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Author : Janet S. Byrne,Metropolitan Museum of Art (New York, N.Y.)
Publisher : Metropolitan Museum of Art
Page : 146 pages
File Size : 42,5 Mb
Release : 1981
Category : Decoration and ornament, Renaissance
ISBN : 9780870992889
Author : Janet S. Byrne
Publisher : Metropolitan Museum of Art
Page : 128 pages
File Size : 41,7 Mb
Release : 1994-01-01
Category : Electronic
ISBN : 0810964716
Author : Brown University, Department of Art Staff
Publisher : Unknown
Page : 175 pages
File Size : 42,9 Mb
Release : 1980-04-01
Category : Electronic
ISBN : 0933519052
Author : Gregory Jecmen,Freyda Spira
Publisher : Ashgate Publishing, Ltd.
Page : 124 pages
File Size : 52,9 Mb
Release : 2012
Category : Art
ISBN : 1848221223
With a storied past and a strong imperial presence, the southern German city of Augsburg enjoyed a golden age in the late 15th and early 16th centuries - fostering artists such as Hans Burgkmair, Erhard Ratdolt, Daniel Hopfer, Jörg Breu and Hans Weiditz. Focusing on the drawings, prints and illustrated books Augsburg's artists created as well as the innovative printing techniques they used, this volume - the first of its kind in English - serves as an introduction to Augsburg, its artists and its cultural history, during this period.
Author : Cammy Brothers
Publisher : Unknown
Page : 142 pages
File Size : 55,8 Mb
Release : 2011
Category : Architecture, Renaissance
ISBN : 098350590X
Author : Alison Wright
Publisher : Yale University Press
Page : 354 pages
File Size : 44,5 Mb
Release : 2019-01-01
Category : Art
ISBN : 9780300238846
Frame Work explores how framing devices in the art of Renaissance Italy respond, and appeal, to viewers in their social, religious, and political context.
Author : Gülru Necipoğlu,Alina Payne
Publisher : Princeton University Press
Page : 464 pages
File Size : 43,5 Mb
Release : 2016-03-08
Category : Architecture
ISBN : 9780691167282
This lavishly illustrated volume is the first major global history of ornament from the Middle Ages to today. Crossing historical and geographical boundaries in unprecedented ways and considering the role of ornament in both art and architecture, Histories of Ornament offers a nuanced examination that integrates medieval, Renaissance, baroque, and modern Euroamerican traditions with their Islamic, Indian, Chinese, and Mesoamerican counterparts. At a time when ornament has re-emerged in architectural practice and is a topic of growing interest to art and architectural historians, the book reveals how the long history of ornament illuminates its global resurgence today. Organized by thematic sections on the significance, influence, and role of ornament, the book addresses ornament's current revival in architecture, its historiography and theories, its transcontinental mobility in medieval and early modern Europe and the Middle East, and its place in the context of industrialization and modernism. Throughout, Histories of Ornament emphasizes the portability and politics of ornament, figuration versus abstraction, cross-cultural dialogues, and the constant negotiation of local and global traditions. Featuring original essays by more than two dozen scholars from around the world, this authoritative and wide-ranging book provides an indispensable reference on the histories of ornament in a global context. Contributors include: Michele Bacci (Fribourg University); Anna Contadini (University of London); Thomas B. F. Cummins (Harvard); Chanchal Dadlani (Wake Forest); Daniela del Pesco (Universita degli Studi Roma Tre); Vittoria Di Palma (USC); Anne Dunlop (University of Melbourne); Marzia Faietti (University of Bologna); María Judith Feliciano (independent scholar); Finbarr Barry Flood (NYU); Jonathan Hay (NYU); Christopher P. Heuer (Clark Art); Rémi Labrusse (Université Paris Ouest Nanterre la Défense); Gülru Necipoğlu (Harvard); Marco Rosario Nobile (University of Palermo); Oya Pancaroğlu (Bosphorus University); Spyros Papapetros (Princeton); Alina Payne (Harvard); Antoine Picon (Harvard); David Pullins (Harvard); Jennifer L. Roberts (Harvard); David J. Roxburgh (Harvard); Hashim Sarkis (MIT); Robin Schuldenfrei (Courtauld); Avinoam Shalem (Columbia); and Gerhard Wolf (KHI, Florence).
Author : Mary L. Myers,Metropolitan Museum of Art (New York, N.Y.)
Publisher : Metropolitan Museum of Art
Page : 258 pages
File Size : 49,8 Mb
Release : 1991
Category : Architectural drawing
ISBN : 9780870996252
Author : Jill Kraye,Marc Laureys,David A. Lines
Publisher : V&R Unipress
Page : 315 pages
File Size : 46,9 Mb
Release : 2023-08-14
Category : History
ISBN : 9783847006282
This is the third and final volume of essays issuing from the Leverhulme International Network 'Renaissance Conflict and Rivalries: Cultural Polemics in Europe, c. 1300–c. 1650'. The overall aim of the network was to examine the various ways in which conflict and rivalries made a positive contribution to cultural production and change during the Renaissance. The present volume, which contains papers delivered at the third colloquium, draws that examination to a close by considering a range of different strategies deployed in the period to manage conflict and rivalries and to bring them to a positive resolution. The papers explore these developments in the context of political, diplomatic, social, institutional, religious, and art history.
Author : Marty Noble
Publisher : Courier Corporation
Page : 34 pages
File Size : 42,9 Mb
Release : 2012-09-11
Category : Design
ISBN : 9780486164441
Freshly rendered and richly detailed, the 129 designs in this collection depict cherubs, mythological animals, human faces and figures, floral and foliated designs, and many other items, all derived authentic sources.
Author : Bosiljka Raditsa
Publisher : Metropolitan Museum of Art
Page : 225 pages
File Size : 42,6 Mb
Release : 2000
Category : Art, Renaissance
ISBN : 9780870999536
Works in the Museum's collection that embody the Renaissance interest in classical learning, fame, and beautiful objects are illustrated and discussed in this resource and will help educators introduce the richness and diversity of Renaissance art to their students. Primary source texts explore the great cities and powerful personalities of the age. By studying gesture and narrative, students can work as Renaissance artists did when they created paintings and drawings. Learning about perspective, students explore the era's interest in science and mathematics. Through projects based on poetic forms of the time, students write about their responses to art. The activities and lesson plans are designed for a variety of classroom needs and can be adapted to a specific curriculum as well as used for independent study. The resource also includes a bibliography and glossary.
Author : Jeffrey Chipps Smith
Publisher : Univ of TX + ORM
Page : 729 pages
File Size : 46,7 Mb
Release : 2014-12-15
Category : Art
ISBN : 9781477306376
This illustrated study of Renaissance Nuremberg explores the city’s social and artistic history through the sixteenth century and beyond. The German city of Nuremberg reached the height of its artistic brilliance during the Renaissance, becoming one of the foremost cultural centers in all of Europe by 1500. Nuremberg was the home of painter Albrecht Dürer, whose creative genius inspired generations of German artists. However, Dürer was only one of a host of extraordinary painters, printmakers, sculptors, and goldsmiths working in the city. Following a map of the city’s principal landmarks, Guy Fitch Lytle provides a compact historical background for Jeffrey Chipps Smith's detailed discussions of the city’s social and artistic significance. Smith examines the religious function of art before and during the Reformation; the early manifestations of humanism in Nuremberg and its influence on the art of Dürer and his contemporaries; and the central role of Dürer’s pedagogical ideas and his workshop in the dissemination of Renaissance artistic concepts. Finally, Smith surveys the principal artists and stylistic trends in Nuremberg from 1500 to the outbreak of the Thirty Years War. Nuremberg: A Renaissance City, 1500-1618 contains biographical sketches of forty-five major artists of the period, plus more than three hundred illustrations depicting the city and its most magnificent artistic treasures.
Author : Susan Dackerman
Publisher : Penn State Press
Page : 324 pages
File Size : 49,5 Mb
Release : 2002
Category : Art
ISBN : 0271022353
Betr. u.a. Hans Holbeins Totentanz in den "Simulachres & historiées faces de la mort", Lyon 1538 (S. 176-179).
Author : Catherine Jenkins,Nadine M. Orenstein,Freyda Spira,Peter Fuhring,Donald J. La Rocca,Anne Varick Lauder,Christof Metzger,Femke Speelberg,Ad Stijnman,Pierre Terjanian,Julia Zaunbauer
Publisher : Metropolitan Museum of Art
Page : 311 pages
File Size : 46,6 Mb
Release : 2019-10-21
Category : Art
ISBN : 9781588396495
The Renaissance of Etching is a groundbreaking study of the origins of the etched print. Initially used as a method for decorating armor, etching was reimagined as a printmaking technique at the end of the fifteenth century in Germany and spread rapidly across Europe. Unlike engraving and woodcut, which required great skill and years of training, the comparative ease of etching allowed a wide variety of artists to exploit the expanding market for prints. The early pioneers of the medium include some of the greatest artists of the Renaissance, such as Albrecht Dürer, Parmigianino, and Pieter Bruegel the Elder, who paved the way for future printmakers like Rembrandt, Goya, and many others in their wake. Remarkably, contemporary artists still use etching in much the same way as their predecessors did five hundred years ago. Richly illustrated and including a wealth of new information, The Renaissance of Etching explores how artists in Germany, the Netherlands, Italy, and France developed the new medium of etching, and how it became one of the most versatile and enduring forms of printmaking. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Author : Thomas P. Campbell,Metropolitan Museum of Art (New York, N.Y.)
Publisher : Metropolitan Museum of Art
Page : 606 pages
File Size : 55,5 Mb
Release : 2002
Category : Tapestry, Renaissance
ISBN : 9781588390226
Tapestries--the art form of kings--were a principal tool used by powerful Renaissance rulers to convey their wealth and might. From 1460 to 1560, courts and churches lavished vast sums on costly weavings in silk and gold thread from designs by leading artists. In this lavishly illustrated book, the first major survey of tapestry production of this period, contributors analyze some of these & beautiful tapestries, examine the stylistic and technical development of tapestry production in the Low Countries, France, and Italy during the Renaissance, and discuss the contribution that the medium made to art, liturgy, and propaganda of the day.
