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Revising Charles Brockden Brown by Philip Barnard,Mark Kamrath,Stephen Shapiro Pdf
"Revising Charles Brockden Brown explores the writer as a key figure for understanding the cultural politics of this crucial era of U.S. and Atlantic history. Using contemporary critical models drawn from history, interdisciplinary cultural studies, postcolonial studies, gender and queer theory, and other areas, the essays in this collection bring Brown studies into the twenty-first century, synthesizing and extending the implications of the upsurge in Brown scholarship that has occurred over the last twenty years." "These essays explore Brown in his own right and as a window onto the social dynamics of the early republic, as a participant in and commentator on the tumultuous conflicts and transformations of this postrevolutionary moment."--BOOK JACKET.
Charles Brockden Brown by Jeffrey Andrew Weinstock Pdf
This study of the works of late eighteenth-century American Gothic author Charles Brockden Brown argues that Brown was a seminal figure in the development of four forms of Gothic fiction: the Frontier Gothic, the Urban Gothic, the Psychological Gothic, and the Female Gothic.
The Oxford Handbook of Charles Brockden Brown by Philip Barnard,Hilary Emmett,Stephen Shapiro Pdf
Over the past few decades, the writings of Charles Brockden Brown (1771-1810) have reclaimed a place of prominence in the American literary canon. Yet despite the explosion of teaching, research, and an ever-increasing number of doctoral dissertations, there remains no up-to-date overview of Brown's work. The Oxford Handbook of Charles Brockden Brown provides a state-of-the-art survey of the life and writings of Charles Brockden Brown, a key writer of the Atlantic revolutionary age and U.S. Early Republic. The seven novels he published during his lifetime are now studied for their narrative complexity, innovations in genre, and social-political commentaries on life in early America and the revolutionary Atlantic. Through the late twentieth century, Brown was best known as an author of political romances in the gothic mode that proved to be widely influential in romantic era, and has generated large amounts of scholarship as a crucial figure in the history of the American novel. This Handbook extends its focus beyond the well-known novels to address the full range of Brown's prolific literary career. The Handbook includes original essays on all of Brown's fiction and nonfiction writings, and offers new interpretations of the contexts of his work: from the literary, social, political, and economic to the scientific, commercial, and religious. The thirty-five contributors in this volume speak in new ways about Brown's depictions of literary theory, social justice, sexuality, and property relations, as well as colonialism, slavery, Native Americans, and women's rights. Brown's perspectives on American and global history, emerging modernity, selfhood and otherness, and other topics, are explained in comprehensible and up-to-date terms. In addition to opening up new avenues of research, The Oxford Handbook of Charles Brockden Brown provides the intellectual foundations needed to understand Brown's enduring impact and literary legacy.
Charles Brockden Brown's Wieland, Ormond, Arthur Mervyn, and Edgar Huntly by Charles Brockden Brown Pdf
On Wieland; or the Transformation: "An impressive edition . . . the most thoroughly satisfying historical and literary contextualization for the novel that I've ever encountered. Shapiro and Barnard offer a rich transatlantic artistic and ideological context that helps pull the whole novel into coherent focus. The footnotes to the novel are incredibly thorough, helpful, and interesting. . . . This Hackett edition of Wieland [is] the freshest and most topical of those now available." --Dana D. Nelson, Vanderbilt University On Ormond; or, the Secret Witness: "Philip Barnard and Stephen Shapiro have produced an awesome edition of Brown's Ormond by providing copious explanatory notes and helpful documentation of the essential historical context of feminist, radical, egalitarian, and abolitionist expression. Oh, ye patriots, read it and learn!" --Peter Linebaugh, University of Toledo On Arthur Mervyn; or, Memoirs of the Year 1793: "This new edition of Arthur Mervyn far exceeds any previous version of this remarkable American novel. Through exhaustive archival research, the editors have produced a reliable text constructed within the intellectual, cultural, political, and religious contexts of a society informing Brown's efforts to capture and preserve the formation of the early republic for generations of readers and cultural historians. This vital text is essential reading for anyone interested in the origins of the United States." --Emory Elliott, University Professor, University of California-Riverside On Edgar Huntly; or, Memoirs of a Sleep-Walker: "This is now the edition of choice for those of us who teach Brown's fascinating Edgar Huntly. Barnard and Shapiro explore the relevant historical, cultural, and literary backgrounds in their illuminating Introduction; they skillfully annotate the text; they provide useful and up-to-date bibliographies; and they append a number of revealing primary texts for further cultural contextualization. This edition will help to stimulate new thinking about race, empire, and sexuality in Brown's prescient novel of the American frontier." --Robert S. Levine, University of Maryland
Collected Writings of Charles Brockden Brown by Jared Gardner,Elizabeth Hewitt,Oliver Scheiding Pdf
Charles Brockden Brown (1771–1810) was a key writer of the revolutionary era and early U.S. republic, known for his landmark novels and other writings in a variety of genres. The Collected Writings of Charles Brockden Brown presents all of Brown’s non-novelistic writings—letters, political pamphlets, fictions, periodical writings, historical writings, and poety—in a seven-volume scholarly set. This series’ volumes are edited to the highest scholarly standards and will bear the seal of the Modern Language Association Committee on Scholarly Editions (MLA-CSE). The American Register and Other Writings, 1807–1810,volume 6 of the series, assembles and presents for the first time Charles Brockden Brown’s writing from the final years of his life, including from his magisterial periodical project, the American Register. In this semi-annual periodical, Brown narrates the tumultuous political events of the United States and Europe amidst the Napoleonic Wars. In addition to providing the complete text of the “Prefaces” and “Annals” from the five volumes of the American Register, this volume also includes other late periodical writing by Brown and his prospectus for the unpublished “A System of General Geography.” Each edited text provides detailed information concerning publication history, provenance, and attribution, along with extensive scholarly annotation. A Historical Essay provides detailed contextualization of the geopolitical affairs in which Brown’s writing is steeped. A Textual Essay offers full bibliographical information and context for each edited text and explains editorial protocols for the volume.
Collected Writings of Charles Brockden Brown by Mark L. Kamrath,Stephen Shapiro,Maureen Tuthill Pdf
Charles Brockden Brown (1771–1810) was a key writer of the revolutionary era and early U.S. republic, known for his landmark novels and other writings in a variety of genres. The Collected Writings of Charles Brockden Brown presents all of Brown’s non-novelistic writings—letters, political pamphlets, fictions, periodical writings, historical writings, and poety—in a seven-volume scholarly set. This series’ volumes are edited to the highest scholarly standards and will bear the seal of the Modern Language Association Committee on Scholarly Editions (MLA-CSE). Political Pamphlets,volume 4 of the series, brings together, for the first time, the three political pamphlets and related writings of Charles Brockden Brown. While Brown is well known as a novelist and editor, his pamphlets addressing the Louisiana Question and Jefferson's Embargo are here presented and contextualized in terms of the period's geopolitical developments and the newspaper polemics that were their immediate context. Each edited text provides detailed information concerning publication history, provenance, and attribution, along with extensive scholarly annotation. A Historical Essay locates the pamphlets in the wider contexts of Brown’s literary career, the print culture of the Revolutionary Atlantic world, and the literary history of the eighteenth and nineteenth centuries, while a Textual Essay provides full bibliographical information on the sources for all copy-texts, as well as extensive description of the editorial protocols. The volume substantially reshapes our understanding of Brown's corpus and development, and provides insights into the relations of literary, journalistic, and political writing during the Jefferson and Madison administrations. The Committee on Scholarly Editions of the Modern Language Association has awarded the volume a seal of certification as an MLA Approved Scholarly Edition.
Collected Writings of Charles Brockden Brown by Robert M. Battistini,Michael A. Cody,Karen A. Weyler Pdf
Charles Brockden Brown (1771–1810) was a key writer of the revolutionary era and early U.S. republic, known for his landmark novels and other writings in a variety of genres. The Collected Writings of Charles Brockden Brown presents all of Brown’s non-novelistic writings—letters, political pamphlets, fictions, periodical writings, historical writings, and poety—in a seven-volume scholarly set. This series’ volumes are edited to the highest scholarly standards and will bear the seal of the Modern Language Association Committee on Scholarly Editions (MLA-CSE). The Literary Magazine and Other Writings, volume 3 of the series, presents a selection of Brown’s published writings between 1801 and 1807. The majority of the volume is devoted to texts that appeared in The Literary Magazine, and American Register, which Brown edited from October 1803 to December 1807, through fifty-one issues. The volume also includes a number of additional non-fiction pieces that Brown wrote during this period: a significant review essay in the 1801 American Review, and Literary Journal; a series of articles in the 1802 Port Folio; anda biographical sketch of Brown’s late brother-in-law, John Blair Linn, which was published with Linn’s book-length poem Valerian in 1805. The majority of these texts have not been in print since the early nineteenth century, and never have they been accorded this level of textual and editorial scrutiny.
Between 1780 and 1800, authors of imaginative literature in the new United States wanted to assert that their works, which bore obvious connections to anglophone literature on the far side of the Atlantic, nevertheless constituted a properly "American" tradition. No one had yet figured out, however, what it would mean to write like an American, what literature with an American origin would look like, nor what literary characteristics the elusive quality of Americanness could generate. Literature, American Style returns to this historical moment—decades before the romantic nationalism of Cooper, the transcendentalism of Emerson and Thoreau, or the iconoclastic poetics of Whitman—when a fantasy about the unique characteristics of U.S. literature first took shape, and when that notion was linked to literary style. While late eighteenth-century U.S. literature advertised itself as the cultural manifestation of a radically innovative nation, Ezra Tawil argues, it was not primarily marked by invention or disruption. In fact, its authors self-consciously imitated European literary traditions while adapting them to a new cultural environment. These writers gravitated to the realm of style, then, because it provided a way of sidestepping the uncomfortable reality of cultural indebtedness; it was their use of style that provided a way of departing from European literary precedents. Tawil analyzes Noah Webster's plan to reform the American tongue; J. Hector St. John de Crèvecoeur's fashioning of an extravagantly naïve American style from well-worn topoi; Charles Brockden Brown's adaptations of the British gothic; and the marriage of seduction plots to American "plain style" in works such as Susanna Rowson's Charlotte Temple and Hannah Webster Foster's The Coquette. Each of these works claims to embody something "American" in style yet, according to Tawil, remains legible only in the context of stylistic, generic, and conceptual forms that animated English cultural life through the century.
Brown is often called the first American novelist. Originally published in 1799, Ormond was inspired by enlightenment philosophers and Gothic writers. The novel engages with many of the period’s popular debates about women’s education, marriage, and the morality of violence, while the plot revolves around the Gothic themes of seduction, murder, incest, impersonation, romance and disease. Set in post-revolutionary Philadelphia, Ormond examines the prospects of the struggling nation by tracing the experiences of Constantia, a young virtuous republican who struggles to survive when her father’s business is ruined by a confidence man, and her friends and neighbors are killed by a yellow fever epidemic.
Wieland; or The Transformation by Charles Brockden Brown Pdf
Wieland; or The Transformation (1798) ties revolutionary-era Gothic themes to struggles over the politics of Enlightenment on both sides of the Atlantic. This edition of Wieland includes Brown's Memoirs of Carwin the Biloquist and writings on Cicero, as well as his key essays on history and literature, and selections from contemporary German and other texts that figure in the novel's background and in the charged atmosphere of the late 1790s.
Handbook of the American Novel of the Nineteenth Century by Christine Gerhardt Pdf
This handbook offers students and researchers a compact introduction to the nineteenth-century American novel in the light of current debates, theoretical concepts, and critical methodologies. The volume turns to the nineteenth century as a formative era in American literary history, a time that saw both the rise of the novel as a genre, and the emergence of an independent, confident American culture. A broad range of concise essays by European and American scholars demonstrates how some of America‘s most well-known and influential novels responded to and participated in the radical transformations that characterized American culture between the early republic and the age of imperial expansion. Part I consists of 7 systematic essays on key historical and critical frameworks ― including debates aboutrace and citizenship, transnationalism, environmentalism and print culture, as well as sentimentalism, romance and the gothic, realism and naturalism. Part II provides 22 essays on individual novels, each combining an introduction to relevant cultural contexts with a fresh close reading and the discussion of critical perspectives shaped by literary and cultural theory.
Nation and Migration explores the significant contributions of Scotland, Ireland, and Wales to the development of a British Atlantic literature and culture, moving beyond traditional studies of transatlantic literature that focus on what Stephen Spender has described as the "love-hate relations" between the United States and England. By allowing England to stand in for the British archipelago, Juliet Shields argues, recent literary scholarship has oversimplified the processes through which the new United States differentiated itself culturally from Britain and underestimated the impact of migration on British nation formation during the late eighteenth and early nineteenth centuries. In short, Nation and Migration provides a literary history for a nation that still considers itself a land of immigrants. Scottish, Irish, and Welsh migrants brought with them to the American colonies and early republic stories and traditions very different from those shared by English settlers. Americans looked to these stories for narratives of cultural and racial origins through which to legitimate their new nation. Writers situated in Britain's Celtic peripheries in turn drew on American discourses of rights and liberties to assert the cultural independence of Scotland, Ireland, and Wales from the English imperial center. The stories that late eighteenth- and early nineteenth-century Britons and Americans told about transatlantic migration and settlement, whether from the position of migrant or observer, reveal the tenuousness and fragility of Britain and the United States as relatively new national entities. These stories illustrate the dialectial relationship between nation and migration.
Ormond; or, the Secret Witness by Charles Brockden Brown Pdf
As it tells the story of Constantia Dudley, from her family's financial collapse to her encounters with a series of cosmopolitan revolutionaries and reactionaries, Charles Brockden Brown's Ormond; or The Secret Witness (1799) develops a sustained meditation on late-Enlightenment debates concerning political liberty, women's rights, conventions of sex-gender, and their relation to the reshaping of an Atlantic world in the throes of transformation. This edition of Ormond includes Brown's Alcuin (1798), an important dialogue on women's rights and marriage, as well as his key essays on history and literature, along with selections from contemporary writings on women's education and revolution debates that figure in the novel's background and in the charged atmosphere of the late 1790s.
Dislocating Race and Nation by Robert S. Levine Pdf
American literary nationalism is traditionally understood as a cohesive literary tradition developed in the newly independent United States that emphasized the unique features of America and consciously differentiated American literature from British literature. Robert S. Levine challenges this assessment by exploring the conflicted, multiracial, and contingent dimensions present in the works of late eighteenth- and nineteenth-century American and African American writers. Conflict and uncertainty, not consensus, Levine argues, helped define American literary nationalism during this period. Levine emphasizes the centrality of both inter- and intra-American conflict in his analysis of four illuminating "episodes" of literary responses to questions of U.S. racial nationalism and imperialism. He examines Charles Brockden Brown and the Louisiana Purchase; David Walker and the debates on the Missouri Compromise; Nathaniel Hawthorne, Herman Melville, and Hannah Crafts and the blood-based literary nationalism and expansionism of the mid-nineteenth century; and Frederick Douglass and his approximately forty-year interest in Haiti. Levine offers critiques of recent developments in whiteness and imperialism studies, arguing that a renewed attention to the place of contingency in American literary history helps us to better understand and learn from writers trying to make sense of their own historical moments.
