : 0199257620
Table of contents
Author : S.P. Cerasano
Publisher : Associated University Presse
Page : 206 pages
File Size : 52,9 Mb
Release : 2015-09-30
Category : Literary Criticism
ISBN : 9780838644782
Medieval and Renaissance Drama in England is an international journal committee to the publication of essays and reviews relevant to drama and theatre history to 1642. This issue includes eight new articles and reviews of fourteen books.
Author : Dr. Mario Longtin
Publisher : First Circle Publishing
Page : 134 pages
File Size : 47,7 Mb
Release : 2024-05-20
Category : Drama
ISBN : 9780991976003
ROMARD is an academic journal devoted to the study and promotion of Medieval and Renaissance drama in Europe. Previously published under the title of Research Opportunities in Renaissance Drama (RORD), the journal has been in publication since 1956. ROMARD is published annually at the University of Western Ontario. Manuscripts are submitted to the Editor, Mario Longtin, via email at [email protected]. For further details, please visit the ROMARD website at www.romard.org.
Author : Andrew Hiscock
Publisher : A&C Black
Page : 222 pages
File Size : 50,5 Mb
Release : 2011-04-14
Category : Literary Criticism
ISBN : 9781847060921
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Author : Arthur F. Kinney
Publisher : Wiley-Blackwell
Page : 644 pages
File Size : 55,7 Mb
Release : 2002-06-10
Category : Literary Criticism
ISBN : 0631219501
This expansive, inter-disciplinary guide to Renaissance plays and the world they played to gives readers a colorful overview of England's great dramatic age. Provides an expansive and inter-disciplinary approach to Renaissance plays and the world they played to. Offers a colourful and comprehensive overview of the material conditions of England's most important dramatic period. Gives readers facts and data along with up-to-date interpretation of the plays. Looks at the drama in terms of its cultural agency, its collaborative nature, and its ideological complexity.
Author : Joe Falocco
Publisher : Boydell & Brewer
Page : 218 pages
File Size : 47,9 Mb
Release : 2010
Category : Drama
ISBN : 9781843842415
Numerous attempts have been made in the modern and postmodern era to recreate the staging conventions of Shakespeare's theatre, from William Poel to the founders of the New Globe. This volume examines the work of these directors, analyzing their practical successes and failures; it also engages with the ideological critiques of early modern staging advanced by scholars such as W.B. Worthen and Ric Knowles. The author argues that rather than indulging in archaism for its own sake, the movement looked backward in a progressive attempt to address the challenges of the twentieth century. The book begins with a re-examination of the conventional view of Poel as an antiquarian crank. Subsequent chapters are devoted to Harley Granville Barker and Nugent Monck; the author argues that while Barker's major contribution was the dubious achievement of establishing the movement's reputation as an essentially literary phenomenon, Monck took the first tentative steps toward an architectural reimagining of modern performance space, an advance which led to later triumphs in early modern staging. The book than traces the sporadic and irregular development of Tyrone Guthrie's commitment to early modern practices. The final chapter looks at how competing historical theories of playhouse design influenced the construction of the Globe, while the conclusion discusses the ongoing potential of early modern staging in the new millennium.
Author : Graham Holderness
Publisher : Univ of Hertfordshire Press
Page : 220 pages
File Size : 52,5 Mb
Release : 2002
Category : Performing Arts
ISBN : 1902806131
This volume brings together a collection of Graham Holderness's writings on Shakespeare in film and television. Published in books and journals between 1984 and 1998, these essays constitute a resource for the study of Shakespeare in the media.
Author : Ann Jennalie Cook
Publisher : Princeton University Press
Page : 328 pages
File Size : 54,8 Mb
Release : 2014-07-14
Category : Performing Arts
ISBN : 9781400853663
Besides documenting the predominant presence of privileged patrons in the audience, the author discusses the shape of the privileged life, the place of the privileged in the social structure, the forces that drew so many of them to London, and the factors that made them such avid theatergoers. Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author : John Pitcher,Susan P. Cerasano
Publisher : Fairleigh Dickinson Univ Press
Page : 300 pages
File Size : 43,7 Mb
Release : 1997-07
Category : Literary Criticism
ISBN : 0838637035
Medieval and Renaissance Drama in England is an international volume published every year in hardcover, containing essays and studies as well as book reviews of the many significant books and essays dealing with the cultural history of medieval and early modern England as expressed by and realized in its drama exclusive of Shakespeare.
Author : Michael J. Marcuse
Publisher : Univ of California Press
Page : 2816 pages
File Size : 53,8 Mb
Release : 2023-11-10
Category : Electronic
ISBN : 9780520321878
Author : Anonim
Publisher : Unknown
Page : 556 pages
File Size : 40,8 Mb
Release : 1985
Category : Drama
ISBN : UOM:39015042020142
Vols. for include reports of the Modern Language Association Conference on Research Opportunities in Renaissance Drama (called MLA Renaissance Drama Conference Group; 1961-62 Modern Language Conference on Opportunities for Research in Renaissance Drama). Vols. for 1972/73-1974 are the reports of the Modern Language Association seminar.
Author : Mary Beth Rose
Publisher : Northwestern University Press
Page : 180 pages
File Size : 40,6 Mb
Release : 1998
Category : Drama
ISBN : 0810116456
This is an annual publication devoted to understanding the drama as a central feature of Renaissance culture. The interdisciplinary essays explore the relationship of Renaissance dramatic traditions to their precursors and successors, and examine the impact of different forms of interpretation.
Author : John Rudlin
Publisher : Springer Nature
Page : 258 pages
File Size : 45,9 Mb
Release : 2022-10-24
Category : Performing Arts
ISBN : 9783031105111
The Metamorphoses of Commedia dell’Arte traces the steps by which Commedia has been transformed by cultural contact outside Italy into popular forms which bear little resemblance to the original. The book follows the Masks of Arlecchino, Pedrolino and Pulcinella as they gradually migrate and mutate into Harlequin, Mr. Punch and seaside Pierrot troupes. What happened to Pantalone, Scaramouche, Colombina and the male Lover is also investigated, though they had no final forms of their own. This study constitutes a history of what happened, notably in France and Great Britain, to a supremely popular theatrical genre as a result of changing fashions in entertainment brought on by societal developments, civil and industrial revolution and dynastic change. It investigates how the genre was exploited by management, and even its own stars, lost its vitality and gradually ended up in ‘sunken’ forms.