Representative Plays By American Dramatists 1815 1858
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Representative Plays by American Dramatists by Moses Montrose Jonas Pdf
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Representative Plays by American Dramatists: 1856-1911: The New York Idea by Langdon Elwyn Mitchell Pdf
"The New York Idea" is a comedy about divorce that examined the emerging phenomenon of casual divorce in the early 1900s. Its lively dialogue and the relevant absurdities of the character made it a famous drawing-room comedy.
Resurrecting the First Great American Play by Sämi Ludwig Pdf
"In the mid-eighteenth century, the Ottawa chief Pontiac (often spelled Ponteach at the time) led an intertribal confederacy in resisting British power in the Great Lakes region, an event immortalized in the play Ponteach, or the Savages of America. This play, written by infamous frontier soldier Robert Rogers, is one of the earliest theatrical renderings of the region, depicting its hero in a way that called into question eighteenth-century constructions of Indigenous Americans. Sämi Ludwig contends that Ponteach's literary and artistic merits are worthy of further exploration. He investigates the questions of authorship and analyzes the play's content, embracing its many contradictions as enriching windows into the era. In this way, he suggests using Ponteach as a tool to better understand British imperialism in North America and the emerging theatrical forms developing in the Young Republic"--
Racial Geometries of the Black Atlantic, Asian Pacific and American Theatre by Shannon Steen Pdf
An exciting new work on how black and Asian racial structures were woven together within US theatrical practices in the run up to the Second World War, Steen uses this history to model how we might use performance histories to more carefully assess how racial formation occurs on the boundaries between racial groups in an international context.