Rhetoric And Poetry In The Renaissance A Study Of Rhetorical Terms In English Renaissance Literary Criticism
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Rhetoric and Poetry in the Renaissance by Donald Lemen Clark Pdf
Rhetoric and Poetry in the Renaissance is a close look at the rhetorical terms used in literary essays about the English Renaissance. Contents: "Introductory The Distinction between Rhetoric and Poetic Classical Poetic Aristotle "Longinus" Plutarch Horace Classical Rhetoric Definitions Subject Matter Content of Classical Rhetoric Rhetoric as Part of Poetic Poetic as Part of Rhetoric Classical Blending of Rhetoric and Poetic The Contact of Rhetoric and Poetic in Style The Florid Style in Rhetoric and Poetic The False Rhetoric of the Declamation Schools The Contamination of Poetic by False Rhetoric."
Rhetoric And Poetry In The Renaissance by Donald Lemen Clark Pdf
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Rhetoric and Poetry in the Renaissance by Donald Lemen Clark Pdf
Excerpt from Rhetoric and Poetry in the Renaissance: A Study of Rhetorical Terms in English, Renaissance Literary Criticism In this essay I undertake to trace the influence of classical rhetoric on the criticisms of poetry published in England between 1553 and 1641. This influence is most readily recognized in the use by English renaissance writers on literary criticism of the terminology of classical rhetoric. But the rhetorical terminology in most cases carried with it rhetorical thinking, traces of whose influence persist in criticism of poetry to the present day. The essay is divided into two parts. Part First treats of the influence of rhetoric on the general theory of poetry within the period, and Part Second of its influence on the renaissance formulation of the purpose of poetry. This division is called for not by the logic of the material, but by history and convenience. A third phase of the influence of rhetorical terminology I have already touched on in an article on The Requirements of a Poet, where I have shown that historically the renaissance ideal of the nature and education of a poet is in part derived from classical rhetoric. No writer today, who would treat of the criticism of the renaissance, can escape his deep indebtedness to Dr. Joel Elias Spingarn, whose Literary Criticism in the Renaissance has so carefully traced the debt of English criticism to the Italians. In going over the ground surveyed by him and by many other scholars I have been able to add but slight gleanings of my own. In this field it is my privilege only to review and to supplement what has already been discovered. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Rhetoric and Poetry in the Renaissance by Donald Lemen Clark Pdf
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Rhetoric and Poetry in the Renaissance by Donald Lemen Clark Pdf
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
RHETORIC & POETRY IN THE RENAI by Donald Lemen 1888-1966 Clark Pdf
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Rhetoric and Poetry in the Renaissance; a Study of Rhetorical Terms in English Renaissance Literary Criticism by Donald Lemen Clark Pdf
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1922 edition. Excerpt: ...method of characterization, fixed as the law of decorum, flourished throughout the sixteenth and seventeenth centuries. In England from Whetstone on it was 0 made much of. Thus a rhetorical tradition of classical pedagogy, derived ultimately from Aristotle, and a poetical tradition of later classical drama, derived from Horace, coincide in the English renaissance. In The Epistle Dedicatory to the Shepheards Calender (1579), for instance, E. K. praises Spenser for "his dewe observing of decorum everye where, in personages, in seasons, in matter, in speach." 18 The archaisms are defended in the first place, indeed, because they are appropriate to rustic speakers, but in the second because Cicero says that ancient words make the style seem grave and reverend. Further praise E. K. grants the author because he avoids loose sentence structure and affects the oratorical period. "Now, for the knitting of sentences, whych they call the ioynts and members thereof, and for all the compasse of the speach, it is round without roughness."1 The "ioynts and members" are the cola and commas of the oratorical prose rhythm. Stanyhurst in the Dedication to his translation of Virgil (1582), like E. K., is concerned with style rather than matter, and of course primarily with 16 P. 187. 17 G. S. Gordon, "Theophrastus" in Eng. Lit. and the Classics, p. 49-86. 18 Smith, I, 128 19 Ibid., 130-131. the revival of classical meters, a subject already so thoroughly investigated that it need not be gone into here.20 Stanyhurst's praise of Virgil is largely concerned with formal and rhetorical excellences. Our Virgil dooth laboure, in telling as yt were a Cantorburye tale, too ferret owt the secretes of Nature, with woordes so fitlye coucht, wyth verses so smoothlye...
English Renaissance Rhetoric and Poetics by Heinrich F Plett Pdf
This comprehensive bibliography lists some 500 source texts published in the British Isles or abroad from 1479 to 1660 and more than 2,000 works of secondary literature from 1900 to the present.
Rhetoric and Poetry in the Renaissance by Donald Lemen Clark Pdf
"[...]poetry in the renaissance derived much of their critical terminology, not directly from the rediscovered classical theories of poetry, but through various channels from classical theories and practice of rhetoric. The tendency to use the terminology of rhetoric in discussing poetical theory did not originate in the English renaissance, but is largely an inheritance from classical criticism as interpreted by the middle ages. Both in England and on the continent this mediæval tradition persisted far into the renaissance. Renaissance English writers on the theory of poetry use to an extent hitherto unexplored the terminology of rhetoric. This rhetorical terminology was derived from three sources: directly to some extent from the classical rhetorics themselves; indirectly through the influence of classical rhetoric upon the terminology of the Italian critics of poetry; and[...]".
Rhetoric and Renaissance Culture by Heinrich F. Plett Pdf
Since Jacob Burckhardt's Kultur der Renaissance in Italien (1869) rhetoric as a significant cultural factor of the renaissance has largely been neglected. The present study seeks to remedy this deficit regarding the arts by concentrating on literary theory and its aspects of imagination (inventio), genre (dispositio of the genera), style (elocutio), mnemonic architecture (memoria) and representation (actio), with illustrative examples taken from Shakespeare's works, but also on the intermedial rhetoric of painting and music. Particular attention is given to the rhetorical ideology of the Renaissance.
Landmark Essays on Rhetoric and Literature by Craig Kallendorf Pdf
The studies of rhetoric and literature have been closely connected on the theoretical level ever since antiquity, and many great works of literature were written by men and women who were well versed in rhetoric. It is therefore well worth investigating exactly what these writers knew about rhetoric and how the practice of literary criticism has been enriched through rhetorical knowledge. The essays reprinted here have been arranged chronologically, with two essays selected for each of six major periods: Antiquity, the Middle Ages, the Renaissance (including Shakespeare), the 17th century, the 18th century, and the 19th and 20th centuries. Some are more theoretically oriented, whereas others become exercises in practical criticism. Some cover well-trod ground, whereas others turn to parts of the rhetorical tradition that are often overlooked. Scholars in the field should benefit from having this material collected together and reprinted in one volume, but the essays included here will also be useful to graduate students and advanced undergraduates for course work and general reading. Students of rhetoric seeking to understand how the principles of their field extend into other forms of communication will find this volume of interest, as will students of literature seeking to refine their understanding of the various modes of literary criticism.
