Richelieu S Desmarets And The Century Of Louis Xiv
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Richelieu's Desmarets and the Century of Louis XIV by H. Gaston Hall Pdf
Jean Desmarets (1600?-1676) was a late Renaissance "universal man": first Chancellor and founder-member of the Academie-francaise, last jester of the French royal court, star performer in ballets, novelist, playwright, poet, architect, inventor, and mystic. He was also the first man to publicize the notion of "a century of Louis XIV." Hall examines that notion by looking afresh at Desmarets' vigorous career and relating the "century of Louis XIV" to its origins in the reign of Louis XIII.
Drawing upon recent research and past studies, David J. Sturdy presents a concise, up-to-date analysis of the private and public careers of two of the most influential ministers in seventeenth-century France. Richelieu and Mazarin: - Adopts a broadly chronological approach, interspersed with passages at relevant points which compare and contrast the key achievements of the two Cardinals - Examines such central themes as the internal government of France, the ministers' conduct of foreign policy, and the nature of elite and popular resistance to their policies - Explores the political ideas and strategies of Richelieu and Mazarin, the relations between the ministers and the Crown, and the patronage they exercised The book concludes with a comparative assessment of the significance of the two figures for the history of France.
Louis XIV and Twenty Million Frenchmen by Pierre Goubert Pdf
Louis XIV is one of history’s most notorious rulers. Ruling for three quarters of a century, the King of France had the longest reign in European history, and the effects of his rule would create the conditions that would lead to the French Revolution. Written by an authority on 17th century Europe, Pierre Goubert not only outlines the life the famous “Sun King." but the millions of subjects under his rule, and the effects his choices had on the them. Praise for Louis XIV and Twenty Million Frenchman “ . . . It is safe to recommend the work as the best book available on the subject for the educated layman.”—Kirkus Reviews “This masterful work . . . should serve a generation of student and general readers as the essential introduction to the France of Louis XIV.”—The American Historical Review “In this field M. Goubert is a past master, and his subtle portrayal of the great social trends of the age deserves to be widely read.”—Times Literary Supplement
Space and Self in Early Modern European Cultures by David Warren Sabean,Malina Stefanovska Pdf
The notion of 'selfhood' conjures up images of self-sufficiency, integrity, introspectiveness, and autonomy characteristics typically associated with 'modernity.' The seventeenth century marks the crucial transition to a new form of 'bourgeois' selfhood, although the concept goes back to the pre-modern and early modern period. A richly interdisciplinary collection, Space and Self integrates perspectives from history, history of literature, and history of art to link the issue of selfhood to the new and vital literature on space. As Space and Self shows, there have at all times been multiple paths and alternative possibilities for forming identities, marking personhood, and experiencing life as a concrete, singular individual. Positioning self and space as specific and evolving constructs, a diverse group of contributors explore how persons become embodied in particular places or inscribed in concrete space. Space and Self thus sets the terms for current discussion of these topics and provides new approaches to studying their cultural specificity.
Author : Ellen R. Welch Publisher : University of Pennsylvania Press Page : 309 pages File Size : 42,6 Mb Release : 2017-03-16 Category : History ISBN : 9780812293869
The seventeenth-century French diplomat François de Callières once wrote that "an ambassador resembles in some way an actor exposed on the stage to the eyes of the public in order to play great roles." The comparison of the diplomat to an actor became commonplace as the practice of diplomacy took hold in early modern Europe. More than an abstract metaphor, it reflected the rich culture of spectacular entertainment that was a backdrop to emissaries' day-to-day lives. Royal courts routinely honored visiting diplomats or celebrated treaty negotiations by staging grandiose performances incorporating dance, music, theater, poetry, and pageantry. These entertainments—allegorical ballets, masquerade balls, chivalric tournaments, operas, and comedies—often addressed pertinent themes such as war, peace, and international unity in their subject matter. In both practice and content, the extravagant exhibitions were fully intertwined with the culture of diplomacy. But exactly what kind of diplomatic work did these spectacles perform? Ellen R. Welch contends that the theatrical and performing arts had a profound influence on the development of modern diplomatic practices in early modern Europe. Using France as a case study, Welch explores the interconnected histories of international relations and the theatrical and performing arts. Her book argues that theater served not merely as a decorative accompaniment to negotiations, but rather underpinned the practices of embodied representation, performance, and spectatorship that constituted the culture of diplomacy in this period. Through its examination of the early modern precursors to today's cultural diplomacy initiatives, her book investigates the various ways in which performance structures international politics still.
Fallen Nature, Fallen Selves by Michael Moriarty Pdf
From the late sixteenth to the late seventeenth centuries, French writing is especially concerned with analysing human nature. The ancient ethical vision of man's nature and goal (we achieve fulfilment by living our lives according to reason, the highest and noblest element of our nature) survives, even, to some extent, in Descartes. But it is put into question especially by the revival of St Augustine's thought, which focuses on the contradictions and disorders of human desires and aspirations. Analyses of behaviour display a powerful suspicion of appearances. Human beings are increasingly seen as motivated by self-love: they are driven by the desire for their own advantage, and take a narcissistic delight in their own image. Moral and religious writers re-emphasize the traditional imperative of self-knowledge, but in such a way as to suggest the difficulties of knowing oneself. Operating with the Cartesian distinction between mind and body, they emphasize the imperceptible influence of bodily processes on our thought and attitudes. They analyse human beings' ignorance (due to self-love) of their own motives and qualities, and the illusions under which they live their lives. Their critique of human behaviour is no less searching than that of writers who have broken with traditional religious morality, such as Hobbes and Spinoza. A wide range of authors is studied, some well-known, others much less so: the abstract and general analyses of philosophers and theologians (Descartes, Jansenius, Malebranche) are juxtaposed with the less systematic and more concrete investigations of writers like Montaigne and La Rochefoucauld, not to mention the theatre of Corneille, Molière, and Racine.
French "classical" Theatre Today by Philip Tomlinson Pdf
Arising from the activities of the Centre for Seventeenth-Century French Theatre, this volume proposes a selection of eighteen essays by internationally renowned scholars aimed at all those who value and work with the theatre of seventeenth-century France, whether in teaching, research or performance. Frequently seeking out the interfaces of these areas, the essays cover historiography (including that of opera), the theory and practice of textual editing, visualizing - in terms of both theatre architecture and the significance of playtext illustration -, approaches to study and research (including the most recent applications of computer technology), and performance studies which relate the classical canon to contemporary French and other cultures. Always suggesting new directions, challenging the epistemological bases of the very concept of French classical theatre, the essays provide a snapshot of scholarship in the field at the dawn of a new millennium, and offer an ideal opportunity to reassess its past whilst looking to its future. blurb van Faux 205 - Tomlinson
Early Modern French Thought by Michael Moriarty Pdf
This book is an examination of three major French thinkers of the seventeenth century, Descartes, Pascal, and Malebranche, of whom the latter two are comparatively little studied in the English-speaking world. It deals with a common attitude of suspicion towards everyday experience, which theysee as dominated and obscured by sensation, imagination, and the presence of the body. This attitude, however, obliges them to develop detailed and sophisticated accounts of the shaping of experience not only by the body but by interpersonal and social relationships, and of the tension between humannature as it is and as we experience it. The treatment of Descartes thus challenges the interpretation that sees him as eliminating the body from 'subjectivity', while that of Pascal and Malebranche shows how their critical attitude towards experience (a fertile source for twentieth-century Frenchthinkers) is linked with their religious doctrines, especially their Augustinian emphasis on Original Sin.
Richelieu and His Age by Joseph Bergin,L. W. B. Brockliss Pdf
This study of Cardinal Richelieu's career as chief minister to Louis XIII of France presents the original research of eight experts in the field. Linking their work is the belief that Richelieu's ministry was a significant moment in the history of early modern France. The authors reject the traditional picture of Richelieu as the single-handed creator of the French absolute state and the original exponent of Realpolitik. Instead they paint a collective portrait of a statesman politically astute but none the less devout. The Richelieu who emerges is in many respects a conservative figure, but one driven by a genuine desire to establish a more just and peaceful society (both in France and in Europe). The emphasis here, then, is more on Richelieu the Cardinal than on Richelieu the secular statesman. The tragedy and irony of his ministry, as the authors also show, was that to maintain himself in power, Richelieu had to behave more like a Renaissance prince than a Counter-Reformation prelate.
Sacral Kingship in Bourbon France by Sean Heath Pdf
Historians of the ancien régime have long been interested in the relationship between religion and politics, and yet many issues remain contentious, including the question of sacral monarchy. Scholars are divided over how - and, indeed, if - it actually operated. With its nuanced analysis of the cult of Saint Louis, covering a vast swathe of French history from the Wars of Religion through the zenith of absolute monarchy under Louis XIV to the French Revolution and Restoration, Sacral Kingship in Bourbon France makes a major contribution to this debate and to our overall understanding of France in this fascinating period. Saint Louis IX was the ancestor of the Bourbons and widely regarded as the epitome of good Christian kingship. As such, his cult and memory held a significant place in the political, religious, and artistic culture of Bourbon France. However, as this book reveals, likenesses to Saint Louis were not only employed by royal flatterers but also used by opponents of the monarchy to criticize reigning kings. What, then, does Saint Louis' cult reveal about how monarchies fostered a culture of loyalty, and how did sacral monarchy interact with the dramatic religious, political and intellectual developments of this era? From manuscripts to paintings to music, Sean Heath skilfully engages with a vast array of primary source material and modern debates on sacral kingship to provide an enlightening and comprehensive analysis of the role of Saint Louis in early modern France.
