Robin Wood On The Horror Film

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Robin Wood on the Horror Film

Author : Robin Wood
Publisher : Wayne State University Press
Page : 447 pages
File Size : 44,9 Mb
Release : 2018-11-12
Category : Performing Arts
ISBN : 9780814345245

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Robin Wood on the Horror Film by Robin Wood Pdf

Robin Wood—one of the foremost critics of cinema—has laid the groundwork for anyone writing about the horror film in the last half-century. Wood’s interest in horror spanned his entire career and was a form of popular cinema to which he devoted unwavering attention. Robin Wood on the Horror Film: Collected Essays and Reviews compiles over fifty years of his groundbreaking critiques. In September 1979, Wood and Richard Lippe programmed an extensive series of horror films for the Toronto International Film Festival and edited a companion piece: The American Nightmare: Essays on the Horror Film — the first serious collection of critical writing on the horror genre. Robin Wood on the Horror Film now contains all of Wood’s writings from The American Nightmare and nearly everything else he wrote over the years on horror—published in a range of journals and magazines—gathered together for the first time. It begins with the first essay Wood ever published, "Psychoanalysis of Psycho," which appeared in 1960 and already anticipated many of the ideas explored later in his touchstone book, Hitchcock’s Films. The volume ends, fittingly, with, "What Lies Beneath?," written almost five decades later, an essay in which Wood reflects on the state of the horror film and criticism since the genre’s renaissance in the 1970s. Wood’s prose is eloquent, lucid, and convincing as he brings together his parallel interests in genre, authorship, and ideology. Deftly combining Marxist, Freudian, and feminist theory, Wood’s prolonged attention to classic and contemporary horror films explains much about the genre’s meanings and cultural functions. Robin Wood on the Horror Film will be an essential addition to the library of anyone interested in horror, science fiction, and film genre.

Robin Wood on the Horror Film

Author : Robin Wood
Publisher : Unknown
Page : 0 pages
File Size : 50,6 Mb
Release : 2018
Category : Horror films
ISBN : 0814345239

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Robin Wood on the Horror Film by Robin Wood Pdf

Robin Wood's writing on the horror film, published over five decades, collected in one volume.

Planks of Reason

Author : Barry Keith Grant,Christopher Sharrett
Publisher : Scarecrow Press
Page : 436 pages
File Size : 48,7 Mb
Release : 2004
Category : Performing Arts
ISBN : 0810850133

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Planks of Reason by Barry Keith Grant,Christopher Sharrett Pdf

The original edition of Planks of Reason was the first academic critical anthology on horror. In retrospect, it appeared as a kind of homage to the "golden age" of the American horror film, as this genre played an increasing role in film culture and American life. This revised edition retains the spirit of the original, but also offers new takes on rediscovered classics and recent developments in the genre.

Hollywood from Vietnam to Reagan . . . and Beyond

Author : Robin Wood
Publisher : Columbia University Press
Page : 413 pages
File Size : 41,7 Mb
Release : 2003-07-10
Category : Performing Arts
ISBN : 9780231507578

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Hollywood from Vietnam to Reagan . . . and Beyond by Robin Wood Pdf

This classic of film criticism, long considered invaluable for its eloquent study of a problematic period in film history, is now substantially updated and revised by the author to include chapters beyond the Reagan era and into the twenty-first century. For the new edition, Robin Wood has written a substantial new preface that explores the interesting double context within which the book can be read-that in which it was written and that in which we find ourselves today. Among the other additions to this new edition are a celebration of modern "screwball" comedies like My Best Friend's Wedding, and an analysis of '90s American and Canadian teen movies in the vein of American Pie, Can't Hardly Wait, and Rollercoaster. Also included are a chapter on Hollywood today that looks at David Fincher and Jim Jarmusch (among others) and an illuminating essay on Day of the Dead.

Cinematic Emotion in Horror Films and Thrillers

Author : Julian Hanich
Publisher : Routledge
Page : 314 pages
File Size : 51,5 Mb
Release : 2011-02-09
Category : Social Science
ISBN : 9781136991585

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Cinematic Emotion in Horror Films and Thrillers by Julian Hanich Pdf

Hanich looks at fear at the movies – its aesthetics, its experience and its pleasures--in this thought-provoking study. Looking at over 150 different films including Seven, Rosemary's Baby, and Silence of the Lambs, Hanich attempts to answer the paradox of why we enjoy films that thrill us, that scare us, that threaten us, that shock us –affects that we otherwise desperately wish to avoid.

Hitchcock's Films Revisited

Author : Robin Wood
Publisher : Columbia University Press
Page : 516 pages
File Size : 52,5 Mb
Release : 2002
Category : Performing Arts
ISBN : 0231126956

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Hitchcock's Films Revisited by Robin Wood Pdf

When Hitchcock's Films was first published, it quickly became known as a new kind of book on film and as a necessary text in the growing body of Hitchcock criticism. This revised edition of Hitchcock's Films Revisited includes a substantial new preface in which Wood reveals his personal history as a critic--including his coming out as a gay man, his views on his previous critical work, and how his writings, his love of film, and his personal life and have remained deeply intertwined through the years. This revised edition also includes a new chapter on Marnie.

Horror Film and Psychoanalysis

Author : Steven Jay Schneider
Publisher : Cambridge University Press
Page : 319 pages
File Size : 55,5 Mb
Release : 2004-06-28
Category : Performing Arts
ISBN : 9781139453684

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Horror Film and Psychoanalysis by Steven Jay Schneider Pdf

Psychoanalytic theory has been the subject of attacks from philosophers, cultural critics and scientists who have questioned the cogency of its reasoning as well as the soundness of its premises. Nevertheless, when used to shed light on horror cinema, psychoanalysis in its various forms has proven to be a fruitful and provocative interpretative tool. This volume seeks to find the proper place of psychoanalytic thought in critical discussion of cinema in a series of essays that debate its legitimacy, utility and validity as applied to the horror genre. It distinguishes itself from previous work in this area through the self-consciousness with which psychoanalytic concepts are employed and the theorization that coexists with interpretations of particular horror films and subgenres.

Personal Views

Author : Robin Wood
Publisher : Wayne State University Press
Page : 442 pages
File Size : 42,5 Mb
Release : 2006-07-24
Category : Performing Arts
ISBN : 9780814340066

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Personal Views by Robin Wood Pdf

Robin Wood, the renowned scholarly critic and writer on film, has prepared a new introduction and added three essays to his classic text Personal Views. This important book contains essays on a wide range of films and filmmakers and considers questions of the nature of film criticism and the critic. Wood, the proud "unreconstructed humanist," offers in this collection persuasive arguments for the importance of art, creativity, and personal response and also demonstrates these values in his analyses. Personal Views is the only book on cinema by Wood never to have been published in the United States. It contains essays on popular Hollywood directors such as Howard Hawks, Vincente Minnelli, and Leo McCarey; as well as pieces on recognized auteurs like Max Ophuls, Orson Welles, Fritz Lang, and Josef von Sternberg; and essays on art-film icons Jean-Luc Godard, Michelangelo Antonioni, and Kenji Mizoguchi. The writings that make up Personal Views appeared duing a pivotal time in both film studies-during its academic institutionalization-and in the author's life. Throughout this period of change, Wood remained a stalwart anchor of the critical discipline, using theory without being used by it and always staying attentive to textual detail. Wood's overall critical project is to combine aesthetics and ideology in understanding films for the ultimate goal of enriching our lives individually and together. This is a major work to be read and reread not just by film scholars and students of film but by anyone with an interest in twentieth-century culture.

Recreational Terror

Author : Isabel Cristina Pinedo
Publisher : State University of New York Press
Page : 198 pages
File Size : 50,6 Mb
Release : 2016-02-24
Category : Social Science
ISBN : 9781438416168

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Recreational Terror by Isabel Cristina Pinedo Pdf

In Recreational Terror, Isabel Cristina Pinedo analyzes how the contemporary horror film produces recreational terror as a pleasurable encounter with violence and danger for female spectators. She challenges the conventional wisdom that violent horror films can only degrade women and incite violence, and contends instead that the contemporary horror film speaks to the cultural need to express rage and terror in the midst of social upheaval.

Making and Remaking Horror in the 1970s and 2000s

Author : David Roche
Publisher : Univ. Press of Mississippi
Page : 344 pages
File Size : 46,9 Mb
Release : 2014-02-06
Category : Performing Arts
ISBN : 9781617039621

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Making and Remaking Horror in the 1970s and 2000s by David Roche Pdf

An expansive treatment of the meanings and qualities of original and remade American horror movies

The Philosophy of Horror

Author : Thomas Fahy
Publisher : University Press of Kentucky
Page : 270 pages
File Size : 41,9 Mb
Release : 2010-04-30
Category : Philosophy
ISBN : 9780813173702

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The Philosophy of Horror by Thomas Fahy Pdf

Sitting on pins and needles, anxiously waiting to see what will happen next, horror audiences crave the fear and exhilaration generated by a terrifying story; their anticipation is palpable. But they also breathe a sigh of relief when the action is over, when they are able to close their books or leave the movie theater. Whether serious, kitschy, frightening, or ridiculous, horror not only arouses the senses but also raises profound questions about fear, safety, justice, and suffering. From literature and urban legends to film and television, horror’s ability to thrill has made it an integral part of modern entertainment. Thomas Fahy and twelve other scholars reveal the underlying themes of the genre in The Philosophy of Horror. Examining the evolving role of horror, the contributing authors investigate works such as Mary Shelley’s Frankenstein (1818), horror films of the 1930s, Stephen King’s novels, Stanley Kubrick’s adaptation of The Shining (1980), and Alfred Hitchcock’s Psycho (1960). Also examined are works that have largely been ignored in philosophical circles, including Truman Capote’s In Cold Blood (1965), Patrick Süskind’s Perfume (1985), and James Purdy’s Narrow Rooms (2005). The analysis also extends to contemporary forms of popular horror and “torture-horror” films of the last decade, including Saw (2004), Hostel (2005), The Devil’s Rejects (2005), and The Hills Have Eyes (2006), as well as the ongoing popularity of horror on the small screen. The Philosophy of Horror celebrates the strange, compelling, and disturbing elements of horror, drawing on interpretive approaches such as feminist, postcolonial, Marxist, and psychoanalytic criticism. The book invites readers to consider horror’s various manifestations and transformations since the late 1700s, probing its social, cultural, and political functions in today’s media-hungry society.

Horror Film and Otherness

Author : Adam Lowenstein
Publisher : Columbia University Press
Page : 172 pages
File Size : 51,9 Mb
Release : 2022-07-19
Category : Performing Arts
ISBN : 9780231556156

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Horror Film and Otherness by Adam Lowenstein Pdf

What do horror films reveal about social difference in the everyday world? Criticism of the genre often relies on a dichotomy between monstrosity and normality, in which unearthly creatures and deranged killers are metaphors for society’s fear of the “others” that threaten the “normal.” The monstrous other might represent women, Jews, or Blacks, as well as Indigenous, queer, poor, elderly, or disabled people. The horror film’s depiction of such minorities can be sympathetic to their exclusion or complicit in their oppression, but ultimately, these images are understood to stand in for the others that the majority dreads and marginalizes. Adam Lowenstein offers a new account of horror and why it matters for understanding social otherness. He argues that horror films reveal how the category of the other is not fixed. Instead, the genre captures ongoing metamorphoses across “normal” self and “monstrous” other. This “transformative otherness” confronts viewers with the other’s experience—and challenges us to recognize that we are all vulnerable to becoming or being seen as the other. Instead of settling into comforting certainties regarding monstrosity and normality, horror exposes the ongoing struggle to acknowledge self and other as fundamentally intertwined. Horror Film and Otherness features new interpretations of landmark films by directors including Tobe Hooper, George A. Romero, John Carpenter, David Cronenberg, Stephanie Rothman, Jennifer Kent, Marina de Van, and Jordan Peele. Through close analysis of their engagement with different forms of otherness, this book provides new perspectives on horror’s significance for culture, politics, and art.

Horror Franchise Cinema

Author : Mark McKenna,William Proctor
Publisher : Routledge
Page : 349 pages
File Size : 47,6 Mb
Release : 2021-09-30
Category : Social Science
ISBN : 9780429593840

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Horror Franchise Cinema by Mark McKenna,William Proctor Pdf

This book explores horror film franchising from a broad range of interdisciplinary perspectives and considers the horror film’s role in the history of franchising and serial fiction. Comprising 12 chapters written by established and emerging scholars in the field, Horror Franchise Cinema redresses critical neglect toward horror film franchising by discussing the forces and factors governing its development across historical and contemporary terrain while also examining text and reception practices. Offering an introduction to the history of horror franchising, the chapters also examine key texts including Universal Studio monster films, Blumhouse production films, The Texas Chainsaw Massacre, A Nightmare on Elm Street, Alien, I Spit on Your Grave, Let the Right One In, Italian zombie films, anthology films, and virtual reality. A significant contribution to studies of horror cinema and film/media franchising from the 1930s to the present day, this book will be of interest to students and scholars of film studies, media and cultural studies, franchise studies, political economy, audience/reception studies, horror studies, fan studies, genre studies, production cultures, and film histories.

Horror, The Film Reader

Author : Mark Jancovich
Publisher : Routledge
Page : 208 pages
File Size : 45,9 Mb
Release : 2002-01-10
Category : Performing Arts
ISBN : 9781134563753

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Horror, The Film Reader by Mark Jancovich Pdf

Horror, The Film Reader brings together key articles to provide a comprehensive resource for students of horror cinema. Mark Jancovich's introduction traces the development of horror film from The Cabinet of Dr. Caligari to The Blair Witch Project, and outlines the main critical debates. Combining classic and recent articles, each section explores a central issue of horror film, and features an editor's introduction outlining the context of debates.

Movies and Methods

Author : Bill Nichols
Publisher : Univ of California Press
Page : 770 pages
File Size : 49,5 Mb
Release : 1976
Category : Film criticism
ISBN : 0520054091

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Movies and Methods by Bill Nichols Pdf

VOLUME 2: "Movies and Methods," Volume II, captures the developments that have given history and genre studies imaginative new models and indicates how feminist, structuralist, and psychoanalytic approaches to film have achieved fresh, valuable insights. In his thoughtful introduction, Nichols provides a context for the paradoxes that confront film studies today. He shows how shared methods and approaches continue to stimulate much of the best writing about film, points to common problems most critics and theorists have tried to resolve, and describes the internal contraditions that have restricted the usefulness of post-structuralism. Mini-introductions place each essay in a larger context and suggest its linkages with other essays in the volume. A great variety of approaches and methods characterize film writing today, and the final part conveys their diversity--from statistical style analysis to phenomenology and from gay criticisms to neoformalism. This concluding part also shows how the rigorous use of a broad range of approaches has helped remove post-structuralist criticism from its position of dominance through most of the seventies and early eighties. -- Publisher description.