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Now with an introduction from celebrated poet James Tate, Riding the Earthboy 40 is the only volume of poetry written by acclaimed Native American novelist James Welch. The title of the book refers to the forty acres of Montana land Welch's father once leased from a Blackfeet family called Earthboy. This land and its surroundings shaped the writer's worldview as a youth, its rawness resonates in the vitality of his elegant poetry, and his verse shows a great awareness of a moment in time, of a place in nature, and of the human being in context. Deeply evoking the specific Native American experience in Montana, Welch's poems nonetheless speak profoundly to all readers. With its new introduction, this vital work that has influenced so many American writers is certain to capture a new generation of readers.
Speak Like Singing honors talk-song visions for all relatives and seeks to plumb, if not to reconcile, Native and American poetics, tribal chorus, and solitary vision.
Celebrates Pacific Northwest literature through interviews in which 22 authors discuss their work and the region's influence on it. Authors include Ursula Le Guin, Raymond Carver, Tess Gallagher, Tom Robbins, Gary Snyder, and Denise Levertov. Two interviews have been added since the publication of
In the Two Medicine territory of Montana, the Pikuni Indians are forced to choose between fighting a futile war or accepting a humiliating surrender, as the encroaching numbers of whites threaten their very existence
The Columbia Guide to American Indian Literatures of the United States Since 1945 by Eric Cheyfitz Pdf
The Columbia Guide to American Indian Literatures of the United States Since 1945 is the first major volume of its kind to focus on Native literatures in a postcolonial context. Written by a team of noted Native and non-Native scholars, these essays consider the complex social and political influences that have shaped American Indian literatures in the second half of the twentieth century, with particular emphasis on core themes of identity, sovereignty, and land. In his essay comprising part I of the volume, Eric Cheyfitz argues persuasively for the necessary conjunction of Indian literatures and federal Indian law from Apess to Alexie. Part II is a comprehensive survey of five genres of literature: fiction (Arnold Krupat and Michael Elliott), poetry (Kimberly Blaeser), drama (Shari Huhndorf), nonfiction (David Murray), and autobiography (Kendall Johnson), and discusses the work of Vine Deloria Jr., N. Scott Momaday, Joy Harjo, Simon Ortiz, Louise Erdrich, Leslie Marmon Silko, Gerald Vizenor, Jimmy Santiago Baca, and Sherman Alexie, among many others. Drawing on historical and theoretical frameworks, the contributors examine how American Indian writers and critics have responded to major developments in American Indian life and how recent trends in Native writing build upon and integrate traditional modes of storytelling. Sure to be considered a groundbreaking contribution to the field, The Columbia Guide to American Indian Literatures of the United States Since 1945 offers both a rich critique of history and a wealth of new information and insight.
Understanding James Welch by Ronald E. McFarland Pdf
A valuable companion to the works of an acclaimed Native American writer In Understanding James Welch, Ron McFarland offers analysis and critical commentary on the works of the renowned Blackfeet-Gros Ventre writer whose first novel, Winter in the Blood, has become a classic in Native American fiction and whose book of poems, Riding the Earthboy 40, has remained in print since its initial publication in 1971. McFarland offers close readings of Welch's poems and five novels, as well as his volume of nonfiction, Killing Custer, which tells the story of the Battle of the Little Bighorn from a Native American perspective. Demonstrating how Welch wrote each of the novels from a different angle, McFarland finds the writer's focus to be on the picaresque in Winter in the Blood, on tragic inevitability in The Death of Jim Loney, on epic qualities in Fools Crow, and on the element of intrigue in The Indian Lawyer. McFarland draws on interviews with Welch, book reviews, and a growing body of secondary scholarly commentary to reflect on Welch's evolution as a writer, his interest in the landscape and the psychological life of his characters, his use of Native American lore and regionalist elements, and his thematic concerns--particularly the identity motif.
Author : Clara Sue Kidwell,Alan R. Velie Publisher : U of Nebraska Press Page : 202 pages File Size : 49,8 Mb Release : 2005-01-01 Category : Social Science ISBN : 0803227760
Native American Studies by Clara Sue Kidwell,Alan R. Velie Pdf
Native American Studies covers key issues such as the intimate relationship of culture to land; the nature of cultural exchange and conflict in the period after European contact; the unique relationship of Native communities with the United States government; the significance of language; the vitality of contemporary cultures; and the variety of Native artistic styles, from literature and poetry to painting and sculpture to performance arts.
Two Spirit People is the first-ever look at social science research exploration into the lives of American Indian lesbian women and gay men. Editor Lester B. Brown posits six gender styles in traditional American Indian culture: men and women, not-men and not-women (persons of one biological sex assuming the identity of the opposite sex in some form), and gays and lesbians. He brings together chapters that emphasize American Indian spirituality, present new perspectives, and provide readers with a beginning understanding of the place of lesbian, gay, and bisexual Indians within American Indian culture and within American society. This beginning will help you understand these unique people and the special challenges and multiple prejudices they face. Traditionally, American Indian cultures showed great respect and honor for alternative gender styles, since these were believed to be part of the sacred web of life. If the Great Spirit chose to create alternative sexualities or gender roles, who was bold enough to oppose such power? If one’s spiritual quest revealed one’s identity to be that of not-woman, not-man, gay, or lesbian, who should defy their calling? The interpretation of contemporary American Indian religions that gay American Indians retain sacred rights within Indian cultures, and that they can share this gift with others, have implications for therapy, identity formation, social movements, and general human relations. Social workers and other human service professionals, American Indian studies students, sociologists, anthropologists, and lesbian and gay scholars will find Two Spirit People enlightening and a significant contribution to the development of professional interventions for oppressed groups that is ethnically and culturally sensitive. Only by understanding the belief systems from which these oppressed groups come will you begin to really help them achieve positive change. You will become better equipped to specifically help gay and lesbian American Indians as you gain insight into: American Indian alternative gender styles social service issues for American Indian lesbians and gay men American Indian not-men and not-women and their choosing ceremonies American Indian lesbian and gay identity development American Indian lesbian and gay literature AIDS and American Indians Two Spirit People helps you see that family and community acceptance of lesbians and gays is possible. The families of American Indian lesbians and gays do not usually abandon them, thus helping them face a generally unaccepting American milieu. Looking to this book and the American Indian perspective of alternative sexuality/gender styles, American society as a whole can begin to take a new approach to the treatment and understanding of other groups traditionally held to the “outside” of American mainstream society.
A Study Guide for James Welch's "Winter in the Blood" by Gale, Cengage Learning Pdf
A Study Guide for James Welch's "Winter in the Blood," excerpted from Gale's acclaimed Novels for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Novels for Students for all of your research needs.
Author : Alan R. Velie,A. Robert Lee Publisher : University of Oklahoma Press Page : 561 pages File Size : 43,6 Mb Release : 2013-11-11 Category : Literary Criticism ISBN : 9780806151335
The Native American Renaissance by Alan R. Velie,A. Robert Lee Pdf
The outpouring of Native American literature that followed the publication of N. Scott Momaday’s Pulitzer Prize–winning House Made of Dawn in 1968 continues unabated. Fiction and poetry, autobiography and discursive writing from such writers as James Welch, Gerald Vizenor, and Leslie Marmon Silko constitute what critic Kenneth Lincoln in 1983 termed the Native American Renaissance. This collection of essays takes the measure of that efflorescence. The contributors scrutinize writers from Momaday to Sherman Alexie, analyzing works by Native women, First Nations Canadian writers, postmodernists, and such theorists as Robert Warrior, Jace Weaver, and Craig Womack. Weaver’s own examination of the development of Native literary criticism since 1968 focuses on Native American literary nationalism. Alan R. Velie turns to the achievement of Momaday to examine the ways Native novelists have influenced one another. Post-renaissance and postmodern writers are discussed in company with newer writers such as Gordon Henry, Jr., and D. L. Birchfield. Critical essays discuss the poetry of Simon Ortiz, Kimberly Blaeser, Diane Glancy, Luci Tapahonso, and Ray A. Young Bear, as well as the life writings of Janet Campbell Hale, Carter Revard, and Jim Barnes. An essay on Native drama examines the work of Hanay Geiogamah, the Native American Theater Ensemble, and Spider Woman Theatre. In the volume’s concluding essay, Kenneth Lincoln reflects on the history of the Native American Renaissance up to and beyond his seminal work, and discusses Native literature’s legacy and future. The essays collected here underscore the vitality of Native American literature and the need for debate on theory and ideology.
From the award-winning author of the Native American classic Fools Crow, James Welch gives us a richly crafted novel of cultural crossing that is a triumph of storytelling and the historical imagination. Charging Elk, an Oglala Sioux, joins Buffalo Bill's Wild West Show and journeys from the Black Hills of South Dakota to the back streets of nineteenth-century Marseille. Left behind in a Marseille hospital after a serious injury while the show travels on, he is forced to remake his life alone in a strange land. He struggles to adapt as well as he can, while holding on to the memories and traditions of life on the Plains and eventually falling in love. But none of the worlds the Indian has known can prepare him for the betrayal that follows. This is a story of the American Indian that we have seldom seen: a stranger in a strange land, often an invisible man, loving, violent, trusting, wary, protective, and defenseless against a society that excludes him but judges him by its rules. At once epic and intimate, The Heartsong of Charging Elk echoes across time, geography, and cultures.
