Revisiting Shakespeare S Lost Play

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Revisiting Shakespeare’s Lost Play

Author : Deborah C. Payne
Publisher : Springer
Page : 138 pages
File Size : 41,7 Mb
Release : 2017-02-02
Category : Literary Criticism
ISBN : 9783319465142

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Revisiting Shakespeare’s Lost Play by Deborah C. Payne Pdf

This collection of essays centres on Double Falsehood, Lewis Theobald’s 1727 adaptation of the “lost” play of Cardenio, possibly co-authored by John Fletcher and William Shakespeare. In a departure from most scholarship to date, the contributors fold Double Falsehood back into the milieu for which it was created rather than searching for traces of Shakespeare in the text. Robert D. Hume’s knowledge of theatre history permits a fresh take on the forgery question as well as the Shakespeare authorship controversy. Diana Solomon’s understanding of eighteenth-century rape culture and Jean I. Marsden’s command of contemporary adaptation practices both emphasise the play’s immediate social and theatrical contexts. And, finally, Deborah C. Payne’s familiarity with the eighteenth-century stage allows for a reconsideration of Double Falsehood as integral to a debate between Theobald, Alexander Pope, and John Gay over the future of the English drama.

Shakespeare and Lost Plays

Author : David McInnis
Publisher : Cambridge University Press
Page : 239 pages
File Size : 45,8 Mb
Release : 2021-03-25
Category : Drama
ISBN : 9781108843263

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Shakespeare and Lost Plays by David McInnis Pdf

Explores Shakespeare's plays in their most immediate context: the hundreds of plays known to original audiences, but lost to us.

Rethinking Shakespeare Source Study

Author : Dennis Austin Britton,Melissa Walter
Publisher : Routledge
Page : 336 pages
File Size : 42,8 Mb
Release : 2018-03-28
Category : Literary Criticism
ISBN : 9781317302889

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Rethinking Shakespeare Source Study by Dennis Austin Britton,Melissa Walter Pdf

This book asks new questions about how and why Shakespeare engages with source material, and about what should be counted as sources in Shakespeare studies. The essays demonstrate that source study remains an indispensable mode of inquiry for understanding Shakespeare, his authorship and audiences, and early modern gender, racial, and class relations, as well as for considering how new technologies have and will continue to redefine our understanding of the materials Shakespeare used to compose his plays. Although source study has been used in the past to construct a conservative view of Shakespeare and his genius, the volume argues that a rethought Shakespearean source study provides opportunities to examine models and practices of cultural exchange and memory, and to value specific cultures and difference. Informed by contemporary approaches to literature and culture, the essays revise conceptions of sources and intertextuality to include terms like "haunting," "sustainability," "microscopic sources," "contamination," "fragmentary circulation" and "cultural conservation." They maintain an awareness of the heterogeneity of cultures along lines of class, religious affiliation, and race, seeking to enhance the opportunity to register diverse ideas and frameworks imported from foreign material and distant sources. The volume not only examines print culture, but also material culture, theatrical paradigms, generic assumptions, and oral narratives. It considers how digital technologies alter how we find sources and see connections among texts. This book asserts that how critics assess and acknowledge Shakespeare’s sources remains interpretively and politically significant; source study and its legacy continues to shape the image of Shakespeare and his authorship. The collection will be valuable to those interested in the relationships between Shakespeare’s work and other texts, those seeking to understand how the legacy of source study has shaped Shakespeare as a cultural phenomenon, and those studying source study, early modern authorship, implications of digital tools in early modern studies, and early modern literary culture.

Lost Plays in Shakespeare's England

Author : D. McInnis,M. Steggle
Publisher : Springer
Page : 295 pages
File Size : 48,7 Mb
Release : 2014-10-22
Category : Literary Criticism
ISBN : 9781137403971

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Lost Plays in Shakespeare's England by D. McInnis,M. Steggle Pdf

Lost Plays in Shakespeare's England examines assumptions about what a lost play is and how it can be talked about; how lost plays can be reconstructed, particularly when they use narratives already familiar to playgoers; and how lost plays can force us to reassess extant plays, particularly through ideas of repertory studies.

Rethinking Theatrical Documents in Shakespeare’s England

Author : Tiffany Stern
Publisher : Bloomsbury Publishing
Page : 194 pages
File Size : 52,9 Mb
Release : 2019-11-14
Category : Literary Criticism
ISBN : 9781350051355

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Rethinking Theatrical Documents in Shakespeare’s England by Tiffany Stern Pdf

This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched. Rethinking Theatrical Documents brings together fifteen major scholars to analyse and theorise the documents, lost and found, that produced a play in Shakespeare's England. Showing how the playhouse frantically generated paratexts, it explores a rich variety of entangled documents, some known and some unknown: from before the play (drafts, casting lists, actors' parts); during the play (prologues, epilogues, title-boards); and after the play (playbooks, commonplace snippets, ballads) – though 'before', 'during' and 'after' intertwine in fascinating ways. By using collective intervention to rethink both theatre history and book history, it provides new ways of understanding plays critically, interpretatively, editorially, practically and textually.

Special Section, Shakespeare and Montaigne Revisited

Author : Graham Bradshaw,T. G. Bishop,Peter Holbrook
Publisher : Ashgate Publishing, Ltd.
Page : 980 pages
File Size : 54,5 Mb
Release : 2006-01-01
Category : Literary Criticism
ISBN : 075465589X

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Special Section, Shakespeare and Montaigne Revisited by Graham Bradshaw,T. G. Bishop,Peter Holbrook Pdf

This year including a special section on "Shakespeare and Montaigne Revisited," The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies. Contributors to this issue come from the US and the UK, Canada, Sweden, Japan and Australia. This issue includes an interview with veteran American actor Alvin Epstein during his recent acclaimed performance of King Lear for the Actors' Shakespeare project in Boston.

The Business of English Restoration Theatre, 1660–1700

Author : Deborah C. Payne
Publisher : Cambridge University Press
Page : 303 pages
File Size : 51,7 Mb
Release : 2024-05-31
Category : Drama
ISBN : 9781009398213

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The Business of English Restoration Theatre, 1660–1700 by Deborah C. Payne Pdf

Deborah C. Payne explores how the duopoly of 1660 impacted company practices, stagecraft, the box office, and actors and writers.

Music, Books and Theatre in Eighteenth-Century Exton

Author : Colin Timms
Publisher : Taylor & Francis
Page : 117 pages
File Size : 40,6 Mb
Release : 2023-12-20
Category : Music
ISBN : 9781003860075

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Music, Books and Theatre in Eighteenth-Century Exton by Colin Timms Pdf

This book establishes the cultural background to the productions of Milton’s Comus that were staged in the 1740s by Baptist Noel, 4th Earl of Gainsborough, at Exton Hall, his country seat in the East Midlands of England. The author reveals that Handel’s visit in 1745 occurred in a richer and fuller context of cultural interests among the Noel family. Most of the music at Exton was selected from existing works by Handel, but the four movements of the finale were new, written by the composer specifically for the occasion. The study is based on receipted bills and other documents in an archival collection of Noel family papers that provide evidence of the Earl’s purchase of books and music and of the musical and theatrical activities undertaken on his Exton estate. The author discusses the Earl’s interests in music, books and theatre, indicating a belief in performance as a valuable and enjoyable experience and as a vehicle for the education of the young. In addition to creating a context for Comus, this book sheds light on cultural life in a mid-eighteenth-century English country house and how the Earl’s productions made a significant contribution to the cultural life of the East Midlands. The book will be of great value to cultural musicologists, historians and Handelians, as the documentation sheds a huge amount of light on a variety of cultural practices in eighteenth-century England.

Playgrounds

Author : David J. Amelang
Publisher : Taylor & Francis
Page : 172 pages
File Size : 43,5 Mb
Release : 2022-12-30
Category : Performing Arts
ISBN : 9781000822823

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Playgrounds by David J. Amelang Pdf

This book compares the theatrical cultures of early modern England and Spain and explores the causes and consequences not just of the remarkable similarities but also of the visible differences between them. An exercise in multi-focal theatre history research, it deploys a wide range of perspectives and evidence with which to recreate the theatrical landscapes of these two countries and thus better understand how the specific conditions of performance actively contributed to the development of each country’s dramatic literature. This monograph develops an innovative comparative framework within which to explore the numerous similarities, as well as the notable differences, between early modern Europe’s two most prominent commercial theatre cultures. By highlighting the nuances and intricacies that make each theatrical culture unique while never losing sight of the fact that the two belong to the same broader cultural ecosystem, its dual focus should appeal to scholars and students of English and Spanish literature alike, as well as those interested in the broader history of European theatre. Learning from what one ‘playground’ – that is, the environment and circumstances out of which a dramatic tradition originates – reveals about the other will help solve not only the questions posed above but also others that still await examination. This investigation will be of great interest to students and scholars in theatre history, comparative drama, early modern drama, and performance culture.

Measure For Measure

Author : William Shakespeare
Publisher : Bloomsbury Publishing
Page : 441 pages
File Size : 44,5 Mb
Release : 2020-01-23
Category : Drama
ISBN : 9781408151884

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Measure For Measure by William Shakespeare Pdf

Often described as one of Shakespeare's 'problem plays', Measure for Measure explores issues of mercy and justice in corrupt Vienna. The Duke makes his strict moralistic deputy, Angelo, temporary leader of Vienna, while he disguises himself as a friar to witness all that ensues. In the comprehensive introduction to this new, fully-illustrated Arden edition, with commentary and notes from A. R. Braunmuller, Robert N. Watson explores the recent increased attention to the play and the shifting judgements of key characters such as the Duke and Isabella. He analyses the social foundations of these changes, their validity as readings of the text, and their manifestations in performance. It also explores the play's implications on topics including love, marriage, sexuality, consent, mortality, religion, statecraft, moderation, and theatre itself.

Loss and the Literary Culture of Shakespeare’s Time

Author : Roslyn L. Knutson,David McInnis,Matthew Steggle
Publisher : Springer Nature
Page : 271 pages
File Size : 42,9 Mb
Release : 2020-03-26
Category : Literary Criticism
ISBN : 9783030368678

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Loss and the Literary Culture of Shakespeare’s Time by Roslyn L. Knutson,David McInnis,Matthew Steggle Pdf

As early modernists with an interest in the literary culture of Shakespeare’s time, we work in a field that contains many significant losses: of texts, of contextual information, of other forms of cultural activity. No account of early modern literary culture is complete without acknowledgment of these lacunae, and although lost drama has become a topic of increasing interest in Shakespeare studies, it is important to recognize that loss is not restricted to play-texts alone. Loss and the Literary Culture of Shakespeare’s Time broadens the scope of the scholarly conversation about loss beyond drama and beyond London. It aims to develop further models and techniques for thinking about lost plays, but also of other kinds of lost early modern works, and even lost persons associated with literary and theatrical circles. Chapters examine textual corruption, oral preservation, quantitative analysis, translation, and experiments in “verbatim theater”, plus much more.

Revisiting The Tempest

Author : Silvia Bigliazzi
Publisher : Springer
Page : 172 pages
File Size : 49,6 Mb
Release : 2014-02-20
Category : Literary Criticism
ISBN : 9781137333148

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Revisiting The Tempest by Silvia Bigliazzi Pdf

Revisiting The Tempest offers a lively reconsideration of how The Tempest encourages interpretation and creative appropriation. It includes a wide range of essays on theoretical and practical criticism focusing on the play's original dramatic context, on its signifying processes and its present-time screen remediation.

Reconsidering Shakespeare’s 'Lateness'

Author : Xing Chen
Publisher : Cambridge Scholars Publishing
Page : 275 pages
File Size : 40,7 Mb
Release : 2015-02-27
Category : Drama
ISBN : 9781443875882

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Reconsidering Shakespeare’s 'Lateness' by Xing Chen Pdf

Shakespeare’s last plays, because of their apparent similarity in thematic concern, dramatic arrangements and stylistic features, are often considered by modern scholarship to form a unique group in his canon. Their departure from the preceding great tragedies and their status as an artist’s last works have long aroused scholarly interest in Shakespeare’s “lateness” – the study, essentially, of the relationship between his advancing years and his final dramatic output, encompassing questions such as “Why did Shakespeare write the last plays?”, “What influenced his writing?”, and “What is the significance of these plays?”. Answers to these questions are varied and often contradictory, partly because the subject is the elusive Shakespeare, and partly because the concept of lateness as an artistic phenomenon is itself unstable and problematic. This book reconsiders Shakespeare’s lateness by reading the last plays in the light of, but not bound by, current theories of late style and writing. The analysis incorporates traditional literary, stylistic and biographic approaches in various combinations. The exploration of the works (namely Pericles, Cymbeline, The Winter’s Tale, The Tempest, Henry VIII and The Two Noble Kinsmen), while underlined by an interest in their shared concern with the effect, power and the possibilities of art and language, also places an emphasis on each play’s distinct features and contexts. A pattern of steady artistic development is revealed, bespeaking Shakespeare’s continued professional energy and ongoing self-challenge, which are, in fact, at the centre of his working methods throughout his career. The book, therefore, proposes that Shakespeare’s “lateness” is, in fact, a continuation of his sustained dramatic development.

An Actor's Edition of Shakespeare Revisited

Author : James R. Hartman
Publisher : AuthorHouse
Page : 518 pages
File Size : 47,9 Mb
Release : 2007-07-26
Category : Language Arts & Disciplines
ISBN : 9781467816717

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An Actor's Edition of Shakespeare Revisited by James R. Hartman Pdf

An Actor’s Edition of Shakespeare Revisited is a book for actors, directors, professors of theatre and the general public. Each of the plays has been edited for more understandability and length. The intent of the book was to make the works more accessible without making the language modern. When audiences see a Shakespeare play, they have only one time to grasp the words as they are spoken. Audience members do not have time to look at lengthy explanations or notes about words or expressions. Therefore, this edition of these five plays, presents the plays so that audience members as well as actors can follow the plays with little difficulty. Some words have been changed to accomplish this. In certain speeches, subjects or verbs were supplied for understandability. Because Shakespeare used many pronouns, these plays make use of more nouns so that the meaning of who or what is being spoken about becomes more clear. The book also has some useful tools for the director and actors. A chart has been provided for each play that lists each character by act and scene. This can be very useful when there is a need to double cast actors. In addition, a “combination roles” page has also been added which gives suggestions for doubling parts for a smaller company. To help at rehearsals, page numbers for the beginning of each act and scene is provided on a single page for each play. Finally, each play has been broken into “beats” for the actor and the director. It is the hope of the author of this book that more people will find excitement in reading, performing, staging, or viewing Shakespeare because of the edited versions for understandability. Enjoy the plays---either reading or performing.

Shakespeare: Seven Tragedies Revisited

Author : E. Honigmann
Publisher : Springer
Page : 284 pages
File Size : 42,9 Mb
Release : 2002-06-17
Category : Literary Criticism
ISBN : 9780230503038

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Shakespeare: Seven Tragedies Revisited by E. Honigmann Pdf

This classic text, reprinted several times since its first publication in 1976, has been extensively revised in this new edition and includes new chapters on Henry V, As You Like It, and on 'the study of the audience and the study of response'. Both readers and actors/theatre-goers will find will find it opens up new ways of looking at the plays and at the mechanisms that underpin some of the most magical moments in Shakespeare's plays.