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Author : Carolyn Kinder Carr,Robert W. Rydell,National Museum of American Art (U.S.)
Publisher : University Press of New England
Page : 416 pages
File Size : 47,7 Mb
Release : 1993
Category : Art
ISBN : UOM:39015031712246
A sumptuously illustrated commemorative volume marks a key turning point in American art.
Author : Robert W. Rydell,Rob Kroes
Publisher : University of Chicago Press
Page : 222 pages
File Size : 48,6 Mb
Release : 2010-06-15
Category : History
ISBN : 9780226732343
When it comes to the production and distribution of mass culture, no country in modern times has come close to rivaling the success of America. From blue jeans in central Europe to Elvis Presley's face on a Republic of Chad postage stamp, the reach of American mass culture extends into every corner of the globe. Most believe this is a twentieth-century phenomenon, but here Robert W. Rydell and Rob Kroes prove that its roots are far deeper. Buffalo Bill in Bologna reveals that the process of globalizing American mass culture began as early as the mid-nineteenth century. In fact, by the end of World War I, the United States already boasted an advanced network of culture industries that served to promote American values. Rydell and Kroes narrate how the circuses, amusement parks, vaudeville, mail-order catalogs, dime novels, and movies developed after the Civil War—tools central to hastening the reconstruction of the country—actually doubled as agents of American cultural diplomacy abroad. As symbols of America's version of the "good life," cultural products became a primary means for people around the world, especially in Europe, to reimagine both America and themselves in the context of America's growing global sphere of influence. Paying special attention to the role of the world's fairs, the exporting of Buffalo Bill's Wild West show to Europe, the release of The Birth of a Nation, and Woodrow Wilson's creation of the Committee on Public Information, Rydell and Kroes offer an absorbing tour through America's cultural expansion at the turn of the century. Buffalo Bill in Bologna is thus a tour de force that recasts what has been popularly understood about this period of American and global history.
Author : Anne Gregory Terhune,Patricia Smith Scanlan
Publisher : University of Pennsylvania Press
Page : 294 pages
File Size : 53,6 Mb
Release : 2006-09-06
Category : Art
ISBN : 9780812239201
A realistic genre painter and recorder of everyday activities such as those involving home and family, Hovenden had a particular gift for choosing subjects with wide recognition and appeal. His work reflects a Victorian ethos; unlike many artists of the time, however, Hovenden's work featured African American subjects in domestic settings. His firm belief in sentiment and beauty as the goals of artistic pursuits is evident in the nostalgic paintings for which he is best known, such as The Last Moments of John Brown, in which Brown is depicted stopping on his way to the gallows to kiss a young black child.
Author : A. Geppert
Publisher : Springer
Page : 406 pages
File Size : 52,7 Mb
Release : 2010-11-03
Category : History
ISBN : 9780230281837
Imperial expositions held in fin-de-siècle London, Paris and Berlin were knots in a world wide web. Conceptualizing expositions as meta-media, Fleeting Cities constitutes a transnational and transdisciplinary investigation into how modernity was created and displayed, consumed and disputed in the European metropolis around 1900.
Author : Nancy Wellington Bookhart
Publisher : Vernon Press
Page : 262 pages
File Size : 46,6 Mb
Release : 2023-10-10
Category : Art
ISBN : 9781648897924
'The Aestheticization of History and the Butterfly Effect: Visual Arts Series' introduces the audience to philosophical concepts that broach the beginning of the history of Western thought in Plato and Aristotle to that of more modern thought in the theoretician Jacques Rancière in which the main conceptual framework of this anthology is predicated. The introduction is mainly concerned with Rancière’s concept of the distribution of the sensible, which is the arrangement of things accessible to our senses, what we experience in real-time and space— compartmentalization and categorization of all things. These things do not just involve tangible items, but audible speech, written language, and visibilities. Rancière’s theory of the regimes of art is undertaken as the unfolding of the distribution. Such is evoked in the various genres of visual art forms, from two-dimensional paintings to three-dimensional sculptures and architectures. Understanding the aesthetic regime of art is crucial for grasping how art performs time travel. One way of understanding this phenomenon is in terms of embodied philosophy imbued vis-à-vis art forms, which are subsequently challenged by contemporary artists. The contributing essays examine these reiterations, reevaluations—performances. Aesthetics is a term deriving from the 18th-century European Enlightenment. It is here that aesthetics as the study of beauty is probed for its political potential after the failure of the French Revolution. Many major thinkers during this period signed on to the aesthetic moment, recognizing that Reason in its present state failed to develop humankind beyond barbarism. J.E.B. Stuart's statue is part of an equestrian theme that approximates the Western canon of power and class in the pursuit of domination. But such power and domination will be dethroned in the restaging of history and the redistribution of said canon. This reimagining of the form not only alters perception but constitutes a new narrative.
Author : Jeffrey A. Johnson
Publisher : Bloomsbury Publishing USA
Page : 708 pages
File Size : 52,9 Mb
Release : 2017-03-20
Category : History
ISBN : 9798216137443
Presenting a detailed look at the individuals, themes, and moments that shaped this important Progressive Era in American history, this valuable reference spans 25 years of reform and provides multidisciplinary insights into the period. During the Progressive Era, influential thinkers and activists made efforts to improve U.S. society through reforms, both legislative and social, on issues of the day such as working conditions of laborers, business monopolies, political corruption, and vast concentrations of wealth in the hands of a few. Many Progressives hoped for and tirelessly worked toward a day when all Americans could take full advantage of the economic and social opportunities promised by U.S. society. This two-volume work traces the issues, events, and individuals of the Progressive Era from approximately 1893 to 1920. The entries and primary sources in this set are grouped thematically and cover a broad range of topics regarding reform and innovation across the period, with special attention paid to important topics of race, class, and gender reform and reformers. The volumes are helpfully organized under five categories: work and economic life; social and political life; cultural and religious life; science, literature, and the arts; and sports and popular culture.
Author : Steven C. Dubin
Publisher : NYU Press
Page : 340 pages
File Size : 47,6 Mb
Release : 1999-04
Category : Architecture
ISBN : 9780814718896
An examination of some of the USA's most controversial museum exhibitions of the 1990s. In its analysis of these episodes of America struggling to redefine itself in the late-20th century, the book draws upon interviews with museum administrators, community activists, curators and scholars.
Author : Wanda Corn
Publisher : Univ of California Press
Page : 289 pages
File Size : 40,5 Mb
Release : 2023-09-01
Category : Art
ISBN : 9780520947467
This handsomely illustrated book is a welcome addition to the history of women during America’s Gilded Age. Wanda M. Corn takes as her topic the grand neo-classical Woman’s Building at the 1893 Columbian Exposition in Chicago, a structure celebrating modern woman’s progress in education, arts, and sciences. Looking closely at the paintings and sculptures women artists made to decorate the structure, including the murals by Mary Cassatt and Mary MacMonnies, Corn uncovers an unspoken but consensual program to visualize a history of the female sex and promote an expansion of modern woman’s opportunities. Beautifully written, with informative sidebars by Annelise K. Madsen and artist biographies by Charlene G. Garfinkle, this volume illuminates the originality of the public images female artists created in 1893 and inserts them into the complex discourse of fin de siècle woman’s politics. The Woman’s Building offered female artists an unprecedented opportunity to create public art and imagine an historical narrative that put women rather than men at its center.
Author : John E. Findling
Publisher : Manchester University Press
Page : 192 pages
File Size : 45,6 Mb
Release : 1994
Category : Century of Progress International Exposition
ISBN : 0719036305
Author : John Conron
Publisher : Penn State Press
Page : 484 pages
File Size : 44,9 Mb
Release : 2010-11-01
Category : Philosophy
ISBN : 0271042737
"American Picturesque offers a magisterial account of the concept of the picturesque and its manifestation in many aspects of nineteenth-century American life. Conron's study ranges over the entire phenomenon, tracing the development of the picturesque aesthetic in genre, landscape, and topographical painting, rural cottages and villas."--BOOK JACKET.
Author : Angel David Nieves
Publisher : Boydell & Brewer
Page : 257 pages
File Size : 52,9 Mb
Release : 2018
Category : Education
ISBN : 9781580469098
Examines material culture and the act of institution creation, especially through architecture and landscape, to recount a deeper history of the lives of African American women in the post-Civil War South.
Author : Ernest J. Yanarella
Publisher : BrownWalker Press
Page : 404 pages
File Size : 45,8 Mb
Release : 2022-03-01
Category : Literary Criticism
ISBN : 9781599426280
The apocalyptic, pastoral, and urban traditions have fundamentally shaped Western history and influenced American religion, culture, and politics. This book argues that these traditions have not only been decisive in giving form and substance to classic and modern American literature, but have been appropriated by contemporary science fiction. As a loosely connected set of cultural narratives, the Cross, the Plow, and the Skyline have through the medium of science fiction and fantasy provided a bold vista on the future grounded in an emergent ecological imagination. In the expanded second edition of the original 2001 publication, the author argues that a significant shift has taken place in contemporary Anglo-American science fiction and fantasy (SF/F) from twentieth-century SF/F critically analyzed in the first edition’s critical inquiry. Avantgarde works in twenty-first century speculative fiction--extensively examined in representative works in interludes separating the slightly revised original chapters--have become: darker in their visions of the possible future; more focused on slowness over breakneck speed; more amenable to gender, racial, and global diversity in authorship, plot, and subgenre creation; less attached to anchor concepts like the city, wilderness, and the domesticated landscape in plot development; more prone to dystopian and critical dystopian tropes; simultaneously more open toward, but critical of, Young Adult fiction; and more supportive of the breakdown of borders and antagonisms between science fiction and fantasy and SF/F and literary fiction. Ensconced in the cultural, social, and political zeitgeist of the New Millennium’s first two decades, these features of twenty-first century science fiction and fantasy may yet settle into and inform emergent and pluralistic varieties of ecological politics spreading across the globe and confronting the Earth’s social and environmental crises of our times and coming decades.
Author : Shanon Fitzpatrick
Publisher : Harvard University Press
Page : 321 pages
File Size : 55,6 Mb
Release : 2022-07-19
Category : Business & Economics
ISBN : 9780674268012
Focusing on Bernarr Macfadden, a bodybuilder turned publishing mogul, Shanon Fitzpatrick charts the rise and export of US mass media and consumer culture. Macfadden’s magazines—featuring fitness tips, celebrity gossip, and sensational “true” stories—created an enduring editorial template and powered worldwide demand for interactive American media.
Author : Diane K. Skvarla
Publisher : Government Printing Office
Page : 514 pages
File Size : 41,9 Mb
Release : 2005-08
Category : Art
ISBN : 8210379456XXX
The U.S. Capitol abounds in magnificent art that rivals its exterior architectural splendor. The fine art held by the U.S. Senate comprises much of this treasured heritage. It spans over 200 years of history & contains works by such celebrated artists as Augustus Saint-Gaudens, Hiram Powers, Daniel Chester French, Charles Willson Peale, Gilbert Stuart, Walker Hancock, & Alexander Calder. This volume provides previously unpublished information on the 160 paintings & sculptures in the U.S. Senate. Each work of art -- from portraiture of prominent senators to scenes depicting significant events in U.S. history -- is illus. with a full-page color photo, accompanied by an essay & secondary images that place the work in historical & aesthetic context.
Author : Jennifer Guiliano
Publisher : Rutgers University Press
Page : 195 pages
File Size : 51,5 Mb
Release : 2015-04-02
Category : Social Science
ISBN : 9780813565569
Amid controversies surrounding the team mascot and brand of the Washington Redskins in the National Football League and the use of mascots by K–12 schools, Americans demonstrate an expanding sensitivity to the pejorative use of references to Native Americans by sports organizations at all levels. In Indian Spectacle, Jennifer Guiliano exposes the anxiety of American middle-class masculinity in relation to the growing commercialization of collegiate sports and the indiscriminate use of Indian identity as mascots. Indian Spectacle explores the ways in which white, middle-class Americans have consumed narratives of masculinity, race, and collegiate athletics through the lens of Indian-themed athletic identities, mascots, and music. Drawing on a cross-section of American institutions of higher education, Guiliano investigates the role of sports mascots in the big business of twentieth-century American college football in order to connect mascotry to expressions of community identity, individual belonging, stereotyped imagery, and cultural hegemony. Against a backdrop of the current level of the commercialization of collegiate sports—where the collective revenue of the fifteen highest grossing teams in Division I of the National Collegiate Athletic Association (NCAA) has well surpassed one billion dollars—Guiliano recounts the history of the creation and spread of mascots and university identities as something bound up in the spectacle of halftime performance, the growth of collegiate competition, the influence of mass media, and how athletes, coaches, band members, spectators, university alumni, faculty, and administrators, artists, writers, and members of local communities all have contributed to the dissemination of ideas of Indianness that is rarely rooted in native people’s actual lives.
