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Robert Schumann's Advice to Young Musicians by Steven Isserlis Pdf
Robert Schumann was far ahead of his time, not least in his attitude to children and young people; his 'Advice for Young Musicians', originally created to accompany his famous 'Album for the Young', remains as relevant today as when it was written.Celebrated cellist Steven Isserlis adds his own extensive commentary to Schumann's words of wisdom. The advice is by turns practical, humorous, and profound, making this volume a must for all aspiring musicians of all ages and standards.
Author : Robert Schumann,Steven Isserlis Publisher : University of Chicago Press Page : 113 pages File Size : 51,5 Mb Release : 2017-10-23 Category : Music ISBN : 9780226482743
Robert Schumann's Advice to Young Musicians by Robert Schumann,Steven Isserlis Pdf
Introduction -- On being a musician -- Playing -- Practising -- Composing -- My own bits of advice (for what they're worth) -- On being a musician -- Playing -- Practising -- Composing
Includes 61 important critical pieces Schumann wrote for the Neue Zeitschrift fur Musik, 1834–1844. Perceptive evaluations of Beethoven, Chopin, Schubert, other giants; also Spohr, Moscheles, Field, other minor masters. Annotated.
SCHUMANN: THE FACES & THE MASKS is a groundbreaking account of a major composer whose life and works have been the subject of intense controversy ever since his attempted suicide and early death in an insane asylum. Schumann was a key figure in the Romantic movement which enraptured poets, musicians, painters and their audiences in the early 19th century and beyond, right up to the present time. He embodied all the contrasting themes of Romanticism - he was intensely original and imaginative, but also worshipped the past; he believed in political, personal and artistic freedom but insisted on the need for artistic form. He turned his tumultuous life into music that speaks directly to the heart. Drawing on hitherto unpublished archive material, Chernaik provides new insight into Schumann's life and his music, his sexual escapades, his fathering of an illegitimate child, the true facts behind his courtship of Clara and the opposition of her monstrous father, and the ways in which the crises of his life fed into the dreams and fantasies of his greatest music.
Why Beethoven Threw the Stew by Steven Isserlis Pdf
In Why Beethoven Threw the Stew, renowned cellist Steven Isserlis sets out to pass on to children a wonderful gift given to him by his own cello teacher - the chance to people his own world with the great composers by getting to know them as friends. Witty and informative at the same time, Isserlis introduces us to six of his favourite composers: the sublime genius Bach, the quicksilver Mozart, Beethoven with his gruff humour, the shy Schumann, the prickly Brahms and that extraordinary split personality, Stravinsky. Isserlis brings the composers alive in an irresistible manner that can't fail to catch the attention of any child whose ear has been caught by any of the music described, or anyone entering the world of classical music for the first time. The lively black and white line illustrations provide a perfect accompaniment to the text, and make this book attractive and accessible for children to enjoy on their own or share with an adult.
At the age of nine, Clara Wieck gave her first public performance as a concert pianist. She played beautifully. When the concert was over, she felt as if she were dancing on a cloud. As she grew older, Clara's concerts took her all over Europe. Audiences adored her, and she became friends with other famous musicians—including her father's student, Robert Schumann. Robert and Clara fell in love and eventually married. Robert took some of Clara's melodies and shaped them into compositions, and Clara performed his pieces, introducing them to new audiences. Throughout her life, Clara Schumann's performances set the standard for piano music. The greatest composers of her time—impressed with the power and beauty of her playing—wrote music for her. Clara was a pianist, composer, and mentor, as well as an inspiration to the romantic movement that was her life. She made the piano sing.
Shattering longstanding myths, this new biography reveals the robust and positive life of one of the nineteenth century's greatest composers This candid, intimate, and compellingly written new biography offers a fresh account of Robert Schumann's life. It confronts the traditional perception of the doom-laden Romantic, forced by depression into a life of helpless, poignant sadness. John Worthen's scrupulous attention to the original sources reveals Schumann to have been an astute, witty, articulate, and immensely determined individual, who--with little support from his family and friends in provincial Saxony--painstakingly taught himself his craft as a musician, overcame problem after problem in his professional life, and married the woman he loved after a tremendous battle with her father. Schumann was neither manic depressive nor schizophrenic, although he struggled with mental illness. He worked prodigiously hard to develop his range of musical styles and to earn his living, only to be struck down, at the age of forty-four, by a vile and incurable disease. Worthen's biography effectively de-mystifies a figure frequently regarded as a Romantic enigma. It frees Schumann from 150 years of mythmaking and unjustified psychological speculation. It reveals him, for the first time, as a brilliant, passionate, resolute musician and a thoroughly creative human being, the composer of arguably the best music of his generation.
A New York Times Notable Book "This brilliant and magisterial book is a very good bet to...become the definitive study of Johannes Brahms."--The Plain Dealer Judicious, compassionate, and full of insight into Brahms's human complexity as well as his music, Johannes Brahms is an indispensable biography. Proclaimed the new messiah of Romanticism by Robert Schumann when he was only twenty, Johannes Brahms dedicated himself to a long and extraordinarily productive career. In this book, Jan Swafford sets out to reveal the little-known Brahms, the boy who grew up in mercantile Hamburg and played piano in beer halls among prostitutes and drunken sailors, the fiercely self-protective man who thwarted future biographers by burning papers, scores and notebooks late in his life. Making unprecedented use of the remaining archival material, Swafford offers richly expanded perspectives on Brahms's youth, on his difficult romantic life--particularly his longstanding relationship with Clara Schumann--and on his professional rivalry with Lizst and Wagner. "[Johannes Brahms] will no doubt stand as the definitive work on Brahms, one of the monumental biographies in the entire musical library."--London Weekly Standard "It is a measure of the accomplishment of Jan Swafford's biography that Brahms's sadness becomes palpable.... [Swafford] manages to construct a full-bodied human being."--The New York Times Book Review
The Marriage Diaries of Robert & Clara Schumann by Robert Schumann Pdf
The Schumann Marriage diaries provide a vivid portrait of the unique artistic and personal union between two renowned musicians. For the first four years of their marriage, Robert and Clara Schumann kept a joint diary, recording their entries, at least initially, on alternate weeks. Begun on September 13, 1840, the day after their marriage, the diary opens with guidance from Robert: "This little book . . . has a very intimate meaning; it shall be a diary about everything that touches us mutually in our household and marriage." The diaries reflect the harmony as well as the discord in their marriage. Robert and Clara describe in intimate detail their honeymoon period, the births of their children, their busy social lives, travels throughout Europe, financial problems, separations, and reunions. The book also evokes the artistic milieu of nineteenth-century Germany. The Schumanns came in contact with many musicians, including their close friends Felix Mendelssohn and Franz Liszt, and recorded their insightful reactions to the artists and their music. The marriage diaries cover a fertile period in Robert Schumann's life, during which he wrote the Spring Symphony, the Piano Concerto, most of his chamber music, his first oratorio, "Paradise and the Peri, " and numerous songs. They reflect the frenetic pace at which he worked, as well as his growing bouts of depression, his ambivalent response to Clara's decision to return to the concert stage after a prolonged hiatus, and her anxiety in the face of Robert's changing moods. This edition includes the couple's travel book, written during their stressful concert tour of Russia in 1844, which marked the end of the marriage diaries; RobertSchumann's descriptions of Russian customs; and the poems he wrote in Moscow - all of which provide a fascinating and uniquely detailed glimpse at what it was like to travel in Russia at the time.
